Tanec

This article may contain an excessive number of citations. Please help remove low-quality or irrelevant citations. (September 2019) (Learn how and when to remove this message)

|

TanecFormation| 1949

|

Type| Folk music ensemble
Location|

* Skopje

Region served

| Macedonia
Website| Tanec.mk

Tanec (Macedonian: Танец) is a folklore musical ensemble from Skopje, North Macedonia. It is considered as an ambassador of the Macedonian folklore tradition worldwide.

## History

[edit]

The Tanec ensemble was founded by the Government of the People's Republic of Macedonia in 1949 with an aim to collect, preserve and present the Macedonian folklore: folk songs and folk dances, folk instruments and national costumes.[1] The ensemble is inspired by ancient Macedonian culture and traditions[2] also has a junior ensemble.

Tanec has taken part in over 3,500 concerts and festivals around the world including: United States, Canada, Australia, Japan, Soviet Union, France, Belgium, Germany, Switzerland, Italy, Greece, Turkey, Kuwait, Israel, Egypt, Nigeria, Mali, Senegal and Zaire as well as concerts across the former Yugoslavia.[citation needed]

## Awards

[edit]

The ensemble received the First Prize at the International Festival in Llangollen, United Kingdom in 1950.[citation needed] In 2008, Tanec received the "Order of Merit for Macedonia".[3]

## Tale Ognenovski

[edit]

Clarinetist and composer Tale Ognenovski. [4] Ognenovski performed with Tanec during their 1956 66-date tour of United States of America and Canada. [5][6] As a clarinet he performed the Macedonian folk dances Zhensko Chamche and Beranche in Vardar Film’s 1955 production of Ritam i zvuk (Rhythm and Sound). [7][8][9][6]

Regarding his contribution to this tour [10][11][12][13] Ognenovski's biographer Stevan Ognenovski[a] noted: "Tale Ognenovski was clarinet soloist in Sopska Poskocica but he also helped arrange the music for he added his own improvisations to some parts of the dance … Ensemble ‘Tanec’ performed 66 concerts ... They were described as a Great Cultural Event by the American press." [18][6] Craig Harris at Allmusic noted "the ensemble reached their peak during the late '50s, when influential clarinet and pipes player Tale Ognenovski was a member."[19][6][4]

## Reviews

[edit]

In a 1964 interview, for the newspaper “Večer”, Skopje, People’s Republic of Macedonia Raymond Guillier, The Manager of Ensemble 'Tanec's tour of France (from Paris, France) commented: “Everyone who went to the concerts by Ensemble “Tanec” in France was fascinated … ‘Tanec’ is playing in the spirit of Macedonia, no other Ensemble in the world can perform ... Your girls and boys put their whole heart into the dance and example of this is clarinetist Tale Ognenovski.” [20][21][22][6]

Tanec's North American tour began with their debut on CBS TV Programme Omnibus (U.S. TV series) on January 22, 1956. Their first live US television performance was taped on videocassette and archived at the Library of Congress in Washington, D.C., and in Catalog Record is written description content: “The Yugoslav national folk ballet / directed by Elliot Silverstein; with the Tanec dance troupe from Macedonia (20 min.)” [23][24][6][25]

On January 27, 1956, the Tanec Ensemble performed at Carnegie Hall in New York City. For this Carnegie Hall concert The New York Times music critic John Martin, wrote, "This particular group, part of a national movement toward the revival of the folk arts, comes from Macedonia … brilliantly spectacular and wonderfully unfamiliar dances … unforgettable pipe.“[26][27][6][28]

The New York Herald Tribune music critic Walter Terry, wrote, “Tanec, a Macedonian group of some forty dancers and musicians, gave generously of their rich folk heritage ... In “Sopska Poskocica,” to make the point five young men took over the stage and indulged in show-off tactics to attract the girl ... An audience which jammed Carnegie to capacity cheered and applauded the folk dancing with as much enthusiasm as if it had been witnessing classical, theatrical ballet at its most glittering.” [29][30][6][31]

Stjepan Pucak, former Tanjug correspondent and Croatian journalist note: "To choose which were the most successful of the program's seventeen folk dances, when all were greeted with stormy applause, is really very difficult and risky ... “Sopska Poskocica” was even repeated, and to repeat a performance on the American stage is a really rare and exclusive event." [32][33][6]

Naum Nachevski, journalist of the newspaper Nova Makedonija, Skopje, People’s Republic of Macedonia note: “The audience interrupted some of the folk dance performances with applause; these dances in particular left great impressions of the folklore … the unusual rhythm of Macedonian folk music. The “Tanec” ensemble not only received a warm welcome from the New York public, but also from the New York press.”[34][35][28][6]

The New York Times music critic John Martin, on February 5, 1956, wrote, “There is an amazing variety to the dances that comprised this particular program … the broken circles of the kolo of the Macedonian mountains … a dateless reed pipe” [36][28][6]

For the concerts at The Civic Opera House in Chicago, Illinois on February 4 and February 5, 1956, The Chicago Daily Tribune reviewer, Claudia Cassidy, noted: “… called Tanec, which is the Macedonian word for dance, this group of 37 dancers, singers and musicians is a kaleidoscope of the Balkans ... When five of them dance the "Sopska Poskocica", which apparently just means they are showing off to the girls. I would keep them any day as an unfair trade for the four little swans in Swan Lake.” [37][38][6]

For the concert at The Academy of Music in Philadelphia, Pennsylvania on February 7, 1956, The Philadelphia Inquirer music critic Samuel Singer commented, "'Tanec' means 'dance', but 'dance' in a larger form than customary. Besides dance alone, it conveys drama, ritual, tradition, songs, even military maneuvers ... there was a remarkable precision in both dancing and playing ... Clarinet, bass fiddle, violin, drums, guitar and flute provided most of the accompaniments in various combinations."[39][40][6]

For the concert at The Constitution Hall in Washington, D.C., on February 9, 1956, Paul Hume, the Washington Post and Times music critic observed, "A Sopska Poskocica is devised to show the girls how handsome and wonderful and brilliant and exciting and sensational their man friends are. The rate at which it is danced, and the tremendous energy and precision of six men who dance it, is unique and demanded a repetition."[6][40][41]

For the concert at Massey Hall in Toronto, Ontario, Canada on February 13, 1956, John Kraglund, a music critic for The Globe and Mail wrote: "The first impression, however, must be one of rhythmic precision ... Nor was the performance without spectacle ... in the case of one dance, Sopska Poskocica, it was no more than a show-off dance. As such it was highly effective."[42][43][6]

For the concert at The War Memorial Opera House in San Francisco, California on March 7, 1956, San Francisco Chronicle music critic R. H. Hagan says, "... in a number titled simply "Macedonian Tune", which in its intricate rhythms and plaintive melody should at least make Dave Brubeck send out an emergency call for Darius Milhaud". [44][45][6]

For the concert at The Philharmonic Auditorium in Los Angeles, California on March 12, 1956, Los Angeles Times music critic Albert Goldberg commented: "For authentic folk dancing, wild and free and yet subject to its own intricate disciplines, this group would be hard to beat ...They are accompanied by a group of musicians consisting of a violinist, guitar and accordion players, a flutist, a clarinetist and double bass, though drums of different types are frequently involved, as well as a shepherd's reed pipe" [46][47][6]

Dance Observer commented: "The capacity audience at Carnegie Hall on January 27 for the single New York performance of Tanec, the Yugoslav National Folk Ballet, enjoyed a fascinating cross-section of over 2000 years of human history and culture. Tanec is a Macedonian group"[48][6]

After the end of the tour the Life commented: "A hundred years ago on the rugged roads of Macedonia, bands of brigands used to plunder the caravans of rich merchants and, like Robin Hood, pass on some of their spoils to the poor ... this spring, the Yugoslav National Folk Ballet is making a first, and highly successful tour of the U.S ... Together they make as vigorous a display of dancing as the U.S. has ever seen." [49][50][51][6]

For the concert of The Tanec ensemble at “Grand Palais” in Bourges, France on September 23, 1959, newspaper “La nouvelle republique du Centre” commented: "The first performance of the National Ballet of Macedonia was a tremendous success. Everyone in the hall applauded with enthusiasm, here in the ‘Grand Palais’ in Bourges at the first performance in France ... The members of the National Ballet of Macedonia arrived four days ago in Paris and have been shown on television,” [52][53][22][6] and newspaper Le Berry Republicain commented: "The quality and talent of this group is admirable ... This is the first time that they have performed in France ... At the end of their concert, the members of Ensemble 'Tanec' remained on stage and were applauded by the Bourges audiences for more than a quarter of an hour."[54][55][22][6]

For the concert of The Tanec ensemble at Port Gitana Bellevue, Geneva on July 10, 1959, newspaper Tribune de Geneve commented: "We were presented with remarkable spectacles performed by the Yugoslavian National Folk Ballet 'Tanec' from Macedonia ... Nothing here that resembled classical dances of our Western World ... They have the rhythm of the dances of their country in their blood...."[56][57]

## See also

[edit]

* Oro (dance)
* Music of North Macedonia

## Notes

[edit]

1. ^ See:[4][6][14][15][16][17]

## References

[edit]

1. ^ Ljubica Jančeva; Aleksandar Litovski (2017). "Makedonija i Makedonci u Jugoslaviji: uspostavljanje sopstvenog identiteta" [Macedonia and Macedonians in Yugoslavia: Establishing Their Own Identity]. In Latinka Perović; Drago Roksandić; Mitja Velikonja; Wolfgang Hoepken; Florian Bieber (eds.). Jugoslavija u istorijskoj perspektivi [Yugoslavia in Historical Perspective]. Helsinki Federation for Human Rights Serbia. pp. 149–171\. ISBN 978-86-7208-207-4.
2. ^ Macedonian Information Agency (in English)
3. ^ Macedonian Information Agency
4. ^ a b c Ognenovski 1998a.
5. ^ Ognenovski 2000, pp. 68–125.
6. ^ a b c d e f g h i j k l m n o p q r s t u v Ognenovski 2000b.
7. ^ Ognenovski 2000, pp. 28–31.
8. ^ Vardar Film 1955.
9. ^ IMDb 1955.
10. ^ Ognenovski 2000.
11. ^ Ognenovski 2019b.
12. ^ Ognenovski 2019a.
13. ^ Music Industry News Network 2019.
14. ^ Ognenovski 2019.
15. ^ Ognenovski 2000, pp. 404–405.
16. ^ Ognenovski 2000c.
17. ^ Ognenovski 2016b.
18. ^ Ognenovski 2000, pp. 78–79, 90–91.
19. ^ Harris 2009.
20. ^ Georgievski 1964.
21. ^ Ognenovski 2000, pp. 136–139.
22. ^ a b c Ognenovski 1998c.
23. ^ Saudek 1956.
24. ^ Ognenovski 2000, pp. 70–71.
25. ^ Ognenovski 2014c.
26. ^ Martin 1956a, pp. 11.
27. ^ Ognenovski 2000, pp. 72–73, 96–97.
28. ^ a b c Ognenovski 2014.
29. ^ Terry 1956.
30. ^ Ognenovski 2000, pp. 100–105.
31. ^ Ognenovski 1998b.
32. ^ Pucak 1956.
33. ^ Ognenovski 2000, pp. 76, 96–99.
34. ^ Nachevski 1956a.
35. ^ Ognenovski 2000, pp. 77, 98 101.
36. ^ Martin 1956b, pp. 114.
37. ^ Cassidy 1956.
38. ^ Ognenovski 2000, pp. 106–108.
39. ^ Singer 1956.
40. ^ a b Ognenovski 2000, pp. 110–11.
41. ^ Hume 1956.
42. ^ Kraglund 1956.
43. ^ Ognenovski 2000, pp. 114–16.
44. ^ Hagan 1956.
45. ^ Ognenovski 2000, pp. 114–117.
46. ^ Goldberg 1956.
47. ^ Ognenovski 2000, pp. 120–123.
48. ^ Dance Observer 1956.
49. ^ Life (magazine) 1956.
50. ^ Ognenovski 2000, pp. 121–125.
51. ^ Ognenovski 2014f.
52. ^ La nouvelle republique du Centre 1959.
53. ^ Ognenovski 2000, pp. 138, 142–143.
54. ^ Le Berry Republicain 1959.
55. ^ Ognenovski 2000, pp. 136–137, 140, 142–143.
56. ^ Ognenovski 1998e.
57. ^ Mt 1959.

### Cited bibliography

[edit]

* Ognenovski, Stevan (1998a). "The Official Tale Ognenovski Website". Archived from the original on 12 July 2019. Retrieved 27 December 2009.
* Ognenovski, Stevan (2000). Tale Ognenovski, virtuoso of the clarinet and composer Тале Огненовски виртуоз на кларинет и композитор. Skopje, Republic of Macedonia: Matica Makedonska. ISBN 9989-48-312-4. Retrieved 18 December 2009.
* Ognenovski, Stevan (2000b). "Biography Book: "Tale Ognenovski Virtuoso of the Clarinet and Composer" - Official Tale Ognenovski Website". Archived from the original on 4 August 2016. Retrieved 27 December 2009.
* Ognenovski, Stevan (1955). "Ensemble Tanec performing in Vardar Film's 1955 production of "Ritam i zvuk (Rhythm and Sound) - Official Tale Ognenovski Website". Archived from the original on 12 July 2019. Retrieved 16 August 2019.
* Ognenovski, Stevan (1998b). "Tour of North America - Official Tale Ognenovski Website". Archived from the original on 3 August 2020. Retrieved 27 December 2009.
* Martin, John (28 January 1956). "Ballet: Yugoslav Folk Art 'Tanec' Dancers Appear at Carnegie Hall in Display of Tremendous Skill". The New York Times. Retrieved 4 January 2018.
* Martin, John (5 February 1956). "The Dance: Folk Art; Group From Yugoslavia In Impressive Debut Learning vs. Magic No Macedonian Monopoly The Week's Events". The New York Times.
* Pucak, Stjepan (7 February 1956). "Првите денови во Америка - First days in America". Nova Makedonija. Skopje, Republic of Macedonia.
* Nachevski, Naum (31 January 1956). ""Танец" ја одушеви њујоршката публика - "Tanec" had amazed The New York Public". Nova Makedonija. Skopje, Republic of Macedonia.
* Ognenovski, Stevan (2014). "Articles published at The New York Times for performance of clarinetist Tale Ognenovski at Carnegie Hall, New York City on January 27, 1956 - Official Tale Ognenovski Website". Archived from the original on 12 July 2019. Retrieved 29 May 2017.
* Ognenovski, Stevan (2014c). "Clarinetist Tale Ognenovski with Macedonian National Ensemble for Folk Dances and Songs "Tanec" performed at CBS TV, Columbia Broadcast System on January 22, 1956.- Official Tale Ognenovski Website". Archived from the original on 12 July 2019. Retrieved 30 May 2017.
* Saudek, Robert (22 January 1956). "Omnibus. IV, vol. 15 / TV-Radio Workshop of the Ford Foundation, CBS Television Network, 1956-01-22". Library of Congress Catalog Record. Retrieved 20 December 2009.
* "Ritam i zvuk (Rhythm and sound) YouTube music video – Film: Ritam i zvuk (Rhythm and sound)". Vardar Film. 1955. Archived from the original on 15 December 2021. Retrieved 9 October 2018.
* "Film: "Ritam i zvuk" (Rhythm and sound)". IMDb. 1955. Retrieved 9 October 2018.
* "Dance, Bouncing Brigands, Yugoslavs come to U.S". Life (magazine). 9 April 1956. Retrieved 2 June 2017.
* Ognenovski, Stevan (2014f). "Life magazine article for Tale Ognenovski performances as clarinet and reed pipe soloist with Macedonian National Ensemble for Folk Dances and Songs "Tanec" on North America tour in 1956.- Official Tale Ognenovski Website". Archived from the original on 14 November 2017. Retrieved 30 May 2017.
* "REVIEWS OF Yugoslav National Folk Ballet Carnegie Hall January 27, 1956". Dance Observer, Volumes 23-24, pp. 55. New York City. 1956. Retrieved 2 June 2017.
* Terry, Walter (28 January 1956). "Yugoslav Folk Ballet". New York Herald Tribune. New York City, USA.
* Cassidy, Claudia (6 February 1956). "On the Aisle - Yugoslav Ballet a Colorful Addition to International Dance". Chicago Daily Tribune. Archived from the original on 4 October 2012. Retrieved 31 May 2017.
* Singer, Samuel (8 February 1956). "Yugoslav Ballet Visits Academy". The Philadelphia Inquirer.
* Hume, Paul (10 February 1956). "Yugoslav Dancers Shoot the Works". Washington Post and Times. Archived from the original on 4 October 2012. Retrieved 31 May 2017.
* Hagan, R. H. (8 March 1956). "Yugoslav Ballet Proves Folk Dancing 'Tricky'". San Francisco Chronicle.
* Goldberg, Albert (13 March 1956). "Yugoslav Folk Ballet Opens Engagement". Los Angeles Times. Archived from the original on 4 October 2012. Retrieved 1 June 2017.
* Kraglund, John (14 February 1956). "Music in Toronto". The Globe and Mail. Toronto, Ontario, Canada.
* Ognenovski, Stevan (2016b). "Tale Ognenovski, The Greatest Clarinetist of All Time, Musical Genius, Composer..." YouTube. Archived from the original on 15 December 2021. Retrieved 26 May 2017.
* Harris, Craig (2009). "Biography of Ensemble Tanec". Allmusic. Retrieved 18 December 2009.
* "Dans les jardins illumines de Port Gitana Bellevue, Ballets Nationaux Folkloriques Yougoslaves: Tanetz, deux heures d'un somptueux spectacle - In the illuminated gardens of Port Gitana Bellevue, National Yugoslav Folklore Ballet Tanec, two hours of sumptuous spectacle". Tribune de Geneve. Geneve, Switzerland. 8 July 1959.
* Mt, Ed (11 July 1959). "A Port-Gitana les ballets nationaux yougoslaves - In Port-Gitana, National Yugoslav Folklore Ballet". Tribune de Geneve. Geneve, Switzerland.
* Ognenovski, Stevan (1998e). "Tour of Switzerland - Official Tale Ognenovski Website". Archived from the original on 4 August 2016. Retrieved 27 December 2009.
* Ognenovski, Stevan (1998d). "Tour of Germany - Official Tale Ognenovski Website". Archived from the original on 4 August 2016. Retrieved 27 December 2009.
* Ognenovski, Stevan (1998c). "Tour of France - Official Tale Ognenovski Website". Archived from the original on 4 August 2016. Retrieved 27 December 2009.
* "Hier soir au GRAND-PALAIS BRILLANTE "PREMIERE" des Ballets de Macedoine - Yesterday evening in GRAND-PALAIS Brilliant first performance of National Ballet of Macedonia". Le Berry Republicain. Bourges, France. 24 September 1959.
* "Hier soir a Bourges, La "premiere" nationale des Ballets de Macedoine a remporte un enorme succes - Yesterday evening in Bourges, The first national Ballet of Macedonia achieved tremendous success". La nouvelle republique du Centre. Bourges, France. 24 September 1959.
* Ognenovski, Stevan (2000c). Tale Ognenovski, virtuoso of the clarinet and composer of Macedonian folk dances, jazz and classical music : biography and music notation of compositions of Macedonian folk dances, jazz and classical music. Skopje : Matica Makedonska, 2000. ISBN 9989-48-312-4. OCLC 977992154 - via WorldCat.
* Ognenovski, Stevan (2019). "Web page of Stevan Ognenovski, Mag.Scient. - Official Tale Ognenovski Website". Archived from the original on 18 May 2021. Retrieved 4 September 2019.
* Georgievski, M. (14 September 1964). "Your dance fascinates me Вашата игра ме фасцинира". Vecher. Skopje, People’s Republic of Macedonia.
* Ognenovski, Stevan (2019b). TALE OGNENOVSKI VIRTUOSO OF THE CLARINET AND COMPOSER, BIOGRAPHY AND MUSIC NOTATION OF 69 CLARINET COMPOSITIONS: MACEDONIAN FOLK DANCES, JAZZ AND CLASSICAL MUSIC. Seattle, Washington, United States: Kindle Direct Publishing. ISBN 978-1708334024.
* Ognenovski, Stevan (2019a). "Book: "TALE OGNENOVSKI VIRTUOSO OF THE CLARINET AND COMPOSER, BIOGRAPHY AND MUSIC NOTATION OF 69 CLARINET COMPOSITIONS: MACEDONIAN FOLK DANCES, JAZZ AND CLASSICAL MUSIC " - Official Tale Ognenovski Website". Archived from the original on 27 November 2019. Retrieved 27 November 2019.
* "Biography: "Tale Ognenovski Virtuoso Of The Clarinet And Composer, Biography And Music Notation Of 69 Clarinet Compositions: Macedonian Folk Dances, Jazz And Classical Music"". Music Industry News Network. 22 November 2019. Archived from the original on 27 November 2019. Retrieved 27 November 2019.

## External links

[edit]

* Official website Archived 26 October 2020 at the Wayback Machine

Authority control databases

International|

* VIAF

National|

* United States
* Czech Republic