The Declaration of Musical Independence

2016 studio album by Andrew Cyrille

The Declaration of Musical Independence

Studio album by

Andrew Cyrille

Released| 2016
Recorded| July 2014
Venue| Brooklyn Recording, Brooklyn, New York
Genre| Jazz
Label| ECM Records
ECM 2430
Producer| Sun Chung
Andrew Cyrille chronology
| Route de Frères
(2011)  | The Declaration of Musical Independence
(2016)  | Proximity
(2016)

|
|

The Declaration of Musical Independence is an album by drummer Andrew Cyrille. It was recorded in July 2014 at Brooklyn Recording in Brooklyn, New York, and was released by ECM Records in 2016. On the album, Cyrille is joined by guitarist Bill Frisell, Richard Teitelbaum on synthesizer and piano, and Ben Street on bass.

Cyrille recalled that the recording sessions, which took place near where he was born in 1939, "were a whole lot of fun." He elaborated: "I wanted this album to be a true quartet project, where each of us had a piece of the record, in every sense. I wanted everyone to contribute music, everyone to give of themselves."[1] In his liner notes, Ben Young suggested that "it might well be the farthest we've seen Andrew come from that warm centricity of pulsed music toward a polar outpost where it's as though atmospheric factors are models, rather than the pulsing spirit of humankind. The rate of motion recalls that of air and sea, very little about the crackling fire or the pace of moving on land. Cycles of gesture on the record are all elongated beyond heart rate, slower than breathing."[2]

## Reception

[edit]

Professional ratingsReview scores

Source| Rating
DownBeat| [3]
The Guardian| [4]
All About Jazz| [5]
The Irish Times| [6]
Tom Hull – on the Web| B+[7]

In a review for DownBeat, Frank Alkyer called the album "an unabashed exploration into time, pulse, space and atmosphere," and commented: "the... music is ambitious yet simple, rich yet stripped–down, challenging yet infinitely satisfying."[8] Mark Sullivan, writing for All About Jazz, awarded the album 4 stars, and noted that, regarding "Coltrane Time," "The solo drum introduction uses a rhythm [Cyrille] learned from drummer Rashied Ali, who learned it from Coltrane himself."[5]

John Fordham of The Guardian called the group "an unself-consciously inquisitive, selflessly collective quartet," and remarked: "It all swings without regular swing, sounding fluently melodic, though much of it is cell-like and episodic. It might be too wrapped up in itself for some, but its close-listening musicality grows on you."[4] Writing for The Wall Street Journal, Larry Blumenfeld praised the group, stating: "There's no ready template for this quartet, although perhaps a certain logic: Messrs. Frisell and Teitelbaum are among the most distinctive and musical players working with plugged-in instruments and processed sounds, each crafting a signature that seems at once otherworldly and personal. Mr. Street is among jazz's most versatile bassists, exuding rare empathy in every context. Such a band setup might end up messy or disjointed, however, were it not for Mr. Cyrille, whose unrestrained rhythmic flow is always direct, precise and economical."[9]

In an article for The New York Times, Nate Chinen suggested that the album was one of several that made the case for Cyrille's late-career renaissance, and commented stated that it "highlight[s] Mr. Cyrille's insight, ingenuity and subtle mastery of touch."[10] Cormac Larkin, writing for The Irish Times, awarded the album 5 stars, stated: "there is purpose and intent in the group's floaty, attenuated improvisations, but the loose, irregular rhythms are buoyed along and buffeted by deeper, less discernible currents, carried up from the music's ocean depths."[6]

In a review at Sound of Surprise, Matt Phillips wrote: "Sometimes gentle but never cloying or sentimental, this is rich, ego-less music, a much-needed antidote to the desperate 'listen to me, listen to me!' nature of modern pop. Each track creates its own little world. Putting the album on for the first time, you're instantly in a warm, spacious environment, but, like a good Kubrick movie, its secrets don't give themselves up easily."[11] Nick Lea, writing for Jazz Views, remarked: "The playing from Andrew Cyrille is a delight throughout, and is often the most straight talking whether providing a steady rhythmic support for the formal compositions or guiding the quartet through the electronic jungle of the free improvisations, with both age and experience shining through. At times not the easiest of listens, but with patience the logic of the paths taken by the quartet become appealingly apparent."[12]

## Track listing

[edit]

1. "Coltrane Time" (John Coltrane) - 4:58
2. "Kaddish" (Frisell) - 5:10
3. "Sanctuary" (Cyrille, Street, Frisell, Teitelbaum) - 4:16
4. "Say" (Street) - 5:00
5. "Dazzling (Perchordially Yours)" (Cyrille, Street, Frisell, Teitelbaum) - 9:52
6. "Herky Jerky" (Teitelbaum) - 3:25
7. "Begin" (Frisell) - 3:10
8. "Manfred" (Cyrille, Street, Frisell, Teitelbaum) - 4:03
9. "Song For Andrew No. 1" (Frisell) - 5:38

## Personnel

[edit]

* Andrew Cyrille – drums, percussion
* Bill Frisell – guitar
* Richard Teitelbaum \- synthesizer, piano
* Ben Street \- bass

## Production

[edit]

* Sun Chung – producer
* Rick Kwan – recording engineer

## References

[edit]

1. ^ "The Declaration of Musical Independence: Andrew Cyrille Quartet". ECM Records. Retrieved January 13, 2022.
2. ^ Young, Ben (2016). The Declaration Of Musical Independence (liner notes). Andrew Cyrille. ECM Records. ECM 2430.
3. ^ Wolff, Carlo (December 2016). "Andrew Cyrille: The Declaration of Musical Independence". DownBeat. p. 70.
4. ^ a b Fordham, John (September 22, 2016). "Andrew Cyrille Quartet: The Declaration of Musical Independence review – drummer's fluent, classy quartet". The Guardian. Retrieved January 13, 2022.
5. ^ a b Sullivan, Mark (September 25, 2016). "Andrew Cyrille Quartet: The Declaration of Musical Independence". All About Jazz. Retrieved January 13, 2022.
6. ^ a b Larkin, Cormac (October 6, 2016). "Andrew Cyrille Quartet - The Declaration of Musical Independence album review: Elliptically groovy". The Irish Times. Retrieved January 13, 2022.
7. ^ Hull, Tom. "Jazz (1960–70s)". Tom Hull – on the Web. Retrieved February 28, 2022.
8. ^ Alkyer, Frank (November 2016). "Andrew Cyrille Quartet: The Declaration of Musical Independence". DownBeat. Retrieved January 13, 2022.
9. ^ Blumenfeld, Larry (September 28, 2016). "'The Declaration of Musical Independence' and 'Proximity' Reviews". The Wall Street Journal. Retrieved January 13, 2022.
10. ^ Chinen, Nate (October 17, 2016). "Andrew Cyrille's Late-Career Renaissance". The New York Times. Retrieved January 13, 2022.
11. ^ Phillips, Matt (October 4, 2016). "Album Review: Andrew Cyrille's Declaration of Musical Independence". Sound of Surprise. Retrieved January 13, 2022.
12. ^ Lea, Nick. "Andrew Cyrille Quartet: The Declaration of Musical Independence". Jazz Views. Retrieved January 13, 2022.

* v
* t
* e

Andrew Cyrille

Years given are for the recording(s), not first release, unless stated otherwise.

Studio albums|

* What About? (1969)
* Celebration (1975)
* The Loop (1978)
* Metamusicians' Stomp (1978)
* Nuba (with Jeanne Lee and Jimmy Lyons, 1979)
* Special People (1980)
* The Navigator (1982)
* My Friend Louis (1991)
* X Man (1993)
* Ode to the Living Tree (1994)
* Good to Go, with a Tribute to Bu (1995)
* Duo Palindrome 2002 (with Anthony Braxton, 2002)
* Low Blue Flame (2005)
* Route de Frères (2005)
* The Declaration of Musical Independence (2014)
* Proximity (with Bill McHenry, 2014)
* Lebroba (2017)
* The News (2019)
* 2 Blues for Cecil (with William Parker and Enrico Rava, 2021)
* Music Delivery/Percussion (2022)

Live albums|

* Dialogue of the Drums (with Milford Graves, 1974)
* Junction (1976)
* Double Clutch (with Richard Teitelbaum, 1981)
* Something in Return (with Jimmy Lyons, 1981)
* Burnt Offering (with Jimmy Lyons, 1982)
* Andrew Cyrille Meets Brötzmann in Berlin (with Peter Brötzmann, 1982)
* Irène Schweizer & Andrew Cyrille (with Irène Schweizer, 1988)
* Galaxies (with Vladimir Tarasov, 1990)
* Opus de Life (with Paul Dunmall and Henry Grimes, 2008)
* Evocation (with Elliott Sharp and Richard Teitelbaum, 2011)

Related articles|

* Trio 3
* Air

Authority control databases |

* MusicBrainz release group

|

*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template