The Social Network (soundtrack)

2010 film score by Trent Reznor and Atticus Ross

The Social Network

Film score by

Trent Reznor and Atticus Ross

Released| September 28, 2010
Recorded| 2010 in Los Angeles, California
Genre|

* Electronic
* dark ambient
* electro-industrial
* chiptune
* experimental

Length| 66:07
Label| Null
Producer|

* Trent Reznor
* Atticus Ross

Trent Reznor and Atticus Ross chronology
|  | The Social Network
(2010)  | The Girl with the Dragon Tattoo
(2011)

|
|

The Social Network is the score album for David Fincher's 2010 film of the same name, composed by Trent Reznor and Atticus Ross. It was released on September 28, 2010, through The Null Corporation.[1] On September 17, a five-track sampler was also made available for free.[2] The score bears a similar sound to the previous Reznor/Ross 2008 collaboration, Ghosts I–IV, and even features two slightly reworked tracks from Ghosts; the track "Magnetic" (reworked from "14 Ghosts II") and "A Familiar Taste" (a remixed version of "35 Ghosts IV").

The soundtrack received positive reviews from critics, and widespread acclaim across the film industry. The score won nine major awards, including the 2010 Golden Globe award for Best Original Score – Motion Picture,[3] and the Academy Award for Best Original Score at the 83rd Academy Awards.[4]

## Background

[edit]

When Trent Reznor was originally asked by director David Fincher to score The Social Network, he initially declined, partly due to just finishing up a long touring and recording schedule.[5][6] After further reflection, Reznor apologized and told Fincher to keep him in consideration, to which he told Reznor that he had been waiting for him to accept.

On July 1, 2010, Reznor publicly announced that he and Ross were taking part in the soundtrack on nin.com:

> I was planning on taking some time off after the continual waves of touring that ended last fall and spend this year experimenting around with what would become How to Destroy Angels and some new NIN. Well, that plan didn't work out so well. David Fincher started inquiring about my interest in scoring his upcoming film, The Social Network. Yeah, the movie about the founding of Facebook. I've always loved David's work but quite honestly I wondered what would draw him to tell that story. When I actually read the script and realized what he was up to, I said goodbye to that free time I had planned. Atticus Ross and I have been on a creative roll so I asked him if he wanted to work on this with me and we signed on.

> Months later, I'm happy to tell you we're nearing the completion of this and I couldn't be happier with how it's turned out. The level of excellence that David operates on is inspiring and the entire process has been challenging and truly enjoyable.

> As Atticus and I near the end of the scoring process, we're looking forward to the next phase - distilling the large amount of music we've written for this down to a satisfying record (or two). The film opens Oct 1 in the US with the record likely available a couple of weeks ahead of that.

> Speaking of the film... it's really fucking good. And dark![7]

The film initially had a "John Hughes vibe", which concerned Reznor at first, but after meeting with Fincher and trying out different ideas with Atticus Ross, it turned out to work a lot more smoothly after all. Reznor recalled, "The whole process was fun for me because I liked answering to someone I respect and not having to make all the decisions for a change." Reznor and Ross would try sketches of songs, figuring they would have to revise it eventually, only for Fincher to get back to them and say, "I don't have anything bad to say – that's never happened before."[8]

The idea of recording "In the Hall of the Mountain King" came from a scene at the Henley Royal Regatta and trying to find a song that would match up with its Edwardian era garden party theme. Fincher told them to try a Wendy Carlos version of it, which Reznor admits "threw [him] for a loop" and says it took four weeks to work on.[8]

## Packaging

[edit]

The album's art was created by Nine Inch Nails' creative director Rob Sheridan, based upon the designs used to promote the film, mixed with Sheridan's style of image distortion. He explained the ideas, techniques and methods that made up the compositions that were used for the physical release:

> For The Social Network soundtrack art, my goal was to walk the line between representing the film and creating something that stood as a piece of art on its own, much as the soundtrack itself does.

> For the cover, I needed to represent the branding of the film, but neither Trent nor I wanted the photo of Jesse Eisenberg to be the cover as directly as it was in the film's poster. By blurring out the photo and placing the title text over Eisenberg's eyes, I was able to create a cover that evoked the film's branding while distancing itself from it at the same time. The style of fonts used in the film and its marketing were something Trent and I both really liked, so we preserved that for the soundtrack.

> For the internal art, Sony gave me a batch of publicity stills from the film to utilize if I wanted. By their nature none of them were particularly artistic, and I wasn't sure how useful they'd be for the artwork. Trent expressed an interest in creating a package that could stand on its own whether or not listeners had seen the film. Given that we conceded a bit on the album cover, he said "let's make the inside packaging weird."

> An early idea I had was to digitally corrupt the images we had from the film, combining a "glitch art" visual aesthetic I've always been interested in with a metaphor for digital images shared on Facebook, the corruption they're susceptible to, and the corruption portrayed in the film. This idea resonated with Trent, so I began experimenting with different ways to destroy the publicity stills Sony had sent me.

> Whereas in previous projects (especially With Teeth and Year Zero) I'd used careful manual processes to create digital glitches, this time I actually destroyed images by opening them up in a text editor and adding/removing text to their raw code.

> It was a very experimental, trial-and-error process - I tried different file types, different rendering methods (for example, damaged Photoshop files render much more interestingly in OSX's Preview than in Photoshop itself), and different types of text injected into the image files (I grabbed random paragraphs of text from around the web - ridiculous fan-fiction sites were a fun source). These images were distorted through manual editing of the image files in a text editor, not through intricate Photoshop work.

> The CD, Blu-ray, and vinyl editions of the album all utilize slightly different artwork elements.[9]

## Release

[edit]

The first track from the soundtrack, "Hand Covers Bruise (No Piano)" debuted on The Social Network's website on August 30, 2010, streaming in the background. The album was released by The Null Corporation and distributed by Sony Music.

A five-track sampler for the album was released on September 17, on The Null Corporation's homepage.

On the day of the five-track sampler's launch, Reznor posted about the release on the Null Corporation's site:

> This is what Atticus and I have been working on for the last few months. We had a great time working with David Fincher on this and the film turned out excellent - something we're very proud of. It opens in theaters Oct 1 and you should check it out.

> Musically, this all came out of our secret laboratory - electronic in basis, but mostly organic sounding. Lots of experiments and emphasis on sound fraying around the edges while focusing on the proper emotional tone for the various scenes.

> Regarding the purchase options, sorry about the "clunkiness" of not offering the full record digital download pre-sale (and having to visit Amazon). My agenda was to be able to offer this for the lowest possible price and this was the best way to achieve that. Amazon has been a great partner with past projects and I appreciate your understanding.[10]

The album was released for digital download on September 28, exclusively on Amazon MP3, and is available in three physical formats: CD, Blu-ray 5.1 surround audio and 2x12" vinyl record, released on October 11, 18 and 25 respectively. It was the first release from The Null Corporation to be marked with a Null number, being Null 01 – a direct homage to the Nine Inch Nails halo numbers catalog system. For the tenth anniversary of the release, a Dolby Atmos mix was made available.[11]

Every song in the film is on the soundtrack, with the exception of "Ball and Biscuit" by the White Stripes, "California über alles" by Dead Kennedys, "2 Ghosts I" by Nine Inch Nails, "Baby, You're a Rich Man" by The Beatles, "Like a Bad Girl Should" by The Cramps[12] and "The Sound of Violence" by Dennis De Laat.

## Promotion

[edit]

On the album's official Facebook page,[13] a five-day promotion for the movie was created on September 22, offering fans the chance to remix "On We March" and "In Motion" to win a chance to meet Ross and Reznor in Los Angeles, along with a seat at the film's première. The pair have since announced that they've planned for a remix EP to be released containing the best fan remixes, and that many more multitracks would be released for the purpose.[14] However, neither the remix EP nor the additional multitracks came to fruition.

## Reception

[edit]

### Critical reception

[edit]

Professional ratingsAggregate scores

Source| Rating
Metacritic| 76/100[15]
Review scores
Source| Rating
AllMusic| [16]
Consequence of Sound| [17]
Film Music Magazine| A−[18]
Filmtracks| [19]
Kerrang!| 4/5[20]
Lost at Sea| 8.8/10[21]
Movie Music UK| [22]
The Music Cycle| [23]
Pitchfork| 8.7/10[24]
PopMatters| [25]
Rolling Stone| [26]

Critical response to the score was generally favorable, with an average rating of 76 out of 100 based on five professional reviews on Metacritic.[15] The score debuted the following week at number one on the U.S. Billboard Soundtrack chart,[27] and was largely well received by critics. David from The Music Cycle awarded it five stars, four stars from AllMusic and Kerrang!, three-and-a-half stars from Movie Music UK, and three stars from Rolling Stone. Roger Ebert wrote positively of the score, calling it an "urgent composition that drove the film's headlong momentum".[28] Adam Spunberg of Picktainment noted "how seamlessly it corresponds with the tenor of the film. Scene for scene, this smorgasbord of tracks fully encapsulates Mark Zuckerberg's – and Aaron Sorkin's – vision"; he commended the score for its "profound simplicity atop [the] turbulent background, whilst giving inventive modernity to other settings" and for portraying "Zuckerberg the genius, developing a brilliant idea over ominous undertones".[29]

Much less enthusiastic was Christian Clemmensen, member of the International Film Music Critics Association and editor of Filmtracks, who said the score was "as redundantly insufferable as any score in recent memory, with no standout cues, no beginning, no end, no suspense, no adversity, and, most importantly, no sense of accomplishment". He awarded the score the very rare rating of FRISBEE, the lowest Filmtracks rating.[19]

### Accolades

[edit]

Date of ceremony  | Award  | Category  | Result

|
|
|

December 6, 2010  | Washington D.C. Area Film Critics Association Awards 2010 | Best Score[30] | Nominated
December 12, 2010  | Boston Society of Film Critics Awards 2010 | Best Use of Music in Film[31] | Won
December 12, 2010  | Los Angeles Film Critics Association Awards 2010 | Best Music/Score[32] | Won
December 14, 2010  | San Diego Film Critics Society Awards 2010 | Best Score[33] | Nominated
December 16, 2010  | Las Vegas Film Critics Society Awards 2010  | Best Score[34] | Won
December 18, 2010  | Houston Film Critics Society Awards 2010 | Best Original Score[35] | Nominated
December 19, 2010  | Satellite Awards 2010 | Best Original Score[36] | Nominated
December 20, 2010  | Chicago Film Critics Association Awards 2010 | Best Original Score[37] | Nominated
December 20, 2010  | St. Louis Gateway Film Critics Association Awards 2010 | Best Music (Soundtrack or Score)[38] | Won
January 6, 2011[39] | Central Ohio Film Critics Association: Awards 2010  | Best Score[40] | Nominated
January 10, 2011[41] | Alliance of Women Film Journalists Awards 2010  | Best Film Music or Score[42] | Won
January 14, 2011  | Broadcast Film Critics Association Awards 2010 | Best Score[43] | Won
January 14, 2011  | Denver Film Critics Society Awards 2010  | Best Original Score[44] | Nominated
January 16, 2011  | 68th Golden Globe Awards | Best Original Score – Motion Picture[45] | Won
February 27, 2011  | 83rd Academy Awards | Best Original Score[46] | Won

## Track listing

[edit]

### CD version

[edit]

All tracks are written by Trent Reznor and Atticus Ross, except where noted.

No.| Title| Length

|
|

1.| "Hand Covers Bruise"| 4:18
2.| "In Motion" (Accidentally received the note 'interpolation of 35 Ghosts IV', which was intended for "A Familiar Taste")| 4:56
3.| "A Familiar Taste"| 3:35
4.| "It Catches Up with You"| 1:39
5.| "Intriguing Possibilities"| 4:24
6.| "Painted Sun in Abstract"| 3:29
7.| "3:14 Every Night"| 4:03
8.| "Pieces Form the Whole"| 4:16
9.| "Carbon Prevails"| 3:53
10.| "Eventually We Find Our Way"| 4:17
11.| "Penetration"| 1:14
12.| "In the Hall of the Mountain King" (Edvard Grieg)| 2:21
13.| "On We March"| 4:14
14.| "Magnetic"| 2:10
15.| "Almost Home"| 3:33
16.| "Hand Covers Bruise, Reprise"| 1:52
17.| "Complication with Optimistic Outcome"| 3:19
18.| "The Gentle Hum of Anxiety"| 3:53
19.| "Soft Trees Break the Fall"| 4:44
Total length:| 66:10

### Vinyl version

[edit]

All tracks are written by Trent Reznor and Atticus Ross, except where noted.

Disc 1 Side ANo.| Title| Length

|
|

1.| "Hand Covers Bruise"| 4:18
2.| "In Motion" (This is mislabeled as an "interpolation of 35 Ghosts IV" – the actual track is A Familiar Taste)| 4:56
3.| "A Familiar Taste"| 3:35
4.| "It Catches Up with You"| 1:39
5.| "Intriguing Possibilities"| 4:24
Total length:| 18:52

Disc 1 Side BNo.| Title| Length

|
|

6.| "Painted Sun in Abstract"| 3:29
7.| "3:14 Every Night"| 4:03
8.| "Pieces Form the Whole"| 4:16
9.| "Carbon Prevails"| 3:53
10.| "Eventually We Find Our Way"| 4:17
Total length:| 19:58

Disc 2 Side ANo.| Title| Length

|
|

11.| "Penetration"| 1:14
12.| "In the Hall of the Mountain King" (Edvard Grieg)| 2:21
13.| "On We March"| 4:14
14.| "Magnetic"| 2:10
Total length:| 9:59

Disc 2 Side BNo.| Title| Length

|
|

15.| "Almost Home"| 3:33
16.| "Hand Covers Bruise, Reprise"| 1:52
17.| "Complication with Optimistic Outcome"| 3:19
18.| "The Gentle Hum of Anxiety"| 3:53
19.| "Soft Trees Break the Fall"| 4:44
Total length:| 17:21

### Five Track Sampler

[edit]

All tracks are written by Trent Reznor and Atticus Ross.

No.| Title| Length

|
|

1.| "Pieces Form the Whole"| 4:25
2.| "Eventually We Find Our Way"| 4:17
3.| "On We March"| 4:18
4.| "The Gentle Hum of Anxiety"| 3:51
5.| "Soft Trees Break the Fall"| 4:39
Total length:| 21:29

### Award Sampler

[edit]

A sampler released for consideration by awarding bodies gave a different track listing and many alternate titles, edits and mixes to the commercially available soundtrack, along with one track not on the previous soundtrack release.[47]

All tracks are written by Trent Reznor and Atticus Ross.

No.| Title| Length

|
|

1.| "Main Title Sequence" (Hand Covers Bruise)| 3:31
2.| "Let the Hacking Begin" (In Motion)| 3:21
3.| "Cocksucker" (It Catches Up with You)| 1:45
4.| "In Evidence" (Intriguing Possibilities)| 4:07
5.| "Does She Have a Boyfriend?" (Painted Sun in Abstract)| 2:52
6.| "Zuckerberg Stole Our Website" (3:14 Every Night)| 0:47
7.| "Family of Means" (Pieces Form the Whole)| 1:59
8.| "What Are We Doing About This?" (Hand Covers Bruise, Reprise)| 1:56
9.| "Bathroom Sex" (Eventually We Find Our Way)| 3:05
10.| "Violation of Harvard Law" (3:14 Every Night)| 0:46
11.| "Trip to N.Y." (Penetration)| 1:08
12.| "Dinner with Sean" (Magnetic)| 0:59
13.| "Bank of America" (Almost Home)| 1:20
14.| "Who's Eduardo Saverin?" (3:14 Every Night)| 0:40
15.| "Fire in My Apartment" (On We March)| 1:49
16.| "What Were the Shares Diluted Down to?" (Hand Covers Bruise)| 2:20
17.| "Something's Happened" (The Gentle Hum of Anxiety)| 2:18
18.| "Soft Trees Break the Fall"| 4:34
Total length:| 39:10

## Personnel

[edit]

Credits for The Social Network adapted from liner notes:[48]

* Trent Reznor and Atticus Ross – composition, arrangements, performance, programming, and production
* Adrian Belew – additional guitar (3, 14) {Ghosts I–IV: 35 Ghosts IV, 14 Ghosts II}
* Edvard Grieg – composition (on "In the Hall of the Mountain King")
* Blumpy – engineer
* Michael Patterson – mixing
* Rob Sheridan – design
* Tom Baker (at Precision Mastering, Hollywood, CA) – mastering

* David Fincher – executive producer
* Lia Vollack (for Columbia Pictures) – executive in charge of music
* Rebel Waltz, Inc. – Trent Reznor and Null management
* First Artists Management – Atticus Ross management

|

## Chart positions

[edit]

Chart (2010)  | Peak
position

|

US Billboard 200 | 20[27]
US Billboard Rock Albums  | 6[27]
US Billboard Top Digital Albums  | 3[27]
US Billboard Top Independent Albums | 2[27]
US Billboard Top Alternative Albums  | 3[27]
US Billboard Top Soundtracks  | 1[27]

## References

[edit]

1. ^ The Social Network: Trent Reznor and Atticus Ross: MP3 Downloads. Amazon.com. Last accessed January 22, 2011.
2. ^ Columbia Records. "the official nine inch nails website". NIN Official Site.
3. ^ "Trent Reznor Wins Big At Golden Globes For 'The Social Network'". www.newsroom.mtv.com/. Archived from the original on January 18, 2011.
4. ^ "Trent Reznor and Atticus Ross win Best Original Score Oscar". www.pitchfork.com/. February 27, 2011.
5. ^ Reznor, Trent (December 14, 2010). "Trent Reznor interview". The Tavis Smiley Show (Interview: Video/transcript). Los Angeles: KCET. Archived from the original on December 23, 2010. Retrieved January 12, 2011.
6. ^ Trent Reznor & Atticus Ross (music composers), Ren Klyce (sound re-recording mixer, supervising sound editor), with Bruce Carse (moderator) (November 7, 2010). The Sound and Music of "The Social Network" Panel (mp4) (Panel discussion). Los Angeles: Colemanfilm Media Group. Event occurs at 3'17" to 4'38". Retrieved January 16, 2011.
7. ^ Trent Reznor (2010). "nin.com news 7.1.10: The Social Network score". Retrieved January 17, 2011.
8. ^ a b Pitchfork: Interviews: Trent Reznor and David Fincher Archived July 31, 2011, at the Wayback Machine. Ryan Dombal. Pitchfork Media. September 27, 2010. Last accessed September 27, 2010.
9. ^ Rob Sheridan (2010). "The Social Network Soundtrack: Artwork by Rob Sheridan". Archived from the original on September 7, 2017. Retrieved January 17, 2011.
10. ^ Trent Reznor (2010). "The Social Network Soundtrack". Archived from the original on October 11, 2010. Retrieved January 17, 2011.
11. ^ "The Social Network Released in Dolby Atmos 3D Audio". October 2, 2020.
12. ^ "The Cramps". IMDb.
13. ^ Trent Reznor (2010). "Trent Reznor and Atticus Ross - The Social Network". Facebook. Retrieved January 17, 2011.
14. ^ Trent Reznor and Atticus Ross (2010). "The Social Network Remix Contest". Facebook. Retrieved January 17, 2011.
15. ^ a b "Critic Reviews for The Social Network [Original Score] - Metacritic". Metacritic.
16. ^ Heather Phares (October 15, 2010). "AllMusic Review". AllMusic. Retrieved March 8, 2010.
17. ^ Drew Litowitz (October 20, 2010). "Consequence of Sound Review". Consequence of Sound. Retrieved March 8, 2011.
18. ^ Daniel Schweiger (October 11, 2010). "Film Music Magazine Review". filmmusicmag.com. Archived from the original on December 28, 2019. Retrieved July 24, 2022.
19. ^ a b Christian Clemmensen (December 13, 2010). "Filmtracks: The Social Network (Trent Reznor/Atticus Ross)". filmtracks.com. Retrieved November 4, 2016.
20. ^ Metacritic (October 16, 2010). "Critic Reviews for The Social Network". Metacritic. Retrieved January 16, 2011.
21. ^ Kiran Aditham (October 25, 2010). "Review: Trent Reznor & Atticus Ross - The Social Network (Original Soundtrack)". lostatsea.net. Retrieved March 8, 2011.
22. ^ Jonathan Broxton (November 18, 2010). "The Social Network - Trent Reznor & Atticus Ross". moviemusicuk.us. Retrieved March 8, 2011.
23. ^ David (October 10, 2010). "Trent Reznor and Atticus Ross - The Social Network OST Review". themusiccycle.com. Archived from the original on November 28, 2010. Retrieved March 8, 2011.
24. ^ Greene, Jayson (July 24, 2022). "Trent Reznor / Atticus Ross: The Social Network". Pitchfork. Retrieved July 24, 2022.
25. ^ Ross Langager (October 12, 2010). "Trent Reznor and Atticus Ross: The Social Network Soundtrack". PopMatters. Retrieved March 8, 2011.
26. ^ Jodie Rosen (October 5, 2010). "The Social Network: Original Soundtrack by Trent Reznor". Rolling Stone. Retrieved March 8, 2011.
27. ^ a b c d e f g "The Social Network [Original Score] – Charts & Awards". Allmusic. Retrieved September 23, 2011.
28. ^ "Oscars: "King" wins, show loses". rogerebert.suntimes.com. February 27, 2011. Retrieved March 8, 2011.
29. ^ "Road to the Oscars: Best Original Score;". Picktainment.com. February 11, 2011. Archived from the original on February 27, 2011. Retrieved March 8, 2011.
30. ^ "The 2010 WAFCA Award Winners (FOR IMMEDIATE RELEASE)". www.dcfilmcritics.com.
31. ^ "Boston Society of Film Critics Awards 2010 Winners". www.thebsfc.org. Archived from the original on January 9, 2010.
32. ^ "36th Annual Los Angeles Film Critics Association Awards". www.lafca.net. Archived from the original on February 23, 2014. Retrieved January 15, 2011.
33. ^ "San Diego Film Critics Society 2010 Awards". www.sdfcs.org. Archived from the original on September 11, 2013. Retrieved January 15, 2011.
34. ^ "2010 Sierra Award winners". www.lvfcs.org. Archived from the original on December 16, 2012.
35. ^ "The Houston Area Film Critics Nominations". AwardsDaily. December 12, 2010. Retrieved December 15, 2010.
36. ^ "International Press Academy 2010 Nominations: 15th Annual Satellite Awards" (PDF). www.pressacademy.com/. Archived from the original (PDF) on July 18, 2011. Retrieved January 15, 2011.
37. ^ "22nd Annual Chicago Film Critics Awards". www.chicagofilmcritics.org. Archived from the original on February 24, 2010.
38. ^ "St. Louis Film Critics Nominations 2010: THE SOCIAL NETWORK, THE KING'S SPEECH, BLACK SWAN". www.altfg.com. December 13, 2010.
39. ^ "Central Ohio Film Critics Association (COFCA) - Awards". cofca.org.
40. ^ "Central Ohio Film Critics Association: Awards 2010". www.cofca.org.
41. ^ "Alliance of Women Film Journalists 2010 EDA Awards nominees". FlickFilosopher.com. December 28, 2010.
42. ^ "2010 EDA Awards Winners". www.awfj.org.
43. ^ "The 16th Annual Critics' Choice Movie Awards Winners and Nominees". www.bfca.org. Archived from the original on June 30, 2012. Retrieved January 15, 2011.
44. ^ "Denver Film Critics Society 2011 Award Winners". denverfilmcritics.com.
45. ^ "68th Annual Golden Globe Awards Nominations". www.goldenglobes.org. Archived from the original on April 8, 2011.
46. ^ "Oscar - The Official Website for the 83rd Academy Awards - Winners and Nominees". www.oscar.go.com.
47. ^ Sony Pictures website for Academy Award consideration: The Social Network score
48. ^ Track listing and credits as per liner notes for The Social Network album

## External links

[edit]

* Official website for the soundtrack
* Official website for the film

* v
* t
* e

Golden Globe Award for Best Original Score

1940s|

* Life with Father – Max Steiner (1947)
* The Red Shoes – Brian Easdale (1948)
* The Inspector General – Johnny Green (1949)

1950s|

* Sunset Boulevard – Franz Waxman (1950)
* September Affair – Victor Young (1951)
* High Noon – Dimitri Tiomkin (1952)
* On the Beach – Ernest Gold (1959)

1960s|

* The Alamo – Dimitri Tiomkin (1960)
* The Guns of Navarone – Dimitri Tiomkin (1961)
* To Kill a Mockingbird – Elmer Bernstein (1962)
* (1963)
* The Fall of the Roman Empire – Dimitri Tiomkin (1964)
* Doctor Zhivago – Maurice Jarre (1965)
* Hawaii – Elmer Bernstein (1966)
* Camelot – Frederick Loewe (1967)
* The Shoes of the Fisherman – Alex North (1968)
* Butch Cassidy and the Sundance Kid – Burt Bacharach (1969)

1970s|

* Love Story – Francis Lai (1970)
* Shaft – Isaac Hayes (1971)
* The Godfather – Nino Rota (1972)
* Jonathan Livingston Seagull – Neil Diamond (1973)
* The Little Prince – Alan Jay Lerner and Frederick Loewe (1974)
* Jaws – John Williams (1975)
* A Star is Born – Kenneth Ascher and Paul Williams (1976)
* Star Wars – John Williams (1977)
* Midnight Express – Giorgio Moroder (1978)
* Apocalypse Now – Carmine Coppola and Francis Ford Coppola (1979)

1980s|

* The Stunt Man – Dominic Frontiere (1980)
* No Award (1981)
* E.T. the Extra-Terrestrial – John Williams (1982)
* Flashdance – Giorgio Moroder (1983)
* A Passage to India – Maurice Jarre (1984)
* Out of Africa – John Barry (1985)
* The Mission – Ennio Morricone (1986)
* The Last Emperor – David Byrne, Ryuichi Sakamoto and Cong Su (1987)
* Gorillas in the Mist – Maurice Jarre (1988)
* The Little Mermaid – Alan Menken (1989)

1990s|

* The Sheltering Sky – Richard Horowitz and Ryuichi Sakamoto (1990)
* Beauty and the Beast – Alan Menken (1991)
* Aladdin – Alan Menken (1992)
* Heaven & Earth – Kitarō (1993)
* The Lion King – Hans Zimmer (1994)
* A Walk in the Clouds – Maurice Jarre (1995)
* The English Patient – Gabriel Yared (1996)
* Titanic – James Horner (1997)
* The Truman Show – Burkhard Dallwitz and Philip Glass (1998)
* The Legend of 1900 – Ennio Morricone (1999)

2000s|

* Gladiator – Lisa Gerrard, Hans Zimmer (2000)
* Moulin Rouge! – Craig Armstrong (2001)
* Frida – Elliot Goldenthal (2002)
* The Lord of the Rings: The Return of the King – Howard Shore (2003)
* The Aviator – Howard Shore (2004)
* Memoirs of a Geisha – John Williams (2005)
* The Painted Veil – Alexandre Desplat (2006)
* Atonement – Dario Marianelli (2007)
* Slumdog Millionaire – A. R. Rahman (2008)
* Up – Michael Giacchino (2009)

2010s|

* The Social Network – Trent Reznor and Atticus Ross (2010)
* The Artist – Ludovic Bource (2011)
* Life of Pi – Mychael Danna (2012)
* All Is Lost – Alex Ebert (2013)
* The Theory of Everything – Jóhann Jóhannsson (2014)
* The Hateful Eight – Ennio Morricone (2015)
* La La Land – Justin Hurwitz (2016)
* The Shape of Water – Alexandre Desplat (2017)
* First Man – Justin Hurwitz (2018)
* Joker – Hildur Guðnadóttir (2019)

2020s|

* Soul – Trent Reznor, Atticus Ross, and Jon Batiste (2020)
* Dune – Hans Zimmer (2021)
* Babylon – Justin Hurwitz (2022)
* Oppenheimer – Ludwig Göransson (2023)
* Challengers – Trent Reznor and Atticus Ross (2024)

* v
* t
* e

Soundtrack work by Trent Reznor and Atticus Ross

* Reznor discography
* Ross discography

Reznor and Ross|

* The Social Network (2010)
* The Girl with the Dragon Tattoo (2011)
* Gone Girl (2014)
* Before the Flood (2016)
* Patriots Day (2017)
* The Black Ghiandola (2017)
* The Vietnam War (2017)
* Mid90s (2018)
* Bird Box (2019)
* Watchmen (2019)
* Waves (2019)
* Mank (2020)
* Soul (2020)
* Bones and All (2022)
* Empire of Light (2022)
* Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)
* The Killer (2023)
* Challengers (2024)
* Queer (2025)
* The Gorge (2025)
* Tron: Ares (2025)

Reznor only|

* Natural Born Killers (1994)
* Quake (1996)
* Lost Highway (1997)
* Call of Duty: Black Ops II (2012)

Ross only|

* Love & Mercy (2014)
* Fear the Walking Dead (2015)

Ross and
collaborators|

* Touching Evil (2004)
* The Book of Eli (2010)
* Broken City (2013)
* Blackhat (2015)
* Triple 9 (2016)
* Outcast (2016)
* The Defiant Ones (2017)
* Black Mirror: "Crocodile" (2017)
* Death Note (2017)
* A Million Little Pieces (2018)
* Earthquake Bird (2019)
* Dispatches from Elsewhere (2020)
* Dr. Death (2021)
* Shōgun (2024)

See also|

* Nine Inch Nails
* Ghosts I–IV
* Ghosts V
* Ghosts VI
* discography
* How to Destroy Angels
* 12 Rounds
* Gustavo Santaolalla
* Mogwai
* Leopold Ross
* Bobby Krlic
* "Deep"
* The Crow (1994)
* Tetsuo: The Bullet Man (2009)
* The Fourth Estate (2018)
* If I Can't Have Love, I Want Power (2021)
* The Franchise (2024)

* v
* t
* e

Nine Inch Nails

* Trent Reznor
* Atticus Ross

Studio albums|

* Pretty Hate Machine
* The Downward Spiral
* The Fragile
* With Teeth
* Year Zero
* Ghosts I–IV
* The Slip
* Hesitation Marks
* Bad Witch
* Ghosts V: Together
* Ghosts VI: Locusts

Studio extended plays|

* Broken
* Not the Actual Events
* Add Violence

Live releases|

* Closure
* And All That Could Have Been
* Beside You in Time

Remix releases|

* Fixed
* Further Down the Spiral
* Things Falling Apart
* Year Zero Remixed

Soundtracks|

* Quake
* Tron: Ares

Singles|

* "Down in It"
* "Head Like a Hole"
* "Sin"
* "March of the Pigs"
* "Closer"
* "The Perfect Drug"
* "The Day the World Went Away"
* "We're in This Together"
* "Into the Void"
* "The Hand That Feeds"
* "Only"
* "Every Day Is Exactly the Same"
* "Survivalism"
* "Capital G"
* "Discipline"
* "Came Back Haunted"
* "Copy of a"
* "Everything"
* "Less Than"
* "God Break Down the Door"
* "As Alive as You Need Me to Be"

Promotional singles|

* "Happiness in Slavery"
* "Wish"
* "Burn"
* "Piggy"
* "Hurt"
* "Starfuckers, Inc."
* "Deep"

Other songs|

* "Something I Can Never Have"
* "Gave Up"
* "Mr. Self Destruct"
* "Dead Souls"
* "Just Like You Imagined"

Promotional releases|

* Lights in the Sky: Over North America 2008 Tour Sampler
* NINJA 2009 Tour Sampler
* Live 2013 EP
* Remix 2014 EP
* Halo I–IV

Games|

* Year Zero
* Nine Inch Nails Revenge

Tours|

* Self-Destruct
* Dissonance
* Fragility
* Performance 2007
* Twenty Thirteen
* Peel It Back

Touring members|

| Current|

* Robin Finck
* Alessandro Cortini
* Ilan Rubin

|

Former|

| Guitarists and bassists|

* Richard Patrick
* Danny Lohner
* Kevin McMahon
* Jeordie White
* Aaron North
* Justin Meldal-Johnsen
* Joshua Eustis
* Pino Palladino

|

Drummers|

* Jeff Ward
* Chris Vrenna
* Jerome Dillon
* Josh Freese
* Alex Carapetis

Keyboardists|

* James Woolley
* Charlie Clouser

Backing vocalists|

* Lisa Fischer

Related|

| Bands|

* Option 30
* The Innocent
* Exotic Birds
* Lucky Pierre
* Prick
* Pigface
* Tapeworm
* Marilyn Manson
* How to Destroy Angels
* Filter
* Jane's Addiction
* Queens of the Stone Age

|

People|

* Adrian Belew
* David Bowie
* Johnny Cash
* Mariqueen Maandig
* John Malm Jr.
* Marilyn Manson
* Russell Mills
* Rob Sheridan
* Gary Talpas
* Saul Williams

Albums and songs|

* If I Can't Have Love, I Want Power
* "I'm Afraid of Americans"
* The Inevitable Rise and Liberation of NiggyTardust!
* Natural Born Killers
* Lost Highway
* "Old Town Road"
* "On a Roll"
* Recoiled

Films|

* Broken (film)
* Another Version of the Truth

Festivals|

* Future Ruins

Articles|

* Discography
* Songs recorded
* Trent Reznor discography
* Awards and nominations
* Band members
* Live performances
* Nothing Records
* Beats Music
* 10050 Cielo Drive
* Twin Peaks: Music from the Limited Event Series

* Category

Authority control databases |

* MusicBrainz release group

|

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