The Square (2017 film)

Film by Ruben Östlund

The Square

Theatrical release poster

Directed by| Ruben Östlund
Written by| Ruben Östlund
Produced by|

* Erik Hemmendorff
* Philippe Bober

Starring|

* Claes Bang
* Elisabeth Moss
* Dominic West
* Terry Notary

Cinematography| Fredrik Wenzel
Edited by|

* Ruben Östlund
* Jacob Secher Schulsinger

Production
companies

* Plattform Produktion
* Film i Väst
* Essential Films
* Parisienne
* Coproduction Office
* Sveriges Television
* Imperative Entertainment
* Arte France Cinéma
* ZDF
* Arte
* Svenska Filminstitutet
* Council of Europe – Eurimages
* Medienboard Berlin-Brandenburg
* Nordisk Film & TV Fond
* Det Danske Filminstitut – Minorordningen
* Alamode Filmverleih
* TriArt Distribution
* DR

Distributed by|

* TriArt Film (Sweden)
* Alamode Filmverleih (Germany)
* BAC Films (France)
* Scanbox Entertainment (Denmark)

Release dates

* 20 May 2017 (2017-05-20) (Cannes)
* 25 August 2017 (2017-08-25) (Sweden)
* 18 October 2017 (2017-10-18) (France)
* 19 October 2017 (2017-10-19) (Germany)
* 23 November 2017 (2017-11-23) (Denmark)

Running time

| 151 minutes[1]
Countries|

* Sweden
* Germany
* France
* Denmark[2]

Languages|

* Swedish
* Danish
* English

Budget| $5.5 million[3]
Box office| $9.5 million[4][5]

The Square is a 2017 satirical black comedy film written and directed by Ruben Östlund. The film stars Claes Bang, Elisabeth Moss, Dominic West and Terry Notary. A Swedish production with co-production support from Germany, France and Denmark, it was shot in Gothenburg, Stockholm and Berlin. The story was partly inspired by an installation Östlund and producer Kalle Boman had made. Östlund was also inspired by a notorious incident involving Oleg Kulik and cast Notary in a parody, drawing on Notary's experience imitating apes.

The film was entered into the 2017 Cannes Film Festival, where it received positive reviews and won the Palme d'Or. It was subsequently selected for the 2017 Toronto International Film Festival. It went on to win six European Film Awards, including Best Film; two Guldbagge Awards, including Best Director; and other honours. It was nominated for the Academy Award for Best Foreign Language Film at the 90th Academy Awards.

## Plot

[edit]

The Square is presented as a simple outline.[6]

Christian is the curator of the X-Royal art museum in Stockholm, formerly the Royal Palace. He is interviewed by journalist Anne, struggling to explain museum parlance. Later, Christian is pulled into a confrontation at a pedestrian zone, after which he notices that his smartphone and wallet are missing, along with his cufflinks, presumably stolen in a confidence trick. Christian is able to track the position of his phone on his computer, which he and his assistant Michael trace to a large apartment block.

They write a threatening anonymous letter demanding the return of the phone and wallet by depositing them at a nearby 7-Eleven. Christian throws a copy of the letter in each apartment mailbox that night. Several days later, a package for him is deposited at the store, containing the phone and the completely untouched wallet.

Euphoric after the success of his plan, Christian goes to a party where he meets Anne again, before ending up in her apartment. After the two have sex, Anne offers to throw away a used condom but he steadfastly refuses to hand it over to her. They argue over the situation, as she believes he does not trust her to dispose of the semen rather than take it. Several days later, Anne meets Christian in the museum and states she is looking for more than casual sex. She asks him if he feels the same, but Christian is evasive. When Anne later tries to call him, he does not pick up the phone.

The day after picking up the package, Christian is informed that a second one has arrived for him at the 7-Eleven. Suspicious, he sends Michael to pick it up. In the store, Michael is confronted by a young Arab boy who states that his parents believe that he is a thief because of the letter and demands that Christian apologizes to him and his family. Otherwise, the boy threatens to create "chaos" for him.

Later, the boy visits Christian's home and confronts him, along with his two young daughters, on the staircase. Christian tries to send him away but the boy begins to knock on doors and screaming for help. In a fit of frustration, Christian pushes the boy down the stairs, though no one comes to his aid. Disturbed, Christian desperately searches the trash outside the house for a note which contains the boy's phone number. After finding it and unsuccessfully trying to call him, Christian records an apologetic video message.

In the midst of these troubles, Christian has to manage the promotion of a new exhibition centered on an art piece called The Square by Lola Arias,[note 1] which is described in the artist's statement: "The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations."

The advertising agency commissioned by the museum to promote The Square states that they need to harness social media attention with something other than the uncontroversial and bland artist's statement. Advertising agency representatives consider a depiction of violence contradicting The Square's message, developing a promotional clip showing an impoverished girl entering The Square and being killed in an explosion. The video is published on the museum's website and YouTube channel after a distracted Christian gives his approval without viewing it.

The clip goes viral, quickly reaching 300,000 YouTube views, but receives an extremely hostile response from the media, religious leaders and the general public. The museum arranges a press conference, where Christian states he violated protocol and is stepping down as curator in mutual agreement with the board. Several journalists then attack him for stirring up cheap controversy with a tasteless clip, while others attack him for self-censorship because of his resignation.

Feeling guilty about wronging the boy, Christian drives to the apartment block several days later and tries to find him and his family. Christian talks to a neighbour who states that he knew the boy but that his family has moved away.

## Production

[edit]

### Development

[edit]

Claes Bang, Elisabeth Moss and Dominic West star.[10]

The story for the film was conceived when director Ruben Östlund and producer Kalle Boman entered an installation into the Vandalorum Museum in Värnamo in 2014.[11] In their artists' statement, they wrote that "The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations."[11] While working on the screenplay, Östlund visited numerous art galleries.[12]

The beginning of the film was also inspired by a true incident, when in Gothenburg Östlund saw a woman run to a man, saying someone was going to kill her. Another man arrived and yelled. It turned out to be a ploy, in which Östlund's cellphone was stolen.[13]

In one scene, a man with Tourette's syndrome yells at a public event. Östlund said this was inspired by a true incident at a Swedish theatre, and was depicted without fear of insensitivity, since he said all people are satirized in his work.[14] In another scene, the character Oleg Rogozjin, a performance artist, entertains affluent patrons of the museum performing as an ape. The scene was inspired by a real incident with artist Oleg Kulik, who performs as a dog, had attacked people at an event in Stockholm. Östlund was considering modeling the character after GG Allin, but deciding that that would be too "extreme", he fell back on his interest in animal imitations. In crafting the scene, his concept was: "this internationally recognized artist is pretending to be a wild beast. What happens when he enters a room full of people in tuxedos?"[15] Other artists parodied or referenced in the film include Julian Schnabel and Carl Hammoud.[16]

Much of the art depicted was crafted for the film, with installations influenced by Robert Smithson, an authentic Garry Winogrand image, and another work by Östlund and Kalle Boman.[3]

The budget was $5.5 million.[17] Financial support was provided by the Swedish Film Institute, which awarded the project 11 million SEK,[18] and the Danish Film Institute, which awarded 1 million DKK.[19]

### Casting

[edit]

Actor  | Role

|

Claes Bang | Christian
Elisabeth Moss | Anne
Dominic West | Julian
Terry Notary | Oleg Rogozjin
Christopher Læssø | Michael

Danish actor Claes Bang learned of the project through Tanja Grunwald, who was from Denmark and casting The Square. Bang attended three auditions, involving much improvisation.[20] As preparation for the role of Christian, Bang made an in-depth interview with Daniel Birnbaum, the director of Moderna Museet in Stockholm. Bang kept contact with Birnbaum and sent him short videos of himself in the role of an art curator which Birnbaum provided feedback to.[21] Birnbaum's fashion sense was also studied.[22]

After assembling much of his cast in auditions around the Nordic countries, Östlund, mindful of William Morris Endeavor Entertainment's desire for him to make an English-language film, contacted BAFTA in London. This led to Elisabeth Moss and Dominic West joining the cast,[12] although Östlund also held early conversations with Michelle Williams[23] and Sacha Baron Cohen.[24] Moss practised improvisation for two hours in order to secure her part.[25] Östlund said it was challenging for Moss and West to adapt to Swedish direction, but they eventually adjusted.[14]

Terry Notary, a U.S. actor who plays Oleg, a character who acts like an ape, was cast based on his experience with Planet of the Apes. Östlund discovered Notary after running a Google search for "actor imitating monkey" and viewing one of Notary's performances.[12] For Notary's scene, 300 extras were also employed.[15]

### Filming

[edit]

The gallery in the film is based on Sweden's Stockholm Palace.

Location scouting took place in Germany,[26] France[27] and Sweden[28] in September and October 2015. Principal photography began on June 9, 2016[29] and finished on October 8, 2016[30] in Västra Götaland County/Gothenburg, Uppland/Stockholm and Brandenburg/Berlin.[31][32] The gallery in the film is based on Stockholm Palace.[11]

Östlund preferred to focus each day on a single scene, taking as many as 50 takes, though the most complex sequences required four days.[17] In Berlin, one day was spent with a Bonobo, with the cast given rules on how to behave with the animal to prevent triggering a violent reaction.[33]

## Release

[edit]

The film was added to the 2017 Cannes Film Festival's schedule near the end of April, a late addition.[34] This marked its international debut.[33] It later went to the Sydney Film Festival in June,[35] followed by the New Zealand International Film Festival in July.[36] With the number of films at the Toronto International Film Festival being reduced from 2016, The Square was nevertheless selected for the 2017 festival in September.[37] The U.S. debut took place at the Fantastic Fest in Austin, Texas in September 2017.[38]

The larger theatrical release in Sweden by TriArt Film was scheduled for 25 August 2017.[39][40] Before the film screened at Cannes, distribution rights were sold for releases in the United Kingdom, France, Germany and other European countries.[17] Magnolia Pictures became the U.S. distributor,[34] having previously worked with Östlund in distributing his Force Majeure (2014).[41] A trailer was publicized in July.[42] In the U.K., it was set to premiere at Somerset House, London on 16 August, but Curzon Artificial Eye decided to delay the wider British release planned for 25 August, for Östlund to edit the final cut.[40]

For the general release of the film, Östlund cut 2 minutes and 43 seconds from the final quarter of the film (as presented at Cannes) to sharpen the last 30 minutes saying, "I sped it up a little."[43][44]

## Reception

[edit]

### Box office

[edit]

The Square grossed $1.5 million in the United States and Canada, and $9 million in other territories, for a worldwide total of $9.5 million.[4][5]

### Critical response

[edit]

> I'm interested in creating dilemmas for the characters in my films... situations where there are two or more opportunities and none of them are easy — Ruben Östlund[45]

At Cannes, critical reception was largely positive,[46][47] though it was not expected to win the Palme d'Or.[47][48] Variety's Owen Gleiberman called the film "a suavely merciless take-down of the decadence of the contemporary art world," remarking the museum depicted is motivated by greed, and the film is "more outrageous but less effective than Force Majeure."[49] Peter Bradshaw gave it four stars in The Guardian, judging it a "sprawling and daringly surreal satire".[50] In The Hollywood Reporter, Todd McCarthy called it "madly ambitious and frequently disquieting", suggesting it might try to include too much, but had an impact.[51]

Robbie Collin gave it four stars in The Daily Telegraph, finding the first hour cleverly satirical, and a later scene horrific.[52] Conversely, IndieWire critic Eric Kohn was disappointed by its over-indulgence and lack of structure, calling it "a Pollock canvas of weird ideas tossed at the audience in search of a singular narrative, some of which stick better than others."[53] Writing for Sight & Sound, Giovanni Marchini Camia argued that the film was overlong but that the dinner scene was "a veritable tour de force", which he suggested could have made a great short film.[54]

Following Cannes, A.O. Scott found a familiar theme of "the bad conscience of the cultural elite", concluding that The Square was "ostentatiously smart, maybe too much so for its own good, but ultimately complacent, craven and clueless".[55] Peter Travers gave it three stars, finding enjoyment and some influence from the Marx Brothers, and satire so effective that "it always hurts when you laugh".[56] The New Yorker's Anthony Lane highlighted Notary as the reason to watch the film.[57]

Glenn Kenny for RogerEbert.com wrote: "The conceptual-fish-in-a-barrel potshots at contemporary art alternate with an ostensible critique of masculinity and privilege, building to a climax that endorses a compassion that’s mealy-mouthed and insufficient".[58] Violet Lucca for Sight & Sound wrote: "Ostlund uses his setting to explore hidden inequalities in supposedly liberal societies, particularly those concerning masculinity, race and class, playing with our expectations about what is supposed to happen versus the results, which are always uncomfortable."[59]

In The Village Voice, Bilge Ebiri commented the film was open to many different interpretations as to its point, and that it reflected contemporary society better than any other 2017 film.[60] The Globe and Mail critic Barry Hertz wrote The Square is "a sharp art-world satire" before becoming "something egregiously bonkers".[61] Paul Ennis wrote in NOW that it was "compulsively watchable".[62] Vice reviewer Rod Bastanmehr hailed it as a timely satire taking aim at contemporary art patrons.[63]

The Square has an approval rating of 85% on Rotten Tomatoes, based on 219 reviews, and an average rating of 7.5/10. The website's critical consensus reads: "The Square finds writer-director Ruben Östlund as ambitious as ever — and delivering an unforgettably unusual work whose challenging themes pay thought-provoking dividends."[64] On Metacritic, the film has a score of 73 out of 100, based on 33 critics, indicating "generally favourable reviews".[65]

### Accolades

[edit]

Östlund won the Palme d'Or for The Square,[66] marking the first time a predominantly Swedish production received the honour since The Best Intentions (1992), and the first time a Swedish director won since Alf Sjöberg for Miss Julie (1951).[39] Jury president Pedro Almodóvar cited it for depicting "the dictatorship of being politically correct".[67] Juror Agnes Jaoui also commended it for its intelligence and wit.[48] Set decorator Josefin Åsberg received the Vulcan Award of the Technical Artist at Cannes.[68] In August, it was selected as the Swedish entry for the Best Foreign Language Film at the 90th Academy Awards;[69] the Academy shortlisted it for a nomination in December.[70] The Square also received the most nominations at the 30th European Film Awards.[71]

Award  | Date of ceremony  | Category  | Recipient(s)  | Result  | Ref(s)

|
|
|
|
|

Academy Awards | 4 March 2018 | Best Foreign Language Film | Ruben Östlund | Nominated  | [72]
Bodil Awards | March 2018  | Best Non-American Film | Won  | [73]
Boston Society of Film Critics | 10 December 2017 | Best Foreign Language Film | Won  | [74]
British Independent Film Awards | 10 December 2017 | Best Foreign Independent Film | Nominated  | [75]
Cannes Film Festival | 28 May 2017 | Palme d'Or | Won  | [66]
Vulcan Award | Josefin Åsberg | Won  | [68]
Chicago Film Critics Association | 12 December 2017 | Best Foreign Language Film | Ruben Östlund  | Won  | [76]
César Awards | 2 March 2018 | Best Foreign Film | Nominated  | [77]
Critics' Choice Movie Awards | 11 January 2018 | Best Foreign Language Film | Nominated  | [78]
Dallas-Fort Worth Film Critics Association | 13 December 2017 | Best Foreign Language Film  | Won  | [79]
European Film Awards | 9 December 2017 | Best Film | Won  | [80]
Best Comedy | Won
Best Director | Won
Best Screenwriter | Won
Best Actor | Claes Bang | Won
Best Production Designer | Josefin Åsberg  | Won  | [81]
Fantastic Fest | September 2017  | Best Comedy Feature  | Ruben Östlund  | Won  | [82]
Golden Globes | 7 January 2018 | Best Foreign Language Film | Nominated  | [83]
Goya Awards | 3 February 2018 | Best European Film | Won  | [84]
Grande Prêmio do Cinema Brasileiro | 14 August 2019  | Best Foreign Feature Film  | Nominated  | [85]
Guldbagge Awards | 22 January 2018 | Best Film | Erik Hemmendorff and Philippe Bober  | Nominated  | [86][87]
Best Director | Ruben Östlund  | Won
Best Actor in a Leading Role | Claes Bang  | Nominated
Best Screenplay | Ruben Östlund  | Nominated
Best Cinematography | Fredrik Wenzel  | Won
Best Art Direction | Josefin Åsberg  | Nominated
National Board of Review | 28 November 2017 | Top Five Foreign Language Films  | Ruben Östlund  | Won  | [88]
Online Film Critics Society | 28 December 2017 | Best Foreign Language Film | Nominated  | [89]
San Diego Film Critics Society | 11 December 2017 | Best Foreign Language Film | Nominated  | [90]
Satellite Awards | 11 February 2018 | Best Foreign Language Film | Nominated  | [91]
Saturn Awards | 27 June 2018 | Best International Film | Nominated  | [92]
Toronto Film Critics Association | 10 December 2017 | Best Foreign Language Film | Won  | [93]
Vancouver Film Critics Circle | 18 December 2017 | Best Foreign Language Film | Nominated  | [94]
Washington DC Area Film Critics Association | 8 December 2017 | Best Foreign Language Film | Nominated  | [95]
Women's Image Network Awards | February 2018  | Best Foreign Language Film  | Nominated  | [96]

## See also

[edit]

* List of submissions to the 90th Academy Awards for Best Foreign Language Film
* List of Swedish submissions for the Academy Award for Best Foreign Language Film

## Notes

[edit]

1. ^ Real-life Argentine artist Lola Arias was not involved in creating the film's titular work, and publicly denounced director Ruben Östlund for using her name without her consent.[7] Östlund denied the allegation, saying that she had agreed to it and was misremembering their interaction.[8][9]

## References

[edit]

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## External links

[edit]

Wikiquote has quotations related to The Square (2017 film).

* Official website
* The Square at IMDb
* The Square at the Swedish Film Institute Database
* The Square at AllMovie
* The Square at Box Office Mojo
* The Square at Metacritic
* The Square at Rotten Tomatoes

* v
* t
* e

Films directed by Ruben Östlund

* The Guitar Mongoloid (2004)
* Involuntary (2008)
* Play (2011)
* Force Majeure (2014)
* The Square (2017)
* Triangle of Sadness (2022)

Awards for The Square

* v
* t
* e

Boston Society of Film Critics Award for Best Non-English Language Film

* Mr. Hire (1990)
* Europa Europa (1991)
* No Award (1992)
* Farewell My Concubine (1993)
* Three Colours: Red (1994)
* Mina Tannenbaum (1995)
* My Favorite Season (1996)
* Underground (1997)
* Taste of Cherry (1998)
* All About My Mother (1999)
* Crouching Tiger, Hidden Dragon (2000)
* Love's a Bitch (2001)
* And Your Mother Too (2002)
* The Triplets of Belleville (2003)
* House of Flying Daggers (2004)
* Kung Fu Hustle (2005)
* Pan's Labyrinth (2006)
* The Diving Bell and the Butterfly (2007)
* Let the Right One In (2008)
* Summer Hours (2009)
* Mother (2010)
* Incendies (2011)
* Amour (2012)
* The Great Beauty (2013)
* Two Days, One Night (2014)
* The Look of Silence (2015)
* The Handmaiden (2016)
* The Square (2017)
* Shoplifters (2018)
* Parasite (2019)
* La Llorona (2020)
* The Zone of Interest (2023)

* v
* t
* e

Cannes Film Festival Palme d'Or

1939–1975|

* Union Pacific (1939)
* No festival held (1940–1945)
* Brief Encounter (1946)
* The Last Chance (1946)
* The Lost Weekend (1946)
* María Candelaria (1946)
* Men Without Wings (1946)
* Neecha Nagar (1946)
* Pastoral Symphony (1946)
* The Red Meadows (1946)
* Rome, Open City (1946)
* Torment (1946)
* The Turning Point (1946)
* Antoine and Antoinette (1947)
* Crossfire (1947)
* The Damned (1947)
* Dumbo (1947)
* Ziegfeld Follies (1947)
* No festival held (1948)
* The Third Man (1949)
* No festival held (1950)
* Miracle in Milan (1951)
* Miss Julie (1951)
* Othello (1951)
* Two Cents Worth of Hope (1952)
* The Wages of Fear (1953)
* Gate of Hell (1954)
* Marty (1955)
* The Silent World (1956)
* Friendly Persuasion (1957)
* The Cranes Are Flying (1958)
* Black Orpheus (1959)
* La dolce vita (1960)
* The Long Absence (1961)
* Viridiana (1961)
* O Pagador de Promessas (1962)
* The Leopard (1963)
* The Umbrellas of Cherbourg (1964)
* The Knack ...and How to Get It (1965)
* The Birds, the Bees and the Italians (1966)
* A Man and a Woman (1966)
* Blowup (1967)
* Festival cancelled while in progress (1968)
* if.... (1969)
* M*A*S*H (1970)
* The Go-Between (1971)
* The Mattei Affair (1972)
* The Working Class Goes to Heaven (1972)
* The Hireling (1973)
* Scarecrow (1973)
* The Conversation (1974)
* Chronicle of the Years of Fire (1975)

1976–2000|

* Taxi Driver (1976)
* Padre Padrone (1977)
* The Tree of Wooden Clogs (1978)
* Apocalypse Now (1979)
* The Tin Drum (1979)
* All That Jazz (1980)
* Kagemusha (1980)
* Man of Iron (1981)
* Missing (1982)
* Yol (1982)
* The Ballad of Narayama (1983)
* Paris, Texas (1984)
* When Father Was Away on Business (1985)
* The Mission (1986)
* Under the Sun of Satan (1987)
* Pelle the Conqueror (1988)
* Sex, Lies, and Videotape (1989)
* Wild at Heart (1990)
* Barton Fink (1991)
* The Best Intentions (1992)
* Farewell My Concubine (1993)
* The Piano (1993)
* Pulp Fiction (1994)
* Underground (1995)
* Secrets & Lies (1996)
* The Eel (1997)
* Taste of Cherry (1997)
* Eternity and a Day (1998)
* Rosetta (1999)
* Dancer in the Dark (2000)

2001–present|

* The Son's Room (2001)
* The Pianist (2002)
* Elephant (2003)
* Fahrenheit 9/11 (2004)
* L'Enfant (2005)
* The Wind That Shakes the Barley (2006)
* 4 Months, 3 Weeks and 2 Days (2007)
* The Class (2008)
* The White Ribbon (2009)
* Uncle Boonmee Who Can Recall His Past Lives (2010)
* The Tree of Life (2011)
* Amour (2012)
* Blue Is the Warmest Colour (2013)
* Winter Sleep (2014)
* Dheepan (2015)
* I, Daniel Blake (2016)
* The Square (2017)
* Shoplifters (2018)
* Parasite (2019)
* No festival held (2020)
* Titane (2021)
* Triangle of Sadness (2022)
* Anatomy of a Fall (2023)
* Anora (2024)

* v
* t
* e

Chicago Film Critics Association Award for Best Foreign Language Film

1980s|

* Au revoir les enfants (1988)
* Henry V (1989)

1990s|

* The Cook, the Thief, His Wife & Her Lover (1990)
* An Angel at My Table (1991)
* The Crying Game (1992)
* The Piano (1993)
* Three Colours: Red (1994)
* Il Postino: The Postman (1995)
* Dekalog (1996)
* Shall We Dance? (1997)
* Life Is Beautiful (1998)
* All About My Mother (1999)

2000s|

* Crouching Tiger, Hidden Dragon (2000)
* Amélie (2001)
* Y tu mamá también (2002)
* City of God (2003)
* A Very Long Engagement (2004)
* Caché (2005)
* Letters from Iwo Jima (2006)
* 4 Months, 3 Weeks and 2 Days (2007)
* Let the Right One In (2008)
* The White Ribbon (2009)

2010s|

* A Prophet (2010)
* A Separation (2011)
* Amour (2012)
* The Act of Killing (2013)
* Force Majeure (2014)
* Son of Saul (2015)
* The Handmaiden (2016)
* The Square (2017)
* Roma (2018)
* Parasite (2019)

2020s|

* Another Round (2020)
* Drive My Car (2021)
* Decision to Leave (2022)
* The Zone of Interest (2023)

* v
* t
* e

Dallas–Fort Worth Film Critics Association Award for Best Foreign Language Film

1990s|

* Cinema Paradiso (1990)
* The Double Life of Veronique (1991)
* Indochine (1992)
* Farewell My Concubine (1993)
* Three Colours: Red (1994)
* Les Misérables (1995)
* Prisoner of the Mountains (1996)
* Character (1997)
* Life Is Beautiful (1998)
* Run Lola Run (1999)

2000s|

* Crouching Tiger, Hidden Dragon (2000)
* Amélie (2001)
* And Your Mother Too (2002)
* City of God (2003)
* A Very Long Engagement (2004)
* Paradise Now (2005)
* Letters from Iwo Jima (2006)
* The Diving Bell and the Butterfly (2007)
* Tell No One (2008)
* Sin nombre (2009)

2010s|

* Biutiful (2010)
* A Separation (2011)
* Amour (2012)
* Blue Is the Warmest Colour (2013)
* Force Majeure (2014)
* Son of Saul (2015)
* The Handmaiden (2016)
* The Square (2017)
* Roma (2018)
* Parasite (2019)

2020s|

* Minari (2020)
* Drive My Car (2021)
* Decision to Leave (2022)
* Anatomy of a Fall (2023)

* v
* t
* e

David di Donatello Award for Best European Film

* Dogville / Rosenstrasse (2004)
* The Sea Inside (2005)
* Match Point (2006)
* The Lives of Others (2007)
* Irina Palm (2008)
* Slumdog Millionaire (2009)
* The Concert (2010)
* The King's Speech (2011)
* The Intouchables (2012)
* Amour (2013)
* Philomena (2014)
* The Theory of Everything (2015)
* Son of Saul (2016)
* I, Daniel Blake (2017)
* The Square (2018)

* v
* t
* e

European Film Award for Best Film

* A Short Film About Killing (1988)
* Landscape in the Mist (1989)
* Open Doors (1990)
* Riff-Raff (1991)
* The Stolen Children (1992)
* Close to Eden (1993)
* Lamerica (1994)
* Land and Freedom (1995)
* Breaking the Waves (1996)
* The Full Monty (1997)
* Life Is Beautiful (1998)
* All About My Mother (1999)
* Dancer in the Dark (2000)
* Amélie (2001)
* Talk to Her (2002)
* Good Bye, Lenin! (2003)
* Head-On (2004)
* Caché (2005)
* The Lives of Others (2006)
* 4 Months, 3 Weeks and 2 Days (2007)
* Gomorrah (2008)
* The White Ribbon (2009)
* The Ghost Writer (2010)
* Melancholia (2011)
* Amour (2012)
* The Great Beauty (2013)
* Ida (2014)
* Youth (2015)
* Toni Erdmann (2016)
* The Square (2017)
* Cold War (2018)
* The Favourite (2019)
* Another Round (2020)
* Quo Vadis, Aida? (2021)
* Triangle of Sadness (2022)
* Anatomy of a Fall (2023)

* v
* t
* e

European Film Award for Best Comedy

* Love Is All You Need (2013)
* The Mafia Kills Only in Summer (2014)
* A Pigeon Sat on a Branch Reflecting on Existence (2015)
* A Man Called Ove (2016)
* The Square (2017)
* The Death of Stalin (2018)
* The Favourite (2019)
* The Big Hit (2020)
* Ninjababy (2021)
* The Good Boss (2022)

* v
* t
* e

Goya Award for Best European Film

1990s|

* Indochine (1992)
* Three Colours: Blue (1993)
* The Snapper (1994)
* Lamerica (1995)
* Secrets & Lies (1996)
* The Full Monty (1997)
* The Boxer (1998)
* Life Is Beautiful (1999)

2000s|

* Dancer in the Dark (2000)
* Amélie (2001)
* The Pianist (2002)
* Good Bye, Lenin! (2003)
* Head-On (2004)
* Match Point (2005)
* The Queen (2006)
* ~~(2007)~~
* 4 Months, 3 Weeks and 2 Days (2008)
* Slumdog Millionaire (2009)

2010s|

* The King's Speech (2010)
* The Artist (2011)
* The Intouchables (2012)
* Amour (2013)
* Ida (2014)
* Mustang (2015)
* Elle (2016)
* The Square (2017)
* Cold War (2018)
* Les Misérables (2019)

2020s|

* The Father (2020)
* Another Round (2021)
* The Worst Person in the World (2022)
* Anatomy of a Fall (2023)

Note: Entries scored out are when the award was not handed

* v
* t
* e

Toronto Film Critics Association Award for Best Foreign Language Film

* City of God (2003)
* Hero (2004)
* The World (2005)
* L'Enfant (2006)
* 4 Months, 3 Weeks and 2 Days (2007)
* Let the Right One In (2008)
* The White Ribbon (2009)
* Uncle Boonmee Who Can Recall His Past Lives (2010)
* Mysteries of Lisbon (2011)
* Amour (2012)
* A Touch of Sin (2013)
* Force Majeure (2014)
* Phoenix (2015)
* Toni Erdmann (2016)
* The Square (2017)
* Burning (2018)
* Parasite (2019)
* Bacurau (2020)
* Drive My Car (2021)
* Saint Omer (2022)
* Fallen Leaves (2023)

* v
* t
* e

Swedish submissions for the Academy Award for Best International Feature Film

1956–1975|

* The Staffan Stolle Story (1956)
* The Seventh Seal (1957)
* The Magician (1958)
* No Award (1959)
* The Virgin Spring (1960)
* Through a Glass Darkly (1961)
* The Mistress (1962)
* The Silence (1963)
* Raven's End (1964)
* Dear John (1965)
* Persona (1966)
* Here Is Your Life (1967)
* Shame (1968)
* Ådalen 31 (1969)
* A Swedish Love Story (1970)
* The Emigrants (1971)
* The New Land (1972)
* No Award (1973)
* No Award (1974)
* No Award (1975)

1976–2000|

* City of My Dreams (1976)
* The Man on the Roof (1977)
* No Award (1978)
* A Respectable Life (1979)
* Herr Puntila and His Servant Matti (1980)
* Children's Island (1981)
* Flight of the Eagle (1982)
* Fanny and Alexander (1983)
* Åke and His World (1984)
* Ronia, the Robber's Daughter (1985)
* The Sacrifice (1986)
* Hip hip hurra! (1987)
* No Award (1988)
* The Women on the Roof (1989)
* Good Evening, Mr. Wallenberg (1990)
* The Ox (1991)
* House of Angels (1992)
* The Slingshot (1993)
* The Last Dance (1994)
* All Things Fair (1995)
* Jerusalem (1996)
* Tic Tac (1997)
* Show Me Love (1998)
* Under the Sun (1999)
* Songs from the Second Floor (2000)

2001–present|

* Jalla! Jalla! (2001)
* Lilya 4-ever (2002)
* Evil (2003)
* As It Is in Heaven (2004)
* Zozo (2005)
* Falkenberg Farewell (2006)
* You, the Living (2007)
* Everlasting Moments (2008)
* Involuntary (2009)
* Simple Simon (2010)
* Beyond (2011)
* The Hypnotist (2012)
* Eat Sleep Die (2013)
* Force Majeure (2014)
* A Pigeon Sat on a Branch Reflecting on Existence (2015)
* A Man Called Ove (2016)
* The Square (2017)
* Border (2018)
* And Then We Danced (2019)
* Charter (2020)
* Tigers (2021)
* Boy from Heaven (2022)
* Opponent (2023)
* The Last Journey (2024)

*[Ref(s)]: Reference(s)
*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template