The River (1951 film)

1951 film by Jean Renoir

The River

French film poster

Directed by| Jean Renoir
Written by| Rumer Godden
Jean Renoir
Based on| The River
by Rumer Godden
Produced by| Kenneth McEldowney
Starring| Nora Swinburne
Esmond Knight
Arthur Shields
Suprova Mukerjee
Thomas E. Breen
Patricia Walters
Radha Burnier
Adrienne Corri
Narrated by| June Hillman
Cinematography| Claude Renoir
Edited by| George Gale
Music by| M. A. Partha Sarathy

Production
company

Oriental International Films

Distributed by| United Artists

Release date

* 10 September 1951 (1951-09-10)

Running time

| 99 minutes
Countries| France
India
USA
Languages| English
Bengali
Box office| $1 million (US rentals)[1]

The River (French: Le Fleuve) is a 1951 Technicolor drama romance film directed by Jean Renoir and produced by Kenneth McEldowney. The cast includes Esmond Knight, Nora Swinburne and Arthur Shields. A fairly faithful dramatization of the 1946 novel of the same name by Rumer Godden, the film's narrative follows a teenage girl's coming of age and first love, with the namesake river serving as both the backdrop and a central metaphor. The film was shot in Calcutta, India, where Indian filmmaker Satyajit Ray, who was then only a student of cinema, was able to meet Renoir for guidance.[2]

## Plot

[edit]

Harriet is an upper-middle class English teenage girl who lives with her family on the banks of the Ganges River in British India.[a] Her father runs a jute mill, and she has four sisters and one brother, all of whom are at least several years younger than her. The children are raised in a genteel, English environment, and even have the benefit of live-in Indian employees, such as "Nan", their nanny.

The normal order of Harriet's life is shaken when her kindly Irish neighbor, Mr. John, invites his younger American cousin, Captain John, to come for a visit. When he arrives, the children discover Captain John has a prosthetic leg, having lost a leg in a war. Harriet, her sisters, and Harriet's somewhat-older friend, Valerie, are all immediately intrigued by, and then smitten with, Captain John, and therefore invite him to their Diwali celebration. Eventually, Harriet gains the courage to show him her "secret book"—her diary. He politely acquiesces, but is then impressed by her poetry.

Later, eager to impress Captain John with her familiarity with the Hindu religion, or perhaps to divert his attention from Valerie, Harriet tells him a marriage story she has written, in which the mundane identities of ordinary peasants are subject to divine change and transformation. In the tale, Lord Krishna intervenes in a wedding ceremony to assume the identity of the groom, and a bride is temporarily transformed into Lady Radha, Krishna's consort, who does an extended dance. After Harriet's story, Valerie steals the diary and reads lovelorn passages of it aloud in front of Captain John, greatly embarrassing Harriet.

Another of Harriet's friends is Melanie, the twenty-ish, biracial daughter from Mr. John's marriage to a now-deceased Indian woman. She also seems to be interested in Captain John, but pursues him less obviously than do Harriet or Valerie. Captain John and Melanie bond over discussing their experiences struggling with wartime injury and being biracial, respectively.

Bogey, Harriet's young brother, develops an obsession with cobras after watching a snake charmer in the market. Harriet sees him playing a flute to a cobra in their garden one day and commands him to inform their parents of the dangerous snake's presence, but she does not tell them herself because she is delivering some flowers to Captain John. She sees Melanie leave Mr. John's house, followed by Captain John, and follows them. Melanie loses Captain John in the woods, but then Valerie, who has been following Harriet, goes over to him, and they end up sharing a passionate kiss, witnessed from afar by Harriet and Melanie. Bogey's body is found soon after, bitten by the cobra.

Overcome with jealousy and wracked with guilt over Bogey's death, Harriet loses the will to live. She runs away from home the night after the funeral and attempts to commit suicide by taking an unattended boat out into the middle of the river and stepping overboard, but Bogey's friend Kanu alerts some local fishermen, who rescue her from the water. Once back ashore, Harriet refuses to return to her family, but Kanu gets Captain John, and he is able to ease her mind. He kisses her on the forehead, and she allows him to take her home.

In the spring, Harriet's mother gives birth to another baby girl. While they wait until they can go inside and meet her, Harriet, Valerie, and Melanie look at the river and take a moment to reflect on the cycles of life and death that take place on its banks.

## Cast

[edit]

* Nora Swinburne as The Mother
* Esmond Knight as The Father
* Arthur Shields as Mr. John, a neighbor
* Suprova Mukerjee as "Nan", the children's nanny
* Thomas E. Breen as Capt. John, Mr. John's younger cousin
* Patricia Walters as Harriet
* June Tripp (credited as June Hillman) as the narrator, who is Harriet as an adult
* Radha Burnier as Melanie, Mr. John's half-Indian daughter
* Adrienne Corri as Valerie, the daughter of the owner of the jute press

Uncredited

* Richard R. Foster as Bogey
* Penelope Wilkinson as Elizabeth
* Jane Harris as Muffie
* Jennifer Harris as Mouse
* Cecilia Wood as Victoria
* Sajjan Singh as Ram Singh, the gateman
* Nimai Barik as Kanu, Bogey's friend
* Trilak Jetley as Anil, Mr. John's friend and Melanie's suitor

## Production

[edit]

As the film was shot in Technicolor, so the footage could not be reviewed in color until it came back from the lab five months later, things had to be done right the first time.

Renoir made use of nonprofessional actors in key roles, including those of Hariet and Captain John. Thomas E. Breen was a veteran of the United States Marine Corps who was injured during fighting on Guam in 1944, resulting in the amputation of his right leg. Renoir selected him to play the role of Captain John without knowing he was the son of Joseph Breen, head of the Motion Picture Producers and Distributors of America, who was the chief censor of films in the U.S.[3]

The future Indian filmmaker Satyajit Ray, who was then working in advertising, met Renoir while The River was in production, and the two men became close.[4] Ray met Subrata Mitra, a production assistant on this film and later the cinematographer for several of Ray's films, during filming. The film's assistant director was Harisadhan Dasgupta, and the assistant art director was Bangshi Chandra Gupta.

## Awards, responses and preservation

[edit]

At the 12th Venice International Film Festival, The River won the International Award.[5] The National Board of Review in the United States selected it as one of the five Top Foreign Films of 1951.[6]

Roger Ebert added the film to his "Great Movies" list in 2006.[7]

The Academy Film Archive, in conjunction with the British Film Institute, preserved the film in 2004.[8]

## Influence

[edit]

At the 2007 New York Film Festival, director Wes Anderson, a great fan of Jean Renoir, discussed Martin Scorsese showing him a print of The River, which is one of Scorsese's favourite films.[9] Anderson credited the film, in addition to the films of Satyajit Ray and Louis Malle's documentaries about India, with inspiring him to make a film in India, resulting in The Darjeeling Limited (2007).[10]

## Notes

[edit]

1. ^ The time setting is not specified. The Raj had ended by the time of the film's release, but the book was written in 1946. Harriet's character narrates the action as an older woman looking back on her earlier experiences.

## References

[edit]

1. ^ 'Top Box-Office Hits of 1952', Variety, January 7, 1953
2. ^ "Nuit Satyajit Ray – série de podcasts à écouter – France Culture".
3. ^ Doherty, Thomas (2009). Hollywood's censor : Joseph I. Breen and the Production Code Administration. New York: Columbia University Press. pp. 170, 282. ISBN 978-0231143592.
4. ^ Bert Cardullo (ed.) 22 Satyajit Ray: Interviews, University of Mississippi Press, 2007, p.64-65
5. ^ Faulkner, Christopher (1979). Jean Renoir, a guide to references and resources. Boston, Mass: G.K. Hall & Company. p. 31.
6. ^ [1] Archived May 26, 2013, at the Wayback Machine
7. ^ Roger Ebert. The River (Le Fleuve) February 12, 2006
8. ^ "Preserved Projects". Academy Film Archive.
9. ^ "Scorsese's 12 favorite films". Miramax.com. Archived from the original on 26 December 2013. Retrieved 25 December 2013.
10. ^ "Wes Anderson & Adrien Brody: Darjeeling Limited inspirations". YouTube. 2007-09-29. Archived from the original on 2021-12-21. Retrieved 2013-03-21.

## External links

[edit]

* The River at IMDb
* The River at AllMovie
* The River at Rotten Tomatoes
* The River: A New Authenticity an essay by Ian Christie at the Criterion Collection
* The River in Cine y Revolución (in Spanish)

* v
* t
* e

Jean Renoir

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* The Whirlpool of Fate (1925)
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* Swamp Water (1941)
* This Land Is Mine (1943)
* The Southerner (1945)
* The Diary of a Chambermaid (1946)
* "Partie de campagne" (1946)
* The Woman on the Beach (1947)
* The River (1951)
* The Golden Coach (1952)
* French Cancan (1955)
* Elena and Her Men (1956)
* The Doctor's Horrible Experiment (1959)
* Picnic on the Grass (1959)
* The Elusive Corporal (1962)
* The Little Theatre of Jean Renoir (1970)

Related|

* Bibliography
* Louis Lumière / conversation avec Langlois et Renoir
* Catherine Hessling (wife)
* Alain Renoir (son)
* Pierre-Auguste Renoir (father)
* Aline Charigot Renoir (mother)
* Pierre Renoir (brother)
* Gabrielle Renard
* Marguerite Renoir

Authority control databases: National |

* United States

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