The Great Escape (Blur album)

1995 studio album by Blur

The Great Escape

Studio album by

Blur

Released| 11 September 1995 (1995-09-11)
Recorded| January–May 1995
Studio| Maison Rouge and Townhouse, London
Genre| Britpop
Length| 56:56
Label|

* Food
* Virgin

Producer| Stephen Street
Blur chronology
| Parklife
(1994)  | The Great Escape
(1995)  | Live at the Budokan
(1996)

|
|

Singles from  The Great Escape

1. "Country House"
Released: 14 August 1995[1]
2. "The Universal"
Released: 13 November 1995[2]
3. "Stereotypes"
Released: 12 February 1996[3]
4. "Charmless Man"
Released: 29 April 1996[4]
5. "It Could Be You"
Released: 22 May 1996 (Japan only)

The Great Escape is the fourth studio album by the English rock band Blur. It was released on 11 September 1995 on Food and Virgin Records. The album reached number one on the UK Albums Chart and charted in the top 10 in more than ten countries around the world. Less than a year after the album was released, it was certified triple platinum in the UK.[5] The album received near-universal acclaim on release.

The album continued the band's run of hit singles, with "Country House", "The Universal", "Stereotypes" and "Charmless Man" all reaching the top 10 of the UK Singles Chart. "Country House" was Blur's first number one hit in the UK, beating Oasis' "Roll with It", in a chart rivalry dubbed "The Battle of Britpop".[6]

The Great Escape is often considered to be the final album of a trio of Britpop albums released by Blur in the mid-1990s,[7] after Modern Life Is Rubbish (1993) and Parklife (1994). With Blur's 1997 self-titled album, the band would change direction and move away from Britpop in favour of a more lo-fi and alternative rock sound.

## Background and recording[edit]

### Concept[edit]

On 17 June 1995, lead singer Damon Albarn and bassist Alex James spoke on BBC Radio 1 about coming up with a title for the album;[8] "We've got until this Wednesday, our record company inform us, to come up with it", said Albarn. "We've been trying to get life into it, but nothing was very good – Wifelife, Darklife, Nextlife", added James.

The album is in the style of a concept album, that is, most of the songs are linked by a similar theme—loneliness and detachment. Albarn subsequently revealed that much of The Great Escape is about himself (e.g. "Dan Abnormal" is an anagram of "Damon Albarn").

### Songs[edit]

"Mr. Robinson's Quango" was the first song recorded for the album,[9] whilst "It Could Be You" was the last, in May 1995.[10] The title of the latter was taken from the original advertising slogan of the United Kingdom's multimillion-pound-prize National Lottery, which had drawn much public interest after its inception the previous year.[11]

"Yuko and Hiro" was originally titled "Japanese Workers",[12] whilst "The Universal" was first attempted during the Parklife sessions as a ska number. During the making of The Great Escape the song was resurrected by James, who notes in his autobiography, Bit of a Blur, that the band had almost given up on getting it to work when Albarn came up with the string section.[12]

One song on the album, "Ernold Same", features then-MP Ken Livingstone. He is credited in the sleevenotes as "The Right-On" Ken Livingstone.[9] Producer Stephen Street commented, "It was my idea to get him in because I’m not a huge fan of his. We needed somebody with a really nasal, boring voice doing the commentary and I suggested him. He came in thinking he was the bee’s knees and we were fans – we weren’t at all! (Laughs) I couldn’t stand him and my preconceptions were confirmed when he insulted the pastel jumper I was wearing that day! But his voice suited the song."[13]

As with Blur's previous two albums, the liner notes also contain guitar chords for each of the songs along with the lyrics.

## Singles[edit]

The album spawned four hit singles for the band with "Country House", "The Universal", "Stereotypes" and "Charmless Man". "Stereotypes" made its debut at a secret gig at the Dublin Castle in London and was considered as the album's lead single, but "Country House" got a bigger reaction from fans.[9] "Country House" gave the band their first number one single, beating Oasis to the top spot. "The Universal" and "Charmless Man" both reached the top 5, whilst "Stereotypes" peaked at number 7. In Japan, "It Could Be You" was released as a four-track single, featuring B-sides recorded live at the Budokan.

## Reception and legacy[edit]

Professional ratingsReview scores

Source| Rating
AllMusic| [14]
The Guardian| [15]
Los Angeles Times| [16]
Melody Maker| 12/10[17]
NME| 9/10[18]
Pitchfork| 8.2/10[19]
Q| [20]
The Rolling Stone Album Guide| [21]
Select| 5/5[22]
Spin| 6/10[23]

The Great Escape was met with widespread acclaim from critics.[24][25][26] David Cavanagh in Select called it "a funny, brave and heartbroken record" that "has everything you could want",[22] while NME reporter Johnny Cigarettes wrote: "The Great Escape is so rammed with tunes, ideas, emotions, humour, tragedy, farce, and edgy beauty that it's utterly beyond contemporary compare."[18] Melody Maker's Paul Lester awarded the album an unconventional 12/10 and deemed it superior to celebrated predecessor Parklife, while noting that "Blur understand the geometry of the song, and the basic principles of pop, better than anyone today".[17] In response to "album of the decade" claims from Melody Maker, J. D. Considine of The Baltimore Sun said: "The Great Escape may not be the defining work of the ‘90s, but it is the best Brit-rock release this year."[27] Less enthused was Spin journalist Chuck Eddy, who felt the LP ranged from "wonderful" to "detached and emotionally stiff".[23] The Great Escape was named as one of the 10 best records of 1995 in Melody Maker,[28] NME,[29] Q,[30] Raw[31] and Select.[32] NME readers voted it the third-best album of the year.[33]

Support from the music press soon tapered off, however, and The Great Escape gained many detractors. The greater commercial success of rival band Oasis is seen to have played a role in this revaluation;[24][25] BBC Music writer James McMahon recalled how the "critical euphoria" surrounding the album lasted "about as long as it took publishers to realise Oasis would probably shift more magazines for them".[24] Q would issue an apologia for its five-star review of the record,[34] while Graeme McMillan in Time remarked that it lacks the "breadth and heart" of Parklife, feeling "cynical and uninspired in comparison".[35] Drowned in Sound reporter Marc Burrows felt the LP had been overrated and then underrated, writing: "Reality is somewhere in between... The Great Escape reveals itself as flawed, melancholy, occasionally stunning and utterly bonkers."[25] Other journalists retained an unapologetically favourable stance: the album was described by AllMusic editor Stephen Thomas Erlewine as "a vibrant, invigorating record" that "bristles with invention",[14] while Brian Doan of PopMatters dubbed it a "masterpiece" whose content examines the costs of "trusting in stasis".[7]

Damon Albarn has expressed distaste for the album in later interviews, describing it as "messy" and one of the two "bad records" he has made in his career (the other being Blur's debut album Leisure).[36]

Select named the record the 34th-best of the 1990s,[37] while Pitchfork placed it 70th.[38] It was ranked by BuzzFeed as the sixth-best album of the Britpop era.[39] The Great Escape also placed at number 725 in the 2000 edition of the book, All Time Top 1000 Albums.[40] In October 2023, the Official Charts Company revealed that The Great Escape was the twenty-first most streamed album from the 1990s in the United Kingdom.[41]

## Commercial performance[edit]

The Great Escape continued the commercial success of previous album Parklife. While the latter was more of a sleeper hit,[42] The Great Escape registered strong first-week sales of 188,000.[43] In its first year, the album sold 68,000 copies in the US.[44] By late 1996 the album had sold approximately 600,000 units in continental Europe.[45] According to Food managing director Andy Ross, it "comfortably outsold Parklife everywhere except the UK. The total figure was up 400,000 and the balance came mainly from Europe and Southeast Asia." Sales in France up to late November 1996 were 125,000 units, compared with 69,000 for Parklife. In Italy, sales were 83,000 compared with 16,000 for Parklife.[45]

## Track listing[edit]

All lyrics by Damon Albarn. All music by Damon Albarn/Graham Coxon/Alex James/Dave Rowntree.

No.| Title| Length

|
|

1.| "Stereotypes"| 3:10
2.| "Country House"| 3:57
3.| "Best Days"| 4:49
4.| "Charmless Man"| 3:34
5.| "Fade Away"| 4:19
6.| "Top Man"| 4:00
7.| "The Universal"| 3:58
8.| "Mr. Robinson's Quango"| 4:02
9.| "He Thought of Cars"| 4:15
10.| "It Could Be You"| 3:14
11.| "Ernold Same"| 2:07
12.| "Globe Alone"| 2:23
13.| "Dan Abnormal"| 3:24
14.| "Entertain Me"| 4:19
15.| "Yuko and Hiro"| 5:24
Total length:| 56:56

* 4:21 into "Yuko and Hiro" is a minute long instrumental reprise of "Ernold Same". Although officially untitled, it is sometimes erroneously referred to as "A World of Difference" because these words appear in a separate box below the track list in the booklet.

Japanese bonus tracksNo.| Title| Length

|
|

16.| "Ultranol"| 2:41
17.| "No Monsters in Me"| 5:14

Disc 2: Blur 21 2012 bonus materialNo.| Title| Length

|
|

1.| "One Born Every Minute"| 2:18
2.| "To the End (La Comedie)" (featuring Françoise Hardy)| 5:05
3.| "Ultranol"| 2:43
4.| "No Monsters in Me"| 3:38
5.| "Entertain Me" (Live It!) (Remix)| 7:17
6.| "The Man Who Left Himself"| 3:22
7.| "Tame"| 4:47
8.| "Ludwig"| 2:24
9.| "The Horrors"| 3:18
10.| "A Song"| 1:45
11.| "St. Louis"| 3:13
12.| "Country House" (Live at Mile End)| 4:57
13.| "Girls & Boys" (Live at Mile End)| 5:03
14.| "Parklife" (Live at Mile End)| 3:43
15.| "For Tomorrow" (Live at Mile End)| 7:02
16.| "Charmless Man" (Live at Budokan)| 3:22
17.| "Chemical World" (Live at Budokan)| 4:12
18.| "Eine kleine Lift Musik"| 4:18
19.| "It Could Be You (Live at the Beeb)" (Japan bonus track)| 3:07

Bonus track notes

* Tracks 1–2, 12–15 from the single "Country House", August 1995
* Tracks 3–5, 19 from the single "The Universal", November 1995
* Tracks 6–8 from the single "Stereotypes", February 1996
* Tracks 9–11 from the single "Charmless Man", April 1996
* Tracks 16–17 from the Japanese single "It Could Be You", May 1996
* Track 18 from the War Child compilation Help, September 1995

## Personnel[edit]

Blur

* Damon Albarn – vocals, piano, keyboards, organ, synthesizer, handclaps
* Graham Coxon – electric and acoustic guitar, banjo, saxophone, backing vocals, handclaps
* Alex James – bass guitar, handclaps, backing vocals on "Top Man"[46]
* Dave Rowntree – drums, percussion, handclaps, backing vocals on "Top Man"

Additional musicians

* Simon Clarke – saxophone
* Tim Sanders – saxophone
* J. Neil Sidwell – trombone
* Roddy Lorimer – trumpet
* Louise Fuller – violin
* Jennifer Berman - violin
* Richard Koster – violin
* John Metcalfe – viola
* Ivan McCermoy – cello
* Ken Livingstone – narration on "Ernold Same"
* Theresa Davis – backing vocals on "The Universal"
* Angela Murrell – backing vocals on "The Universal"
* Cathy Gillat – backing vocals on "Yuko and Hiro"
* Stephen Street - handclaps

Technical personnel

* Jason Cox – studio manager
* John Smith – engineering
* Julie Gardner – assistant engineering
* Tom Girling – assistant engineering
* Nels Israelson – photography
* Tom King – photography

|

## Charts[edit]

### Weekly charts[edit]

| Chart (1995)  | Peak
position

|

Australian Albums (ARIA)[47] | 10
Austrian Albums (Ö3 Austria)[48] | 21
Belgian Albums (Ultratop Flanders)[49] | 28
Belgian Albums (Ultratop Wallonia)[50] | 22
Canada Top Albums/CDs (RPM)[51] | 24
Danish Albums (Hitlisten)[52] | 10
Dutch Albums (Album Top 100)[53] | 28
European Albums (Music & Media)[52] | 2
Finnish Albums (Suomen virallinen lista)[54] | 5
French Albums (SNEP)[55] | 14
German Albums (Offizielle Top 100)[56] | 35
Icelandic Albums[57] | 1
Irish Albums (IRMA)[52] | 1
Italian Albums (FIMI)[58] | 15
Japanese Albums (Oricon)[59] | 5
New Zealand Albums (RMNZ)[60] | 7
Norwegian Albums (VG-lista)[61] | 5
Spanish Albums (AFYPE)[62] | 8
Swedish Albums (Sverigetopplistan)[63] | 2
Swiss Albums (Schweizer Hitparade)[64] | 26
UK Albums (OCC)[65] | 1
US Billboard 200[66] | 150

### Year-end charts[edit]

| Chart (1995)  | Position

|

European Albums (Music & Media)[67] | 61
Swedish Albums & Compilations (Sverigetopplistan)[68] | 55
UK Albums (OCC)[69] | 10
Chart (1996)  | Position

|

UK Albums (OCC)[70] | 76

## Certifications[edit]

Region  | Certification | Certified units/sales

|
|

Canada (Music Canada)[71] | Gold  | 50,000^
France (SNEP)[72] | Gold  | 100,000*
Ireland (IRMA)[73] | 2× Platinum  | 33,000[73]
Japan (RIAJ)[74] | Gold  | 100,000^
Norway (IFPI Norway)[75] | Gold  | 25,000*
Spain (PROMUSICAE)[76] | Platinum  | 100,000^
Sweden (GLF)[77] | Gold  | 50,000^
United Kingdom (BPI)[79] | 3× Platinum  | 901,349[78]
Summaries
Europe (IFPI)[80] | Platinum  | 1,000,000*

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

## References[edit]

1. ^ "New Releases: Singles". Music Week. 12 August 1995. p. 39.
2. ^ "New Releases: Singles". Music Week. 11 November 1995. p. 31.
3. ^ "New Releases: Singles". Music Week. 10 February 1996. p. 27.
4. ^ "New Releases: Singles". Music Week. 27 April 1996. p. 35.
5. ^ BPI Certified Awards Search Archived 24 September 2009 at the Wayback Machine British Phonographic Industry. Note: reader must define "Search" parameter as "Blur".
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8. ^ "• discography • blur • the great escape". Blurcentral.co.uk. Archived from the original on 29 July 2009. Retrieved 21 August 2009.
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10. ^ "The History of Blur – 1995–1997". Vblurpage.com. 12 August 1995. Retrieved 21 August 2009.
11. ^ "Superbrands case studies: The National Lottery – Brand Republic News". Brand Republic. Retrieved 21 August 2009.
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15. ^ Sullivan, Caroline (15 September 1995). "CD of the week: Blur (and not an Oasis in sight)". The Guardian.
16. ^ Hochman, Steve (1 October 1995). "Blur; 'The Great Escape', Virgin". Los Angeles Times. Retrieved 18 November 2015.
17. ^ a b Lester, Paul (9 September 1995). "Colditz a Knockout!". Melody Maker. p. 33.
18. ^ a b Cigarettes, Johnny (9 September 1995). "Blur – The Great Escape". NME. p. 46\. Archived from the original on 17 August 2000. Retrieved 18 November 2015.
19. ^ Zoladz, Lindsay (31 July 2012). "Blur: Blur 21". Pitchfork. Retrieved 18 November 2015.
20. ^ "Blur: The Great Escape". Q. No. 109\. October 1995. p. 110.
21. ^ Randall, Mac (2004). "Blur". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 89–90. ISBN 0-7432-0169-8. Retrieved 26 March 2017.
22. ^ a b Cavanagh, David (October 1995). "The Joy of Essex". Select. No. 64\. pp. 104–05. Retrieved 31 December 2016.
23. ^ a b Eddy, Chuck (November 1995). "Oasis: (What's the Story) Morning Glory / Blur: The Great Escape". Spin. Vol. 11, no. 8\. pp. 124–25. Retrieved 18 November 2015.
24. ^ a b c McMahon, James (2011). "The Great Escape review". BBC Music. Retrieved 2 January 2017.
25. ^ a b c Burrows, Marc (1 August 2012). "Blur – The Great Escape ('21' reissue)". Drowned in Sound. Archived from the original on 4 March 2016. Retrieved 6 January 2017.
26. ^ Beck, Dani; Robertson, Derek (24 May 2012). "On Second Thoughts: Blur vs. Oasis – Who Really Won The Britpop War?". DIY. Retrieved 2 January 2017.
27. ^ Considine, J. D. (5 October 1996). "CD Reviews". The Baltimore Sun.
28. ^ Year-end list. Melody Maker. 1995.
29. ^ Year-end list. NME. 1995.
30. ^ Year-end list. Q. 1995.
31. ^ Albums of the Year. Raw. 1995.
32. ^ "50 Albums of the Year". Select. No. 67\. January 1996. pp. 78–79. Retrieved 2 July 2020.
33. ^ Readers Poll for 1995. NME. 1995.
34. ^ Paul, Clements (10 December 2008). "Blur: the Britpop boys are back, but do we want them?". The Telegraph. Retrieved 2 January 2017.
35. ^ McMillan, Graeme (28 April 2014). "Parklife Is the Cornerstone of Britpop, But It Shouldn't Be". Time. Retrieved 18 January 2017.
36. ^ Kilkelly, Daniel (12 May 2007). "Albarn criticises Blur albums". Digital Spy. Retrieved 12 May 2007.
37. ^ Best of the 90's. Select. 2000.
38. ^ "Pitchfork's Top 100 Albums of the 1990s". Pitchfork. 1999. Archived from the original on 1 January 2020. Retrieved 21 January 2017 - via LibraryThing.
39. ^ Perpetua, Matthew (9 January 2014). "The Official Britpop Album Ranking". BuzzFeed. Retrieved 21 January 2017.
40. ^ Larkin, Colin. All Time Top 1000 Albums. 2000.
41. ^ Ainsley, Helen (6 October 2023). "BBC Radio 2 announces the Official Most Streamed 90s Albums Chart for National Album Day". Official Charts Company. Retrieved 9 October 2023.
42. ^ Myers, Justin (2 May 2014). "Official Charts Flashback 1994: Blur – Parklife". Official Charts Company. Retrieved 14 November 2018.
43. ^ Jones, Alan (27 March 1999). "The Official UK Charts: Albums - 27 March 1999". Music Week: 13.
44. ^ Kot, Greg (23 August 1996). "The British Are Not Coming!". Chicago Tribune. Retrieved 25 June 2020.
45. ^ a b Sexton, Paul (18 January 1997). "Blur set to break from Britpop beat" (PDF). Music & Media. Vol. 14, no. 1–3. p. 20. Retrieved 30 June 2020.
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49. ^ "Ultratop.be – Blur – The Great Escape" (in Dutch). Hung Medien.
50. ^ "Ultratop.be – Blur – The Great Escape" (in French). Hung Medien.
51. ^ "Top RPM Albums: Issue 2786". RPM. Library and Archives Canada.
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53. ^ "Dutchcharts.nl – Blur – The Great Escape" (in Dutch). Hung Medien.
54. ^ "Blur: The Great Escape" (in Finnish). Musiikkituottajat – IFPI Finland.
55. ^ "Hits of the World – France". Billboard. Vol. 107, no. 39\. 30 September 1995. p. 50. Retrieved 23 April 2023.
56. ^ "Offiziellecharts.de – Blur – The Great Escape" (in German). GfK Entertainment Charts.
57. ^ "Tonlist Top 40" (in Icelandic). DV. Retrieved 8 June 2017.
58. ^ "Classifica settimanale WK 37 (dal 08.09.1995 al 14.09.1995)" (in Italian). Federazione Industria Musicale Italiana.
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60. ^ "Charts.nz – Blur – The Great Escape". Hung Medien.
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62. ^ Salaverri, Fernando (September 2005). Sólo éxitos año a año, 1959–2002 (first ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
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73. ^ a b "Uk acts make strides - Take That" (PDF). Music Week. 23 December 1995. p. 8. Retrieved 23 January 2022.
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75. ^ "IFPI Norsk platebransje Trofeer 1993–2011" (in Norwegian). IFPI Norway. Retrieved 1 May 2010.
76. ^ Salaverrie, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (PDF) (in Spanish) (1st ed.). Madrid: Fundación Autor/SGAE. p. 942\. ISBN 84-8048-639-2. Retrieved 6 October 2019.
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## External links[edit]

* The Great Escape at YouTube (streamed copy where licensed)
* The Great Escape at Discogs (list of releases)

* v
* t
* e

Blur

* Damon Albarn
* Graham Coxon
* Alex James
* Dave Rowntree

Studio albums|

* Leisure
* Modern Life Is Rubbish
* Parklife
* The Great Escape
* Blur
* 13
* Think Tank
* The Magic Whip
* The Ballad of Darren

Live albums|

* Live at the Budokan
* All the People: Blur Live at Hyde Park
* Parklive

Compilations|

* The Special Collectors Edition
* Bustin' + Dronin'
* The 10 Year Limited Edition Anniversary Box Set
* Blur: The Best Of
* Midlife: A Beginner's Guide to Blur
* Blur 21

Singles|

* "She's So High"
* "There's No Other Way"
* "Bang"
* "Popscene"
* "For Tomorrow"
* "Chemical World"
* "Sunday Sunday"
* "Girls & Boys"
* "To the End"
* "Parklife"
* "End of a Century"
* "Country House"
* "The Universal"
* "Stereotypes"
* "Charmless Man"
* "Beetlebum"
* "Song 2"
* "On Your Own"
* "M.O.R."
* "Tender"
* "Coffee & TV"
* "No Distance Left to Run"
* "Music Is My Radar"
* "Out of Time"
* "Crazy Beat"
* "Good Song"
* "Fool's Day"
* "Under the Westway"/"The Puritan"
* "Go Out"
* "Lonesome Street"
* "The Narcissist"

Other songs|

* "This Is a Low"
* "Caramel"

Video albums|

* Starshaped
* Showtime
* No Distance Left to Run

Related groups|

* Gorillaz
* The Good, the Bad & the Queen
* Rocket Juice & the Moon
* Fat Les
* Me Me Me
* WigWam
* The Ailerons

Related articles|

* Discography
* Songs
* Awards and nominations
* Rollercoaster Tour

* Category

Authority control databases |

* MusicBrainz release group

|

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