The Conversion of Saint Paul (Caravaggio)

Painting by Caravaggio

This article is about Caravaggio's painting in the Odescalchi Balbi Collection. For his painting in Santa Maria del Popolo, see Conversion on the Way to Damascus.

The Conversion of Saint Paul

Italian: Conversione di Saulo Odescalchi
Artist| Caravaggio
Year| 1600/1601
Type| Oil on cypress wood
Dimensions| 237 cm × 189 cm (93 in × 74 in)
Location| Odescalchi Balbi Collection, Rome

The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo.

## Background

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The painting, together with a Crucifixion of Saint Peter, was commissioned by Monsignor (later Cardinal) Tiberio Cerasi, Treasurer-General to Pope Clement VIII, in September 1600. According to Caravaggio's early biographer Giovanni Baglione, both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today. The dates of completion and rejection are determined from the death of Cerasi in May 1601. Baglione states that the first versions of both paintings were taken by Cardinal Giacomo Sannessio, but another early writer, Giulio Mancini, says that Sannessio's paintings were copies. Nevertheless, most scholars are satisfied that this is the first version of the Conversion of Paul.

The painting records the moment when Saul of Tarsus, on his way to Damascus to annihilate the Christian community there, is struck blind by a brilliant light and hears the voice of Christ saying, "Saul, Saul, why persecutest thou me?...And they that were with me saw indeed the light, and were afraid, but they heard not the voice..." (Acts 22:6-11). Elsewhere Paul claims to have seen Christ during a vision, and it is on this basis that he grounds his claim be recognised as an Apostle: "Have I not seen Jesus Christ our Lord?" (I Corinthians 9:1).

Caravaggio biographer Helen Langdon describes the style of Conversion as "an odd blend of Raphael and clumsy rustic realism," but notes how the composition, with its jagged shapes and irrational light which picks out details for their dramatic impact, creates "a sense of crisis and dislocation [in which] Christ disrupts the mundane world."

Several modern commentators (including John Gash[1] and Peter Robb[2]) have questioned whether the rejection of the first versions of Caravaggio's two paintings was quite so straightforward as the record makes it seem, and speculate that Cardinal Sannessio may have seized the opportunity of Cerasi's unexpected death on 3 May 1601 to, in effect, seize the paintings. Certainly there is no obvious reason for the rejection, and the two second versions which replaced them were, if the surviving first version of the Conversion is a guide, (the first Crucifixion of Peter has disappeared), far more unconventional than the first.

## See also

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* List of paintings by Caravaggio

## References

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* ^ John Gash, Caravaggio (2003), ISBN 1-904449-22-0
* ^ Robb, Peter (2000). M: Caravaggio. Bloomsbury. ISBN 978-0-7475-4858-4.
* Caravaggio By Helen Langdon https://books.google.com/books?id=q_U8FzJThfcC&hl=en&gbpv=1&pg=PA186&dq="an+odd+blend+of+Raphael+and+clumsy+rustic+realism,"

## External links

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* Media related to Conversion of Saint Paul by Caravaggio (Odescalchi) at Wikimedia Commons

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Caravaggio

List of paintings

1593–1594|

* Boy Peeling Fruit (c. 1592)
* Young Sick Bacchus (c. 1593)
* Boy with a Basket of Fruit (c. 1593)
* Boy Bitten by a Crayfish (c. 1593; lost)
* The Fortune Teller (c. 1594)
* The Cardsharps (c. 1594)

1595–1599
Del Monte paintings|

* The Musicians (c. 1595)
* Saint Francis of Assisi in Ecstasy (c. 1595)
* Boy Bitten by a Lizard (c. 1596)
* The Lute Player (c. 1596)
* Bacchus (c. 1596)
* Penitent Magdalene (c. 1597)
* Rest on the Flight into Egypt (c. 1597)
* Medusa (c. 1597)
* Portrait of a Courtesan (Fillide Melandroni) (c. 1597)
* Jupiter, Neptune and Pluto (c. 1597)
* Saint Catherine of Alexandria (c. 1598)
* The Sacrifice of Isaac (Princeton; c. 1598)
* John the Baptist (c. 1598)
* Martha and Mary Magdalene (c. 1598)
* Portrait of Maffeo Barberini (1598)
* Basket of Fruit (c. 1599)
* Judith Beheading Holofernes (c. 1599)
* David and Goliath (c. 1599)
* Narcissus (c. 1599)

1600–1606
Most famous
painter in Rome|

* The Calling of Saint Matthew (1599–1600)
* The Martyrdom of Saint Matthew (1599–1600)
* The Conversion of Saint Paul (1600)
* The Crucifixion of Saint Peter (1601)
* The Conversion of Saint Paul on the Road to Damascus (1601)
* Supper at Emmaus (London; 1601)
* Amor Victorious (1602)
* Saint Matthew and the Angel (1602; destroyed)
* The Inspiration of Saint Matthew (1602)
* The Incredulity of Saint Thomas (c. 1602)
* The Taking of Christ (1602)
* The Entombment of Christ (c. 1603)
* Saint Francis in Prayer (c. 1603)
* The Calling of Saints Peter and Andrew (c. 1603–1606)
* Madonna of Loreto (Madonna dei Pellegrini, Pilgrims' Madonna) (c. 1604)
* The Crowning with Thorns (Prato; 1604)
* The Death of the Virgin (1604)
* Christ on the Mount of Olives (1605)
* Ecce Homo (Genoa; c. 1605)
* Saint Jerome in Meditation (c. 1605)
* Saint Jerome Writing (Rome; c. 1605)
* Portrait of Pope Paul V (1605)
* Still Life with Fruit (1605)
* Madonna and Child with Saint Anne (Dei Palafrenieri) (1606)

1606–1608
Naples and Malta|

* Ecce Homo (Madrid; c. 1605–1609)
* Mary Magdalen in Ecstasy (1606)
* Saint Francis in Meditation (1606)
* Supper at Emmaus (Milan; 1606)
* The Seven Works of Mercy (1606)
* The Crucifixion of Saint Andrew (1607)
* David with the Head of Goliath (Vienna; 1607)
* Madonna of the Rosary (1607)
* The Crowning with Thorns (Vienna; 1607)
* The Flagellation of Christ (c. 1607)
* Christ at the Column (c. 1607)
* Salome with the Head of John the Baptist (London; c. 1607)
* Saint Jerome Writing (Valletta; 1607)
* Portrait of Alof de Wignacourt and his Page (1607–1608)
* Portrait of Fra Antonio Martelli (1608)
* The Beheading of Saint John the Baptist (1608)
* Sleeping Cupid (1608)

1608–1610
Sicily and Naples|

* The Annunciation (1608)
* The Burial of Saint Lucy (1608)
* The Raising of Lazarus (1609)
* Adoration of the Shepherds (1609)
* Nativity with Saint Francis and Saint Lawrence (1609; lost)
* Salome with the Head of John the Baptist (Madrid; 1609)
* Denial of Saint Peter (1610)
* The Martyrdom of Saint Ursula (1610)
* David with the Head of Goliath (Rome; 1610)

Related|

* Paintings attributed to Caravaggio
* Utrecht Caravaggism
* Caravaggisti
* Caravaggio, il pittore maledetto
* Caravaggio (1986 film)
* Caravaggio (2007 film)
* Caravaggio's Shadow

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