Symphonia Domestica

Tone poem for large orchestra by Richard Strauss

Strauss, 1903

Symphonia domestica (published in 1904 as SYMPHONIA DOMESTICA and in 1926 as Symphonia domestica), Op. 53, is a tone poem for large orchestra by Richard Strauss reflecting the secure domestic life valued by the composer and accordingly dedicated by him to his "dear wife and young ones."

## History and composition

[edit]

In 1898, Strauss became the chief conductor of the Royal Court Opera in Berlin. It was at this point in his life that the composer took a keen interest in his own circumstances and turned his attention to his status and personal history. When he began composing the Symphonia Domestica, he intended it to be the sequel to Ein Heldenleben, the next installment of the autobiography of the now-successful artist.

He worked on the piece during 1903, finishing it on New Year's Eve, in Charlottenburg.[1]

The piece is scored for piccolo, 3 flutes, 2 oboes, oboe d'amore, English horn, clarinet in D, 3 clarinets (2 in B♭, 1 in A), bass clarinet in B♭, 4 bassoons, contrabassoon, 4 saxophones (soprano in C, alto in F, baritone in F, bass in C) that are ad libitum (optional), 8 horns in F, 4 trumpets in F and C, 3 trombones, tuba, timpani, bass drum, triangle, cymbals, glockenspiel, 2 harps, and strings.

## Structure

[edit]

Strauss with his wife and son, 1910

The program of the work reflects the simplicity of the subject matter. After the whole extended family (including the aunts and uncles) has been introduced, the parents are heard alone with their child. The next section is a three-part adagio which begins with the husband's activities. The clock striking 7 a.m. launches the finale.

The most detailed exposition of the work's structure is that which was provided for the Berlin Philharmonic's performance on 12 December 1904. On that occasion, the concert programme carried the following outline:

* I. Introduction and development of the chief groups of themes

The husband's themes (F major):

(a) Easy-going (gemächlich)

Audio playback is not supported in your browser. You can download the audio file.

(b) Dreamy (träumerisch)

Audio playback is not supported in your browser. You can download the audio file.

(c) Surly (mürrisch)

Audio playback is not supported in your browser. You can download the audio file.

(d) Fiery (feurig)

Audio playback is not supported in your browser. You can download the audio file.

The wife's themes (B major):

(a) Lively and gay (sehr lebhaft)

Audio playback is not supported in your browser. You can download the audio file.

(b) Grazioso

Audio playback is not supported in your browser. You can download the audio file.

The child's theme (D minor):

Tranquil (ruhig)

Audio playback is not supported in your browser. You can download the audio file.

* II. Scherzo

Parents' happiness. Childish play.

Audio playback is not supported in your browser. You can download the audio file.

Cradle song [quotation from Felix Mendelssohn's "Venetian Boat Song", Op. 19b, No. 6 from Songs Without Words] (The clock strikes seven in the evening).

Audio playback is not supported in your browser. You can download the audio file.

* III. Adagio

Doing and thinking. Love scene. Dreams and cares (the clock strikes seven in the morning).

* IV. Finale

Awakening and merry dispute (double fugue). Joyous confusion.

I. Thema

Audio playback is not supported in your browser. You can download the audio file.

II. Thema

Audio playback is not supported in your browser. You can download the audio file.

## Performance

[edit]

Photograph of Strauss taken in New York during his 1904 US tour

Strauss reserved the premiere for his American tour in 1904, and Carnegie Hall in New York was booked. He would conduct it himself. Originally the premiere was scheduled for 9 March, but the orchestral parts were delayed, so it was postponed to 21 March. The later date allowed more rehearsals, of which 15 were required before Strauss was satisfied. The Wetzler Symphony Orchestra was adequate, but not much more. During a performance of his Don Quixote two nights earlier, the orchestra had broken down in the middle of the piece.[1]

Nevertheless, the performance was a great success, so much so that he was prevailed upon to conduct two more performances in Wanamaker's department store in New York, on 16 and 18 April, for a fee of $1,000. An entire sales floor had to be cleared to make way for the huge orchestra, and the concerts attracted audiences of 6,000 people. The New York and German press were very critical, not just of these exhibitions but of the very work itself, regarding them as a blatant commercialization of the sacred art of music and the intimacy of family life. Strauss responded: "True art ennobles this Hall, and a respectable fee for his wife and child is no disgrace even for an artist".[2]

The Viennese premiere of the Domestica was conducted by Gustav Mahler on 23 November 1904.

A typical performance of the work lasts approximately forty-four minutes.

In 1924 Strauss wrote the Wedding Prelude for two harmoniums (Trv 247) for the occasion of the wedding of his son Franz with Alice Grab-Hermannswörth, based largely on themes found in the Symphonia Domestica. In 1925, Strauss wrote a piece for Paul Wittgenstein for piano left-hand and orchestra, again using themes from the Symphonia Domestica, titled Parergon zur Symphonia Domestica, Op. 73.

## Discography

[edit]

This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2020) (Learn how and when to remove this message)

|

Conductor  | Orchestra  | Recorded

|
|

Eugene Ormandy | Philadelphia Orchestra | 1938
Carl Schuricht | Orchestra of La Scala Opera House, Milan  | 1941
Richard Strauss | Vienna Philharmonic | 1944
Wilhelm Furtwängler | Berliner Philharmoniker | 1944
Richard Strauss | Philharmonia Orchestra | 1947
Franz Konwitschny | Staatskapelle Dresden | 1956
Clemens Krauss | Vienna Philharmonic | 1952
Fritz Reiner | Chicago Symphony Orchestra | 1956
George Szell | Cleveland Orchestra | 1957
Dimitri Mitropoulos | Wiener Philharmoniker | 1957
Jascha Horenstein | BBC Symphony Orchestra | 1961
Zubin Mehta | Los Angeles Philharmonic | 1968
Hilde Somer | San Antonio Symphony Orchestra  | 1969
Rudolf Kempe | Staatskapelle Dresden  | 1972
Herbert von Karajan | Berliner Philharmoniker  | 1973
Lorin Maazel | Vienna Philharmonic  | 1983
Zubin Mehta | Berliner Philharmoniker  | 1985
Neeme Järvi | Scottish National Orchestra  | 1986
Gerard Schwarz | Seattle Symphony  | 1988
Edo de Waart | Minnesota Orchestra  | 1990
Wolfgang Sawallisch | Philadelphia Orchestra  | 1993
Lorin Maazel | Bavarian Radio Symphony Orchestra  | 1995
André Previn | Vienna Philharmonic  | 1995
Vladimir Ashkenazy | Czech Philharmonic Orchestra  | 1997
David Zinman | Zurich Tonhalle Orchestra  | 2002
Antoni Wit | Staatskapelle Weimar  | 2009
Gerard Schwartz | Seattle Symphony  | 2012
Marek Janowski | Rundfunk-Sinfonieorchester Berlin  | 2015
François-Xavier Roth | SWR Sinfonieorchester Baden-Baden und Freiburg | 2017

There is also a two-piano version, which Martha Argerich and Alexandre Rabinovitch recorded in 1995 for Teldec.

## References

[edit]

1. ^ a b Ernst Krause, liner notes from the Turnabout recording of Strauss conducting the work with the Vienna Philharmonic in 1944
2. ^ Glass, Herbert. "About the Piece: Symphonia domestica". Philpedia. Los Angeles Philharmonic Association. Archived from the original on 29 July 2017. Retrieved 19 January 2022.

## External links

[edit]

* Symphonia Domestica: Scores at the International Music Score Library Project

* v
* t
* e

Richard Strauss

* List of operas
* List of compositions

Operas|

* Guntram (1894)
* Feuersnot (1901)
* Salome (1905)
* Elektra (1909)
* Der Rosenkavalier (1911)
* Ariadne auf Naxos (1912/16)
* Die Frau ohne Schatten (1919)
* Intermezzo (1924)
* Die ägyptische Helena (1928)
* Arabella (1933)
* Die schweigsame Frau (1935)
* Friedenstag (1938)
* Daphne (1938)
* Die Liebe der Danae (1940)
* Capriccio (1942)

Ballets|

* Josephslegende (1914)
* Schlagobers (1924)
* Verklungene Feste (1940)

Orchestral|

* Symphony No. 1 (1880)
* Violin Concerto (1881–82)
* Horn Concerto No. 1 (1882–83)
* Symphony No. 2 (1883–84)
* Burleske (1885–86)
* Le bourgeois gentilhomme (1911–17)
* Dance suite from keyboard pieces by François Couperin (1923)
* Wiener Philharmoniker Fanfare (1924)
* Olympische Hymne (1936)
* Japanese Festival Music (1940)
* Divertimento for chamber orchestra after keyboard pieces by Couperin (1941)
* Horn Concerto No. 2 (1942)
* Metamorphosen (1945)
* Oboe Concerto (1945)
* Duet concertino for clarinet and bassoon (1947)

Tone poems|

* Aus Italien (1886)
* Macbeth (1888)
* Don Juan (1888)
* Death and Transfiguration (1889)
* Till Eulenspiegel's Merry Pranks (1895)
* Also sprach Zarathustra (1896)
* Don Quixote (1897)
* Ein Heldenleben (1898)
* Symphonia Domestica (1903)
* An Alpine Symphony (1911–15)

Chamber music|

* Piano Sonata (1881)
* Cello Sonata in F major (1883)
* Piano Quartet (1884–1885)
* Violin Sonata (1888)
* Enoch Arden (1897)

Lieder|

* "Zueignung" (1885)
* "Die Nacht" (1885)
* "Allerseelen" (1885)
* "Winternacht" (1886)
* "Ständchen" (1886)
* "Ruhe, meine Seele!" (1894)
* "Cäcilie" (1894)
* "Heimliche Aufforderung" (1894)
* "Morgen!" (1894)
* "Traum durch die Dämmerung" (1895)
* "Sehnsucht" (1896)
* "Der Arbeitsmann" (1898)
* "Befreit" (1898)
* "Notturno" (1899)
* "Des Dichters Abendgang" (1900)
* "Freundliche Vision" (1900)
* "Frühlingsfeier" (1906)
* Brentano Lieder (1918)
* Der Krämerspiegel (1918)
* Four Last Songs (1948)

Choral|

* Wandrers Sturmlied (1884)
* Utan svafvel och fosfor (1889)
* Taillefer (1903)
* Die Tageszeiten (1928)

Film adaptations|

* Der Rosenkavalier (1926 film)

Family and peers|

* Franz Strauss (father)
* Pauline de Ahna (wife)
* Hans von Bülow
* Hugo von Hofmannsthal
* Max Reinhardt
* Stefan Zweig
* Joseph Gregor

Related articles|

* Elektra chord
* Treatise on Instrumentation
* Modernism
* Neoclassicism
* Neo-romanticism

* Category
* Audio

Portal:

* Classical music

Authority control databases

National|

* United States
* France
* BnF data
* Israel

Other|

* MusicBrainz work
* BRAHMS

*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template