The Finding of the Saviour in the Temple

Painting by William Holman Hunt

The Finding of the Saviour in the Temple

Artist| William Holman Hunt
Year| 1860
Medium| Oil on canvas
Dimensions| 141.0 cm × 85.7 cm (55+1⁄2 in × 33+3⁄4 in)
Location| Birmingham Museum and Art Gallery, Birmingham

The Finding of the Saviour in the Temple (1854–1860) is a painting by the English artist William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as "Christ Among the Doctors", an illustration of the child Jesus debating the interpretation of the scripture with learned rabbis. The passage illustrated is from the Gospel of Luke, 2:41, which states:

> Every year his parents went to Jerusalem for the Feast of the Passover. When he was twelve years old, they went up to the Feast, according to the custom. After the Feast was over, while his parents were returning home, the boy Jesus stayed behind in Jerusalem, but they were unaware of it. Thinking he was in their company, they traveled on for a day. Then they began looking for him among their relatives and friends. When they did not find him, they went back to Jerusalem to look for him. After three days they found him in the temple courts, sitting among the teachers, listening to them and asking them questions. Everyone who heard him was amazed at his understanding and his answers. When his parents saw him, they were astonished. His mother said to him, "Son, why have you treated us like this? Your father and I have been anxiously searching for you." "Why were you searching for me?" he asked. "Didn't you know I had to be in my Father's house?" But they did not understand what he was saying to them.[1]

Hunt depicts the moment at which Mary and Joseph find Jesus, while the rabbis in the temple are reacting in various contrasting ways to his discourse, some intrigued, others angry or dismissive. This depiction of contrasting reactions is part of the tradition of the subject, as evidenced in Albrecht Dürer's much earlier version. Hunt would also have known Bernardino Luini's version of the subject in the National Gallery. At the time this was ascribed to Leonardo da Vinci.[2]

## Background[edit]

Obsessed with the idea of revitalising religious art by emphasising ethnographical accuracy combined with detailed Biblical symbolism, Hunt had travelled to the Middle East to create the picture, using local people as models and studying ancient Judaic customs and rituals. Progress on the painting was delayed by difficulties with models, and eventually Hunt postponed it to work on another project, The Scapegoat. He eventually completed it in 1860, back in England. His friend Frederic George Stephens wrote a pamphlet containing a detailed explanation of the content and the characters. It was then shown in a series of popular travelling exhibitions at which visitors could buy the pamphlet and subscribe to an engraved reproduction. These were organised by the dealer Ernest Gambart, and proved a great financial success.

Hunt sold the painting to Charles Dickens for £5,500.[3]

Thomas Carlyle gave his thoughts in a letter:

> The Christ is an exquisite mixture of a god and a peasant lad. His mother too is very fine; but I thot she shd have been a little angry withal (at having got such a fright from her careless son) instead of merely rapturous over him as she might be over a baby saved from the wolf. There were other criticisms:-but I have not seen such a Picture, for fidelity of execution, for exquisite finish, and limner and other talent, by any modern man.[4]

## References[edit]

1. ^ Luke 2:41-52, New international Version
2. ^ National Gallery, Christ among the doctors.
3. ^ Coleridge, Mary E (c. 1910s). Holman Hunt - Masterpieces in Colour. London: TC & AE Jack.
4. ^ Carlyle, Thomas. "TC TO LADY SANDWICH; 19 April 1860". The Collected Letters of Thomas and Jane Welsh Carlyle. Vol. 36\. Duke University Press. pp. 97–100.

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William Holman Hunt

Paintings|

* Rienzi (1849)
* A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids (1849–1850)
* Claudio and Isabella (1850)
* The Hireling Shepherd (1851)
* Valentine Rescuing Sylvia from Proteus (1851)
* Our English Coasts (1852)
* The Awakening Conscience (1853)
* The Scapegoat (1854–1855; 1854–1856)
* The Finding of the Saviour in the Temple (1860)
* London Bridge on the Night of the Marriage of the Prince and Princess of Wales (1864)
* Isabella and the Pot of Basil (1868)
* The Shadow of Death (1873)
* The Miracle of the Holy Fire (1892–1899)
* The Lady of Shalott (c. 1888–1905)

Painting series|

* The Light of the World (1849–1854; 1851–1856; 1900–1904)

Related|

* Pre-Raphaelite Brotherhood
* The Germ
* Hogarth Club
* Diana Holman-Hunt (granddaughter)
* The Love School (1975 miniseries)
* Desperate Romantics (2009 miniseries)

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Pre-Raphaelite Brotherhood (paintings)

* William Holman Hunt
* John Everett Millais
* Dante Gabriel Rossetti
* James Collinson
* William Michael Rossetti
* Frederic George Stephens
* Thomas Woolner

Associated
artists and
figures

* Lawrence Alma-Tadema
* George Price Boyce
* John Brett
* Ford Madox Brown
* Lucy Madox Brown
* Richard Burchett
* Edward Burne-Jones
* Georgiana Burne-Jones
* James Campbell
* John Collier
* Charles Allston Collins
* Frank Cadogan Cowper
* Evelyn De Morgan
* Walter Deverell
* Henry Treffry Dunn
* William Dyce
* Henry Holiday
* Arthur Hughes
* Edward Robert Hughes
* Frederic Leighton
* Robert Braithwaite Martineau
* Louisa Beresford, Marchioness of Waterford
* William Morris
* Alexander Munro
* Joseph Noel Paton
* Valentine Cameron Prinsep
* Christina Rossetti
* John Ruskin
* Emma Sandys
* Frederick Sandys
* Thomas Seddon
* Elizabeth Siddal
* James Smetham
* Rebecca Solomon
* Simeon Solomon
* John Roddam Spencer Stanhope
* Marie Spartali Stillman
* John Melhuish Strudwick
* Algernon Charles Swinburne
* Henry Wallis
* John William Waterhouse
* William James Webbe
* William Lindsay Windus

Some
well-known
works
(period and
post-period)

* Ophelia
* Christ in the House of His Parents
* A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
* Ecce Ancilla Domini
* Mariana
* The Light of the World
* Our English Coasts ('Strayed Sheep')
* The Scapegoat
* Paolo and Francesca da Rimini
* The Last of England
* Work
* The Awakening Conscience
* The Hireling Shepherd
* April Love
* Found
* Autumn Leaves
* Bocca Baciata
* Oxford Union murals
* Lady Lilith
* Roman Widow
* Mary Magdalene
* The Finding of the Saviour in the Temple
* Morgan le Fay
* Beata Beatrix
* The Shadow of Death
* Proserpine
* A Vision of Fiammetta
* Pygmalion and the Image series
* The Beloved
* Cymon and Iphigenia
* King Cophetua and the Beggar Maid
* The Day Dream
* The Golden Stairs
* Dante and Beatrice
* Love's Messenger
* The Magic Circle
* The Legend of Briar Rose
* The Lady of Shalott (Waterhouse)
* The Roses of Heliogabalus
* Lilith
* Eos
* Flaming June
* Hope
* Hylas and the Nymphs
* Lady Godiva
* The Love Potion
* The Lady of Shalott (Hunt)
* I Am Half-Sick of Shadows, Said the Lady of Shalott

Models|

* Elizabeth Siddal
* Fanny Cornforth
* Effie Gray
* Sophie Gray
* Annie Miller
* Jane Morris
* Marie Spartali Stillman
* Alexa Wilding
* Maria Zambaco
* Dorothy Dene
* Fanny Eaton
* Ruth Herbert

Related|

* The Germ
* Hogarth Club
* Morris & Co.
* Rossetti and His Circle (1922 book)
* Dante's Inferno (1967 film)
* The Love School (1975 series)
* Desperate Romantics (2009 series)
* Effie Gray (2014 film)

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