The Concert for Bangladesh (album)

1971 live album by George Harrison & Friends

The Concert for Bangladesh

Live album by

George Harrison & Friends

Released| 20 December 1971 (1971-12-20)
Recorded| 1 August 1971
Venue| Madison Square Garden, New York
Genre|

* Rock[1]
* Hindustani classical
* folk
* gospel

Length| 99:32
Label| Apple
Producer|

* George Harrison
* Phil Spector

George Harrison chronology
| All Things Must Pass
(1970)  | The Concert for Bangladesh
(1971)  | Living in the Material World
(1973)

|
|

Alternative cover

Cover for the 2005 remastered release

The Concert for Bangladesh (originally spelt The Concert for Bangla Desh)[2] is a live triple album credited to "George Harrison & Friends"[3][4] and released on Apple Records in December 1971 in America and January 1972 in Britain. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. The shows were a pioneering charity event, in aid of the homeless Bengali refugees of the Bangladesh Liberation War, and set the model for future multi-artist rock benefits such as Live Aid (1985) and the Concert for New York City (2001). The event brought Harrison and Starr together on a concert stage for the first time since 1966, when the Beatles retired from live performance, and represented Dylan's first major concert appearance in the US in five years.

Co-produced by Phil Spector, The Concert for Bangladesh features his Wall of Sound approach in a live setting. Besides the main performers, the musicians and singers include Badfinger, Jim Horn, Klaus Voormann, Alla Rakha, Jim Keltner, Jesse Ed Davis and Claudia Lennear. Minimal post-production was carried out on the recordings, ensuring that the album was a faithful document of the event. The box set's packaging included a 64-page book containing photos from the concerts; the album cover, designed by Tom Wilkes, consisted of an image of a malnourished child sitting beside an empty food bowl. The album was delayed for three months due to protracted negotiations between Harrison and two record companies keen to protect their business interests, Capitol and Columbia/CBS.

On release, The Concert for Bangladesh was a major critical and commercial success. It topped albums charts in several countries and went on to win the Grammy Award for Album of the Year in March 1973. Together with the 1972 Apple concert film directed by Saul Swimmer, the album gained Indian classical music its largest Western audience up until that time. It was reissued in 2005, four years after Harrison's death, with revised artwork. As of 2011, sales of the album continue to benefit the George Harrison Fund for UNICEF, which raised $1.2 million for children in the Horn of Africa, in a campaign marking the album's 40th anniversary.

## Concerts[edit]

Main article: The Concert for Bangladesh

> That whole show was a stroke of luck. I'd rehearsed some with Ringo, the horn players and the guys from Badfinger, but it was all happening so fast it's amazing we managed to get anything on tape.[5]

– George Harrison to Musician magazine, November 1987

While in Los Angeles in June 1971, and after being made aware of the gravity of the situation in what was then known as East Pakistan by friend and musician Ravi Shankar,[6] George Harrison set about organising two fundraising concerts at Madison Square Garden, New York, to aid the war-ravaged and disaster-stricken country.[7] In the middle of these hurried preparations,[8] he composed the song "Bangla Desh" in order to call further attention to the Bengalis' cause, and rush-released it as a charity single four days before the shows.[9][10] The recent success of his All Things Must Pass triple album[11][12] allowed Harrison to headline the all-star UNICEF benefit concerts, backed by a 24-piece[13] band of musicians and singers, on Sunday, 1 August 1971.[14] The shows marked the first time that Harrison and Ringo Starr had performed on stage together since the Beatles quit touring in 1966; since then, they, like Bob Dylan, had been mostly unavailable to concert audiences.[15][16] In Dylan's case, it was his first appearance at a major US concert in five years,[17] although his participation had been uncertain until he walked on for his segment midway through the afternoon show.[18]

The concerts were highly successful in raising international awareness of the plight of the refugees[19][20] – thought to number up to 10 million[6] – and a cheque for over US$243,000 was soon sent to UNICEF for relief.[21] The media lavished praise on Harrison as an ambassador for rock altruism;[22][23] Rolling Stone magazine hailed the event as proof that "the Utopian spirit of the Sixties was still flickering".[24] With concert recording having been carried out at Madison Square Garden by Gary Kellgren,[25] using the Record Plant's 16-track mobile unit,[26] Harrison intended to raise significantly more money via a live album of the event, to be issued on the Beatles' Apple Records label,[27] followed by Apple Films' concert documentary, also to be titled The Concert for Bangladesh.[28]

## Album preparation[edit]

### Concert recordings[edit]

Speaking in 2011, Spector identified two issues that prolonged the live album's preparation, both of them reflective of the haste with which the concerts came together: "It was chaos [setting up at Madison Square Garden] – we had three hours to mic the band, then the audience came in, and we didn't know how to mic the audience."[29] Rather than a standard band, this was a full Wall of Sound orchestra,[16][30] as Spector re-created his Wall of Sound approach in concert.[31] The large ensemble consisted of two drummers (Ringo Starr and Jim Keltner), two keyboard players (Billy Preston and Leon Russell), six horn players (led by Jim Horn), three electric guitarists (Harrison, Eric Clapton and Jesse Ed Davis), a trio of acoustic guitars to be "felt but not heard"[32] (Badfinger's Pete Ham, Tom Evans and Joey Molland), the seven members of Don Nix's "Soul Choir", together with bassist Klaus Voormann and a dedicated percussion player, Mike Gibbins of Badfinger.[13][33][34] In his review of the Concert for Bangladesh film, John Pidgeon described the scene as "a roadie's nightmare of instruments, mikes, amps and speakers".[35]

Before the Western portion of the concerts, there were the traditionally hard-to-record Indian string instruments[36] of Ravi Shankar and Ali Akbar Khan to amplify, together with Alla Rakha's tabla and the drone-enhancing tambura, played by Kamala Chakravarty[37] – each offering natural musical tones so easily lost in the "cavernous Garden".[38] An additional challenge for Kellgren had been the need to capture the dynamics of a well-paced show designed around professionally presented hit songs, rather than a loose superstar jam.[39][40][nb 1]

### Post-production[edit]

See also: The Concert for Bangladesh (film)

During his and Shankar's press conference in New York on 27 July,[42] Harrison had stated that a live album might be ready for release within ten days of the shows.[43] Although this estimate would turn out to be highly optimistic,[26] the following year, in an effort to foil concert bootleggers, Elvis Presley succeeded in delivering a live album just eight days after his own, much-publicised Madison Square Garden shows.[44]

Harrison and co-producer Phil Spector began working on the Bangladesh recordings on 2 August, and work continued there at the Record Plant for around a week.[25][45] Spector later talked of them spending "six months" mixing what amounted to a total of four hours of music;[29] Harrison later claimed to talk-show host Dick Cavett that the process took just over a month.[45][46][47] In their book Eight Arms to Hold You, Chip Madinger and Mark Easter question the extent of Spector's involvement, citing Harrison's subsequent lauding of Kellgren's role in "capturing the performances" on 1 August, as well as the fact that Spector was "in and out of hospital" during this time,[26] similar to his erratic attendance at the All Things Must Pass sessions in 1970.[48][49]

With ongoing friendships a priority,[50] Harrison had promised the main participants that, should things turn out badly on 1 August, they could be excluded from any album or film release.[51] According to Madinger and Easter, he took early mixes of the concert tapes to Dylan for the latter's approval.[26][nb 2] Of all the featured performers, only Leon Russell chose to intervene, necessitating a reworking of his "Jumpin' Jack Flash/Youngblood" medley,[26] which he apparently remixed himself.[52] Post-production on the Madison Square Garden recordings was minimal, the known examples being Harrison's double-tracked lead vocal on the bridges of "While My Guitar Gently Weeps", and a composite edit of his opening song, "Wah-Wah", which was assembled from both the shows.[26] In addition, it is possible that Shankar and Khan's "Bangla Dhun" was severely edited down:[53] Harrison later described their set as having lasted 45 minutes, yet the running time on the album is under 17 minutes and in the film just 15 minutes.[26]

The final mix down of the recordings, for album and film use, was carried out in Los Angeles in September,[26] by A&M Studios engineers Norman Kinney and Steve Mitchell.[54] In their joint interview for the 2005 Concert for Bangladesh Revisited documentary, Kinney and Mitchell confirm that music from both the afternoon (matinee) and evening performances was used for the concert film and live album; they also state that Spector repeatedly instructed them to increase the volume of the audience in the mixes, in a search for more "feel of the room" in the result.[54] The second show was preferred when it came to selecting the best concert audio.[45][55] The exceptions are as follows: "Wah-Wah", which starts off with the evening version but cuts to the matinee at 2:53;[nb 3] Harrison's band introduction and "While My Guitar Gently Weeps", both sourced from the first show; and Russell's medley, which is also from the matinee on the album, but in the concert film, the audio cuts to the evening show during "Youngblood".[26][56]

Harrison's geniality as a host was well represented on the recordings.[57] As with Shankar's pre-"Bangla Dhun" address, Harrison's band introductions, with Russell and Voormann breaking into "Yellow Submarine" when Starr's name is mentioned,[58] and his other on-stage dialogue would become as integral to the legacy of the event as the music itself.[59][60]

## Record company obstruction[edit]

See also: The Day the World Gets 'Round

Capitol Records' headquarters, in Hollywood, California

On 23 August, press reports appeared citing "legal problems" as the reason behind the delaying of the much-anticipated live album[61] – problems that would turn out to be a disagreement between EMI-owned Capitol Records (Apple's US distributor) and Columbia Records (Dylan's label) over who had a rightful claim to release the album.[62][63] Columbia/CBS were eventually mollified with the granting of tape distribution rights in North America, and record and tape distribution in the rest of the world.[53][64] Another stumbling block was Capitol's insistence that they receive monetary compensation, thought to be around $400,000,[65] for what the company perceived to be vast production and distribution costs for the boxed three-record set.[66] It was a position from which EMI chairman Bhaskar Menon refused to budge, while Harrison was equally adamant that, since all the artists were providing their services for free and Apple was supplying the album packaging at no charge, the record company "must give up something" also.[63][67]

With the sound mix being completed in LA, Harrison spent most of September 1971 in New York working on the problematic film footage of the concert,[21][51] before heading to London.[68] There he attended the re-opening of Apple Studio on 30 September[69] and produced new signing Lon & Derrek Van Eaton's debut single,[70] as well as enduring a fruitless meeting with the British Treasury's financial secretary – the latter activity in an attempt to have the government waive its standard purchase tax, and so keep the album affordable to record-buyers.[71][72] Harrison returned to New York on 5 October and announced that the Bangladesh live album would be issued during the following month.[71] At this time, with concert bootlegs now on the market,[53][62] posters were placed in record shops bearing the slogan: "Save a starving child. Don't buy a bootleg!"[71]

> This record should've been out a month ago really ... and the problem is with our distributor [Capitol Records] ... I mean, I'll just put it out with CBS and, you know, Bhaskar will have to sue me. [raises fist] Bhaskar Menon![73][74]

– Harrison discussing the album's delay on The Dick Cavett Show, 23 November 1971

In the fourth week of November – well into the lucrative Christmas sales period and close to four months after the concerts[26][75] – Harrison voiced his frustration at the stalemate with Capitol on ABC's late-night chat show, The Dick Cavett Show.[65] Harrison was on the program to promote the Raga documentary with Shankar,[76] but after making a surprise guest performance with Gary Wright's new band Wonderwheel, he launched into a complaint about his US record company's interference and threatened to take the whole album package to Columbia.[73][77] With the outburst attracting unfavourable attention in the press, where Capitol were viewed as "profiteering on the backs of famine victims",[27] the company eventually backed down and agreed to release the album on Harrison's terms.[63][67] Of all the labels involved, only Columbia would make any money from The Concert for Bangladesh – 25 cents on every copy sold.[67] Although none of these royalties went to the artist,[67] Dylan and his record company were already benefiting from the exposure provided by the Bangladesh concerts, through the timely release of Bob Dylan's Greatest Hits Vol. II.[78][nb 4] Of the other featured artists at the Concert for Bangladesh, the careers of both Preston (A&M Records) and Russell (Shelter) likewise prospered as a result of their participation,[81] but their record companies imposed no such conditions on Apple and Capitol.[45][73][nb 5] In January 1972, Melody Maker's Richard Williams remarked in his Concert for Bangladesh album review: "Between them, Capitol and CBS have proved that, when it comes to awareness and enlightenment, the business is still several years behind the musicians."[87]

Once the album had been granted a release date, Apple's financial terms ensured that as much money as possible would be raised from each copy sold, but that it would be difficult for retailers to profit financially.[53] Some retailers responded with "shameless price gouging" on the three-record set,[88] apparently at Capitol's recommendation.[53] Following the protracted negotiations surrounding the live album's distribution, Harrison's disaffection with EMI/Capitol was a key factor in his leaving the company.[89][90][nb 6][nb 7]

## Artwork[edit]

The album booklet's back cover, showing a cheque for the concerts' box-office takings above a guitar case packed with emergency supplies; copyright Apple Records

The album's packaging was designed by Camouflage Productions partners Tom Wilkes and Barry Feinstein,[93] the same team responsible for All Things Must Pass, rock music's first boxed triple album.[94][95] Along with Alan Pariser, both Wilkes and Feinstein had taken stills photographs at Madison Square Garden, at the soundcheck on 31 July and during the concerts the next day, the results filling the 64-page full-colour booklet accompanying the original album.[93] Also used as the Concert for Bangladesh film poster, the album-cover photograph – the "haunting" image of a malnourished young child sitting naked behind a wide, empty food bowl, author Bruce Spizer writes[93] – was a still taken from news agency film footage and airbrushed extensively by Wilkes.[96] Having created the provocative, headline-filled picture sleeve for Harrison's "Bangla Desh" single earlier in the year,[97] Wilkes was keen to capture "real human compassion" in this cover and poster image.[98]

The booklet's back-cover picture showed an open guitar case filled with food and medical supplies, below a copy of the cheque for the Madison Square Garden box-office takings.[93] Wilkes intended this image to convey a sense of hope, signifying the completion of the task that the participants had set out to achieve for the refugees from East Pakistan.[98] The record's liner note essay accused the Pakistani Army of undertaking "a deliberate reign of terror" that represented "undoubtedly the greatest atrocity since Hitler's extermination of the Jews".[99]

The three LPs and booklet were housed inside a deep orange-coloured box.[93] According to Jon Taplin, who served as production manager at the Madison Square concerts,[100] Capitol executives were concerned that the cover image was too "depressing" and uncommercial.[101] Harrison was resolute, however, and so Wilkes's design was used.[101]

## Release[edit]

The Concert for Bangladesh was released in the United States on 20 December 1971, and in Britain on 10 January 1972,[102] with the same Apple Records catalogue number (STCX 3385) in both territories.[103] The retail price for the lavishly packaged triple album was set at $12.98 in America[53] and an extraordinarily high £5.50 in the UK,[62] due to the purchase tax surcharge there.[72] The prices drew some criticism,[53] from Harrison for one,[67] even if it was accepted that the proceeds were going to those in desperate need[104] – or, as Beatles Forever author Nicholas Schaffner wrote in 1977, to "a nation still viewed as the worst pocket of misery on earth".[105] Similarly, the relief project's funds controversy and tax problems, which came to light shortly after the release of the live album, were a source of frustration to Harrison,[106] but commentators have noted that these problems took nothing away from the "resounding success"[107] of Harrison and Shankar's Bangladesh relief project.[78]

Despite the cost, the album was an immediate commercial success.[108][109] In America, it spent six weeks at number 2 on the Billboard Top LPs chart.[110] On the other US charts, compiled by Cash Box and Record World, the live album peaked at number 2 and number 1, respectively.[108] It was certified gold by the Recording Industry Association of America on 4 January 1972 for sales of over 500,000 units.[111] In the UK, The Concert for Bangladesh became Harrison's second number 1 album, after All Things Must Pass in early 1971.[112] In Melody Maker's readers poll for 1972, it was ranked second in the "World" album category.[113]

The album was similarly successful on charts around the world.[99] In Pakistan, the government banned the record. The government also advised its embassies and other foreign diplomatic offices that the album contained "hostile propaganda against Pakistan" and that they should pressure their local contacts to stop the music being played on the radio.[99]

In March 1973, The Concert for Bangladesh won the Grammy Award for Album of the Year.[114][115] In Harrison's absence, Ringo Starr attended the awards ceremony in Nashville and carried off a tray of Grammys, one for each of the featured performers.[116][117][nb 8] Author Peter Lavezzoli writes that, with the success of the live album and Saul Swimmer's concert documentary, which opened in US cinemas in March 1972,[119] Indian classical music reached its largest Western audience to date through the Concert for Bangladesh.[120]

## Critical reception[edit]

### Contemporary reviews[edit]

Cash Box's reviewer described The Concert for Bangladesh as "the most eagerly awaited album of 1971" and "every bit as breathtaking as we hoped". The reviewer deemed the sound "flawless" and the booklet "stunning", and concluded: "listen to the records and hear music history."[121] Don Heckman of The New York Times similarly commented that the album lived up to expectation, and that Harrison's statements on The Dick Cavett Show had seemingly had the desired effect. For Heckman, the live album confirmed the concerts' standing as a distillation of pop music's growth and maturity throughout the 1960s, thereby offering "a decade's music in microcosm". In addition to praising the structure and pacing of the live records, he admired Harrison for continuing his post-Beatles "optimism-with‐energy attitude", which Heckman recognised as an effective counter to the Nixon-inspired apathy permeating rock music at the time.[122][nb 9]

Having attended the concerts in August, Ed Kelleher of Circus magazine wrote that the live album not only conveyed the "magic ... the sheer joy" of the event, but the music "practically jumps right out into your life". He singled out songs by Dylan, Russell and Harrison, along with Shankar's performance, but admitted to the futility of naming "individual highlights" since the album was "one consistent high".[123] Rolling Stone continued its near-deification of the concerts as a defining moment in the evolution of rock 'n' roll.[124][125] Jon Landau wrote of Harrison: "the spirit he creates through his own demeanor is inspirational. From the personal point of view, Concert for Bangla Desh was George's moment. He put it together; and he pulled it off ..."[126] Landau lauded the pacing and professionalism of the entire show, and recognised the highpoint as the album-closing "Bangla Desh", the lyrics of which were no longer "an expression of intent but of an accomplished mission".[127] In The Village Voice's inaugural Pazz & Jop poll, critics voted The Concert for Bangladesh the eighth best album of 1971.[128]

Among UK reviewers, Geoffrey Cannon of The Guardian wrote: "What Woodstock was said to be, the Madison Square Garden Bangladesh concert was. It's on record. The concert will stand as the greatest act of magnanimity rock music has yet achieved."[129] In Melody Maker, Richard Williams began his review by saying, "If you buy only one LP in 1972, make it this one." He likened Shankar and Khan's interplay on "Bangla Dhun" to "Charlie Parker trading licks with Johnny Hodges", and found Harrison's opening trio of All Things Must Pass tracks "[u]nbelievably ... in some ways even better" than the originals, and Preston's "That's the Way God Planned It" "feverishly exciting". Williams named Dylan's "Just Like a Woman" as "the masterpiece".[87]

In a causerie-style piece for New Statesman, Michael Nyman wrote that the music failed to support the claim that the concerts had educated listeners on the plight of the Bangladeshi refugees. He admired many of the performances but detected an "aloofness" in Shankar's sincerity and bemoaned that Dylan's outdated repertoire surpassed some of the more recent pop selections by Harrison and Preston, and that the lavish LP booklet "must have cost money which could have been channelled elsewhere".[130][nb 10]

The NME's Roy Carr and Tony Tyler deemed the concerts "probably the greatest indoor rock 'n' roll event ever held", adding that Dylan's five-song set "easily justified" the album's price tag.[62] As at the time of the concerts,[131][132][133] much was made by music journalists of the change in Dylan's singing voice, as well as his choice of songs, which harked back to the so-called protest period of 1962–64 and the creative zenith that culminated in his 1966 album Blonde on Blonde.[32][127][123] "While My Guitar Gently Weeps" was another track that received significant attention, thanks to the guitar "duelling" between Harrison and Clapton.[134][nb 11]

### Retrospective assessments and legacy[edit]

Professional ratingsReview scores

Source| Rating
AllMusic| [137]
Blender| [138]
Christgau's Record Guide| B−[139]
Mojo| [140]
MusicHound Rock| 4/5[141]
Pitchfork| 9.0/10[142]
Q| [143]
Record Collector| [144]
Rolling Stone| [145]
Uncut| [146]

In the description of author Ian Inglis, The Concert for Bangladesh "established the artistic legitimacy of the charity album".[147] While the technical imperfections of the concert recordings were overlooked in 1972 – or even applauded for their adding to the "honesty" of the moment, in the case of Starr forgetting the lyrics to "It Don't Come Easy"[127] – reviewers of the first CD-format album remarked on the relatively poor sound quality.[148][149][nb 12] In his review for AllMusic in 2001, Bruce Eder commented on the "less-than-perfect sound" while still viewing the album as a "unique live document showcasing Harrison near his best".[148] Paul Du Noyer of Blender wrote that some of the performances are unpolished yet "the occasion still crackles with drama", and he named "Wah-Wah", "While My Guitar Gently Weeps" and "Mr. Tambourine Man" as the standout songs.[138]

Another point of contention, though mainly among Harrison's biographers, concerns Leon Russell. Alan Clayson bristles at the omnipresence of the Oklahoman singer and musician; he describes Russell as "the epitome of the self-satisfied sexism of the Delaney and Bonnie super-sidemen" and rues that his turn in the spotlight so blatantly became "The Leon Russell Show".[151] Leng similarly bemoans Russell's "consciously extreme hollerin'", and finds his delivery pales beside the "unaffected naïveté" of Preston and particularly the "knife-edge emotions" of Harrison and Shankar, which only Dylan can match.[152] By contrast, Paul Evans, writing in the 1992 Rolling Stone Album Guide, gave the record three stars and preferred the Dylan set over Harrison's songs.[153]

Among reviews of the 2005 reissue, Mojo described the remastered sound as "sumptuous"[140] while AllMusic's Richard Ginell wrote: "Hands down, this epochal concert ... was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy."[81] Writing in Rolling Stone that year, Anthony DeCurtis said: "The Concert for Bangladesh is rightly enshrined in rock history as the model for Band Aid, Live Aid, Live 8 and every other superstar benefit concert of the last three decades ... In emphasizing the concert's idealism, however, it's easy to overlook what a musical gem this two-disc set is."[145] Dan Ouellette of Billboard considered that "The star-studded package holds up well as a live greatest-hits collection", before concluding: "But the revelation is the exhilarating concert lift-off, the improv-laced eastern Indian classical tune 'Bangla Dhun,' featuring sitar master Ravi Shankar."[154] Record Collector's Joe Shooman began his review by saying, "Still great, so buy it – again", adding that "the saddest part is that the cash is still badly needed [in Bangladesh]."[144]

In his entry for the album in the book 1,000 Recordings to Hear Before You Die, Tom Moon recognises the concerts as "the first large-scale example of rock activism", saying that Harrison and his fellow performers provided the blueprint for celebrities to employ their fame for charitable causes.[nb 13] Moon advises listeners to "Pull this out whenever your faith in the power of music begins to wane", and suggests Preston's "That's the Way God Planned It" as a primer track.[155] Pitchfork's Quinn Moreland deems the Bangladesh relief project "a musical triumph and a momentous collaborative effort". He writes that while subsequent benefit concerts might encourage a suspicion that celebrity musicians merely "play philanthropist for a day", the Concert for Bangladesh was the realisation of Harrison's commitment to the Indian subcontinent, beyond the cultural appropriation suggested by his initial alliance with Shankar in the mid-1960s.[142] Nigel Williamson of Uncut compliments Harrison and Spector for retaining the imperfections of the live recordings and thereby conveying the spirit of the all-star concerts. He views Dylan's set as "spellbinding" and a final reprise of the singer's "mythic voice-of-a-generation image", and concludes of the album: "seldom before or since has rock music sounded so honest, so caring – and so capable of making us smile and cry at the same time."[156]

The Concert for Bangladesh also features in Sean Egan's 2006 book 100 Albums That Changed Music[citation needed] and in The Mojo Collection: The Greatest Albums of All Time.[citation needed] It was ranked number 1 in Spanish Rolling Stone's list of "The 30 Greatest Live Albums of All Time", published in 2013.[citation needed]

## Reissues[edit]

The Concert for Bangladesh was first issued on CD on 30 July 1991 in America and 19 August in Britain.[157] It was presented as a two-disc set, with significant editing of the breaks between songs.[158] The downsizing to CD dimensions meant that much of the effectiveness of the booklet photography was lost;[159] in addition, the contents were trimmed down to 36 pages.[160] Having stated his disappointment in a 1988 interview that the album had been allowed to go out of print,[161] Harrison recorded a promotional interview on the 20th anniversary of the concerts, to accompany the CD release.[162]

Harrison was working on a reissue of the album and film before his death in November 2001.[163] Although the project was due for release the following year,[164] the new editions were not issued until 25 October 2005.[165] The remastered releases appeared with a photo of Harrison on the cover,[81] although the special-edition DVD retained the original image.[166] The reissue was the 1972 concert film's first international release on DVD.[167] It was accompanied by the Concert for Bangladesh Revisited with George Harrison and Friends making-of documentary,[165][168] which was directed by Claire Ferguson[169] and co-produced by Olivia Harrison.[170][nb 14]

The revised packaging was credited to Wherefore Art?[172] As a bonus track, the album included "Love Minus Zero/No Limit",[173] which Dylan had performed during the afternoon show (i.e. the matinee performance) at Madison Square Garden.[174][nb 15]

Sales of the Concert for Bangladesh album and DVD continue to benefit the George Harrison Fund for UNICEF.[177][178] In 2011, as one of the fund's projects to mark the 40th anniversary of the concerts and the live album's release,[177] and in conjunction with UNICEF's "Month of Giving" campaign,[179] the George Harrison Fund for UNICEF raised over $1.2 million in emergency relief for children in famine- and drought-stricken areas of the Horn of Africa.[180]

## Track listing[edit]

### Original release[edit]

Side oneNo.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

1.| "George Harrison/Ravi Shankar Introduction"| —| George Harrison, Ravi Shankar| 5:19
2.| "Bangla Dhun"| Shankar| Shankar| 16:40

Side twoNo.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

1.| "Wah-Wah"| Harrison| Harrison| 3:30
2.| "My Sweet Lord"| Harrison| Harrison| 4:36
3.| "Awaiting on You All"| Harrison| Harrison| 3:00
4.| "That's the Way God Planned It"| Billy Preston| Preston| 4:20

Side threeNo.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

1.| "It Don't Come Easy"| Richard Starkey| Ringo Starr| 3:01
2.| "Beware of Darkness"| Harrison| Harrison, Leon Russell| 3:36
3.| "Band Introduction"| —| Harrison| 2:39
4.| "While My Guitar Gently Weeps"| Harrison| Harrison| 4:53

Side fourNo.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

1.| "Medley: Jumpin' Jack Flash/Young Blood"| Mick Jagger, Keith Richards/Jerry Leiber, Mike Stoller, Doc Pomus| Russell| 9:27
2.| "Here Comes the Sun"| Harrison| Harrison| 2:59

Side fiveNo.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

1.| "A Hard Rain's A-Gonna Fall"| Bob Dylan| Dylan| 5:44
2.| "It Takes a Lot to Laugh, It Takes a Train to Cry"| Dylan| Dylan| 3:07
3.| "Blowin' in the Wind"| Dylan| Dylan| 4:07
4.| "Mr. Tambourine Man"| Dylan| Dylan| 4:45
5.| "Just Like a Woman"| Dylan| Dylan| 4:49

Side sixNo.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

1.| "Something"| Harrison| Harrison| 3:42
2.| "Bangla Desh"| Harrison| Harrison| 4:55

### 2005 remaster[edit]

Disc one

The first disc contains the ten tracks from side one to side three of the original release.

Disc two

The second disc contains the nine tracks from side four to side six of the original release, together with:

No.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

10.| "Love Minus Zero/No Limit"| Dylan| Dylan| 4:19

### 2011 40th anniversary reissue[edit]

A download-only version of the album per the 2005 remaster, with a second bonus track exclusive to iTunes:[181][182]

No.| Title| Writer(s)| Performer(s)| Length

|
|
|
|

11.| "Bangla Desh" (studio version)| Harrison| Harrison| 4:00

## Personnel[edit]

"The Artists"

* George Harrison – vocals, electric and acoustic guitars, backing vocals
* Ravi Shankar – sitar
* Bob Dylan – vocals, acoustic guitar, harmonica
* Leon Russell – piano, vocals, bass, backing vocals
* Ringo Starr – drums, vocals, tambourine
* Billy Preston – Hammond organ, vocals
* Eric Clapton – electric guitar
* Ali Akbar Khan – sarod
* Alla Rakha – tabla
* Kamala Chakravarty – tambura

"The Band"

* Jesse Ed Davis – electric guitar
* Klaus Voormann – bass
* Jim Keltner – drums
* Pete Ham – acoustic guitar
* Tom Evans – twelve-string acoustic guitar
* Joey Molland – acoustic guitar
* Mike Gibbins – tambourine, maracas
* Don Preston – electric guitar, vocals (on "Jumpin' Jack Flash"/"Young Blood" and "Bangla Desh" only)
* Carl Radle – bass (on "Jumpin' Jack Flash"/"Young Blood" only)

The Hollywood Horns

* Jim Horn – saxophones, horn arrangements
* Chuck Findley – trumpet
* Jackie Kelso – saxophones
* Allan Beutler – saxophones
* Lou McCreary – trombone
* Ollie Mitchell – trumpet

The Soul Choir

* Claudia Lennear, Joe Greene, Jeanie Greene, Marlin Greene, Dolores Hall, Don Nix, Don Preston – backing vocals, percussion

## Accolades[edit]

Year  | Nominee / work  | Award  | Result

|
|
|

1973 | The Concert for Bangladesh | Grammy Award for Album of the Year[114] | Won

## Charts and certifications[edit]

### Weekly charts[edit]

Original release

| Chart (1972)  | Position

|

Australian Go-Set Top 20 Albums[183] | 3
Australian Kent Music Report[184] | 5
Canadian RPM 100 Albums[185] | 2
Dutch MegaChart Albums[186] | 1
Japanese Oricon LPs Chart[187] | 2
Norwegian VG-lista Albums[188] | 1
Spanish Albums Chart[189] | 5
Swedish Kvällstoppen Chart[190] | 2
UK Albums Chart[191] | 1
UK Melody Maker Pop 30 Albums[192] | 4
US Billboard Top LPs[193] | 2
US Cash Box Top 100 Albums[108] | 2
US Record World Album Chart[194] | 1
West German Media Control Albums[195] | 29

2005 reissue

| Chart (2005)  | Position

|

Japanese Oricon Albums Chart[196] | 116
US Billboard Top Pop Catalog[197] | 8
Chart (2011)  | Position
US Billboard 200[193] | 116

### Year-end charts[edit]

| Chart (1972)  | Position

|

Dutch Albums Chart[198] | 5
US Billboard Year-End[199] | 16

### Certifications[edit]

| Region  | Certification

|

United States (RIAA)[200] | Gold

## Notes[edit]

1. ^ To this end, Harrison had insisted that Dylan's set feature the singer's best-known composition, "Blowin' in the Wind",[39][41] even though Dylan had not performed it live for eight years.[18]
2. ^ Dylan also assisted Harrison with editing the film footage in New York.[21][50]
3. ^ This edit on "Wah-Wah" is more noticeable in the Concert for Bangladesh film, due to the inclusion there of Jim Horn's sax solo, which was cut from the album.[26]
4. ^ This compilation, sporting a cover photo of Dylan taken from the concert,[79] included the original version of "A Hard Rain's A-Gonna Fall" and went on to become the best-selling album in the artist's catalogue.[80]
5. ^ For Billy Preston, a former Apple artist and protégé of Harrison's, this benefit came in the form of a career breakthrough with his first album on A&M,[82] I Wrote a Simple Song, released in November 1971.[83] Harrison played dobro on the album's title track,[84] while the instrumental "Outa-Space", originally the B-side of "I Wrote a Simple Song",[85] became the first of four million-selling singles for Preston in the US between 1972 and 1974.[86]
6. ^ Upon founding his own label Dark Horse Records in 1974, Harrison arranged that the label's product would be distributed by A&M Records and not EMI, even though his own artist contract with EMI was still in force. When Harrison's EMI contract lapsed in 1976, he would move Dark Horse's distribution to Warner Bros. Records, and release his own recordings on Dark Horse going forward.
7. ^ Harrison's disenchantment with record companies' "avaricious dithering",[89] as well as apathy on the part of Western governments towards the problems in Bangladesh,[91] inspired songs on his Living in the Material World album (1973), notably "The Day the World Gets 'Round".[92]
8. ^ In The New Rolling Stone Encyclopedia of Rock & Roll, the editors say that the National Academy of Recording Arts and Sciences "inexplicably" failed to acknowledge Harrison with a second award for this win. They comment that Fleetwood Mac and Stevie Wonder both received dual awards, as artist/performer and producer, when those acts won "Album of the Year" Grammys in the 1970s.[118]
9. ^ Heckman located this apathy as the aftermath to "rip-offs" such as the Woodstock, Altamont and Powder Ridge festivals, John Lennon's campaigns of self-promotion, and "the death of rock and the birth of the Jesus‐freaks".[122]
10. ^ Nyman compared the live album with the Deben Bhattacharya-compiled The Living Tradition – Music from Bangladesh, which contained locally recorded Bangladeshi folk music with new, topical lyrics. He said that the folk collection also demonstrated no immediate connection with the cause, but neither did it make "extravagant claims" to be raising funds and international awareness.[130]
11. ^ Writing in Rolling Stone Press' Harrison tribute, Greg Kot views the performance as "a snapshot of early-Seventies rock royalty".[135] Simon Leng comments that their joint soloing was about friendship, rather than the "six-string ego battles" or "macho showdowns" so typical of that decade.[136]
12. ^ Simon Leng goes so far as to rate The Concert for Bangladesh second only to the "awful" Beatles at the Hollywood Bowl (1977) in terms of poor-sounding live albums.[150]
13. ^ He also writes that while many charitable projects have followed the 1971 event, "few have been as musically consequential as The Concert for Bangladesh."[155]
14. ^ While promoting the release in October 2005, Olivia said that part of the reason for the reissue not taking place in 2001 was that Harrison had been sent the wrong master tapes to work on. She added that he had then contacted Spector, who supplied the correct version.[171]
15. ^ Among other changes in the running order after the matinee performance, Dylan replaced "Love Minus Zero" with "Mr. Tambourine Man" for the evening show[32] and Harrison dropped "Hear Me Lord".[175] The latter remains the only song played at the Concert for Bangladesh that has not received an official release.[176]

## References[edit]

1. ^ Moon, p. 808.
2. ^ Harry, p. 135.
3. ^ Castleman & Podrazik, p. 108; Madinger & Easter, p. 634.
4. ^ Don Ovens (charts & reviews dir.), "Billboard Top LP's, for Week Ending Jan. 22, 1972" Archived 24 January 2019 at the Wayback Machine, Billboard, 22 January 1972, p. 70 (retrieved 24 January 2019); "List Grammy Nominees in 47 Categories; Show Mar. 3", Cash Box, 27 January 1973, p. 9.
5. ^ Timothy White, "George Harrison: Reconsidered", Musician, November 1987, p. 55.
6. ^ a b Lavezzoli, p. 187.
7. ^ Clayson, p. 308.
8. ^ Lavezzoli, p. 189.
9. ^ Leng, pp. 112, 114.
10. ^ Madinger & Easter, pp. 434–35.
11. ^ Neal Alpert, "George Harrison's Concert for Bangladesh", Gadfly Online, 3 December 2001 (archived from the original on 3 March 2012; retrieved 3 March 2016).
12. ^ Lavezzoli, pp. 187, 189.
13. ^ a b Castleman & Podrazik, pp. 195–96.
14. ^ Leng, p. 115.
15. ^ Schaffner, pp. 146–47.
16. ^ a b Interview with Jann Wenner, in The Concert for Bangladesh Revisited.
17. ^ The Editors of Rolling Stone, p. 154.
18. ^ a b Heylin, p. 329.
19. ^ Tillery, p. 99.
20. ^ Interviews with Kofi Annan and Charles J. Lyons, in The Concert for Bangladesh Revisited.
21. ^ a b c Clayson, p. 315.
22. ^ Inglis, p. 36.
23. ^ Tillery, pp. 100–01.
24. ^ Schaffner, p. 148.
25. ^ a b Badman, p. 45.
26. ^ a b c d e f g h i j k Madinger & Easter, p. 436.
27. ^ a b Leng, p. 121.
28. ^ Rodriguez, p. 51.
29. ^ a b Olivia Harrison, p. 286.
30. ^ The Editors of Rolling Stone, p. 122.
31. ^ Inglis, p. 35.
32. ^ a b c Schaffner, p. 147.
33. ^ Clayson, pp. 309–11.
34. ^ Leng, p. 117.
35. ^ John Pidgeon, "George Harrison et al.: The Concert for Bangla Desh", NME, 15 July 1972, p. 24; available at Rock's Backpages Archived 2 September 2012 at the Wayback Machine (subscription required).
36. ^ MacDonald, p. 147.
37. ^ Lavezzoli, p. 191.
38. ^ Schaffner, p. 146.
39. ^ a b Clayson, p. 310.
40. ^ The Editors of Rolling Stone, pp. 42, 123.
41. ^ The Editors of Rolling Stone, p. 42.
42. ^ Badman, p. 43.
43. ^ "The Making of the Album" feature, The Concert for Bangladesh Revisited.
44. ^ Guralnick, pp. 469–70.
45. ^ a b c d Spizer, p. 241.
46. ^ Pieper, p. 41.
47. ^ The Concert for Bangladesh Revisited.
48. ^ Clayson, p. 289.
49. ^ Harris, p. 72.
50. ^ a b Badman, p. 79.
51. ^ a b George Harrison, pp. 60–61.
52. ^ Clayson, p. 314.
53. ^ a b c d e f g Spizer, p. 242.
54. ^ a b Interview with Norman Kinney and Steve Mitchell, in The Concert for Bangladesh Revisited.
55. ^ Badman, p. 44.
56. ^ Spizer, p. 243.
57. ^ Leng, pp. 120–21.
58. ^ Spizer, pp. 242, 243.
59. ^ Clayson, p. 312.
60. ^ The Editors of Rolling Stone, pp. 43, 122.
61. ^ Badman, p. 46.
62. ^ a b c d Carr & Tyler, p. 99.
63. ^ a b c Interview with Bhaskar Menon, in The Concert for Bangladesh Revisited.
64. ^ Woffinden, p. 52.
65. ^ a b Tillery, p. 100.
66. ^ The Editors of Rolling Stone, p. 43.
67. ^ a b c d e Badman, p. 58.
68. ^ Badman, pp. 47, 49.
69. ^ Rodriguez, p. 84.
70. ^ "Fresh From Apple: Lon & Derrek Van Eaton" Archived 7 May 2017 at the Wayback Machine, Apple Records (retrieved 20 May 2012).
71. ^ a b c Badman, p. 50.
72. ^ a b Clayson, p. 316.
73. ^ a b c Badman, pp. 54–55.
74. ^ video: "George Harrison on The Dick Cavett Show, 1971, Full Interview" Archived 12 February 2017 at the Wayback Machine, YouTube (retrieved 23 March 2013); quoted portions appear at 31:15–18, :37–39 and :42–50.
75. ^ Spizer, pp. 239, 242.
76. ^ Rodriguez, p. 321.
77. ^ "Big Bop Baby" Archived 4 February 2015 at the Wayback Machine, Contra Band Music, 4 May 2012 (retrieved 23 March 2013).
78. ^ a b Woffinden, p. 51.
79. ^ Interview with Barry Feinstein, in The Concert for Bangladesh Revisited.
80. ^ Sounes, pp. 269–70.
81. ^ a b c Richard S. Ginell, "George Harrison The Concert for Bangladesh (Bonus Track)" Archived 13 March 2016 at the Wayback Machine, AllMusic (retrieved 9 April 2015)
82. ^ Rodriguez, pp. 73–74.
83. ^ Castleman & Podrazik, p. 106.
84. ^ Leng, p 108.
85. ^ Ed Hogan, "Billy Preston 'Outa-Space'" Archived 16 October 2013 at the Wayback Machine, AllMusic (retrieved 16 March 2013).
86. ^ Spizer, p. 340.
87. ^ a b Richard Williams, "The Concert for Bangla Desh (album review)", Melody Maker, 1 January 1972; available at Rock's Backpages Archived 6 March 2007 at the Wayback Machine (subscription required; retrieved 15 July 2012).
88. ^ Lavezzoli, p. 193.
89. ^ a b Clayson, p. 345.
90. ^ The Editors of Rolling Stone, p. 44.
91. ^ Harrison, p. 226.
92. ^ Leng, pp. 134–35.
93. ^ a b c d e Spizer, p. 245.
94. ^ The Editors of Rolling Stone, p. 40.
95. ^ Schaffner, p. 140.
96. ^ Matt Hurwitz, "Interview with Tom Wilkes", Goldmine, 12 November 2004.
97. ^ Spizer, p. 236.
98. ^ a b Interview with Tom Wilkes, in The Concert for Bangladesh Revisited.
99. ^ a b c Raghavan, p. 145.
100. ^ George Harrison, p. 60.
101. ^ a b Interview with Jon Taplin, in The Concert for Bangladesh Revisited.
102. ^ Madinger & Easter, p. 634.
103. ^ Castleman & Podrazik, p. 108.
104. ^ Rodriguez, p. 92.
105. ^ Schaffner, p. 150.
106. ^ Harry, p. 134.
107. ^ Romanowski & George-Warren, p. 419.
108. ^ a b c Spizer, p. 239.
109. ^ Clayson, pp. 315, 318.
110. ^ Castleman & Podrazik, p. 363.
111. ^ Castleman & Podrazik, p. 332.
112. ^ "All the Number 1 Albums", Official Charts Company, 15 January 2021 (archived version retrieved 27 January 2021).
113. ^ Badman, p. 82.
114. ^ a b "Past Winners Search" Archived 29 July 2013 at the Wayback Machine, grammy.com (retrieved 14 March 2013).
115. ^ Badman, p. 91.
116. ^ Rodriguez, p. 139.
117. ^ Michael Willard, "Roberta Flack Tops Grammys" Archived 9 January 2021 at the Wayback Machine, The Gazette, 5 March 1973 (retrieved 25 July 2012).
118. ^ Romanowski & George-Warren, p. 22.
119. ^ Badman, p. 70.
120. ^ Lavezzoli, p. 194.
121. ^ "Album Reviews", Cash Box, 18 December 1971, p. 30.
122. ^ a b Don Heckman, "Pop: Bangla Desh – a Legendary Concert", The New York Times, 9 January 1972, p. D-28 (retrieved 26 January 2021).
123. ^ a b Ed Kelleher, "Record Reviews: The Concert for Bangla Desh", Circus, March 1972, pp. 16–17.
124. ^ Schaffner, pp. 147–48.
125. ^ Greene, p. 193.
126. ^ Spizer, p. 246.
127. ^ a b c Jon Landau, "George Harrison, Concert for Bangladesh", Rolling Stone, 3 February 1972 (archived version retrieved 20 February 2021).
128. ^ "The 1971 Pazz & Jop Critics Poll" Archived 9 July 2013 at the Wayback Machine, robertchristgau.com (retrieved 1 August 2014).
129. ^ Geoffrey Cannon, "George Harrison & Friends: The Concert for Bangladesh (Apple)", The Guardian, 4 January 1972; available at Rock's Backpages Archived 19 October 2019 at the Wayback Machine (subscription required).
130. ^ a b Michael Nyman, "Causerie", New Statesman, 10 March 1972, p. 324.
131. ^ O'Dell, p. 201.
132. ^ The Editors of Rolling Stone, pp. 122–23.
133. ^ Don Heckman, "The Event Wound Up as a Love Feast" Archived 19 January 2015 at the Wayback Machine, Village Voice, 5 August 1971 (retrieved 14 May 2012).
134. ^ Clayson, p. 313.
135. ^ The Editors of Rolling Stone, p. 188.
136. ^ Leng, pp. 118, 120.
137. ^ Richard S. Ginell, "George Harrison The Concert for Bangladesh" Archived 25 January 2021 at the Wayback Machine, AllMusic (retrieved 30 January 2021).
138. ^ a b Paul Du Noyer, "Back Catalogue: George Harrison", Blender, April 2004, pp. 152–53.
139. ^ Christgau, Robert (1981). "Consumer Guide '70s: C". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Archived from the original on 13 April 2019. Retrieved 23 February 2019 - via robertchristgau.com.
140. ^ a b "George Harrison & Friends, The Concert for Bangladesh", Mojo, December 2005, p. 130.
141. ^ Graff & Durchholz, p. 529.
142. ^ a b Quinn Moreland, "George Harrison/Ravi Shankar The Concert for Bangladesh" Archived 16 January 2021 at the Wayback Machine, Pitchfork, 29 November 2020 (retrieved 30 January 2021).
143. ^ John Bauldie, "Re-releases: Various Artists The Concert for Bangla Desh", Q, October 1991, p. 126.
144. ^ a b Joe Shooman, "George Harrison & Friends The Concert for Bangladesh", Record Collector, Christmas 2005, p. 91.
145. ^ a b Anthony DeCurtis, "George Harrison, Concert for Bangladesh (Reissue)", Rolling Stone, 20 October 2005, p. 98 (archived version retrieved 27 January 2021).
146. ^ Nigel Williamson, "All Things Must Pass: George Harrison's post-Beatles solo albums, Uncut, February 2002, p. 60.
147. ^ Inglis, p. 141.
148. ^ a b Bogdanov, Woodstra & Erlewine, p. 181.
149. ^ Leng, pp. 116, 117.
150. ^ Leng, p. 116.
151. ^ Clayson, pp. 310, 313–14.
152. ^ Leng, pp. 117, 118.
153. ^ Evans, Paul (1992). "George Harrison". In DeCurtis, Anthony; Henke, James; George-Warren, Holly (eds.). The Rolling Stone Album Guide (3rd ed.). Random House. pp. 308–09. ISBN 0679737294. "Concert for Bangladesh is better Dylan than Harrison"
154. ^ Dan Ouellette, "George Harrison and Friends The Concert for Bangladesh", Billboard, 29 October 2005, p. 70 (retrieved 10 April 2015).
155. ^ a b Moon, p. 807.
156. ^ Nigel Williamson, "George Solo: Concert for Bangladesh", Uncut Ultimate Music Guide: George Harrison, TI Media (London, 2018), pp. 62–63.
157. ^ Badman, p. 464.
158. ^ Madinger & Easter, pp. 438, 634.
159. ^ "Album Reviews", Billboard, 31 August 1991, p. 68.
160. ^ Madinger & Easter, p. 438.
161. ^ Mark Ellen, "A Big Hand for the Quiet One", Q, January 1988, p. 65.
162. ^ Badman, p. 465.
163. ^ Charles Shaar Murray, "George Harrison et al: Concert for Bangla Desh", Mojo, March 2002; available at Rock's Backpages Archived 27 April 2015 at the Wayback Machine (subscription required).
164. ^ Mark Wallgren, "Awaiting on You All – George Harrison reissue update", Goldmine, 25 January 2002, p. 58.
165. ^ a b Billboard staff, "'Concert for Bangladesh' Finally Coming to DVD" Archived 30 September 2014 at the Wayback Machine, Billboard, 22 September 2005 (retrieve 29 January 2021).
166. ^ Amazon listing: "The Concert for Bangladesh (Limited Deluxe Edition) (2005)" Archived 20 April 2015 at the Wayback Machine, amazon.com (retrieved 14 March 2013).
167. ^ David Fricke, "George Harrison Show Revisited on DVD" Archived 2 February 2021 at the Wayback Machine, Rolling Stone, 25 October 2005 (retrieved 29 January 2021).
168. ^ Richie Unterberger, "George Harrison The Concert for Bangladesh [DVD]" Archived 31 March 2013 at the Wayback Machine, AllMusic (retrieved 14 March 2013).
169. ^ "The Concert for Bangladesh (1972)" Archived 14 May 2021 at the Wayback Machine, AFI Catalog (retrieved 30 January 2021).
170. ^ Credits, The Concert for Bangladesh Revisited.
171. ^ Bill Harris (Toronto Sun), "Interview with George Harrison's widow" Archived 2 February 2017 at the Wayback Machine, Jam!, 22 October 2005 (retrieved 20 October 2015).
172. ^ Booklet accompanying The Concert for Bangladesh reissue (Sony BMG, 2005; produced by George Harrison & Phil Spector).
173. ^ Leng, p. 120.
174. ^ Madinger & Easter, pp. 436–37.
175. ^ Clayson, pp. 312–13.
176. ^ "George Harrison – The Concert For Bangla Desh Complete (CD 2)" Archived 1 November 2013 at the Wayback Machine, Bootleg Zone (retrieved 14 March 2013).
177. ^ a b "The George Harrison Fund for UNICEF asks 'Help us save some lives': Concert for Bangladesh 40th Anniversary" Archived 29 September 2011 at the Wayback Machine, UNICEF, 13 October 2011 (retrieved 30 October 2013).
178. ^ Michael Simmons, "Cry for a Shadow", Mojo, November 2011, p. 83.
179. ^ "Concert for Bangladesh 40th Anniversary & UNICEF Month of Giving" Archived 30 March 2013 at the Wayback Machine, georgeharrison.com, 26 July 2011 (retrieved 14 March 2013).
180. ^ "UNICEF's Month of Giving raises more than USD $1 million" Archived 22 September 2013 at the Wayback Machine, concertforbangladesh.com, 19 December 2011 (retrieved 14 March 2013).
181. ^ "Concert For Bangladesh on iTunes" Archived 4 March 2016 at the Wayback Machine, concertforbangladesh.com, 26 July 2011 (retrieved 3 March 2016).
182. ^ Joe Marchese, "Harrison and Shankar's 'Concert For Bangladesh' Goes Digital" Archived 4 March 2016 at the Wayback Machine, The Second Disc, 26 July 2011 (retrieved 3 March 2016).
183. ^ "Go-Set Australian charts – 25 March 1972" Archived 16 March 2017 at the Wayback Machine, poparchives.com.au (retrieved 13 April 2014).
184. ^ David Kent, Australian Chart Book 1970-1992, Australian Chart Book (St Ives, NSW, 1993; ISBN 978-0-646-11917-5).
185. ^ "RPM 100 Albums, 19 February 1972" Archived 28 December 2012 at the Wayback Machine, Library and Archives Canada (retrieved 16 March 2013).
186. ^ "George Harrison & Friends – The Concert for Bangladesh" Archived 12 November 2012 at the Wayback Machine (ASP), dutchcharts.nl (retrieved 16 January 2012).
187. ^ Oricon Album Chart Book: Complete Edition 1970–2005, Oricon Entertainment (Roppongi, Tokyo, 2006; ISBN 4-87131-077-9).
188. ^ "George Harrison & Friends – The Concert for Bangladesh" Archived 5 November 2011 at the Wayback Machine (ASP), norwegiancharts.com (retrieved 16 January 2012).
189. ^ "Billboard Hits of the World", Billboard, 27 May 1972, p. 52 (retrieved 12 February 2012).
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191. ^ "Concert for Bangladesh, George Harrison & Friends" Archived 22 September 2020 at the Wayback Machine, Official Charts Company (retrieved 27 January 2021).
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## Sources[edit]

* Keith Badman, The Beatles Diary Volume 2: After the Break-Up 1970–2001, Omnibus Press (London, 2001; ISBN 0-7119-8307-0).
* Vladimir Bogdanov, Chris Woodstra & Stephen Thomas Erlewine (eds), All Music Guide: The Definitive Guide to Popular Music (4th edn), Backbeat Books (San Francisco, CA, 2001; ISBN 0-87930-627-0).
* Roy Carr & Tony Tyler, The Beatles: An Illustrated Record, Trewin Copplestone Publishing (London, 1978; ISBN 0-450-04170-0).
* Harry Castleman & Walter J. Podrazik, All Together Now: The First Complete Beatles Discography 1961–1975, Ballantine Books (New York, NY, 1976; ISBN 0-345-25680-8).
* Alan Clayson, George Harrison, Sanctuary (London, 2003; ISBN 1-86074-489-3).
* The Concert for Bangladesh Revisited with George Harrison and Friends DVD, Apple Corps, 2005 (directed by Claire Ferguson; produced by Olivia Harrison, Jonathan Clyde & Jo Human).
* The Editors of Rolling Stone, Harrison, Rolling Stone Press/Simon & Schuster (New York, NY, 2002; ISBN 0-7432-3581-9).
* Gary Graff & Daniel Durchholz (eds), MusicHound Rock: The Essential Album Guide, Visible Ink Press (Farmington Hills, MI, 1999; ISBN 1-57859-061-2).
* Joshua M. Greene, Here Comes the Sun: The Spiritual and Musical Journey of George Harrison, John Wiley & Sons (Hoboken, NJ, 2006; ISBN 978-0-470-12780-3).
* Paul Guralnick, Careless Love: The Unmaking of Elvis Presley, Abacus (London, 2002; ISBN 0-349-11168-5).
* John Harris, "A Quiet Storm", Mojo, July 2001.
* George Harrison, I Me Mine, Chronicle Books (San Francisco, CA, 2002; ISBN 0-8118-3793-9).
* Olivia Harrison, George Harrison: Living in the Material World, Abrams (New York, NY, 2011; ISBN 978-1-4197-0220-4).
* Bill Harry, The George Harrison Encyclopedia, Virgin Books (London, 2003; ISBN 978-0753508220).
* Clinton Heylin, Bob Dylan: Behind the Shades (20th Anniversary Edition), Faber and Faber (London, 2011; ISBN 978-0-571-27240-2).
* Ian Inglis, The Words and Music of George Harrison, Praeger (Santa Barbara, CA, 2010; ISBN 978-0-313-37532-3).
* Colin Larkin, The Encyclopedia of Popular Music (5th edn), Omnibus Press (London, 2011; ISBN 978-0-85712-595-8).
* Peter Lavezzoli, The Dawn of Indian Music in the West, Continuum (New York, NY, 2006; ISBN 0-8264-2819-3).
* Simon Leng, While My Guitar Gently Weeps: The Music of George Harrison, Hal Leonard (Milwaukee, WI, 2006; ISBN 1-4234-0609-5).
* Ian MacDonald, Revolution in the Head: The Beatles' Records and the Sixties, Pimlico (London, 1998; ISBN 0-7126-6697-4).
* Chip Madinger & Mark Easter, Eight Arms to Hold You: The Solo Beatles Compendium, 44.1 Productions (Chesterfield, MO, 2000; ISBN 0-615-11724-4).
* Tom Moon, 1,000 Recordings to Hear Before You Die, Workman Publishing (New York, NY, 2008; ISBN 978-0-7611-5385-6).
* Chris O'Dell with Katherine Ketcham, Miss O'Dell: My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, Eric Clapton, and the Women They Loved, Touchstone (New York, NY, 2009; ISBN 978-1-4165-9093-4).
* Srinath Raghavan, 1971: A Global History of the Creation of Bangladesh Archived 14 May 2021 at the Wayback Machine, Harvard University Press (Cambridge, MA, 2013; ISBN 978-0-674-72864-6).
* Robert Rodriguez, Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980, Backbeat Books (Milwaukee, WI, 2010; ISBN 978-1-4165-9093-4).
* Patricia Romanowski & Holly George-Warren (eds), The New Rolling Stone Encyclopedia of Rock & Roll, Fireside/Rolling Stone Press (New York, NY, 1995; ISBN 0-684-81044-1).
* Nicholas Schaffner, The Beatles Forever, McGraw-Hill (New York, NY, 1978; ISBN 0-07-055087-5).
* Howard Sounes, Down the Highway: The Life of Bob Dylan, Doubleday (London, 2001; ISBN 0-385-60125-5).
* Bruce Spizer, The Beatles Solo on Apple Records, 498 Productions (New Orleans, LA, 2005; ISBN 0-9662649-5-9).
* Gary Tillery, Working Class Mystic: A Spiritual Biography of George Harrison, Quest Books (Wheaton, IL, 2011; ISBN 978-0-8356-0900-5).
* Bob Woffinden, The Beatles Apart, Proteus (London, 1981; ISBN 0-906071-89-5).

## External links[edit]

* Official website
* The Concert for Bangladesh at Discogs (list of releases)
* The Concert for Bangladesh Revisited with George Harrison and Friends at IMDb

* v
* t
* e

George Harrison

Studio albums|

* Wonderwall Music
* Electronic Sound
* All Things Must Pass
* Living in the Material World
* Dark Horse
* Extra Texture (Read All About It)
* Thirty Three & ⅓
* George Harrison
* Somewhere in England
* Gone Troppo
* Cloud Nine
* Brainwashed

Live albums|

* The Concert for Bangladesh
* Live in Japan

Compilations|

* The Best of George Harrison
* Best of Dark Horse 1976–1989
* Let It Roll: Songs by George Harrison
* Early Takes: Volume 1

Box sets|

* The Dark Horse Years 1976–1992
* Collaborations (with Ravi Shankar)
* The Apple Years 1968–75
* George Harrison – The Vinyl Collection

Books|

* I, Me, Mine
* Songs by George Harrison
* Songs by George Harrison 2
* Raga Mala (as editor)

Tours|

* 1974 North American tour with Ravi Shankar
* 1991 Japanese tour with Eric Clapton

Related|

| Articles|

* Discography
* Songs
* Awards and nominations
* 12 Arnold Grove
* Kinfauns
* Friar Park
* Asian Music Circle
* Beware of ABKCO! (bootleg)
* Bhaktivedanta Manor
* The Concert for Bangladesh
* Concert for George
* Dark Horse Records
* Harrisongs
* "Horse to the Water"
* Material World Charitable Foundation
* Ravi Shankar's Music Festival from India
* Wonderful Today

|

People|

* John Barham
* The Beatles
* Pattie Boyd (wife)
* Eric Clapton
* Derek and the Dominos
* Olivia Harrison (wife)
* Dhani Harrison (son)
* Jim Keltner
* Jeff Lynne
* A.C. Bhaktivedanta Swami Prabhupada
* Billy Preston
* The Quarrymen
* Radha Krishna Temple
* The Rutles
* Ravi Shankar
* Derek Taylor
* Traveling Wilburys
* Klaus Voormann
* Gary Wright

Albums|

* Is This What You Want?
* That's the Way God Planned It
* Doris Troy
* Encouraging Words
* The Radha Krsna Temple
* Joi Bangla (EP)
* Footprint
* Straight Up
* Raga
* Brother
* In Concert 1972
* Ringo
* Shankar Family & Friends
* The Place I Love
* Ravi Shankar's Music Festival from India
* Traveling Wilburys Vol. 1
* Nobody's Child: Romanian Angel Appeal
* Traveling Wilburys Vol. 3
* Ravi Shankar: In Celebration
* Chants of India

Films|

* HandMade Films
* All You Need Is Cash
* Blue Suede Shoes: A Rockabilly Session
* The Concert for Bangladesh (film)
* Concert for George (film)
* George Harrison: Living in the Material World
* Little Malcolm
* Monty Python's Life of Brian
* Raga

Tributes|

* Songs from the Material World: A Tribute to George Harrison
* "Never Without You"
* Concert for George (album)
* Harrison on Harrison: Jazz Explorations of George Harrison
* Tribute To
* George Fest

* Category

* v
* t
* e

Ravi Shankar

Studio albums|

* Three Ragas
* The Sounds of India
* India's Master Musician
* Improvisations
* In London
* Ragas & Talas
* Portrait of Genius
* Sound of the Sitar
* A Morning Raga/An Evening Raga
* In New York
* Ravi Shankar's Festival from India
* Joi Bangla (EP)
* Concerto for Sitar & Orchestra
* Shankar Family & Friends
* Ravi Shankar's Music Festival from India
* Tana Mana
* Chants of India
* The Living Room Sessions Part 1

Collaborations|

* West Meets East (with Yehudi Menuhin)
* West Meets East, Volume 2 (with Yehudi Menuhin)
* Passages (with Philip Glass)

Live albums|

* India's Most Distinguished Musician in Concert
* In San Francisco
* Live: Ravi Shankar at the Monterey International Pop Festival
* At the Woodstock Festival
* In Concert 1972 (with Ali Akbar Khan)
* Full Circle: Carnegie Hall 2000

Film scores|

* Neecha Nagar
* Pather Panchali
* Aparajito
* Kabuliwala
* A Chairy Tale
* The Flute and the Arrow
* Parash Pathar
* The World of Apu
* Anuradha
* Alice in Wonderland
* Chappaqua
* Charly
* Raga
* Transmigration Macabre
* Meera
* Gandhi
* Genesis

Box sets|

* Ravi Shankar: In Celebration
* Collaborations (with George Harrison)

Books|

* My Music, My Life
* Raga Mala

Related|

| Articles|

* Discography
* Asian Music Circle
* The Concert for Bangladesh
* Concert for George
* East Meets West Music
* "I Am Missing You"
* Kinnara School of Music
* Ravi Shankar's Music Festival from India
* Sitar in popular music
* 1974 North American tour

|

Guest appearances|

* The Concert for Bangladesh
* "Ride Rajbun"

People|

* Annapurna Devi (first wife)
* Shubhendra Shankar (son)
* Norah Jones (daughter)
* Anoushka Shankar (daughter)
* John Barham
* Richard Bock
* Kamala Chakravarty
* Shambhu Das
* George Harrison
* Ali Akbar Khan
* Allauddin Khan
* Zubin Mehta
* Yehudi Menuhin
* Alla Rakha
* Harihar Rao
* Satyajit Ray
* Lakshmi Shankar

Films|

* Monterey Pop
* Raga
* The Concert for Bangladesh (film)
* Concert for George (film)
* George Harrison: Living in the Material World

Opera|

* Sukanya

* v
* t
* e

Bob Dylan

* Discography
* Awards
* Bibliography
* Songs written by Dylan
* Bob Dylan songs based on earlier tunes
* Bob Dylan cover songs
* 2016 Nobel Prize in Literature

Studio albums|

* Bob Dylan
* The Freewheelin' Bob Dylan
* The Times They Are a-Changin'
* Another Side of Bob Dylan
* Bringing It All Back Home
* Highway 61 Revisited
* Blonde on Blonde
* John Wesley Harding
* Nashville Skyline
* Self Portrait
* New Morning
* Pat Garrett & Billy the Kid
* Dylan
* Planet Waves
* Blood on the Tracks
* The Basement Tapes
* Desire
* Street-Legal
* Slow Train Coming
* Saved
* Shot of Love
* Infidels
* Empire Burlesque
* Knocked Out Loaded
* Down in the Groove
* Oh Mercy
* Under the Red Sky
* Good as I Been to You
* World Gone Wrong
* Time Out of Mind
* "Love and Theft"
* Modern Times
* Together Through Life
* Christmas in the Heart
* Tempest
* Shadows in the Night
* Fallen Angels
* Triplicate
* Rough and Rowdy Ways
* Shadow Kingdom

Live albums|

| Contemporary|

* Before the Flood
* Hard Rain
* Bob Dylan at Budokan
* Real Live
* Dylan & the Dead
* The 30th Anniversary Concert Celebration
* MTV Unplugged

|

Archival|

* Live 1961–2000: Thirty-Nine Years of Great Concert Performances
* Live at The Gaslight 1962
* Live at Carnegie Hall 1963
* In Concert – Brandeis University 1963
* The 1966 Live Recordings
* Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings
* The Complete Budokan 1978

Compilations|

| Hits|

* Bob Dylan's Greatest Hits
* Bob Dylan's Greatest Hits Vol. II
* Masterpieces
* Bob Dylan's Greatest Hits Volume 3
* The Best of Bob Dylan (1997)
* The Best of Bob Dylan, Vol. 2
* The Essential Bob Dylan
* The Best of Bob Dylan (2005)
* Dylan

|

Themed|

* Dylan
* The Basement Tapes
* Blues

Box sets|

* Biograph
* Bob Dylan: The Collection
* The Original Mono Recordings
* The 50th Anniversary Collection
* Bob Dylan: The Complete Album Collection Vol. One
* The 50th Anniversary Collection 1963
* The 50th Anniversary Collection 1964
* 1970

The Bootleg Series|

* Volumes 1–3 (Rare & Unreleased) 1961–1991
* Vol. 4: The Royal Albert Hall Concert
* Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue
* Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall
* Vol. 7: No Direction Home: The Soundtrack
* Vol. 8: Tell Tale Signs: Rare and Unreleased 1989–2006
* Vol. 9: The Witmark Demos: 1962–1964
* Vol. 10: Another Self Portrait (1969–1971)
* Vol. 11: The Basement Tapes Complete
* Vol. 12: The Cutting Edge 1965–1966
* Vol. 13: Trouble No More 1979–1981
* Vol. 14: More Blood, More Tracks
* Vol. 15: Travelin' Thru, 1967–1969
* Vol. 16: Springtime in New York 1980–1985
* Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997)

Bootlegs|

* From Newport to the Ancient Empty Street in L.A.
* Great White Wonder
* List of Basement Tapes songs
* 1967
* 1975

Concert tours|

* England Tour (1965)
* World Tour (1966)
* Isle of Wight Festival (1969)
* Tour with the Band (1974)
* Rolling Thunder Revue (1975–1976)
* World Tour (1978)
* Gospel Tour (1979–80)
* European Tour (1984)
* True Confessions Tour (1986)
* Tour with the Grateful Dead (1987)
* Temples in Flames Tour (1987)
* Never Ending Tour
* 1988
* 1989
* 1990
* 1991
* 1992
* 1993
* 1994
* 1995
* 1996
* 1997
* 1998
* 1999
* 2000
* 2001
* 2002
* 2003
* 2004
* 2005
* 2006
* 2007
* 2008
* 2009
* 2010
* 2011
* 2012
* 2013
* 2014
* 2015
* 2016
* 2017
* 2018
* 2019
* Rough and Rowdy Ways World Wide Tour (2021–2024)

Films|

* Dont Look Back
* Eat the Document
* Renaldo and Clara
* Hard to Handle
* The 30th Anniversary Concert Celebration
* MTV Unplugged
* Masked and Anonymous
* No Direction Home
* I'm Not There
* Soundtrack
* 65 Revisited
* The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965
* Trouble No More – A Musical Film
* Rolling Thunder Revue
* Shadow Kingdom

Writings|

* Tarantula
* Writings and Drawings
* Chronicles: Volume One
* The Philosophy of Modern Song

Books about Dylan|

* The Bob Dylan Encyclopedia
* Bob Dylan, Performing Artist
* Invisible Republic
* The Cambridge Companion to Bob Dylan
* Bob Dylan: Mixing Up the Medicine

Family|

* Sara Dylan (first wife)
* Carolyn Dennis (second wife)
* Jesse Dylan (son)
* Jakob Dylan (son)

Related|

* Recording Sessions
* The Band
* Traveling Wilburys
* Electric Dylan controversy
* Artists who have covered Dylan songs
* Joan Baez
* Suze Rotolo
* Helena Springs
* The Telegraph magazine
* Festival
* The Concert for Bangladesh
* Pat Garrett and Billy the Kid
* Hearts of Fire
* Highway 61 Interactive
* Theme Time Radio Hour
* Gotta Serve Somebody: The Gospel Songs of Bob Dylan
* Chimes of Freedom (album)
* The Lost Notebooks of Hank Williams
* Lost on the River: The New Basement Tapes
* Bob Dylan Center

* Category

* v
* t
* e

Leon Russell

Studio albums|

| Smash Records|

* Look Inside the Asylum Choir

|

Shelter Records|

* Asylum Choir II
* Leon Russell
* Leon Russell and the Shelter People
* Carney
* Hank Wilson's Back Vol. I
* Stop All That Jazz
* Will O' the Wisp
* Wedding Album
* Make Love to the Music

Leon Russell Records|

* Guitar Blues
* Moonlight & Love Songs
* Legend in My Time: Hank Wilson Vol. III
* Face in the Crowd
* Rhythm & Bluegrass: Hank Wilson, Vol. 4
* Bad Country
* Angel in Disguise
* In Your Dreams
* A Mighty Flood

Paradise Records|

* Americana
* Life and Love
* Blues: Same Old Song
* Solid State
* Hank Wilson, Vol. II

Other labels|

* One for the Road
* Looking Back
* Anything Can Happen
* The Union
* Life Journey
* On a Distant Shore

Live albums|

* Mad Dogs and Englishmen with Joe Cocker
* Leon Live
* Live in Japan
* Live at Gilley's

Songs|

* "Lady Blue"
* "A Song for You"
* "Tight Rope"
* "This Masquerade"
* "Rollin' in My Sweet Baby's Arms"
* "I'm So Lonesome I Could Cry"
* "If I Were a Carpenter"
* "Foggy Mountain Breakdown"

See also|

* The Church Studio
* Tulsa Sound
* The Wrecking Crew
* The Asylum Choir
* A Poem Is a Naked Person
* The Concert for Bangladesh
* The Union Tour
* The Union (film)

* v
* t
* e

Badfinger

* Pete Ham
* Tom Evans
* Joey Molland
* Mike Gibbins

* Bob Jackson
* Tony Kaye

Studio albums|

* Maybe Tomorrow (as The Iveys)
* Magic Christian Music
* No Dice
* Straight Up
* Ass
* Badfinger
* Wish You Were Here
* Airwaves
* Say No More
* Head First

Live albums|

* The Concert for Bangladesh (backing band)
* Day After Day: Live
* BBC in Concert 1972–1973

Singles|

* "Maybe Tomorrow" (as The Iveys)
* "Dear Angie" (as The Iveys)
* "Come and Get It"
* "No Matter What"
* "Day After Day"
* "Baby Blue"
* "Apple of My Eye"
* "Love Is Easy"
* "I Miss You"
* "Lost Inside Your Love"
* "Love Is Gonna Come at Last"
* "Hold On"
* "I Got You"
* "Because I Love You"

Other songs|

* "Without You"
* "Name of the Game"
* "Meanwhile Back at the Ranch"/"Should I Smoke"

See also|

* The Magic Christian
* David Garrick
* Felina (Breaking Bad)

* v
* t
* e

Phil Spector

Albums
produced|

* Twist Uptown
* He's a Rebel
* A Christmas Gift for You from Phil Spector
* Presenting the Fabulous Ronettes
* Just Once in My Life
* River Deep – Mountain High
* Let It Be
* All Things Must Pass
* John Lennon/Plastic Ono Band
* The Concert for Bangladesh
* Imagine
* Living in the Material World
* Some Time in New York City
* Rock 'n' Roll
* Born to Be with You
* Death of a Ladies' Man
* End of the Century
* Season of Glass
* Silence Is Easy

Singles
produced|

| 1960–
1963|

* "Corrine, Corrina"
* "Pretty Little Angel Eyes"
* "Talk to Me"
* "Under the Moon of Love"
* "There's No Other (Like My Baby)"
* "Uptown"
* "He Hit Me (And It Felt Like a Kiss)"
* "He's a Rebel"
* "Zip-a-Dee-Doo-Dah"
* "He's Sure the Boy I Love"
* "Why Do Lovers Break Each Other's Heart"
* "(Let's Dance) The Screw"
* "Da Doo Ron Ron"
* "Then He Kissed Me"
* "Be My Baby"
* "Baby, I Love You"
* "Christmas (Baby Please Come Home)"

|

1964–
1966|

* "(The Best Part of) Breakin' Up"
* "Do I Love You?"
* "Walking in the Rain"
* "Ringo, I Love You"
* "Why Don't They Let Us Fall in Love"
* "You've Lost That Lovin' Feelin'"
* "Just Once in My Life"
* "Is This What I Get for Loving You?"
* "Hung Up on You/Unchained Melody"
* "Ebb Tide"
* "River Deep – Mountain High"

1967–
2003|

* "I'll Never Need More Than This"
* "A Love Like Yours (Don't Come Knocking Everyday)"
* "Proud Mary"
* "You Came, You Saw, You Conquered!"
* "Black Pearl"
* "Instant Karma (We All Shine On)"
* "The Long and Winding Road"
* "My Sweet Lord"
* "What Is Life"
* "Power to the People"
* "Mother"
* "Try Some, Buy Some"
* "Imagine"
* "Happy Xmas (War Is Over)"
* "Rock 'n' Roll High School"
* "Do You Remember Rock 'n' Roll Radio?"
* "Silence Is Easy"

Compilations|

* Menlove Ave.
* Back to Mono (1958–1969)

Other songs|

* "To Know Him Is to Love Him"
* "Don't You Worry My Little Pet"
* "Chapel of Love"
* "I Can Hear Music"
* "Little by Little"
* "Spanish Harlem"
* "This Could Be the Night"

Companies|

* Philles Records
* Phi-Dan Records
* Phil Spector International
* Warner-Spector Records

Related media|

* "B Boy Baby"
* "Take Me Home Tonight"
* Tearing Down the Wall of Sound
* Phil Spector

Other topics|

* Wall of Sound
* The Teddy Bears
* Bob B. Soxx & the Blue Jeans
* The Ronettes
* The Crystals
* Ronnie Spector
* Larry Levine
* Jack Nitzsche
* Murder of Lana Clarkson

* Category

Awards for The Concert for Bangladesh

* v
* t
* e

Grammy Award for Album of the Year

1958–1979|

* The Music from Peter Gunn – Henry Mancini (1958)
* Come Dance with Me! – Frank Sinatra (1959)
* The Button-Down Mind of Bob Newhart – Bob Newhart (1960)
* Judy at Carnegie Hall – Judy Garland (1961)
* The First Family – Vaughn Meader (1962)
* The Barbra Streisand Album – Barbra Streisand (1963)
* Getz/Gilberto – Stan Getz & João Gilberto (1964)
* September of My Years – Frank Sinatra (1965)
* A Man and His Music – Frank Sinatra (1966)
* Sgt. Pepper's Lonely Hearts Club Band – The Beatles (1967)
* By the Time I Get to Phoenix – Glen Campbell (1968)
* Blood, Sweat & Tears – Blood, Sweat & Tears (1969)
* Bridge over Troubled Water – Simon & Garfunkel (1970)
* Tapestry – Carole King (1971)
* The Concert for Bangladesh – George Harrison & Friends (1972)
* Innervisions – Stevie Wonder (1973)
* Fulfillingness' First Finale – Stevie Wonder (1974)
* Still Crazy After All These Years – Paul Simon (1975)
* Songs in the Key of Life – Stevie Wonder (1976)
* Rumours – Fleetwood Mac (1977)
* Saturday Night Fever – Various Artists (1978)
* 52nd Street – Billy Joel (1979)

1980–1999|

* Christopher Cross – Christopher Cross (1980)
* Double Fantasy – John Lennon & Yoko Ono (1981)
* Toto IV – Toto (1982)
* Thriller – Michael Jackson (1983)
* Can't Slow Down – Lionel Richie (1984)
* No Jacket Required – Phil Collins (1985)
* Graceland – Paul Simon (1986)
* The Joshua Tree – U2 (1987)
* Faith – George Michael (1988)
* Nick of Time – Bonnie Raitt (1989)
* Back on the Block – Quincy Jones and Various Artists (1990)
* Unforgettable... with Love – Natalie Cole (1991)
* Unplugged – Eric Clapton (1992)
* The Bodyguard – Whitney Houston (1993)
* MTV Unplugged – Tony Bennett (1994)
* Jagged Little Pill – Alanis Morissette (1995)
* Falling into You – Celine Dion (1996)
* Time Out of Mind – Bob Dylan (1997)
* The Miseducation of Lauryn Hill – Lauryn Hill (1998)
* Supernatural – Santana (1999)

2000–2019|

* Two Against Nature – Steely Dan (2000)
* O Brother, Where Art Thou? – Various Artists (2001)
* Come Away with Me – Norah Jones (2002)
* Speakerboxxx/The Love Below – Outkast (2003)
* Genius Loves Company – Ray Charles & Various Artists (2004)
* How to Dismantle an Atomic Bomb – U2 (2005)
* Taking the Long Way – Dixie Chicks (2006)
* River: The Joni Letters – Herbie Hancock (2007)
* Raising Sand – Robert Plant & Alison Krauss (2008)
* Fearless – Taylor Swift (2009)
* The Suburbs – Arcade Fire (2010)
* 21 – Adele (2011)
* Babel – Mumford & Sons (2012)
* Random Access Memories – Daft Punk (2013)
* Morning Phase – Beck (2014)
* 1989 – Taylor Swift (2015)
* 25 – Adele (2016)
* 24K Magic – Bruno Mars (2017)
* Golden Hour – Kacey Musgraves (2018)
* When We All Fall Asleep, Where Do We Go? – Billie Eilish (2019)

2020–present|

* Folklore – Taylor Swift (2020)
* We Are – Jon Batiste (2021)
* Harry's House – Harry Styles (2022)

* v
* t
* e

Laureates of the Polar Music Prize

1990s|

* Paul McCartney / the Baltic states (1992)
* Dizzy Gillespie / Witold Lutosławski (1993)
* Quincy Jones / Nikolaus Harnoncourt (1994)
* Elton John / Mstislav Rostropovich (1995)
* Joni Mitchell / Pierre Boulez (1996)
* Bruce Springsteen / Eric Ericson (1997)
* Ray Charles / Ravi Shankar (1998)
* Stevie Wonder / Iannis Xenakis (1999)

2000s|

* Bob Dylan / Isaac Stern (2000)
* Burt Bacharach / Robert Moog / Karlheinz Stockhausen (2001)
* Miriam Makeba / Sofia Gubaidulina (2002)
* Keith Jarrett (2003)
* B.B. King / György Ligeti (2004)
* Gilberto Gil / Dietrich Fischer-Dieskau (2005)
* Led Zeppelin / Valery Gergiev (2006)
* Sonny Rollins / Steve Reich (2007)
* Pink Floyd / Renée Fleming (2008)
* Peter Gabriel / José Antonio Abreu / El Sistema (2009)

2010s|

* Björk / Ennio Morricone (2010)
* Kronos Quartet / Patti Smith (2011)
* Paul Simon / Yo-Yo Ma (2012)
* Youssou N'Dour / Kaija Saariaho (2013)
* Chuck Berry / Peter Sellars (2014)
* Emmylou Harris / Evelyn Glennie (2015)
* Max Martin / Cecilia Bartoli (2016)
* Sting / Wayne Shorter (2017)
* Metallica / Afghanistan National Institute of Music (2018)
* Grandmaster Flash / Anne-Sophie Mutter / Playing for Change (2019)

2020s|

* Anna Netrebko / Diane Warren (2020)
* Iggy Pop / Ensemble intercontemporain (2022)
* Chris Blackwell / Angélique Kidjo / Arvo Pärt (2023)

* v
* t
* e

Ramon Magsaysay Award winners of India

* Amitabha Chowdhury
* Anshu Gupta
* Aruna Roy
* Arun Shourie
* Arvind Kejriwal
* Baba Amte
* Banoo Jehangir Coyaji
* Bezwada Wilson
* Bharat Vatwani
* B. G. Verghese
* Chandi Prasad Bhatt
* C. D. Deshmukh
* Dara Nusserwanji Khurody
* Deep Joshi
* Ela Bhatt
* Gour Kishore Ghosh
* Harish Hande
* Jockin Arputham
* James Michael Lyngdoh
* Jayaprakash Narayan
* Kamaladevi Chattopadhyay
* Kiran Bedi
* Kulandei Francis
* K. V. Subbanna
* Lakshmi Chand Jain
* Laxminarayan Ramdas
* Mabelle Arole
* Mahasweta Devi
* Mahesh Chandra Mehta
* Manibhai Desai
* Mandakini Amte
* Mother Teresa
* M. S. Subbulakshmi
* M. S. Swaminathan
* Nileema Mishra
* Palagummi Sainath
* Pandurang Shastri Athavale
* Prakash Amte
* P. K. Sethi
* Rajendra Singh
* Ravi Shankar
* Ravish Kumar
* R. K. Laxman
* Rajanikant Arole
* Sanjiv Chaturvedi
* Satyajit Ray
* Sombhu Mitra
* Sandeep Pandey
* Shantha Sinha
* Sonam Wangchuk
* T. M. Krishna
* T. N. Seshan
* Tribhuvandas Kishibhai Patel
* V. Shanta
* Verghese Kurien
* Vinoba Bhave

List of Ramon Magsaysay Award winners

Authority control databases |

* MusicBrainz release group

|

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