The Jungle Book (2016 film)

Film by Jon Favreau

The Jungle Book

Theatrical release poster

Directed by| Jon Favreau
Screenplay by| Justin Marks
Based on| The Jungle Book[1]
by Rudyard Kipling
Produced by|

* Jon Favreau
* Brigham Taylor

Starring|

* Neel Sethi
* Bill Murray
* Ben Kingsley
* Idris Elba
* Lupita Nyong'o
* Scarlett Johansson
* Giancarlo Esposito
* Christopher Walken

Cinematography| Bill Pope
Edited by| Mark Livolsi
Music by| John Debney

Production
companies

* Walt Disney Pictures
* Fairview Entertainment

Distributed by| Walt Disney Studios
Motion Pictures

Release dates

* April 4, 2016 (2016-4-4) (El Capitan Theatre)
* April 15, 2016 (2016-4-15) (United States)

Running time

| 106 minutes
Country| United States[2]
Language| English
Budget| $175–177 million[3][4]
Box office| $966.6 million[5]

The Jungle Book is a 2016 American fantasy adventure film directed and produced by Jon Favreau, written by Justin Marks and produced by Walt Disney Pictures. It is a live-action/photorealistically animated remake of Disney's 1967 animated film The Jungle Book,[1][6] which itself is loosely based on Rudyard Kipling's story collection The Jungle Book. Neel Sethi plays Mowgli, the orphaned human boy who, guided by his animal guardians, sets out on a journey of self-discovery while evading the threatening Shere Khan. The film includes voice and motion capture performances from Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong'o, Scarlett Johansson, Giancarlo Esposito, and Christopher Walken.

Favreau, Marks, and producer Brigham Taylor developed the film's story as a balance between Disney's animated feature film adaptation and Rudyard Kipling's original works, borrowing elements from both into the film. Principal photography commenced in 2014, with filming taking place entirely in Los Angeles. The film required extensive use of computer-generated imagery to portray the other animals and settings.[7]

The Jungle Book premiered at El Capitan Theatre on April 4, 2016, and was theatrically released in the United States on April 15. The film was a critical and commercial success, with the Rotten Tomatoes critical consensus describes it "as lovely to behold as it is engrossing to watch", and grossed $966 million worldwide, making it the fifth-highest-grossing film of 2016. Amongst Disney's live-action remakes, the film is the eighth-most-expensive and fifth-highest-grossing readaptation to date. The film won accolades for achievements in visual effects at the 89th Academy Awards, 22nd Critics' Choice Awards, and 70th British Academy Film Awards. A sequel is in development, with Marks as the screenwriter, and Favreau returning as director and producer.

## Plot

[edit]

In the jungles of 1890s India, an orphaned boy named Mowgli lives among a pack of wolves led by Akela. One day, during the dry season, the jungle animals gather to drink the remaining water as part of an ancient truce. The gathering is disrupted by Shere Khan, a murderous Bengal tiger who threatens to kill Mowgli at the end of the drought. After the drought ends, the wolves debate whether or not they should keep Mowgli. Mowgli decides to leave the jungle for the safety of his family, and Bagheera, a black panther, volunteers to guide him to the nearby "man-village".

Shere Khan ambushes the pair on their way to the man-village, but Mowgli manages to escape by hiding amid a buffalo stampede caused by the tiger, and later encounters a seductive Burmese python named Kaa, who hypnotizes him. While under her influence, Mowgli sees a vision of his father being killed by Shere Khan while trying to protect him. She also explains that there's a mysterious light called the Red Flower (fire) which brings destruction to anything it touches. Kaa attempts to devour Mowgli, but he is rescued by a brown bear named Baloo. Mowgli retrieves honey for Baloo as repayment and agrees to stay with him until the winter season arrives. Upon learning that Mowgli has left the jungle, Shere Khan kills Akela and threatens the pack to lure Mowgli out.

Bagheera eventually finds Mowgli and Baloo and is incensed that Mowgli has not joined the humans, but Baloo calms him down and persuades both of them to sleep on it. During the night, Mowgli finds the herd of elephants gathered around a ditch and uses vines to save their baby. Baloo realizes that he cannot guarantee Mowgli's safety after learning that he is being hunted by Shere Khan and agrees to push Mowgli away to get him to continue onward to the man village.

Mowgli is kidnapped by a gang of monkeys known as the Bandar-log, who present him to their leader, a deranged Gigantopithecus named King Louie. Assuming that all humans can make fire, Louie offers Mowgli protection from Shere Khan in exchange for it. Baloo distracts King Louie while Bagheera tries to sneak Mowgli out, but their ruse is uncovered. Louie chases Mowgli through his temple and informs Mowgli of Akela's death. Louie's rampage eventually causes his temple to collapse on top of him.

Furious that his friends neglected to tell him about Akela's death, Mowgli goes to confront Shere Khan. He steals a torch from the man-village and heads back to the jungle, inadvertently starting a wildfire in the process. He confronts Shere Khan, who claims that Mowgli has made himself the enemy by causing the fire. Seeing the wolves' fear of him, Mowgli throws the torch into a river. Baloo, Bagheera, and the wolf pack hold off Shere Khan when he attacks, giving Mowgli enough time to flee into the burning jungle. Shere Khan overpowers all of them single-handedly and goes after Mowgli, who lures Shere Khan up a dead tree and onto a branch, which breaks under his weight, and Shere Khan falls into the fire to his death. Mowgli then directs the elephants to divert the river and put out the fire.

In the aftermath, Raksha becomes the new leader of the wolf pack. Mowgli decides to utilize his equipment and tricks for his own use, under the guardianship of Baloo and Bagheera.

## Cast

[edit]

Main article: List of The Jungle Book characters

Neel Sethi, the actor who portrayed Mowgli

* Neel Sethi as Mowgli, a young boy who was raised by wolves. The search for casting Mowgli was extensive, with thousands of children auditioning from the United States, the United Kingdom, New Zealand, and Canada. Eventually, newcomer Neel Sethi was confirmed for the role, with casting director Rebecca Williams describing him as embodying "the heart, humor, and daring of the character. He's warm and accessible, yet also has an intelligence well beyond his years and impressed us all with his ability to hold his own in any situation."[8] Sethi underwent parkour training in preparation for the role.[7]
* Kendrick Reyes as toddler Mowgli.
* Ritesh Rajan as Mowgli's father.

### Voice cast

[edit]

* Bill Murray as Baloo, a himalayan brown bear, who encounters and befriends Mowgli. Favreau had Murray in mind to voice Baloo since the beginning of the project: "He's perfect. Bill just exudes all the charm and humor that you need and expect from Baloo. He has a certain dryness and a rebellious quality." He had also always wanted to work with Murray, having been a huge fan of his work, though he was aware of how hard it is to contact him. Fortunately for Favreau, he was able to get a hold of Murray, and he agreed to come on board, with Favreau going on to comment that "once he came aboard, he was incredibly passionate. He has a very high standard." Murray said: "I just couldn't say no to playing Baloo. Jon [Favreau] is a terrific storyteller and I'm such a huge fan of the original stories. Kipling wrote a lot of amazing stuff. I read that book when I was about 22 and I've always thought that it was just extraordinary writing."[1]
* Ben Kingsley as Bagheera, a black panther who is Mowgli's mentor and protector. Favreau said that Kingsley "brought this elegance and refinement to the character, yet with great firmness. He's an interesting dude with crazy range."[1] Kingsley said that Bagheera's "role in Mowgli's life is to educate, to protect and to guide."[1] Kingsley said that Bagheera "is instantly recognizable by the way he talks, how he acts and what his ethical code is", and stated that "Rudyard Kipling's stories of Mowgli's adventures with these extraordinary, beautifully defined characters introduce many around the world to the Indian subcontinent and its culture" though he felt that both the film and the book's story was ultimately about Mowgli's search for a family: "There are many wonderful stories that are based on the struggle of an orphan to find a family—to create a family around him, which is a very poignant part of Jon Favreau's version of the film. It will have its beautiful, thrilling, exciting, joyous moments of celebration. But must also quite rightly have its darker moments, because we're dealing with a very isolated child who triumphs over enormous odds."[1]
* Idris Elba as Shere Khan, a fearsome, powerfully built scarred Bengal tiger with a blinded left eye who wishes to kill Mowgli. Favreau felt that Elba's voice "wields tremendous presence in a room",[9] and that "[Elba]'s got such gravity and brings his steely presence, a deep timbre that echoes in a larger-than-life way. He understands this scarred, imposing tiger in a way the character demands."[9] Elba said that "Shere Khan reigns with fear. He terrorizes everyone he encounters because he comes from a place of fear."[9] Elba was highly impressed with the film's effects, stating that "[w]hen Jon [Favreau] showed [Elba] Shere Khan's expressions and how he moves, [he] had to ask, 'Is that a real tiger?' The technology is incredible."[9]
* Lupita Nyong'o as Raksha, a female Indian wolf who is Mowgli's adoptive mother. Favreau and Marks decided to give the character of Raksha a more predominant role in the film similar to Kipling's original tales.[10] Favreau chose Nyong'o because he believed her voice imbued the emotion required for the role, commenting that "Lupita has tremendous depth of emotion in her performance. There's an emotional underpinning she brings, and a strength, and we wanted that for this surrogate mother. Much of that comes from her voice."[11] Along with saying that she was a fan of the original Disney animated film, Nyong'o also commented: "I really enjoyed preparing for this and learning about wolves and how social they are, how they stick together. There's such an order—a hierarchy to a wolf pack. Mowgli tries to fit in with the other wolf pups. He has his challenges, but he is very much a part of the pack as far as Raksha is concerned."[1]
* Scarlett Johansson as Kaa, a gigantic Indian python. Favreau decided to cast Johansson, a recurrent collaborator of Favreau's, to play Kaa, originally a male character, as he felt the original film was "a little too male-oriented".[12] On Kaa's role in the film, Favreau said that "Mowgli is exploring different regions of the jungle—mistier, darker, more mysterious parts of the jungle. That's where Kaa lives. That's where she gets ahold of him—till Baloo rescues him and brings him back to his cave."[9] Johansson said that "for [her], the opportunity to play Kaa as envisioned by Jon [Favreau] was so exciting",[9] and described Kaa as "the mirror into Mowgli's past."[9]
* Giancarlo Esposito as Akela, a male Indian wolf who leads the pack. Producer Brigham Taylor praised Esposito, claiming that "Giancarlo is an esteemed actor who absolutely embodies the nature of the character."[9] Along with commenting that he's a fan of both the animated film and Kipling's books, Giancarlo described his character as "...a fierce patriarch of the wolf pack. He believes that the strength of the pack lies in what each and every wolf offers. He knows if they stick together, they can survive. He's a great leader, a wise teacher. I aspire to be like him."[1]
* Christopher Walken as King Louie, a Gigantopithecus who rules the Bandar-log. Favreau decided to change King Louie from an orangutan to a Gigantopithecus due to the fact that orangutans are not native to India, where the story takes place,[6] although modern humans and Gigantopithecus never coincided,[13] but he gives the animal a very similar appearance to a Bornean orangutan, contrary to evidence about Gigantopithecus. His character was given a slight alteration from the 1967 film and was partly inspired by Marlon Brando's character Colonel Kurtz in Apocalypse Now,[10] as well as incorporating Walken's own physical mannerisms.[14] In regards to Louie's changes, Favreau commented: "We created this looming figure that was trying to extract the secret of fire from Mowgli. And also this gave Mowgli the idea that if he had fire, he could have power over Shere Khan, whether it was good or bad. So there was Lord of the Rings aspect to that; the fire was almost like the ring in that was going to give someone ultimate power, but corrupt them as well as create destruction."[15]
* Garry Shandling as Ikki, an Indian crested porcupine that collects things and is the first to notice the emergence of the Peace Rock. Ikki was not featured in the original film.[9] This would prove to be Shandling's final role, as he died of a pulmonary embolism prior to the film's release.
* Brighton Rose as Grey Brother, an Indian wolf pup who is the youngest of Mowgli's adoptive siblings.[9]
* Jon Favreau as Fred, a pygmy hog who is one of Baloo's neighbors. A character not featured in the original film.[9]
* Sam Raimi as Mr. Pangolin, an Indian pangolin who is one of Baloo's neighbors.
* Russell Peters as Rocky, an Indian rhinoceros.[9] This character was originally meant to appear in the 1967 film where he would've been voiced by Frank Fontaine, but Walt Disney scrapped the character.
* Madeleine Favreau as Raquel, an Indian rhinoceros who is Rocky's daughter.[9]
* Sara Arrington as a Nilgai.[9]

Emjay Anthony, Max Favreau, Chloe Hechter, Asher Blinkoff, Knox Gagnon, Sasha Schreiber and Kai Schreiber voice the young wolves.[9]

Dee Bradley Baker, Artie Esposito, Sean Johnson, and Allan Trautman provide additional animal voices.[9]

## Production

[edit]

### Development

[edit]

> "The idea of going out to the jungle and shooting this, it just felt like it wouldn't have the magic that the 1967 film had had. There was a dreamlike quality to it. There was a surreal quality to it. It was a high-water mark for character animation and to me, that's what I remember about it. And so I wanted to make sure we preserved that...But what [Alan] Horn said was: Look at the technology. Look at Life of Pi, Avatar. Why not use the technology to create a whole world that transports you? Let's really embrace this new technology and see what we can do if we push its limit".

—Jon Favreau on approaching the film's technical intent.[16]

In July 2013, Walt Disney Pictures announced a live-action adaptation of Rudyard Kipling's short story collection The Jungle Book, with Justin Marks set to write the script.[17] The film would be Disney's third live-action adaptation of Kipling's works, following the 1994 film and the 1998 direct-to-video film Mowgli's Story, and the studio's fifth overall after the 1967 animated film and its sequel.[18] Jon Favreau was confirmed as director that November.[19] Favreau as a child used to watch Disney's 1967 animated film.[10] He felt the need to strike a balance between the two films by retaining the buoyant spirit of the 1967 film, including some of its memorable songs while crafting a film with more realism and peril. He also stressed the importance of nature and realized how things have shifted during Kipling's time and now: "In Kipling's time, nature was something to be overcome. Now nature is something to be protected".[10] He was encouraged by Walt Disney Studios chairman Alan Horn to take advantage of the film's setting and story as an opportunity to use the latest advancements in photorealistic rendering, computer-generated imagery, and motion capture technologies.[20] The story of the film is not independently taken from Kipling's works, but also borrows cinematic inspirations from other films, including the child-mentor relationship in Shane (1953), the establishment of rules in a dangerous world from Goodfellas (1990) and the use of a shadowy jungle figure in Apocalypse Now (1979).[10]

Pixar Animation Studios assisted in the development of the story, as well as providing suggestions for the film's end credits sequence.[21] John Lasseter, Pixar and Walt Disney Animation Studios' then-chief creative officer, suggested to end the film with the original physical book featured in the 1967 film opening.[22]

### Filming and visual effects

[edit]

Principal photography took place entirely on sound stages at Los Angeles Center Studios[15] in downtown Los Angeles.[11][23] The animal characters were created entirely in computer animation, with the assistance of footage of real animal movement, the actors recording their lines, and performance capture for reference.[6] The production team underwent a thorough process to realistically convey the animals' speaking, while still making them perceptually believable to the audience. Favreau researched earlier films featuring anthropomorphic animals, including Walt Disney's animated features, such as Snow White and the Seven Dwarfs and Bambi, as well as more modern films such as Babe and adopted certain techniques from those films into The Jungle Book.[15] Nearly 70 separate species of animals native to India are featured in the film, with several species being portrayed as "150% larger" than their actual counterparts.[15]

Jim Henson's Creature Shop was brought in to provide animal puppet figures for Sethi to act against, although none appear in the finished film.[24] The animal puppets were performed by Artie Esposito, Sean Johnson, Allan Trautman, and April Warren.[9] Favreau utilized motion capture with certain actors, expressing a desire to avoid overusing the technology in order to prevent evoking an uncanny valley effect.[6][12] For instance, Bill Murray's lifted eyebrow was incorporated into Baloo's facial gestures.[20]

The Moving Picture Company (MPC) and Weta Digital created the film's visual effects.[20] MPC developed new software for animating muscular structure in the animals.[15] Around 1,000 remote jungle locations in India were photographed and used as a reference in post-production.[25] Weta was responsible for animating the King Louie sequence, with visual effects supervisor Keith Miller adding that "it was important for Jon to see Christopher Walken in the creature. So we took some of the distinctive Walken facial features—iconic lines, wrinkles and folds—and integrated them into the animated character".[26] Favreau expressed desire in wanting the film's 3D shots to imbue the abilities of the multiplane camera system utilized in Disney's earlier animated films.[21] At Favreau's behest, the idea was extended into the film's version of the Walt Disney Pictures opening production logo, which was recreated as "a hand-painted, cel-animated multi-plane logo" in homage to the animated films of that era, also incorporating the word "Presents" in the same font as the 1967 film's opening credits.[21] The film's ending also features the original physical book that opened the 1967 film.[21]

### Sound

[edit]

Director Jon Favreau and composer John Debney sought to recreate the Fantasound experience Walt Disney, himself, had in mind. When mixing the soundtrack in Dolby Atmos, as Favreau said: "We isolated instruments when we could. And in the sound mix, we created a Fantasound mix. If you see the film in Atmos, you will feel that there are instruments that move around the theater".[27] Fantasound is mentioned in the film's closing credits.

## Music

[edit]

Main article: The Jungle Book (2016 soundtrack)

The musical score for The Jungle Book was composed and conducted by frequent Favreau collaborator John Debney,[28] mostly drawing from George Bruns' original music. According to Debney, "Jon [Favreau] wanted a timeless sound to the score and I embraced that".[9] Debney created a theme for Mowgli that is "not overly emotional. It has an elegance and majesty to it. He's becoming a man through this whole experience and that's what [Debney and Favreau] wanted to say with his theme".[9] Shere Khan's theme was conformed of a three or four-note motif,[9] while Baloo's "called for quirky strings and bass" that is "frolicking and emotional".[9] While Bagheera does not have a theme of his own, he is represented by French horns and strings,[9] and Kaa's music features snake-like sounds,[9] while King Louie's features many instruments, like percussion instruments, bass marimbas, etc.[9]

While Richard M. Sherman, who originally co-wrote songs for the 1967 film with his brother Robert, was originally reported to be writing new songs for the remake,[29] Favreau decided not to make the film a musical. Still, he and Debney incorporated several songs from the 1967 animated film.[30] "The Bare Necessities", written by Terry Gilkyson, is performed by Murray and Sethi,[10] and a cover version by Dr. John is featured in the end credits. "I Wan'na Be Like You" and "Trust in Me"—written by the Sherman Brothers—are performed by Walken and Johansson, respectively; Richard M. Sherman wrote revised lyrics for Walken's version of "I Wan'na Be Like You".[10] Johansson's rendition of "Trust in Me" was produced by Mark Ronson and appears in the end credits only.[10] Walt Disney Records released the film's soundtrack on April 15, 2016.[31]

## Release

[edit]

Jon Favreau at the premiere of The Jungle Book in Sydney, Australia.

The film was originally scheduled for October 9, 2015, but the film's release date was later postponed by Walt Disney Studios Motion Pictures to April 15, 2016.[32][33] The film was released in the Dolby Vision format in Dolby Cinema in the United States,[34] and is the first film to be released in Dolby Vision 3D (in a few select theaters in New York City and Chicago).[35] The Jungle Book held its world premiere at the El Capitan Theatre on April 4, 2016.[36]

It was released on April 8 in 15 countries, including Argentina, Australia, Russia, Malaysia, and India a week ahead of its U.S. debut on April 15.[37] The release date in India was strategic for the film as it coincided with the Indian New Year and was a holiday in most parts of the country.[38] The film had a special Hindi version with famous actors giving their voices to the main characters, including Irrfan Khan as Baloo, Om Puri as Bagheera, Priyanka Chopra as Kaa, Nana Patekar as Shere Khan and Shefali Shah as Raksha. As the Japanese anime series Jungle Book Shōnen Mowgli had been immensely popular in India in the 1990s, Disney India also commissioned a contemporary recording of "Jungle Jungle Baat Chali Hai" (originally used for the popular Indian version of Jungle Book Shōnen Mowgli), overseen by the original Hindi song's composers Vishal Bhardwaj and Gulzar, and released it as part of the film's promotional campaign in India.[39][40]

### Novelization

[edit]

A tie-in novelization of the film written by Joshua Pruett and Scott Peterson was published by Disney Publishing Worldwide on March 1, 2016.[41]

### Home media and television

[edit]

The film was released digitally on August 9, 2016, and on DVD and Blu-ray by Walt Disney Studios Home Entertainment on August 16 (August 22 in the UK[42]). A 3D Blu-ray was said to be coming by the end of the year.[43] The film topped the NPD VideoScan overall disc sales chart for two consecutive weeks.[44][45] In the United States, the DVD and Blu-ray releases sold 2,027,137 units by December 2016 and have grossed $46 million as of August 2018.[46] It is available on Disney+ as of June 19, 2020. The film had its network television premiere on TBS on May 31, 2018.

## Reception

[edit]

### Box office

[edit]

The film became a huge financial success and a sleeper hit.[47] It briefly held the record for the biggest remake of all time until the studio's own Beauty and the Beast surpassed it the following year.[48] It grossed $364M in the United States and Canada and $602.5M in other countries for a worldwide total of $966.6M, against a budget of $175M.[3] Worldwide, the film was released across 28,000 RealD 3D screens[35] and had an IMAX worldwide opening of $20.4M from 901 IMAX screens, a new record for a PG film.[49] It grossed a total of $39M in IMAX screens worldwide.[50] On May 13, it became the second film of 2016 (after the studio's own Zootopia) to pass the $800 million mark.[51][52] On June 10, it became the third film of 2016 after Zootopia and Captain America: Civil War to pass the $900M mark.[53] Deadline Hollywood calculated the net profit of the film to be $258M, when factoring together all expenses and revenues for the film, making it the sixth-most-profitable release of 2016.[54]

#### United States and Canada

[edit]

Projections for its opening weekend in the United States and Canada were continuously revised upwards, starting from $60M to as high as $88M, with female and older male quadrants being the prime draw.[35][55][56][57] The Jungle Book was shown across 4,028 theaters of which 3,100 theaters (75%) were in 3D, including 376 IMAX screens, 463 premium large format screens, and 145 D-Box locations.[55][58][59] It opened on Friday, April 15, 2016, on around 9,500 screens across 4,028 theaters, and earned $32.4M, the fourth-biggest April Friday.[35][60] This includes $4.2M from Thursday previews, the biggest preview number for a Disney live-adaptation film (tied with Maleficent),[61] an almost unheard-of for a PG title which rarely attracts many ticketbuyers later in the night.[62] In total, it earned $103.3M in its opening weekend, exceeding expectations by 40% and recorded the biggest PG-rated April opening (breaking Hop's record), the second-biggest Disney live-action adaptation opening (behind Alice in Wonderland), and the second-biggest April opening (behind Furious 7).[35][63][64] It also performed exceptionally well in both 3D and IMAX formats, where they both generated an income of $44M and $10.4M of the film's opening-weekend gross, respectively, the later broke the record for the biggest April Disney release IMAX opening.[35][49] Notably, it also became the only second PG-rated release to ever open above $100M (following Alice in Wonderland) and the third film of 2016 overall to open above $100M (following Deadpool and Batman v Superman: Dawn of Justice).[35][65] It earned $130.7M in its first full week, the second-biggest for a Disney live-action adaptation, behind only Alice in Wonderland's $146.6M seven-day gross.[66]

Buoyed by excellent word of mouth and benefiting from spring break, it fell only by 40% in its second weekend earning $61.5M, still maintaining the top position and far surpassing newcomer The Huntsman: Winter's War.[67] That puts The Jungle Book in the top-fifteen second weekends of all time and in terms of films that opened above $100M, it scored the fourth-smallest drop behind Shrek 2 (−33%), Spider-Man (−39%), and Star Wars: The Force Awakens (−39%).[68][69] Of those numbers, $5.6M came from IMAX shows for a two-weekend cumulative total of $18.4M which represents about 10% of its entire North American box office gross.[67] It crossed $200M on its twelfth day of release[70] and managed to hold the top spot for the third consecutive weekend with $43.7M from 4,041 theaters (an addition of 13 more theaters), a fall of only 29%, outgrossing the next six pictures combined (including the openings of three newcomers)[71] and recorded the sixth-biggest third weekend of all time.[72] Moreover, the 29% drop is the smallest third-weekend drop (from its second weekend) for a $100M opener ever.[72] Disney added an additional 103 theaters for the film's fourth weekend of release which propelled its theater count to 4,144 theaters,[73] but nevertheless, it was overtaken by Disney's own Captain America: Civil War after experiencing a 50% decline.[74][75] It passed $300M on its 30th day of release, on May 14, as it continued to witness marginal declines in the wake of several new releases weekend after weekend.[76] It made 3.53 times its opening weekend numbers, which is one of the biggest of all time for a film opening above $100M. It became one of the few surprise hits and one of the highest-grossing films of the year, alongside Finding Dory, The Secret Life of Pets, and Zootopia, centered around talking animals to dominate the year-end chart.[47]

#### Other countries

[edit]

The film was released in approximately 70 countries.[77] Outside the U.S. and Canada, it opened across 15 markets and 69 IMAX screens a week ahead of its US debut, and faced notable competition from newcomer The Huntsman: Winter's War and holdover Batman v Superman: Dawn of Justice, the latter of which was entering its third weekend. The reason behind the divided release pattern was because Disney wanted to get some space before Captain America: Civil War releases in early May, as well as availing school holidays and avoiding local competitors.[78] It eventually grossed $31.7M, debuting at first place in all markets and second overall at the international box office, behind Dawn of Justice, which was playing across 67 markets.[78] In its second weekend, it expanded to an additional 49 countries (88% of its total marketplace) and grossed $138.6M from 64 countries, easily topping the international box office, a bulk of it came from China.[79] Approximately 63% or $85M of that came from 3D screenings, with the largest 3D opening haul represented by China (98%), Germany (83%), Brazil (73%), Russia (60%), Mexico (47%), and the UK (39%).[79] Ten million dollars alone came from 525 IMAX screens, a record for a PG and April release.[49] It further continued to hold the top spot in its third weekend after adding another $98.9M from 53 territories, falling only by a marginal 32%. IMAX generated another $6.1M from 484 IMAX theaters for a three-weekend total of $20.6M.[50] After three straight No. 1 runs, it was finally dethroned by the studio's Captain America: Civil War in its fourth weekend.[80]

In India, it scored the second-biggest opening day for a Hollywood film, earning $1.51M (behind Avengers: Age of Ultron) from around 1,500 screens[81] and went on to score the second-biggest Hollywood opening weekend of all time, with $8.4M from 1,600 screens, behind only Furious 7 in terms of local as well as U.S. currency,[82][83] performing better than expected and its initial $5–6M opening projection.[81] Its opening weekend in India alone surpassed the entire lifetime total of Disney's other live-fantasy adaptations—Cinderella, Maleficent, Oz the Great and Powerful, and Alice in Wonderland—in the country.[78] It then went on to score the biggest opening and single week for a Hollywood film with $15.1M.[77][84] In its second weekend, it dropped just by a mere 40% to $4.97M.[85] In just ten days, it became the fourth-highest-grossing Hollywood film there with $21.2M.[63] On Wednesday, April 19—its twelfth day of release—it surpassed Furious 7 to become the highest-grossing Hollywood/foreign release of all time there.[86][87] By the end of its theatrical run, the film made an estimated $38.8M with half of its revenue—58%—coming from local dubbed versions, compared to Avengers: Age of Ultron, which saw 45% of its revenue from dubbed versions.[88]

In China, where the film was locally known as Fantasy Forest, expectations were high, with projections going as high $154–200M or more.[89][90][91][92] Ultimately, it was unable to hit these marks.[76] Before the release of the film in the state, Disney had a very successful run at the box office with Zootopia the previous month, in which anthropomorphic animals were the central figure.[93] Forbes noted that The Jungle Book was precisely the sort of film that Chinese audiences love with its 3D visuals, heartwarming story, and talking animal cast.[90] It earned around $12M on its opening day, including $300,000 worth of previews from 65,000 screenings.[90] Buoyed by good word of mouth and positive reception (albeit mostly from audiences with polarized reception from Chinese critics),[94] it rose 72% on its second day to $20M.[92] Through its opening weekend it grossed $48.5M, including $5.1M from 279 IMAX screens, a new record for April release.[63][95] Its opening marked the biggest Walt Disney Pictures film opening ever,[96] the second biggest for a family film (behind Kung Fu Panda 3), the second-biggest April debut (behind Furious 7), and the fourth-biggest Disney opening (behind Avengers: Age of Ultron, Iron Man 3, and Star Wars: The Force Awakens).[97] It topped the daily box office through the whole opening week and went on to remain at the top of the box office for a second weekend, after dropping by a mere 20% to $29.8M, despite facing some competitions.[98] It ended its run there with a total of $150.1M after 30 days of playing in theaters, adding $1.2M on its last day. Albeit falling just below expectations, it nevertheless emerged as a huge financial success and becoming the fourth-biggest Disney release there.[76][99]

In the United Kingdom and Ireland, it had an opening weekend total of £9.9M ($14.1M) from 594 cinemas[100] and in France with $8.1M.[79] Elsewhere, the highest openings were recorded in Russia and the CIS ($7.4M), Germany ($5.1M), Spain ($3.9M), Australia ($2.8M), Argentina ($2.3M), and in Malaysia, where it scored the biggest opening weekend for a live-action Disney film with $2.3M.[78][79] In the UK, it became the first film of 2016 to earn over £5M in three straight weekends and the first film since Jurassic World, Spectre, and Star Wars: The Force Awakens (all 2015 films) to achieve such an accomplishment,[101] and the first film of 2016 to earn above £40M ($58M).[102] In South Korea, it faced competition with Warcraft, but ended up debuting atop the charts with $6.2M.[103] It has so far grossed a total of $18M there.[104]

It opened in Japan on August 11, alongside the superhero film X-Men: Apocalypse[96][105] and delivered a four-day opening of $6.2M from 676 screens ($3M in two days), debuting at second place behind The Secret Life of Pets. Although the opening figure was considered mediocre, Deadline Hollywood noted that Japan is a market that can see big multiples.[106][107] It fell just 30% in its second weekend earning $2.1M for an 11-day total of $13.7M.[108][109]

In total earnings, its biggest markets outside of the U.S. and Canada were China ($150.1M), the United Kingdom ($66.2M) and India ($38.8M).[99] It was the highest-grossing film of 2016 in Europe with a total of $209M,[110] the United Kingdom and Ireland,[111] and in India (although it was later surpassed by Sultan, in terms of Hollywood/imported films, it is still the biggest).[112]

### Critical response

[edit]

(L to R) The vocal performances of Bill Murray, Idris Elba, and Ben Kingsley were particularly praised.[113][114][115][116]

On Rotten Tomatoes, a review aggregator, the film holds an approval rating of 94% based on 329 reviews and an average rating of 7.8/10. The site's critical consensus reads: "As lovely to behold as it is engrossing to watch, The Jungle Book is the rare remake that actually improves upon its predecessors—all while setting a new standard for CGI".[117] On Metacritic, the film has a weighted average score of 77 out of 100, based on 49 critics, indicating "generally favorable reviews".[118] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while PostTrak reported moviegoers gave it an overall positive score of 92%. Ninety-seven percent of the audience gave the film an A or a B, and it got A's from both the under- and over-25 crowd and A+ among those under 18 years of age and also for the over-50 audience.[35]

Todd McCarthy of The Hollywood Reporter wrote: "Exceptionally beautiful to behold and bolstered by a stellar vocal cast, this umpteenth film rendition of Rudyard Kipling's tales of young Mowgli's adventures amongst the creatures of the Indian jungle proves entirely engaging, even if it's ultimately lacking in subtext and thematic heft".[119] Andrew Barker of Variety felt that this version "can't rival the woolly looseness of Disney's 1967 animated classic, of course, but it succeeds on its own so well that such comparisons are barely necessary".[120] Robbie Collin of The Telegraph gave the film four stars out of five, and deemed it "a sincere and full-hearted adaptation that returns to Kipling for fresh inspiration".[121] Alonso Duralde of TheWrap says: "This 'Book' might lack the post-vaudeville razzamatazz of its predecessor, but director Jon Favreau and a team of effects wizards plunge us into one of the big screen's most engrossing artificial worlds since Avatar".[122] Peter Bradshaw, writing for The Guardian, gave the film four out of five stars and felt that the film had a touch of Apocalypto in it, finding the plot elements to be similar to those in The Lion King. He wrote that the film was "spectacular, exciting, funny and fun" and that it "handsomely revives the spirit of Disney's original film".[123] Pete Hammond of Deadline Hollywood wrote that the film had laughs, excitement, an exceptional voice cast and, most importantly, a lot of heart, calling it a cinematic achievement like no other. He particularly praised Murray's performance and the visual effects, deeming it "simply astonishing".[124] Chris Nashawaty of Entertainment Weekly graded the film an "A−", calling it one of the biggest surprises of 2016. He, however, felt the two songs were rather unnecessary and distracting, and believed the film to be a little too frightening for children.[125]

Richard Roeper of Chicago Sun-Times awarded the film three-and-a-half stars, pointing out the CGI as the apex achievement of the film. He labelled it "a beautifully rendered, visually arresting take on Rudyard Kipling's oft-filmed tales" but found the musical numbers to be trivial, saying that without the musical numbers, the film might have been a more exhilarating streamlined adventure.[126] Los Angeles Times' Kenneth Turan remarked that "The Jungle Book is the kind of family film calculated to make even those without families wish they had one to take along".[127] Peter Travers of Rolling Stone awarded the film three-and-a-half stars out of four, labeling it scary and thrilling, yet unique and unforgettable, and adding that it "fills us with something rare in movies today—a sense of wonder".[128] The Village Voice's Bilge Ebiri hailed the film as fast and light and that it "manages to be just scary enough to make us feel the danger of solitude in the middle of a massive jungle, but never indulgent or gratuitous".[129] Cath Clarke of Time Out compared Elba's character of Shere Khan to Scar from The Lion King, calling him "baddie of the year".[130] Matt Zoller Seitz of RogerEbert.com also had high praise for Elba's portrayal of Shere Khan stating: "His loping menace is envisioned so powerfully that he'd be scary no matter what, but the character becomes a great villain through imaginative empathy. We understand and appreciate his point-of-view, even though carrying it out would mean the death of Mowgli".[115]

The film's visual effects and 3D photography were compared to those of Avatar, Gravity, Hugo, and Life of Pi.[122][131][132] Sarah Ward of Screen International wrote that the level of detail on display in the film "is likely to evoke the same jaw-dropping reaction as James Cameron's box office topper".[133] Entertainment Weekly called it "one of the few 3D movies that actually benefit from being in 3D".[125] The film also had a positive reception from Indian contemporary critics and publications,[134] such as The Times of India,[135] The Hindu,[136] India Today,[137] The Indian Express,[138] and The Economic Times.[139]

However, some reviewers criticized the inconsistent tone of the film and the director's indecision to stick to one vision. The New York Times' Manohla Dargis was less enthusiastic.[140] Sam C. Mac of Slant Magazine wrote: "Jon Favreau draws heavily on his film's animated predecessor for plot, characterizations, songs, and set pieces, but doesn't know how to fit these familiar elements into his own coherent vision".[141] Josh Spiegel of Movie Mezzanine also echoed these feelings, saying that the film "stumbles because the people involved aren't willing to fully commit to either making a near-shot-for-shot remake or going in a completely different direction".[142] Rene Rodriguez of the Miami Herald felt that the film was soulless, writing that "the better these talking beasts look, the more the film resembles a gorgeous screen saver. You admire The Jungle Book, but you can't lose yourself in it".[143]

### Accolades

[edit]

Main article: List of accolades received by The Jungle Book (2016 film)

## Sequel

[edit]

Following the film's financial and critical success, the studio has begun working on a sequel. Jon Favreau and Justin Marks were in talks to return as director and writer, respectively, while Brigham Taylor was confirmed to be returning as producer.[144] Shortly after the release of the film, Favreau and Marks signed on to direct and write the sequel, and it could potentially have a release sometime in late 2019 and would have been shot back-to-back with Favreau's remake of The Lion King.[145][146][147] By March 2017, the sequel was put on hold so that Favreau would have to focus mainly on The Lion King.[148] By January 2018, Marks finished an early draft for the sequel, which he said would "go further through" Kipling's material, as well as feature elements of Bill Peet's rejected drafts for the 1967 film.[149] In October 2018, Neel Sethi confirmed that he would reprise his role as Mowgli in the sequel. As of 2025, the film is still in development and no news on it has been heard since then.[150]

## References

[edit]

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## External links

[edit]

* Disney portal
* Film portal
* United States portal

Wikimedia Commons has media related to The Jungle Book (2016 film).

Wikiquote has quotations related to The Jungle Book (2016 film).

* The Jungle Book at IMDb
* The Jungle Book at the TCM Movie Database
* The Jungle Book at the AFI Catalog of Feature Films

* v
* t
* e

Rudyard Kipling's The Jungle Book

Books|

* The Jungle Book (1894)
* The Second Jungle Book (1895)
* All the Mowgli Stories (1933)

Mowgli stories|

* "Mowgli's Brothers"
* "Kaa's Hunting"
* "Tiger! Tiger!"
* "Letting in the Jungle"
* "Red Dog"

Characters|

* Mowgli
* Baloo
* Bagheera
* Akela
* Raksha
* Kaa
* Hathi
* Shere Khan
* Bandar-log
* King Louie

Adaptations of
Mowgli stories|

| Disney
franchise|

| Film|

* The Jungle Book (1967)
* The Jungle Book: Mowgli's Story (1998)
* The Jungle Book 2 (2003)
* The Jungle Book (2016)

|

Television|

* TaleSpin (1990–91)
* Jungle Cubs (1996–1998)

Music|

| Soundtracks|

* The Jungle Book (1967)
* The Jungle Book (2016)

|

Songs|

* "Colonel Hathi's March"
* "The Bare Necessities"
* "I Wan'na Be like You"
* "Trust in Me"
* "That's What Friends Are For"
* "My Own Home"

Video games|

* TaleSpin (Nintendo) (1991)
* TaleSpin (TurboGrafx-16) (1991)
* TaleSpin (Sega) (1992)
* The Jungle Book (1993)
* The Jungle Book Groove Party (2000)

| Related|

* Disney Infinity 3.0 (2016)
* Disney Magic Kingdoms (2017)
* Disney Mirrorverse (2022)
* Disney Speedstorm (2023)

|

Other|

* The Jungle Book: Alive with Magic
* Colonel Hathi's Pizza Outpost
* Once Upon a Studio (2023)

Other
adaptations|

| Live-action film|

* Rudyard Kipling's Jungle Book (1942)
* The Jungle Book (1994)
* The Second Jungle Book: Mowgli & Baloo (1997)
* Mowgli: Legend of the Jungle (2018)

|

Animated film|

* Adventures of Mowgli (1967–1971)

Television|

* Mowgli's Brothers (1976)
* Jungle Book Shōnen Mowgli (1989–90)
* episodes
* Mowgli: The New Adventures of the Jungle Book (1998)
* The Jungle Book (2010–2020)

Other stories|

* "Rikki-Tikki-Tavi"
* "Toomai of the Elephants"

Adaptations of
other stories|

* Elephant Boy (1937 film)
* Elephant Boy (1973 TV series)
* The White Seal (1975 animated film)
* Rikki-Tikki-Tavi (1997 book)

Related|

* The Third Jungle Book (1992) (Book)
* A dzsungel könyve (Musical)
* Djungelboken (Play)
* Bagheera Fountain
* Law of the jungle
* The Jungle Book and Scouting
* The Wolf Cub's Handbook
* Mowgli syndrome

* v
* t
* e

Adaptations and remakes of Disney animated films

Remakes of
animated works|

* The Jungle Book (1994)
* 101 Dalmatians (1996)
* Cinderella (2015)
* The Jungle Book (2016)
* Beauty and the Beast (2017)
* Dumbo (2019)
* Aladdin (2019)
* The Lion King (2019)
* Lady and the Tramp (2019)
* Mulan (2020)
* Pinocchio (2022)
* Peter Pan & Wendy (2023)
* The Little Mermaid (2023)
* Snow White (2025)
* Lilo & Stitch (2025)
* Moana (2026)

| Sequels|

* 102 Dalmatians (2000)
* Mufasa: The Lion King (2024)

|

Spin-offs of
animated works|

* The Sorcerer's Apprentice (2010)
* Maleficent (2014)
* Cruella (2021)

| Sequels|

* Maleficent: Mistress of Evil (2019)

|

Follow-ups to
animated works|

* Alice in Wonderland (2010)
* Christopher Robin (2018)

| Sequels|

Alice Through the Looking Glass (2016)

|

Soundtracks|

* Alice in Wonderland (2010)
* Almost Alice (2010)
* Maleficent (2014)
* Cinderella (2015)
* The Jungle Book (2016)
* Beauty and the Beast (2017)
* Christopher Robin (2018)
* Aladdin (2019)
* The Lion King (2019)
* The Gift (2019)
* Maleficent: Mistress of Evil (2019)
* Lady and the Tramp (2019)
* Mulan (2020)
* Cruella (2021)
* Pinocchio (2022)
* Peter Pan & Wendy (2023)
* The Little Mermaid (2023)
* Mufasa: The Lion King (2024)

* v
* t
* e

The Sherman Brothers

* Richard M. Sherman
* Robert B. Sherman

Motion pictures

* The Parent Trap (1961)
* The Absent-Minded Professor (1961)
* Bon Voyage! (1962)
* A Symposium on Popular Songs (1962)
* In Search of the Castaways (1962)
* Big Red (1962)
* Moon Pilot (1962)
* Summer Magic (1963)
* The Sword in the Stone (1963)
* The Misadventures of Merlin Jones (1964)
* The Moon-Spinners (1964)
* Mary Poppins (1964)
* Those Calloways (1964)
* The Monkey's Uncle (1965)
* That Darn Cat! (1965)
* Winnie the Pooh and the Honey Tree (1966)
* Follow Me, Boys! (1966)
* The Happiest Millionaire (1967)
* The Jungle Book (1967)
* The Adventures of Bullwhip Griffin (1967)
* The One and Only, Genuine, Original Family Band (1968)
* Chitty Chitty Bang Bang (1968)
* Winnie the Pooh and the Blustery Day (1968)
* The Aristocats (1970)
* Goldilocks (1971)
* Bedknobs and Broomsticks (1971)
* Snoopy Come Home (1972)
* Charlotte's Web (1973)
* Tom Sawyer (1973)
* Huckleberry Finn (1974)
* Winnie the Pooh and Tigger Too (1974)
* The Slipper and the Rose (1976)
* The Many Adventures of Winnie the Pooh (1977)
* The Magic of Lassie (1978)
* Magic Journeys (1982)
* Winnie the Pooh and a Day for Eeyore (1983)
* Little Nemo: Adventures in Slumberland (1992)
* The Mighty Kong (1998)
* Seasons of Giving (1999)
* The Tigger Movie (2000)

Stage musicals
and musical revues|

* Victory Canteen (1971)
* Over Here! (1974)
* Dawgs (1983)
* The Slipper and the Rose (1984)
* Busker Alley (1994)
* Chitty Chitty Bang Bang (2002)
* On the Record (2004)
* Mary Poppins (2004)
* Merry-Go-Round workshop (2007)
* A Spoonful of Sherman (2014)
* Winnie the Pooh: The New Musical Adaptation (2021)
* Bedknobs and Broomsticks (2021)
* The Jungle Book (TBA)

Theme park
attractions

* Golden Horseshoe Revue (1955)
* King Arthur Carrousel (1955)
* Walt Disney's Enchanted Tiki Room (1963)
* It's a Small World (1966)
* Adventure Thru Inner Space (1967)
* Walt Disney's Carousel of Progress (1967)
* Main Street Electrical Parade (1972)
* America Sings (1974)
* America on Parade (1975)
* CommuniCore (1982)
* Imagination! (1982)
* Magic Journeys (1982)
* The World Showcase March (1982)
* Japan (Epcot) (1982)
* Journey into Imagination (1983)
* Meet the World (1983)
* Innoventions (1998)
* Rocket Rods (1998)
* The Many Adventures of Winnie the Pooh (1999)
* Disneyland Forever (2015)

Books|

* Walt's Time: from before to beyond (1998)
* Moose: Chapters from My Life (2013)

Related|

* The Jungle Book 2 (2003)
* soundtrack; musical references
* The Boys: The Sherman Brothers' Story (2009)
* Saving Mr. Banks (2013)
* soundtrack; song re-recordings
* Tomorrowland (2015)
* soundtrack; musical references
* The Jungle Book (2016)
* soundtrack
* Christopher Robin (2018)
* soundtrack; w/ original songs by both brothers, and new songs by Richard)
* Mary Poppins Returns (2018)
* soundtrack; musical references

* v
* t
* e

Jon Favreau

Filmography

Films directed|

* Made (2001)
* Elf (2003)
* Zathura: A Space Adventure (2005)
* Iron Man (2008)
* Iron Man 2 (2010)
* Cowboys & Aliens (2011)
* Chef (2014)
* The Jungle Book (2016)
* The Lion King (2019)
* The Mandalorian & Grogu (2026)

Films written only|

* Swingers (1996)
* Couples Retreat (2009)

TV series created|

* Dinner for Five (2001–2005)
* The Chef Show (2019–2020)
* The Mandalorian (2019–present)
* The Book of Boba Fett (2021–2022)

TV episodes directed|

* "Moving On (The Office)"
* "Pilot (About a Boy)"
* "Chapter 9: The Marshal"

Awards for The Jungle Book

* v
* t
* e

Academy Award for Best Visual Effects

1963–1980|

* Emil Kosa Jr. – Cleopatra (1963)
* Peter Ellenshaw, Eustace Lycett, and Hamilton Luske – Mary Poppins (1964)
* John Stears – Thunderball (1965)
* Art Cruickshank – Fantastic Voyage (1966)
* L. B. Abbott – Doctor Dolittle (1967)
* Stanley Kubrick – 2001: A Space Odyssey (1968)
* Robbie Robertson – Marooned (1969)
* A. D. Flowers and L. B. Abbott – Tora! Tora! Tora! (1970)
* Alan Maley, Eustace Lycett, and Danny Lee – Bedknobs and Broomsticks (1971)
* L. B. Abbott and A. D. Flowers – The Poseidon Adventure (1972)
* Frank Brendel, Glen Robinson, and Albert Whitlock – Earthquake (1974)
* Albert Whitlock and Glen Robinson – The Hindenburg (1975)
* Carlo Rambaldi, Glen Robinson, and Frank Van der Veer – King Kong (1976)
* John Stears, John Dykstra, Richard Edlund, Grant McCune, and Robert Blalack – Star Wars (1977)
* Les Bowie, Colin Chilvers, Denys Coop, Roy Field, Derek Meddings, and Zoran Perisic – Superman (1978)
* H. R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder, and Dennis Ayling – Alien (1979)
* Brian Johnson, Richard Edlund, Dennis Muren, and Bruce Nicholson – The Empire Strikes Back (1980)

1981–2000|

* Richard Edlund, Kit West, Bruce Nicholson, and Joe Johnston – Raiders of the Lost Ark (1981)
* Carlo Rambaldi, Dennis Muren, and Kenneth F. Smith – E.T. the Extra-Terrestrial (1982)
* Richard Edlund, Dennis Muren, Ken Ralston, and Phil Tippett – Return of the Jedi (1983)
* Dennis Muren, Michael J. McAlister, Lorne Peterson, and George Gibbs – Indiana Jones and the Temple of Doom (1984)
* Ken Ralston, Ralph McQuarrie, Scott Farrar, and David Berry – Cocoon (1985)
* Robert Skotak, Stan Winston, John Richardson, and Suzanne M. Benson – Aliens (1986)
* Dennis Muren, Bill George, Harley Jessup, and Kenneth F. Smith \- Innerspace (1987)
* Ken Ralston, Richard Williams, Edward Jones, and George Gibbs – Who Framed Roger Rabbit (1988)
* John Bruno, Dennis Muren, Hoyt Yeatman, and Dennis Skotak – The Abyss (1989)
* Eric Brevig, Rob Bottin, Tim McGovern, and Alex Funke – Total Recall (1990)
* Dennis Muren, Stan Winston, Gene Warren Jr., and Robert Skotak – Terminator 2: Judgment Day (1991)
* Ken Ralston, Doug Chiang, Douglas Smythe, and Tom Woodruff Jr. – Death Becomes Her (1992)
* Dennis Muren, Stan Winston, Phil Tippett, and Michael Lantieri – Jurassic Park (1993)
* Ken Ralston, George Murphy, Stephen Rosenbaum, and Allen Hall – Forrest Gump (1994)
* Scott E. Anderson, Charles Gibson, Neal Scanlan, and John Cox – Babe (1995)
* Volker Engel, Douglas Smith, Clay Pinney, and Joe Viskocil – Independence Day (1996)
* Robert Legato, Mark Lasoff, Thomas L. Fisher, and Michael Kanfer – Titanic (1997)
* Joel Hynek, Nicholas Brooks, Stuart Robertson, and Kevin Mack – What Dreams May Come (1998)
* John Gaeta, Janek Sirrs, Steve Courtley, and Jon Thum – The Matrix (1999)
* John Nelson, Neil Corbould, Tim Burke, and Rob Harvey – Gladiator (2000)

2001–2020|

* Jim Rygiel, Randall William Cook, Richard Taylor, and Mark Stetson – The Lord of the Rings: The Fellowship of the Ring (2001)
* Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke – The Lord of the Rings: The Two Towers (2002)
* Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke – The Lord of the Rings: The Return of the King (2003)
* John Dykstra, Scott Stokdyk, Anthony LaMolinara, and John Frazier – Spider-Man 2 (2004)
* Joe Letteri, Brian Van't Hul, Christian Rivers, and Richard Taylor – King Kong (2005)
* John Knoll, Hal Hickel, Charles Gibson, and Allen Hall – Pirates of the Caribbean: Dead Man's Chest (2006)
* Michael L. Fink, Bill Westenhofer, Ben Morris, and Trevor Wood – The Golden Compass (2007)
* Eric Barba, Steve Preeg, Burt Dalton, and Craig Barron – The Curious Case of Benjamin Button (2008)
* Joe Letteri, Stephen Rosenbaum, Richard Baneham, and Andrew R. Jones – Avatar (2009)
* Paul Franklin, Chris Corbould, Andrew Lockley, and Peter Bebb – Inception (2010)
* Robert Legato, Joss Williams, Ben Grossmann, and Alex Henning – Hugo (2011)
* Bill Westenhofer, Guillaume Rocheron, Erik-Jan de Boer, and Donald R. Elliott – Life of Pi (2012)
* Tim Webber, Chris Lawrence, Dave Shirk, and Neil Corbould – Gravity (2013)
* Paul Franklin, Andrew Lockley, Ian Hunter, and Scott R. Fisher – Interstellar (2014)
* Mark Ardington, Sara Bennett, Paul Norris, and Andrew Whitehurst – Ex Machina (2015)
* Robert Legato, Adam Valdez, Andrew R. Jones, and Dan Lemmon – The Jungle Book (2016)
* John Nelson, Gerd Nefzer, Paul Lambert, and Richard R. Hoover – Blade Runner 2049 (2017)
* Paul Lambert, Ian Hunter, Tristan Myles, and J. D. Schwalm – First Man (2018)
* Guillaume Rocheron, Greg Butler, and Dominic Tuohy – 1917 (2019)
* Andrew Jackson, David Lee, Andrew Lockley, and Scott R. Fisher – Tenet (2020)

2021–present|

* Paul Lambert, Tristan Myles, Brian Connor, and Gerd Nefzer – Dune (2021)
* Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett – Avatar: The Way of Water (2022)
* Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi, and Tatsuji Nojima – Godzilla Minus One (2023)
* Paul Lambert, Stephen James, Rhys Salcombe, and Gerd Nefzer – Dune: Part Two (2024)

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BAFTA Award for Best Special Visual Effects

1982–2000|

* Richard Edlund – Poltergeist (1982)
* Richard Edlund, Dennis Muren, Ken Ralston, and Kit West – Return of the Jedi (1983)
* Dennis Muren, George Gibbs, Michael J. McAlister, and Lorne Peterson – Indiana Jones and the Temple of Doom (1984)
* George Gibbs and Richard Conway – Brazil (1985)
* Robert Skotak, Brian Johnson, Suzanne M. Benson, John Richardson, and Stan Winston – Aliens (1986)
* Michael Lantieri, Michael Owens, Edward Jones, and Bruce Walters – The Witches of Eastwick (1987)
* George Gibbs, Richard Williams, Ken Ralston, and Edward Jones – Who Framed Roger Rabbit (1988)
* Ken Ralston, Michael Lantieri, John Bell, and Steve Gawley – Back to the Future Part II (1989)
* The production team of Honey, I Shrunk the Kids (1990)
* Stan Winston, Dennis Muren, Gene Warren Jr., and Robert Skotak – Terminator 2: Judgment Day (1991)
* Michael Lantieri, Ken Ralston, Alec Gillis, Tom Woodruff Jr., Doug Chiang, and Douglas Smythe – Death Becomes Her (1992)
* Dennis Muren, Stan Winston, Phil Tippett, and Michael Lantieri – Jurassic Park (1993)
* Ken Ralston, George Murphy, Stephen Rosenbaum, Doug Chiang, and Allen Hall – Forrest Gump (1994)
* Robert Legato, Michael Kanfer, Matt Sweeney, and Leslie Ekker – Apollo 13 (1995)
* Stefen Fangmeier, John Frazier, Henry LaBounta, and Habib Zargarpour – Twister (1996)
* Mark Stetson, Karen Goulekas, Nick Allder, Neil Corbould, and Nick Dudman – The Fifth Element (1997)
* Stefen Fangmeier, Roger Guyett, and Neil Corbould – Saving Private Ryan (1998)
* John Gaeta, Steve Courtley, Janek Sirrs, and Jon Thum – The Matrix (1999)
* Stefen Fangmeier, John Frazier, Walt Conti, Habib Zargarpour, and Tim Alexander – The Perfect Storm (2000)

2001–2020|

* Jim Rygiel, Richard Taylor, Alex Funke, Randall William Cook, and Mark Stetson – The Lord of the Rings: The Fellowship of the Ring (2001)
* Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke – The Lord of the Rings: The Two Towers (2002)
* Joe Letteri, Jim Rygiel, Randall William Cook, and Alex Funke – The Lord of the Rings: The Return of the King (2003)
* Karen Goulekas, Neil Corbould, Greg Strause, and Remo Balcells – The Day After Tomorrow (2004)
* Joe Letteri, Christian Rivers, Brian Van't Hul, and Richard Taylor – King Kong (2005)
* John Knoll, Hal Hickel, Charles Gibson, and Allen Hall – Pirates of the Caribbean: Dead Man's Chest (2006)
* Michael L. Fink, Bill Westenhofer, Ben Morris, and Trevor Wood – The Golden Compass (2007)
* Eric Barba, Craig Barron, Nathan McGuinness, and Edson Williams – The Curious Case of Benjamin Button (2008)
* Joe Letteri, Stephen Rosenbaum, Richard Baneham, and Andrew R. Jones – Avatar (2009)
* Chris Corbould, Paul Franklin, Andrew Lockley, and Peter Bebb – Inception (2010)
* Tim Burke, John Richardson, Greg Butler, and David Vickery – Harry Potter and the Deathly Hallows – Part 2 (2011)
* Bill Westenhofer, Guillaume Rocheron, and Erik-Jan de Boer – Life of Pi (2012)
* Tim Webber, Chris Lawrence, Dave Shirk, Neil Corbould, and Nikki Penny – Gravity (2013)
* Paul Franklin, Scott R. Fisher, Andrew Lockley, and Ian Hunter – Interstellar (2014)
* Chris Corbould, Roger Guyett, Paul Kavanagh, and Neal Scanlan \- Star Wars: The Force Awakens (2015)
* Robert Legato, Dan Lemmon, Andrew R. Jones, and Adam Valdez – The Jungle Book (2016)
* Richard R. Hoover, Paul Lambert, Gerd Nefzer, and John Nelson – Blade Runner 2049 (2017)
* Geoffrey Baumann, Jesse James Chisholm, Craig Hammack, and Dan Sudick – Black Panther (2018)
* Greg Butler, Guillaume Rocheron, and Dominic Tuohy – 1917 (2019)
* Scott R. Fisher, Andrew Jackson, and Andrew Lockley – Tenet (2020)

2021–present|

* Brian Connor, Paul Lambert, Tristan Myles, and Gerd Nefzer – Dune (2021)
* Richard Baneham, Daniel Barrett, Joe Letteri, and Eric Saindon – Avatar: The Way of Water (2022)
* Simon Hughes – Poor Things (2023)
* Paul Lambert, Stephen James, Gerd Nefzer, and Rhys Salcombe – Dune: Part Two (2024)

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Saturn Award for Best Fantasy Film

* The Golden Voyage of Sinbad (1973)
* Doc Savage: The Man of Bronze (1974/75)
* The Holes (1976)
* Oh, God! (1977)
* Heaven Can Wait (1978)
* The Muppet Movie (1979)
* Somewhere in Time (1980)
* Raiders of the Lost Ark (1981)
* The Dark Crystal (1982)
* Something Wicked This Way Comes (1983)
* Ghostbusters (1984)
* Ladyhawke (1985)
* The Boy Who Could Fly (1986)
* The Princess Bride (1987)
* Who Framed Roger Rabbit (1988)
* Ghost (1989/90)
* Edward Scissorhands (1991)
* Aladdin (1992)
* The Nightmare Before Christmas (1993)
* Forrest Gump (1994)
* Babe (1995)
* Dragonheart (1996)
* Austin Powers: International Man of Mystery (1997)
* The Truman Show (1998)
* Being John Malkovich (1999)
* Frequency (2000)
* The Lord of the Rings: The Fellowship of the Ring (2001)
* The Lord of the Rings: The Two Towers (2002)
* The Lord of the Rings: The Return of the King (2003)
* Spider-Man 2 (2004)
* Batman Begins (2005)
* Superman Returns (2006)
* Enchanted (2007)
* The Curious Case of Benjamin Button (2008)
* Watchmen (2009)
* Alice in Wonderland (2010)
* Harry Potter and the Deathly Hallows – Part 2 (2011)
* Life of Pi (2012)
* Her (2013)
* The Hobbit: The Battle of the Five Armies (2014)
* Cinderella (2015)
* The Jungle Book (2016)
* The Shape of Water (2017)
* Toy Story 4 (2018/19)
* Once Upon a Time in Hollywood (2019/20)
* Everything Everywhere All at Once (2021/22)
* Indiana Jones and the Dial of Destiny (2022/23)
* Beetlejuice Beetlejuice (2023/24)

Authority control databases: National |

* United States

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