The Land of Cockaigne (Bruegel)

Painting by Pieter Bruegel the Elder

The Land of Cockaigne

Dutch: Luilekkerland, German: Schlaraffenland
Artist| Pieter Bruegel the Elder
Year| 1567
Medium| Oil on panel
Dimensions| 52 cm × 78 cm (20+1⁄2 in × 31 in)
Location| Alte Pinakothek, Munich

Het Luilekkerland (Dutch, "Cockaigne", literally "The Lazy-Tasty Land"[1]) — known in English as The Land of Cockaigne — is a 1567 oil painting by Pieter Bruegel the Elder (c. 1525–1569). In medieval times, Cockaigne was a mythical land of plenty, but Bruegel's depiction of Cockaigne and its residents is not meant to be a flattering one. He chooses rather a comic illustration of the spiritual emptiness believed to derive from gluttony and sloth, two of the seven deadly sins.[2]

## Description

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In the painting, a clerk, a peasant, and a soldier lie dozing on the ground underneath a table bound to a tree. The clerk's book, papers, ink and pen lie idle, as do the peasant's flail and the soldier's lance and gauntlet. A half-eaten egg in its shell runs between the peasant and the clerk. The table attached to the tree is laden with partly consumed food and drink. Behind the tree, a roasted fowl lays itself upon a silver platter, implying that it is ready to be eaten, and a roasted pig runs about with a carving knife already slipped under its skin. On the left, a knight emerges from a lean-to whose roof is covered in dishes of pie and pastry, with an open mouth, waiting for a roasted pigeon to fly in (the pigeon was accidentally removed during restoration work). On the right and behind the main action, a man clutching a spoon forces his way out of a large cloud of pudding, having eaten his way through it; he reaches for the bent branch of a tree in order to lower himself into Cockaigne. The fence enclosing the main scene behind the dozing trio is made of interwoven sausages. A partly eaten wheel of cheese and a bush (or tower) of loaves of bread are on the left and right of the scene, respectively.

## Interpretation

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The arrangement of the clerk, peasant, and soldier underneath the tree suggests the men as the spokes of a wheel, where the tree is the hub. The roasted fowl lies in the place where a fourth spoke could be.

Ross Frank has argued that the painting is a political satire directed at the participants in the first stages of the Dutch Revolt (1568–1648), where the roasted fowl represents the humiliation and failure of the nobleman (who would otherwise form the fourth spoke of the wheel) in his leadership of the Netherlands, and the overall scene depicts the complacency of the Netherlandish people, too content with their abundance to take the risks that would bring about significant religious and political change.[3]

The painting has also been cited as illustrating the Freudian oral stage of psychosexual development,[4] showing a paradise of oral pleasure. It is used to demonstrate how human beings achieve oral pleasure and stimulation from eating and simply having things in the mouth.

## See also

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* List of paintings by Pieter Bruegel the Elder

## References

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1. ^ Rucker, Rudy. (2002). The Life of Bruegel: Notes, p. 53. Accessed January 12, 2010.
2. ^ Martin, Elaine. (1998). "The Land of Cockaigne", in Representations of Food and Eating in the Works of Bruegel the Elder. Accessed January 12, 2010.
3. ^ Frank, Ross H. (1991). "An Interpretation of Land of Cockaigne (1567) by Pieter Breugel the Elder". The Sixteenth Century Journal. Vol. 22, No. 2 (Summer, 1991), pp. 299–329. Accessed January 12, 2010.
4. ^ Richard Appignanesi, 1979, Introducing Freud, ISBN 978-1-84046-851-9, p. 78.

## Further reading

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* Orenstein, Nadine M., ed. (2001). Pieter Bruegel the Elder: Drawings and Prints. The Metropolitan Museum of Art. ISBN 9780870999901. (fig. 107)

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Pieter Bruegel the Elder

Paintings|

* List of paintings
* Parable of the Sower (1557)
* Naval Battle in the Gulf of Naples (1558–1562)
* The Fight Between Carnival and Lent (1559)
* Netherlandish Proverbs (1559)
* Children's Games (1560)
* Landscape with the Fall of Icarus
* The Triumph of Death (c. 1562)
* The Fall of the Rebel Angels (1562)
* The Suicide of Saul (1562)
* Two Monkeys (1562)
* Dull Gret (1563)
* Adoration of the Magi in a Winter Landscape (1563)
* The Tower of Babel (1563)
* Landscape with the Flight into Egypt (1563)
* Adoration of the Magi in a Winter Landscape (1563 or 1567)
* Adoration of the Kings (1564)
* The Death of the Virgin (1564)
* The Procession to Calvary (1564)
* Christ and the Woman Taken in Adultery (1565)
* The Gloomy Day (1565)
* The Harvesters (1565)
* The Hay Harvest (1565)
* The Return of the Herd (1565)
* The Wine of Saint Martin's Day (c. 1565–1568)
* The Hunters in the Snow (1565)
* Winter Landscape with Ice skaters and Bird trap (1565)
* Massacre of the Innocents (c. 1565–1567)
* The Census at Bethlehem (1566)
* The Sermon of Saint John the Baptist (1566)
* The Wedding Dance (1566)
* Conversion of Paul (1567)
* The Land of Cockaigne (1567)
* The Peasant Wedding (1567)
* The Peasant Dance (c. 1567)
* The Beggars (1568)
* The Peasant and the Nest Robber (1568)
* The Blind Leading the Blind (1568)
* The Magpie on the Gallows (1568)
* The Misanthrope (1568)
* The Storm at Sea (c. 1569)

Drawings|

* The Painter and The Buyer (1565)

Related|

* Pieter Brueghel the Younger (son)
* Jan Brueghel the Elder (son)
* Jan Brueghel the Younger (grandson)
* Breugel, Netherlands
* Son en Breugel
* The Mill and the Cross (2011 film)
* Bruegel (crater)
* 9664 Brueghel
* Bruegel (think tank)

Authority control databases

National|

* Germany

Other|

* RKD ID

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