The Greyhound (play)

1909 play by Paul Armstrong and Rex Beach

The Greyhound (play)

Written by| Paul Armstrong and Wilson Mizner
Directed by| Collin Kemper
Date premiered| February 29, 1912 (1912-02-29)
Place premiered| Astor Theatre
Original language| English
Subject| Blackmail and confidence tricks on an ocean liner
Genre| Melodrama
Setting| San Francisco rooming house and the Mauretania

The Greyhound is a 1911 play written by Paul Armstrong and Wilson Mizner. It is a melodrama with four acts, six settings, a large cast and fast pacing. The story is episodic, following four criminals working likely victims on an ocean liner, and showing how they are thwarted. Although containing elements of a thriller, comedy dominates, as a glance at names of featured characters suggests. The title comes from the contemporary description of fast transatlantic passenger ships as "ocean greyhounds".

The play was first produced by the Wagenhals & Kemper Company, and staged by Collin Kemper. There was a tryout in Indianapolis during January 1912, followed by an open run in Chicago. The Broadway premiere came during late February 1912. The production ran on Broadway up to June 1912, for over 100 performances.

The play was later adapted for a silent film of the same title in 1914.

## Characters

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The characters are as given in theatre programs, newspaper cast lists and reviews from 1912.

Lead

* Louis Fellman alias The Greyhound is a criminal, supposedly reformed but still reprobrate.[fn 1]
* Jack Fay alias The Pale-Faced Kid is a roughneck and card sharp, with a beet-red countenance.
* J. Crawford Alexander alias Whispering Alex is a dapper forger and pickpocket.
* Kitty Doyle alias Deep Sea Kitty is a lively blackmailer posing as the Baroness Von Hilde.[fn 2]
* McSherry is a true reformed crook who acts as an agent of "The Eye", an anti-crime group.
* Claire Fellman is the wife of Louis Fellman, an honest woman married to a crook.

Supporting

* Murray is a detective.
* Henry Fenmore Watkins is a banker and hometown booster from Lima, Ohio, and an innocent abroad.
* Nettie Watkins is Henry's wife.[fn 3]
* Etta Watkins is the daughter of Henry and Nettie.
* Mrs. Foster Allen is a multimillionaire widow, whose older daughter is engaged to a duke.
* Porter Allen is Mrs. Allen's elder son.
* Percival Allen is Mrs. Allen's younger son, just twenty-years-old and naive.
* Bess Allen is Mrs. Allen's younger daughter, engaged to Bob Kirk.
* Bob Kirk is a former athlete and now a struggling young architect unable to afford marriage.

Featured

* Mrs. Fagin
* Maid
* Smoking Room Steward
* Ying Lee
* Steve (wireless operator)
* Isedore Knobb
* Montmorency Smith
* Van Rennsselaer Jones
* Truly Ewers
* Meta Train
* Mini Opals

Bit players

* Officers, Passengers, Sailors, Stewards, etc.

## Synopsis

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The play may have been published as The Greyhound: A Play in Four Acts, date and publisher unknown. This synopsis is compiled from 1912 newspaper reviews.

Act I (A room in a lodging house at San Francisco, March 15.) J. Crawford Alexander, Kitty Doyle, and Jack Fay meet at the room of their leader, Louis Fellman. He tells them that wealthy Mrs. Allen will be sailing with her children on the Mauretania. They will make excellent targets for a variety of sly approaches. The gang plans to make their way across country to New York and board the vessel. Just outside, McSherry has been sent by "The Eye", which suspected Louis of backsliding. The three henchmen having departed, Louis is confronted by his wife Claire. She reproaches him for returning to crime. Worried she will shop him to police, he agrees to a joint suicide pact by poison. Louis fakes drinking while Claire collapses to the floor. He leaves, but McSherry enters and saves Claire by summoning an ambulance. (Curtain)

Act II (Hurricane deck of the steamship Mauretania, just underway from New York, June 5.) Passengers, stewards, and others mill about the deck. The gang covertly scouts their intended victims. Henry Watkins attracts attention for his obvious wealth and by calling the Hurricane deck the "roof" of the ship. The Allen matriarch and her brood come in for close scrutiny: they note Mrs. Allen's dissatisfaction with Bob Kirk as a suitor for Bess, and Percival's naive fascination with fashionable women. Among many other passengers, though, they miss seeing McSherry bring aboard Claire with a nurse to tend her. (Curtain)

Act III (Scene 1:Promenade deck of the Mauretania, mid-ocean, on June 9.) Kitty in her role of Baroness has bewitched young Percival, to the consternation of his mother. Later, Louis Fellman approaches Mrs. Allen with a note, supposedly from Bob Kirk but forged by Whispering Alex, suggesting he can be bought off for $50,000. (Two minutes intermission)

(Scene 2:The Smoking Room, mid-ocean, on June 9.) Jack Fay induces McSherry and Henry Watkins into a card game, under the misapprehension the former is a rich rube. Bob Kirk is also in the game, trying to win enough to marry Bess. When the deal comes around to McSherry, he deals Jack four aces, but gives Bob a Queen-high straight flush. Jack bets everything, but with the pot at $10,000 is busted by Bob's hand. (Two minutes intermission)

(Scene 3:The Grand Salon, mid-ocean, on June 9.) Mrs. Allen has given Louis a check for $50,000, unaware of Bob's new fortune. He promises not to cash it until the ship reaches France. She then catches Percival with the "Baroness" and sends him to his stateroom. The "Baroness" and her "attorney" Alex demand a settlement for "alienation", a subtle hint of blackmail to prevent a scandal. But Steve the wireless operator brings a radiogram at McSherry's behest, confirming there is no Baroness Von Hilde. (Curtain)

Act IV (Off the Irish coast, the hurricane deck at night, June 9.) Distraught by repeated glimpses of his "dead" wife, Louis has been drinking heavily. He still has the check for $50,000, but his confederates have been defeated and are penniless. Now Claire approaches Louis in the moonlight, appearing ghostly in all white. Louis backs away, then jumps over the railing into the ocean. With the ship's alarm sounding and cries of "Man overboard!", the play ends. (Curtain)

## Original production

[edit]

### Background

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Paul Armstrong was a former journalist who turned to playwriting.[1] However, his first career was in steamship navigation; he qualified for his Master's license in 1890.[2] He managed a passenger line on the Great Lakes before taking up newspaper work around 1896.[3] Wilson Mizner told reporters that a model for the criminal called The Greyhound was Bud Hauser. Hauser died on board the RMS Olympic, where he was traveling under an assumed name, during April 1912, while The Greyhound was still running on Broadway.[4]

The play originally had a first act character called Dr. Dunn,[5] which was eliminated by the time the production moved to Broadway.[6] The early cast lists show this was acted by W. A. Lincoln,[5] a play on producer Lincoln A. Wagenhals name. Wagenhals was an early graduate of the American Academy of Dramatic Arts[7] and an experienced actor[8] before joining up with Collin Kemper to form the Wagenhals & Kemper Company in early 1895.[9]

### Cast

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Principal players only for the Indianapolis tryout, the Chicago opening, and the Broadway run  Role  | Actor  | Dates  | Notes and sources

|
|
|

Louis Fellman  | Henry Kolker | Jan 08, 1912 - Jun 01, 1912  |
Jack Fay  | Jay Wilson  | Jan 08, 1912 - Jun 01, 1912  |
J. Crawford Alexander  | Douglas J. Wood | Jan 08, 1912 - Jun 01, 1912  |
Kitty Doyle  | Elita Proctor Otis | Jan 08, 1912 - Jun 01, 1912  |
McSherry  | Robert McWade | Jan 08, 1912 - Jun 01, 1912  |
Claire Fellman  | Louise Woods  | Jan 08, 1912 - Jun 01, 1912  |
Murray  | Carl Harbaugh | Jan 08, 1912 - Jun 01, 1912  | Harbaugh also played minor character Ying Lee.
Henry Watkins  | Elmer Grandin  | Jan 08, 1912 - Jun 01, 1912  |
Nettie Watkins  | Gladys Murray  | Jan 08, 1912 - Jun 01, 1912  | Murray also played minor character Mrs. Fagin, billed as "G. Fairbanks Murray".[fn 4]
Etta Watkins  | Crosby Little  | Jan 08, 1912 - Jun 01, 1912  |
Mrs. Foster Allen  | Jennie Eustace  | Jan 08, 1912 - Jun 01, 1912  |
Porter Allen  | Edward Longman  | Jan 08, 1912 - Feb 24, 1912  |
William S. Lyons  | Feb 29, 1912 - Jun 01, 1912  |
Percival Allen  | David Burton | Jan 08, 1912 - Jun 01, 1912  |
Bess Allen  | Suzanne Willa  | Jan 08, 1912 - Feb 24, 1912  |
Bernice Golden  | Feb 29, 1912 - Jun 01, 1912  |
Bob Kirk  | Carl Eckstrom  | Jan 08, 1912 - Jun 01, 1912  |

### Tryout and Chicago run

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The production was given a week-long tryout starting January 8, 1912 at English's Opera House in Indianapolis, Indiana.[10] Clarence J. Bulleit of The Indianapolis Star thought the play weaker than Armstrong's Alias Jimmy Valentine and The Deep Purple. He said there was no central plot, just loosely connected episodes of varying interest and quality. However, he praised the characterizations, which gave the work what strength it had. Bulleit also reported that Governor Marshall and Mayor Shank were present at the first night.[10] The reviewer for The Indianapolis News felt the authors' "...incidents were too many; they are not nicely joined and uneven exposition is the result... it stands in need of compression, unity, and concentration".[11]

The playwrights started making revisions during the tryout week, enhancing the performances appeal according to a local newspaper.[12] The Greyhound closed in Indianapolis on January 13, 1912,[12] and re-opened at Chicago's Studebaker Theatre on January 15, 1912.[5] A Chicago Examiner reporter, evidently dismissing Indianapolis, described the opening as the play's "first appearance in any big city".[13] Percy Hammond of the Chicago Tribune nearly echoed The Indianapolis News reviewer about the play's incidents: "...in their present form they are diffuse... They need pushing together, knitting, elimination, and speed."

The play closed in Chicago on February 24, 1912.

### Broadway premiere

[edit]

The Greyhound was originally scheduled to premiere at the Astor Theatre on February 26, 1912, but was delayed several days for "scenic and mechanical rehearsals".[14] The delay was not an issue, for Wagenhals & Kemper owned[fn 5] the Astor Theatre at this time, where their recent successes of Paid in Full and Seven Days had been performed.[12] The premiere occurred on Leap Day, February 29, 1912, with The Sun explaining the title's dual reference to an "ocean greyhound" and the criminal who hunted thereupon.[15] The critic for the New-York Tribune mentioned a special encore setting after the closing curtain of Act IV. The curtains re-opened showing the ship at dock; the actors strolled along the ship's railing to the open gangway, took their bow amid applause, then exit.[6]

Charles Darnton of The Evening World thought the play weaker than the authors' earlier The Deep Purple but admired some of their "clever lines" and the acting of Elita Proctor Otis as Kitty and Jay Wilson as the Pale-Faced Kid.[16] The reviewer for The Standard Union said: "Although abounding in thrills, the comedy element predominates and the laughter was almost incessent...".[17] The critic for The Sun added: "It was potent to make the audience laugh, it kept its hearers absorbed, and occasionally it could impart a genuine thrill of suspense".[18] The New York Times reviewer was enthusiastic: The Greyhound "...is, in spite of its rank sensationalism, an extremely clever thing in many ways... As an exposition of the illuminating qualities and directness of the vernacular, it is a remarkable exhibit".[19]

By April 14, Wagenhals & Kemper had cancelled all other bookings at the Astor,[20] since The Greyhound was still playing to capacity audiences.[21] On April 27, 1912, the production got a foretaste of the labor strife that would soon engulf acting, when ten "supers"[fn 6] portraying ship's stokers went on strike for higher pay, preventing the curtain from being raised. The theater manager replaced them with costumed stagehands and used other crew members to drive the strikers out of the theater.[22]

### Closing

[edit]

On May 15, 1912, Wagenhals & Kemp Company signed an agreement with Cohan & Harris, giving the latter partnership a ten-year lease on the Astor Theatre, in return for $250,000.[23] Cohan & Harris would assume control of the venue from September 1, 1912; until that time, or until Summer heat closed its season, The Greyhound would continue running. However, while not planning to retire from producing,[fn 7] Kemper and Wagenhals were looking forward to a long vacation, including a world tour.[23] Despite mild temperatures,[24] The Greyhound closed at the Astor Theatre on June 1, 1912.[25]

## Adaptations

[edit]

### Film

[edit]

* The Greyhound (1914) - This was a silent film produced by the Life Photo Film Corporation, which acquired the film rights to the play in early May 1914.[26] Elita Proctor Otis reprised her stage role as Deep Sea Kitty, with David Wall as McSherry and William T. Koker as The Greyhound. Instead of the Mauretania, her newer sister ship, the Lusitania, was the liner represented in the film.[27]

## Notes

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1. ^ His alias refers to his preferred hunting ground, the transatlantic liners.
2. ^ The term "deep sea blackmailer" had come in vogue some years earlier to describe those who took advantage of unwary passengers' confidences.
3. ^ Before the Broadway run this character was called Tillie.
4. ^ The Chicago run had both parts credited to Gladys F. Murray.
5. ^ They had purchased the property, next door to the Astor Hotel, in September 1905. Construction of the theater was completed a year later.
6. ^ Supernumeraries, another term for extras or bit players.
7. ^ They would continue producing Broadway plays up through The Joker in 1925.

## References

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1. ^ "Paul Armstrong Dead". Brooklyn Times. Brooklyn, New York. August 31, 1915. p. 12 - via Newspapers.com.
2. ^ "Paul Armstrong Dead". Brooklyn Daily Eagle. Brooklyn, New York. August 31, 1915. p. 2 - via Newspapers.com.
3. ^ "Miscellaneous". The Inter Ocean. Chicago, Illinois. July 20, 1891. p. 7 - via Newspapers.com.
4. ^ "Ocean Raffles Was Bud Hauser, Princely Crook". The Evening World. New York, New York. April 12, 1912. p. 5 - via Newspapers.com.
5. ^ a b c Hammond, Percy (January 16, 1912). ""The Greyhound" Is a Smart Yellow-Back". Chicago Tribune. Chicago, Illinois. p. 9 - via Newspapers.com.
6. ^ a b "The Drama". New-York Tribune. New York, New York. March 1, 1912. p. 7 - via Newspapers.com.
7. ^ "Graduates In Dramatic Art". The Evening World. New York, New York. April 21, 1894. p. 2 - via Newspapers.com.
8. ^ "Notes". The Buffalo Courier. Buffalo, New York. December 6, 1894. p. 5 - via Newspapers.com.
9. ^ "Chat of the Stage". The Omaha Evening Bee. Omaha, Nebraska. January 20, 1895. p. 5 - via Newspapers.com.
10. ^ a b Bulleit, Clarence J. (January 13, 1912). "About The Theaters". The Indianapolis Star. Indianapolis, Indiana. p. 12 - via Newspapers.com.
11. ^ "Plays and Players". The Indianapolis News. Indianapolis, Indiana. January 9, 1912. p. 5 - via Newspapers.com.
12. ^ a b c "Theaters". The Indianapolis Star. Indianapolis, Indiana. January 13, 1912. p. 14 - via Newspapers.com.
13. ^ "Life on an Ocean Liner Show in "The Greyhound"". Chicago Examiner. Chicago, Illinois. January 16, 1912. p. 7 - via Newspapers.com.
14. ^ "Theatrical Notes". The New York Times. New York, New York. February 22, 1912. p. 9 - via NYTimes.com.
15. ^ "Plays and Players". The Sun. New York, New York. February 29, 1912. p. 9 - via Newspapers.com.
16. ^ Darnton, Charles (March 1, 1912). "The New Plays". The Evening World. New York, New York. p. 19 - via Newspapers.com.
17. ^ "Amusements". The Standard Union. Brooklyn, New York. March 1, 1912. p. 9 - via Newspapers.com.
18. ^ ""The Greyhound" At The Astor Theatre". The Sun. New York, New York. March 1, 1912. p. 7 - via Newspapers.com.
19. ^ "Hist
 Busy Crooks and the Ocean Liner". The New York Times. New York, New York. March 1, 1912. p. 11 - via NYTimes.com.
20. ^ ""The Greyhound"". The Buffalo Sunday Morning News. Buffalo, New York. April 14, 1912. p. 33 - via Newspapers.com.
21. ^ ""Officer 666"". The Buffalo Sunday Morning News. Buffalo, New York. April 21, 1912. p. 33 - via Newspapers.com.
22. ^ "Stage Stokers On Strike". The Sun. New York, New York. April 28, 1912. p. 1 - via Newspapers.com.
23. ^ a b "Cohan and Harris Lease Astor Theatre". The New York Times. New York, New York. May 16, 1912. p. 11 - via NYTimes.com.
24. ^ "Weather Forecast". Brooklyn Daily Eagle. Brooklyn, New York. May 31, 1912. p. 5 - via Newspapers.com.
25. ^ "Astor Last 2 Times The Greyhound (ad)". The Sun. New York, New York. June 1, 1912. p. 18 - via Newspapers.com.
26. ^ "Motion Picture Notes". The Sun. New York, New York. May 3, 1914. p. 12 - via Newspapers.com.
27. ^ "Annette Kellerman, The Famed Water Queen, As "Neptune's Daughter"". The Joliet News. Joliet, Illinois. May 14, 1914. p. 9 - via Newspapers.com.