The Grandmaster (film)

2013 Hong Kong-Chinese film by Wong Kar-wai

The Grandmaster

Theatrical release poster

Traditional Chinese| 一代宗師
Simplified Chinese| 一代宗师
Literal meaning| Ancestral teacher of a generation
Hanyu Pinyin| Yīdài Zōngshī
Jyutping| Jat1 Doi6 Zung1 Si1
Directed by| Wong Kar-wai
Screenplay by| Wong Kar-wai
Zou Jingzhi
Xu Haofeng
Story by| Wong Kar-wai
Produced by| Ng See-yuen
Megan Ellison
Wong Kar-wai
Starring| Tony Leung
Zhang Ziyi
Chang Chen
Zhao Benshan
Song Hye-kyo
Wang Qingxiang
Cinematography| Philippe Le Sourd
Edited by| William Chang
Music by| Shigeru Umebayashi
Stefano Lentini
Nathaniel Méchaly

Production
companies

Annapurna Pictures
Block 2 Pictures
Jet Tone Films
Sil-Metropole Organisation
Bona International Film Group

Distributed by| Lark Films Distribution (Hong Kong)[1]
China Film Group Corporation (China)[1]

Release dates

* 8 January 2013 (2013-01-08) (China)
* 10 January 2013 (2013-01-10) (Hong Kong)

Running time

| 130 minutes
Countries| Hong Kong[2]
China[2]
Languages| Mandarin[2]
Cantonese
Japanese
Budget| ¥240 million (US$38.6 million)[3]
Box office| US$64.1 million[1]

The Grandmaster (Chinese: 一代宗师, Yi dai zong shi) is a 2013 martial arts drama film based on the life story of the Wing Chun grandmaster Ip Man.[2][4] The film was directed and written by Wong Kar-wai. A Hong Kong-Chinese co-production, it was released on 8 January 2013 in China, and screened as the opening film at the 63rd Berlin International Film Festival in February 2013.[5] It was selected as part of the 2013 Hong Kong International Film Festival.[6] The Weinstein Company acquired the international distribution rights for the film.[7] The film was selected as the Hong Kong entry for the Best Foreign Language Film at the 86th Academy Awards,[8] making the January shortlist, but ultimately did not receive the nomination.[9] Despite this, the film was nominated for Best Cinematography and Best Costume Design.[10][11]

Although The Grandmaster was not as popular as others of Wong Kar-Wai's works in the western world, this film was highly-praised and applauded in the Chinese-speaking world for its profound philosophical depth, historical perspective, and break-through of the Kung-Fu film genre, further cementing Wong's "Grandmaster" Status in Chinese cinema. The film received a record-breaking 12 awards in the 33rd Hong Kong Film Awards, most wins for a single film in history.[12] Zhang Ziyi also received an unprecedented 12 different Best Actress awards for her performance.[13]

## Plot

[edit]

The film uses narration from Ip Man and Gong Er throughout the plot, as well as numerous flashbacks and flashforwards.

Wing Chun grandmaster Ip Man (Tony Leung) reflects on the nature of martial arts as he battles a dozen combatants during a rainstorm in Foshan. Ip wins and experiences flashbacks of his life, from his early training at the age of seven, to his induction into Wing Chun by his master, Chan Wah-shun (Yuen Woo-Ping), and his marriage to Cheung Wing-sing (Song Hye-Kyo).

Ip Man's peaceful existence is threatened by the arrival of Gong Yutian (Wang Qing Xiang), the Wudangquan martial arts grandmaster from northern China, who announces that he has already retired and appointed Ma San (Zhang Jin) as his heir in the North. He then concedes that the South should have its own heir. A fight erupts as various masters attempt to challenge Gong, but they are deterred by Ma San. As the Southern masters deliberate on a representative, Gong Yutian's daughter Gong Er (Zhang Ziyi) arrives and tries to convince her father not to continue the fight, as she feels the Southern masters are unworthy. Meanwhile, the Southern masters decide on Ip Man to represent them. Three Southern masters test Ip's skills before the confrontation with Gong Yutian.

The "fight" between Ip Man and Gong Yutian turns out to be an exchange of philosophical ideas using a flat-cake as a metaphor for Chinese unity. Gong holds out the cake and dares Ip to break it. Although Gong evades many attacks, Ip eventually breaks the cake, but not before explaining that Gong should think beyond the north-south rivalry. Impressed by Ip's martial arts skill and philosophy, Gong declares Ip the winner. As Gong returns to the North, Gong Er sets out to regain her family's honor by challenging Ip Man. Ip offers that because "Kung Fu is about precision," whoever breaks a piece of furniture during the fight will be the loser. An intense fight breaks out between Ip Man and Gong Er, which concludes with victory for her after Ip breaks a stairstep while saving her from falling. Ip and Gong Er part on friendly terms, with Ip saying he wants a rematch in the future. They keep in contact by exchanging letters, and Ip intends to bring his family with him to northern China. His plans are soon disrupted by the outbreak of the Second Sino-Japanese War in 1937.

During the war, Ip Man and his family descend into poverty and he loses his two daughters to starvation. Meanwhile, in northern China, Ma San betrays China in favor of the puppet government in Manchuria and kills Gong Yutian as a hanjian. When Gong Er returns, Mr. Jiang (Shang Tie Long), the family servant, tells her Gong Yutian's final wish was for her to be happy and not to seek vengeance. Gong Er refuses to accept this, and instead makes a vow to Buddha to never teach, marry, or have children, devoting her life to vengeance against Ma San.

Ip Man moves to Hong Kong in 1950 in the hope of starting a career as a martial arts teacher. He spars with and soundly defeats other martial artists, earning a reputation. The Chinese government closes the border with Hong Kong in 1951 and Ip never sees his wife again. He meets Gong Er in Hong Kong on Chinese New Year's Eve 1950 and asks her for one more contest while implying that she should rebuild her family's martial arts school. Gong Er refuses, stating that many martial arts have disappeared throughout the course of history, and that her family's would not be the only one. A flashback 10 years earlier shows a confrontation between Gong Er and Ma San at a train station on Chinese New Year's Eve 1940, in which Gong Er defeats Ma San using one of her father's special moves that Ma San had failed to learn. Considering herself still bound to her vow, Gong Er moves to Hong Kong with Mr. Jiang to open a medical practice.

In 1952, Ip Man and Gong Er meet each other for the last time. Gong confesses to Ip that she has harbored romantic feelings for him since their first fight. She dies in 1953, taking her father's secrets of the Baguazhang to the grave. A voice-over from Ip reveals that the fight with Ma San left Gong badly injured, and she turned to opium to help with the pain. Ip Man's Wing Chun school flourishes, and he is able to popularize the once secretive and elitist martial art on a worldwide scale. Ip trains a young boy who grows up to be his most famous student: Bruce Lee.

## Cast

[edit]

Main Characters

* Tony Leung Chiu-Wai as Ip Man (Ye Wen), disciple of Chan Wah-shun and a grandmaster of the Foshan Wing Chun martial art style from Southern China. Husband to Cheung Wing-sing and love interest of Gong Er. Becomes a Wing-Chun teacher in Hong Kong.
* Zhang Ziyi as Gong Ruo Mei (aka Gong Er), daughter of Gong Yutian and a master of the Baguazhang martial art style. Becomes a trained doctor and opens a clinic after exacting revenge on Ma San. Dies from her internal injuries and opium addiction.
* Wu Yixuan as young Gong Er
* Zhang Jin as Ma San, first disciple of Gong Yutian and heir to Gong's Xing Yi Quan martial art style. Main antagonist of the movie who becomes a Japanese conspirator, kills his master, and becomes an enemy to Gong Er. Killed by Gong Er.

People around Ip Man

* Song Hye-kyo as Cheung Wing-sing (Zhang Yongcheng), Ip Man's wife
* Yuen Woo-ping as Chan Wah-shun (Chen Huashun), Ip Man's martial arts teacher and grandmaster of the Wing-Chun martial art style.

People around Gong Er

* Wang Qingxiang as Gong Yutian (aka Gong Baoshen), Gong Er's father and grandmaster of the Baguazhang martial art style. Head of the Chinese Martial Arts Federation in Northern China. Killed by Ma San.
* Zhao Benshan as Ding Lianshan, disciple of Gong Yutian and senior to Gong Er.
* Shang Tielong as Jiang, loyal follower of the Gong family.
* Chin Shih-chieh as Wu Ye, a Gong clan elder and godbrother of Gong Yutian.
* Wang Jue as San Ye, a Gong clan elder and godbrother of Gong Yutian.

Other Characters

* Chang Chen as "The Razor" Yixiantian. Master of the Bajiquan martial art style. Saved by and befriends Gong Er while escaping from the Japanese to Hong Kong. Owner of the white rose hairdresser and becomes a Bajiquan teacher in Hong Kong.
* Xiaoshenyang as Sanjiangshui, a gangster in Hong Kong who became Yixiantian's disciple.
* Lau Ga-yung (Lau Kar Yung) as Master Hong, Hung Gar martial arts practitioner in Foshan.
* Cung Le as Tiexieqi, challenges Ip Man in the opening of the film.
* Lo Hoi-pang as Uncle Deng, a well-known authority figure in the Foshan martial arts scene. Owner of the Foshan Gong He Association.
* Julian Cheung as Yi Ge, a renowned Cantonese tune performer in Foshan. Works at the association owned by Uncle Deng.
* Lau Shun as Rui
* Zhou Xiaofei as Gu
* Bruce Leung
* Lo Mang as Hei Mian Shen, a martial arts practitioner who challenges Ip Man by bringing his men to "learn" from the latter.
* Berg Ng

## Production

[edit]

The film is well known for its long development time, having been announced in 2008.[14] It was caught in development hell, partly because Tony Leung broke his arm while training in Wing Chun.[15] The film is Wong's most expensive production to date. Wong intended the film to be a major collaboration with mainland China's film industry,[16] noting that the enormous expansion and growth in China's film industry and market over the past decade has provided filmmakers with resources to make features that weren't possible before.[16] Wong stated, "Films don't just belong to the mainland or Hong Kong. They belong to all Chinese and not just to a certain place at a certain time. It's a legacy that belongs to all of us."[17]

## Music

[edit]

The music is composed by Shigeru Umebayashi and Nathaniel Méchaly, with two works by Ennio Morricone and the original Stabat Mater composed by Stefano Lentini. The Stabat Mater is not included in the soundtrack CD and it was published separately by Milan Records as "'Stabat Mater' As Seen in Wong Kar Wai's 'The Grandmaster'". It reached Number 1 in Hong Kong's iTunes Original Score.

## Reception

[edit]

The review aggregator website Rotten Tomatoes reported that 78% of 138 critics have given the film a positive review, with an average rating of 6.70/10. The site's critics consensus reads: "Though its storytelling is a tad muddled, Wong Kar Wai's The Grandmaster still exhibits the auteur's stylistic flourishes in gorgeous cinematography and explosive action set pieces."[18] At Metacritic, the film has a weighted average score of 73 out of 100 based on 37 critics, indicating "generally favorable reviews".[19]

Variety gave the film a positive review, stating Wong "exceeds expectations with The Grandmaster, fashioning a 1930s action saga into a refined piece of commercial filmmaking". The review also said: "Boasting one of the most propulsive yet ethereal realizations of authentic martial arts onscreen, as well as a merging of physicality and philosophy not attained in Chinese cinema since King Hu's masterpieces, the hotly anticipated pic is sure to win new converts from the genre camp."[2]

While praising Tony Leung's Ip Man and Zhang Ziyi's Gong Er, calling the latter "more or less complete and coherent", The Hollywood Reporter lamented some of the more underdeveloped characters, stating that "the same can't be said of some of the other characters, such as Chang Chen’s Razor, an expert of the Bajiquan school who is supposed to be another of the grandmasters. Song Hye-kyo’s Madam Ip has only a cursory presence and is basically rendered invisible in the film’s second half."[20]

Zhang Ziyi's performance as Gong Er has been praised by critics such as Scott Bowles of USA Today as the film's "discovery",[21] and her character has been mentioned by critics such as Kenji Fujishima of Slant as the film's "real central figure" in spite of the film's title.[22]

Owen Gleiberman of Entertainment Weekly wrote: "the film, despite a few splendid fights, is a bio-historical muddle that never finds its center."[23]

The Grandmaster earned HK$21,156,949 (US$2.7 million) at the Hong Kong box office,[24] and grossed over 312 million yuan (US$50 million) at the mainland Chinese box office, US$6,594,959 in North America, and US$64,076,736 in worldwide, thus becoming Wong's highest-grossing film to date.[25][26]

## Versions

[edit]

Three versions of the film have been released.

1\. The "Chinese Cut" of the film runs 130 minutes.[4][27]

2\. The version of the film that debuted at the 2013 Berlin International Film Festival at 123 minutes.[4]

3\. The version released by The Weinstein Company is a more linear 108 minute cut that includes explanatory text for the benefit of Americans unfamiliar with the story,[28][29]

Wong wrote in The Huffington Post that he was "never interested in telling a watered down version," but one that was tighter and provided greater historical context:

> As a filmmaker, let me say that the luxury of creating a new cut for U.S. audiences was the opportunity to reshape it into something different than what I began with -- a chance one doesn't always get as a director and an undertaking much more meaningful than simply making something shorter or longer. The original version of THE GRANDMASTER is about 2 hours, 10 minutes. Why not 2 hours, 9 minutes or 2 hours, 11 minutes? To me, the structure of a movie is like a clock or a prized watch -- it's about precision and perfect balance.[30]

Some critics believe the 130-minute version is superior. The Wrap called the film "sweeping, gorgeous, exciting – and butchered."[31] Manohla Dargis at The New York Times wrote: "Too bad that the American distributor didn’t have enough faith in the audience to release the original."[32]

## Awards and nominations

[edit]

Organization  | Award category  | Recipients and nominees  | Result

|
|
|

86th Academy Awards | Best Foreign Language Film  |  | Shortlisted
Best Cinematography  | Philippe Le Sourd | Nominated
Best Costume Design  | William Chang Suk Ping | Nominated
20th Hong Kong Film Critics Society Award | Best Film  |  | Won
Best Actress  | Zhang Ziyi | Won
50th Golden Horse Awards | Best Film  |  | Nominated
Best Director  | Wong Kar-wai | Nominated
Best Actor  | Tony Leung | Nominated
Best Actress  | Zhang Ziyi | Won
Best Cinematography  | Phillipe Le Sourd  | Won
Best Visual Effect  | Pierre Buffin  | Won
Best Art Direction  | William Chang | Won
Best Makeup and Costume Design  | William Chang | Won
Best Action Choreography  | Yuen Woo-ping | Nominated
Best Editing  | William Chang | Nominated
Best Sound Effect  | Robert Mackenzie and Trithep Wangpaiboon  | Nominated
Audience Choice Award  |  | Won
Boston Society of Film Critics Awards 2013 | Best Cinematography  | Phillipe Le Sourd  | 2nd Place
Denver Film Critics Society 2013  | Best Non-English Language Feature  |  | Won
Motion Picture Sound Editors Golden Reel Awards[33][34] | Best Sound Editing: Sound Effects, Foley, Dialogue & ADR in a Foreign Feature Film  | Robert Mackenzie, Traithep Wongpaiboon  | Won
National Board of Review Awards 2013 | Top Foreign Films  |  | Won
Online Film Critics Society Awards 2013 | Best Cinematography  | Phillipe Le Sourd  | Nominated
Phoenix Film Critics Society Award 2013  | Best Foreign Language Film  |  | Nominated
St. Louis Gateway Film Critics Association Awards 2013 | Best Art Direction  |  | Nominated
Best Cinematography  | Phillipe Le Sourd  | Nominated
33rd Hong Kong Film Awards | Best Film  |  | Won
Best Director  | Wong Kar-wai  | Won
Best Screenplay  | Zou Jingzhi, Xu Haofeng, Wong Kar-wai  | Won
Best Actor  | Tony Leung Chiu-wai  | Nominated
Best Actress  | Zhang Ziyi  | Won
Best Supporting Actor  | Zhang Jin | Won
Best Cinematography  | Phillipe Le Sourd  | Won
Best Film Editing  | William Chang, Benjamin Courtines, Poon Hung-yiu  | Won
Best Art Direction  | William Chang, Alfred Yau Wai-ming  | Won
Best Costume & Make-Up Design  | William Chang  | Won
Best Action Choreography  | Yuen Woo-ping  | Won
Best Original Film Score  | Shigeru Umebayashi, Nathaniel Méchaly | Won
Best Sound Design  | Robert Mackenzie, Traithep Wongpaiboon  | Won
Best Visual Effects  | Pierre Buffin  | Nominated
Asia Pacific Screen Awards | Best Performance by an Actress  | Zhang Ziyi | Won
29th Golden Rooster Awards | Best Actress  | Zhang Ziyi | Nominated

## See also

[edit]

* List of submissions to the 86th Academy Awards for Best Foreign Language Film
* List of Hong Kong submissions for the Academy Award for Best Foreign Language Film

## References

[edit]

1. ^ a b c "The Grandmaster". Box Office Mojo. Retrieved 10 January 2015.
2. ^ a b c d e Lee, Maggie (8 January 2013). "The Grandmaster". Variety. Retrieved 9 January 2013.
3. ^ Stephen Cremin and Patrick Frater (15 January 2013). "Grandmaster has masterful BO debut". Film Business Asia. Archived from the original on 17 January 2013. Retrieved 16 January 2013.
4. ^ a b c Elley, Derek (28 January 2013). "The Grandmaster". Film Business Asia. Archived from the original on 18 March 2013. Retrieved 5 May 2013.
5. ^ "WONG Kar Wai's The Grandmaster to open 63rd Berlinale". Berlinale. Archived from the original on 22 December 2012. Retrieved 19 December 2012.
6. ^ "HKIFF Review: The Grandmaster". HK Neo Reviews. Retrieved 4 April 2013.
7. ^ "Berlin: So Much For Bad Blood Between Harvey And Megan Ellison; TWC Acquires Wong Kar Wai's 'The Grandmaster'". Deadline Hollywood. 7 February 2013. Retrieved 17 May 2013.
8. ^ "Oscars: Hong Kong Nominates Wong Kar-wai's 'The Grandmaster' for Foreign Language Category". Hollywood Reporter. 23 September 2013. Retrieved 23 September 2013.
9. ^ "9 Foreign Language Films Advance in Oscar Race". Oscars. Retrieved 20 December 2013.
10. ^ Peter Knegt, 2014 Oscar Predictions: Best Cinematography, http://www.indiewire.com/article/2014-oscar-predictions-best-cinematography
11. ^ Oscars, William Chang Suk Ping, Best Costume Design, http://oscar.go.com/nominees/costume-design/the-grandmaster
12. ^ "Subscription". www.straitstimes.com. The Straits Times. Archived from the original on 9 February 2023. Retrieved 8 May 2023.
13. ^ "Zhang Ziyi won her 12th Best Actress award". 14 October 2014.
14. ^ Kevin Jagernauth (12 July 2012). "Yes, Wong Kar-Wai Is Still Shooting 'The Grandmaster'". [Indiewire].
15. ^ Mark Pollard (2009). "Tony Leung injured while training for 'Grand Master'". [KungFucinema.com]. Archived from the original on 27 October 2013.
16. ^ a b "Wong Kar Wai On China's Growth, Kung Fu, Oscar Contenders & Bruce Lee". Deadline Hollywood. 14 December 2013. "One of the reasons I wanted to make this film at this point is because I think in the last 20 years you can see the growth in China..."
17. ^ "Hong Kong Filmart: Does China Still Need the Island?". The Hollywood Reporter. Retrieved 27 July 2018. "Hong Kong director Wong Kar-wai says the time has come to move beyond outdated definitions of Chinese and Hong Kong cinema. "Films don't just belong to the mainland or Hong Kong," he says. "They belong to all Chinese and not just to a certain place at a certain time. It's a legacy that belongs to all of us." Wong, who made his reputation with moody art house fare like 2000's In the Mood for Love, is living proof. He now is enjoying his biggest box-office hit in China with The Grandmaster, his first genre film."
18. ^ "The Grandmaster (2013)". Rotten Tomatoes. Fandango. Retrieved 22 September 2020.
19. ^ "The Grandmaster Reviews". Metacritic. CBS Interactive. Retrieved 25 August 2019.
20. ^ Tsu, Clarence (9 January 2013). "The Grandmaster: Film Review". The Hollywood Reporter. Retrieved 3 February 2013.
21. ^ "'The Grandmaster' connects with solid action, acting". USA Today.
22. ^ "The 25 Best Films of 2013". Slant Magazine. "The real central figure, in fact, is Gong Er (Zhang Ziyi), the daughter of a rival martial-arts master who, upon her father's murder, devotes her life to the single-minded pursuit of revenge..."
23. ^ The Grandmaster (2013). Entertainment Weekly.
24. ^ "The Grandmaster Hong Kong Box Office". HK Neo Reviews. 22 February 2013. Retrieved 22 February 2013.
25. ^ The Weinstein Company Nabs Wong Kar Wai's 'The Grandmaster' Out of Berlin
26. ^ Berlin 2013: The Weinstein Co. Nabs U.S. Rights to Wong Kar-wai’s 'The Grandmaster'
27. ^ David Ehrlich. "Kung Foolish: How The American Cut of 'The Grandmaster' Ruins a Masterpiece". Film.com.
28. ^ Steve Pond (16 October 2013). "Will Oscar Voters See the Wrong Version of 'The Grandmaster?'". The Wrap.
29. ^ Kenneth Turan. "Review: Wong Kar-wai's 'The Grandmaster' has great martial arts style". Los Angeles Times.
30. ^ Wong Kar Wai. "The Journey Of The Grandmaster". The Huffington Post.
31. ^ Alonso Duralde. "'The Grandmaster' Review: Sweeping, Gorgeous, Exciting – and Butchered – Taste of Kung Fu Legend Ip Man". The Wrap.
32. ^ Manohla Dargis (22 August 2013). "Style and Kinetics Triumph in a Turbulent China". The New York Times.
33. ^ Walsh, Jason (15 January 2014). "Sound Editors Announce 2013 Golden Reel Nominees". Variety. Retrieved 15 January 2014.
34. ^ "'Gravity' and '12 Years a Slave' lead MPSE Golden Reel Awards nominations". HitFix. Retrieved 15 January 2014.

## External links

[edit]

* The Grandmaster at IMDb
* The Grandmaster at Metacritic
* The Grandmaster at Box Office Mojo
* The Grandmaster at Rotten Tomatoes
* The Grandmaster at the Hong Kong Movie DataBase

Related topic navboxes

* v
* t
* e

Wong Kar-wai

* Filmography
* Awards and nominations

Feature films|

* As Tears Go By (1988)
* Days of Being Wild (1990)
* Chungking Express (1994)
* Ashes of Time (1994)
* Fallen Angels (1995)
* Happy Together (1997)
* In the Mood for Love (2000)
* 2046 (2004)
* My Blueberry Nights (2007)
* The Grandmaster (2013)

Short films
and segments|

* Wkw/tk/1996@7′55″hk.net (1996)
* The Follow (2001)
* "The Hand" in Eros (2004)
* "I Travelled 9000 km To Give It To You" in To Each His Own Cinema (2007)

Television series|

* Blossoms Shanghai (2023–2024)

* v
* t
* e

Annapurna Pictures

Annapurna Interactive

Films|

| Live-action|

| Released|

* Passion Play (2011)
* Waking Madison (2011)
* Main Street (2011)
* Catch .44 (2011)
* Lawless (2012)
* The Master (2012)
* Killing Them Softly (2012)
* Zero Dark Thirty (2012)
* Spring Breakers (2013)
* The Grandmaster (2013)
* Her (2013)
* American Hustle (2013)
* Foxcatcher (2014)
* Terminator Genisys (2015; uncredited)
* Joy (2015)
* Everybody Wants Some!! (2016)
* Wiener-Dog (2016)
* 20th Century Women (2016)
* The Bad Batch (2017)
* Detroit (2017)
* Brad's Status (2017)
* Professor Marston and the Wonder Women (2017)
* Phantom Thread (2017)
* Sorry to Bother You (2018)
* The Sisters Brothers (2018)
* If Beale Street Could Talk (2018)
* The Ballad of Buster Scruggs (2018; uncredited)
* Vice (2018)
* Destroyer (2018)
* Booksmart (2019)
* Where’d You Go, Bernadette (2019)
* Hustlers (2019)
* Wounds (2019)
* Bombshell (2019)
* Kajillionaire (2020)
* On the Count of Three (2022)
* She Said (2022)
* Landscape with Invisible Hand (2023)
* Nightbitch (2024)

|

Upcoming|

* Not Fade Away (TBA)
* The Echo Wife (TBA)
* I Love Boosters (TBA)
* The Invite (TBA)

Animation|

| Released|

* Sausage Party (2016)
* Missing Link (2019)
* Nimona (2023)

Upcoming|

* Foo (TBA)
* Untitled film by Nick Bruno (TBA)
* Stray (TBA)

Television|

| Live-action|

| Ended|

* Soundtrack (2019)
* The Plot Against America (2020)
* Monsterland (2020)
* Pam & Tommy (2022)
* The Staircase (2022)
* I Love That for You (2022)
* Paul T. Goldman (2023)
* Dead Ringers (2023)
* The Changeling (2023)

|

Animation|

| Ongoing|

* Sausage Party: Foodtopia (2024)

|

People|

Megan Ellison

Category

* v
* t
* e

Asian Film Award for Best Film

* The Host (2007)
* Secret Sunshine (2008)
* Tokyo Sonata (2009)
* Mother (2010)
* Uncle Boonmee Who Can Recall His Past Lives (2011)
* A Separation (2012)
* Mystery (2013)
* The Grandmaster (2014)
* Blind Massage (2015)
* The Assassin (2016)
* I Am Not Madame Bovary (2017)
* Youth (2018)
* Shoplifters (2019)
* Parasite (2020)
* Wife of a Spy (2021)
* Drive My Car (2022)
* Evil Does Not Exist (2023)
* All We Imagine as Light (2024)

* v
* t
* e

Golden Horse Award for Audience Choice

* Hill of No Return (1992)
* A Borrowed Life (1994)
* Summer Snow (1995)
* Such a life (1997)
* City of Glass (1998)
* Darkness and Light (1999)
* Shadow Magic (2000)
* Lan Yu (2001)
* The Best of Times (2002)
* Infernal Affairs (2003)
* New Police Story (2004)
* Face (2005)
* Exiled (2006)
* Getting Home (2007)
* Cape No. 7 (2008)
* Cannot Live Without You (2009)
* When Love Comes (2010)
* Warriors of the Rainbow: Seediq Bale (2011)
* Girlfriend, Boyfriend (2012)
* The Grandmaster (2013)
* Kano (2014)
* Mountains May Depart (2015)
* I Am Not Madame Bovary (2016)
* The Bold, the Corrupt, and the Beautiful (2017)
* An Elephant Sitting Still (2018)
* A Sun (2019)
* Classmates Minus (2020)
* American Girl (2021)
* Limbo (2022)
* Time Still Turns the Pages (2023)
* Bel Ami (2024)

* v
* t
* e

Hong Kong Film Award for Best Film

* Father and Son (1982)
* Boat People (1983)
* Ah Ying (1984)
* Homecoming (1985)
* Police Story (1986)
* A Better Tomorrow (1987)
* An Autumn's Tale (1988)
* Rouge (1989)
* Beyond the Sunset (1990)
* Days of Being Wild (1991)
* To Be Number One (1992)
* Cageman (1993)
* C'est la vie, mon chéri (1994)
* Chungking Express (1995)
* Summer Snow (1996)
* Comrades: Almost a Love Story (1997)
* Made in Hong Kong (1998)
* Beast Cops (1999)
* Ordinary Heroes (2000)
* Crouching Tiger, Hidden Dragon (2001)
* Shaolin Soccer (2002)
* Infernal Affairs (2003)
* Running on Karma (2004)
* Kung Fu Hustle (2005)
* Election (2006)
* After This Our Exile (2007)
* The Warlords (2008)
* Ip Man (2009)
* Bodyguards and Assassins (2010)
* Gallants (2011)
* A Simple Life (2012)
* Cold War (2013)
* The Grandmaster (2014)
* The Golden Era (2015)
* Ten Years (2016)
* Trivisa (2017)
* Our Time Will Come (2018)
* Project Gutenberg (2019)
* Better Days (2020)
* Raging Fire (2021/2022)
* To My Nineteen-Year-Old Self (2023)
* A Guilty Conscience (2024)
* Twilight of the Warriors: Walled In (2025)

* v
* t
* e

Ip Man

Acquaintances|

| Family|

* Cheung Wing-sing (wife)
* Ip Chun (son)
* Ip Ching (son)

|

Masters|

* Chan Wah-shun
* Leung Bik

Disciples|

* Victor Kan
* Lo Man-kam
* Moy Yat
* Chu Shong-tin
* Wong Shun-leung
* William Cheung
* Bruce Lee
* Leung Ting
* Ho Kam-ming

Cultural depictions|

| Ip Man film series|

* Ip Man (2008)
* Ip Man 2 (2010)
* Ip Man 3 (2015)
* Master Z: Ip Man Legacy (2018)
* Ip Man 4: The Finale (2019)

|

Other films|

* The Legend Is Born: Ip Man (2010)
* The Grandmaster (2013)
* Ip Man: The Final Fight (2013)
* Ip Man: Kung Fu Master (2019)

TV series|

* Ip Man (2013)

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Hong Kong submissions for the Academy Award for Best International Feature Film

1959–2000|

* For Better, for Worse (1959)
* The Enchanting Shadow (1960)
* The Love Eterne (1963)
* Between Tears and Laughter (1964)
* Come Drink with Me (1966)
* The Arch (1969)
* The Last Tempest 1976)
* Raining in the Mountain (1979)
* Homecoming (1984)
* Painted Faces (1989)
* Eight Taels of Gold (1990)
* Raise the Red Lantern (1991)
* Farewell My Concubine (1993)
* The Day the Sun Turned Cold (1994)
* Summer Snow (1995)
* Hu-Du-Men (1996)
* Made in Hong Kong (1998)
* Ordinary Heroes (1999)
* In the Mood for Love (2000)

2001–present|

* Fulltime Killer (2001)
* The Touch (2002)
* Infernal Affairs (2003)
* Running on Karma (2004)
* Perhaps Love (2005)
* The Banquet (2006)
* Exiled (2007)
* Painted Skin (2008)
* Prince of Tears (2009)
* Echoes of the Rainbow (2010)
* A Simple Life (2011)
* Life Without Principle (2012)
* The Grandmaster (2013)
* The Golden Era (2014)
* To the Fore (2015)
* Port of Call (2016)
* Mad World (2017)
* Operation Red Sea (2018)
* The White Storm 2: Drug Lords (2019)
* Better Days (2020)
* Zero to Hero (2021)
* Where the Wind Blows (2022)
* A Light Never Goes Out (2023)
* Twilight of the Warriors: Walled In (2024)

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