The Kid from Spain

1932 film

The Kid From Spain

Theatrical poster

Directed by| Leo McCarey
Written by|

* William Anthony McGuire
* Bert Kalmar
* Harry Ruby

Produced by| Samuel Goldwyn
Starring| Eddie Cantor
Cinematography| Gregg Toland
Edited by| Stuart Heisler
Music by| Harry Ruby
with lyrics by Bert Kalmar

Production
company

Samuel Goldwyn Productions

Distributed by| United Artists

Release date

* November 17, 1932 (1932-11-17) (New York City[1])

Running time

| 96 minutes
Country| United States
Language| English
Box office| $2,621,000[2][3]
1932 advert from The Film Daily

The Kid from Spain is a 1932 American pre-Code black-and-white musical comedy film directed by Leo McCarey. Harry Ruby and Bert Kalmar composed the songs, and Busby Berkeley is credited with creating and directing the film's musical scenes.[4][5] It was Jane Wyman's film debut.

## Plot

[edit]

Eddie (Eddie Cantor), recently expelled from college, is mistaken for the gangster getaway driver in a heist. He flees to Mexico, pursued relentlessly by a detective. There he masquerades as a matador and performs in bullfights.[6][7]

## Cast

[edit]

* Eddie Cantor as Eddie Williams
* Lyda Roberti as Rosalie
* Robert Young as Ricardo
* Ruth Hall as Anita Gomez
* John Miljan as Pancho
* Noah Beery, Sr. as Alonzo Gomez
* J. Carrol Naish as Pedro
* Robert Emmett O'Connor as Detective Crawford
* Stanley Fields as Jose
* Paul Porcasi as Gonzales
* Sidney Franklin as himself – American Matador

Also appearing in uncredited roles are Harry C. Bradley, Teresa Maxwell-Conover, Eduardo de Castro, Harry Gribbon, Paul Panzer, Julian Rivero, Walter Walker, Leo Willis, Tammany Young, and the stock company of the Goldwyn Girls, consisting at that time of Betty Grable, Beatrice Hagen, Paulette Goddard, Toby Wing, Jane Wyman, Althea Henley, Dorothy Coonan Wellman, Shirley Chambers, and Lynn Browning.[8]

## Production

[edit]

A high-production feature, The Kid From Spain was provided a million-dollar budget by producer Samuel Goldwyn and engaged some of the finest artistic and technical talent available in Hollywood during the early 1930s. Eddie Cantor was ranked among the top box office stars in the US in 1933: in overseas popularity he out-performed Greta Garbo and Marlene Dietrich.[9][10] Choreography was provided by Busby Berkeley, and cameraman Gregg Toland, who would film Citizen Kane (1941) was cinematographer.

Goldwyn, a notoriously "autocratic" producer, attempted to suppress any revisions to the story or script, treating director McCarey "brusquely" during filming.[11] Cantor, in his 1957 autobiography Take My Life, recalled how he and McCarey circumvented Goldwyn: "One afternoon we got to a scene that didn't play funny." Feigning illness, Cantor left the studio and absconded for the weekend to McCarey's beach house in Santa Barbara. There he and the director overhauled the scene. Cantor continues: "Monday we shot one of the best scenes of the picture. Goldwyn, seeing the  rushes, was amused and baffled. He couldn't figure out where the scene had come from."[12]

## Promotion

[edit]

The publicity for The Kid from Spain was provided in part by Eddie Cantor, who plugged the upcoming film on The Fleischmann's Yeast Hour, as well as on his vaudeville tour in late 1932 that complimented the release of the film in November.[13]

The film also enjoyed the serendipitous release of author Ernest Hemingway's best seller Death in the Afternoon (1932), a tribute to bullfighting traditions in Spain. The famous Brooklyn-born matador Sidney Franklin is highlighted in Hemingway's book, and makes his appearance in The Kid from Spain, in which he demonstrates his talents as a bullfighter. These scenes were filmed at a ring specially built at United Artists studios and attended by screen stars Charlie Chaplin, Douglas Fairbanks Sr. and Mary Pickford.[14]

## Reception

[edit]

The Kid from Spain enjoyed widespread approval among critics, as well as box office success.[15] Critic Thorton Delehanty in The New York Post wrote "Eddie Cantor contributes some excruciatingly funny moments" and The Hollywood Reporter declared that "Leo McCarey's directions should land this fellow right on his feet in front of the ranks of the present-day hit directors."[16]

## Box Office controversy

[edit]

The Kid From Spain was profitable in general release even as the US was descending into the Great Depression.[17] Criticism arose when producer Sam Goldwyn introduced the film in "road shows" at select cities for a quick initial profit. At a time when the average admission price to a movie house was less than 25 cents, tickets to these advance screenings were two dollars [$2]. Film historian Wes D. Gehring notes that "neither McCarey nor Cantor was pleased with this less than egalitarian pricing."[18] Variety magazine, in response, published a review of the film that included the following remark from Eddie Cantor regarding the $2 tickets: "A guy making a small salary must give up 10% of his [weekly] income to see me in a picture. That's too tough nowadays."[19]

## Retrospective appraisal

[edit]

Film critic Wes D. Gehring, describing The Kid From Spain as "a challenging and crazy comedy" for director Leo McCarey, comments on vaudevillian Eddie Cantor's burlesque-influenced contribution to the film:

> Even today, with those expressive rolling eyes or his signature comic song shtick of skipping gait and clapping hands, the Cantor energy level still makes Spain a very entertaining picture.[20]

Gehring adds that The Kid From Spain is "overdue for rediscovery".[21]

## Footnotes

[edit]

1. ^ Holston, Kim R. (2013). Movie Roadshows: A History and Filmography of Reserved-Seat Limited Showings, 1911–1973. Jefferson, North Carolina: McFarland & Company, Inc. pp. 74–75\. ISBN 978-0-7864-6062-5.
2. ^ "Which Cinema Films Have Earned the Most Money Since 1914?". The Argus. Melbourne. March 4, 1944. p. 3 Supplement: The Argus Weekend magazine. Retrieved August 6, 2012 - via National Library of Australia.
3. ^ Quigley Publishing Company "The All Time Best Sellers", International Motion Picture Almanac 1937–38 (1938), p. 942; accessed April 19, 2014.
4. ^ "The Kid from Spain". imdb.com. Retrieved July 23, 2015.
5. ^ Hooper and Poague, 1980 p. 305-306: Filmography
6. ^ Hooper and Poague, 1980 in Leo McCarey Filmography section, p. 305-306: Plot sketch
7. ^ Gehring, 2005 p. 86: Plot sketch: "...storyline is rather thin..."
8. ^ Gehring, 2005 p. 86: See here for "Goldwyn Girls"
9. ^ Gehring, 2002 p. 86
10. ^ Thomson, 2003 p. 132: regarding Garbo, Dietrich
11. ^ Gehring, 2002 p. 85: "believed in Hollywood caste system..." And p. 89: "...autocratic..." And p. 157: "...treated him [McCarey] so brusquely..."
12. ^ Gehring, 2005 p. 85: see here for quote. And see footnote no. 2 in Notes p. 98, Cantor memoir p. 158.
13. ^ Gehring, 2005 p. 86-87, p. 253: Filmography
14. ^ Gehring, 2005 p. 86-87, p. 89: "...Sidney Franklin's serious clinic on bullfighting..." And "screen stars" who were in attendance.
15. ^ Gehring, 2005 p. 86-87: Critics "almost unanimous" in their approval and a "commercial success."
16. ^ Gehring, 2005 p. 87: For New York Post date, see Footnote no. 5 p. 98, For Hollywood Reporter date, see footnote no. 6, p. 98
17. ^ Gehring, 2005 p. 133: "...made a profit, due to the drawing power of Eddie Cantor..."
18. ^ Gehring, 2005 p. 89: See here for prices reported by Gehring.
19. ^ Gehring, 2005 p. 89
20. ^ Gehring, 2005 p. 85: "...a challenging and crazy comedy..." And p. 87 for blockquote material.
21. ^ Gehring, 2005 p. 101

## Sources

[edit]

* Gehring, Wes D. 2005. Leo McCarey: From Marx to McCarthy. The Scarecrow Press. Lantham, Maryland, Toronto, Oxford. ISBN 0-8108-5263-2
* Hooper, Gary and Poague, Leland. 1980. Leo McCarey Filmography in The Hollywood Professionals: Wilder and McCarey, Volume 7. The Tanvity Press, A. S. Barnes and Company, Inc., San Diego, California. pp. 295-314 ISBN 0498-02181-5
* Thomson, David. 2003. The New Biographical Dictionary of Film. Alfred A. Knopf, New York. ISBN 978-0307271747

## External links

[edit]

Wikimedia Commons has media related to The Kid from Spain.

* The Kid from Spain at IMDb
* Onion A/V Club review

* v
* t
* e

Busby Berkeley

Broadway plays
choreographed|

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Films directed|

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* In Caliente (musical numbers, 1935)
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* Varsity Show (finale, 1937)
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* Garden of the Moon (1938)
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* They Made Me a Criminal (1939)
* Fast and Furious (1939)
* Babes in Arms (1939)
* The Wizard of Oz (scenes cut, 1939)
* Forty Little Mothers (1940)
* Strike Up The Band (1940)
* Blonde Inspiration (1941)
* Lady Be Good (musical numbers, 1941)
* Ziegfeld Girl (musical numbers, 1941)
* Babes on Broadway (1941)
* For Me and My Gal (1942)
* Born to Sing (finale, 1942)
* Cabin in the Sky ("Shine" sequence, 1943)
* The Gang's All Here (1943)
* Girl Crazy ("I Got Rhythm" sequence, 1943)
* Cinderella Jones (1946)
* Take Me Out to the Ball Game (1949)
* Annie Get Your Gun (scenes cut, 1950)

Films
choreographed
only|

* Whoopee! (1930)
* Kiki (1931)
* Palmy Days (1931)
* Flying High (1931)
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* Bird of Paradise (1932)
* The Kid From Spain (1932)
* Gold Diggers of 1933 (1933)
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* Wonder Bar (1934)
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* Call Me Mister (1951)
* Million Dollar Mermaid (1952)
* Small Town Girl (1953)
* Rose Marie (1954)
* Billy Rose's Jumbo (1962)

* v
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* e

Films produced by Samuel Goldwyn

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* A Thief in Paradise (1925)
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* The Night of Love (1927)
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* Two Lovers (1928)
* The Awakening (1928)
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* The Devil to Pay! (1930)
* One Heavenly Night (1931)
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* Palmy Days (1931)
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* Arrowsmith (1931)
* Tonight or Never (1931)
* The Greeks Had a Word for Them (1932)
* The Kid from Spain (1932)
* Cynara (1932)
* The Masquerader (1933)
* Roman Scandals (1933)
* We Live Again (1934)
* Nana (1934)
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* The Dark Angel (1935)
* The Wedding Night (1935)
* Barbary Coast (1935)
* Splendor (1935)
* These Three (1936)
* Dodsworth (1936)
* Come and Get It (1936)
* Strike Me Pink (1936)
* Beloved Enemy (1936)
* Woman Chases Man (1937)
* Stella Dallas (1937)
* Dead End (1937)
* The Hurricane (1937)
* The Adventures of Marco Polo (1938)
* The Cowboy and the Lady (1938)
* The Goldwyn Follies (1938)
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* The Real Glory (1939)
* The Westerner (1940)
* The Little Foxes (1941)
* Ball of Fire (1941)
* The Pride of the Yankees (1942)
* They Got Me Covered (1943)
* The North Star (1943)
* Up in Arms (1944)
* The Princess and the Pirate (1944)
* Wonder Man (1945)
* The Kid From Brooklyn (1946)
* The Best Years of Our Lives (1946)
* The Bishop's Wife (1947)
* The Secret Life of Walter Mitty (1947)
* A Song Is Born (1948)
* Enchantment (1948)
* Roseanna McCoy (1949)
* My Foolish Heart (1949)
* Our Very Own (1950)
* Edge of Doom (1950)
* I Want You (1951)
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* Guys and Dolls (1955)
* Porgy and Bess (1959)

* v
* t
* e

Films directed by Leo McCarey

* Society Secrets (1921)
* All Wet (1924)
* Isn't Life Terrible? (1925)
* Long Fliv the King (1926)
* Mighty Like a Moose (1926)
* The Finishing Touch (1928)
* We Faw Down (1928)
* Liberty (1929)
* Wrong Again (1929)
* The Sophomore (1929)
* Red Hot Rhythm (1929)
* Wild Company (1930)
* Let's Go Native (1930)
* Part Time Wife (1930)
* Indiscreet (1931)
* The Kid from Spain (1932)
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* Belle of the Nineties (1934)
* Ruggles of Red Gap (1935)
* The Milky Way (1936)
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* The Awful Truth (1937)
* Love Affair (1939)
* Once Upon a Honeymoon (1942)
* Going My Way (1944)
* The Bells of St. Mary's (1945)
* Good Sam (1948)
* My Son John (1952)
* An Affair to Remember (1957)
* Rally Round the Flag, Boys! (1958)
* Satan Never Sleeps (1962)

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