The Victorious Athlete

Painting by Francesco Hayez

The Victorious Athlete (1813) by Francesco Hayez

The Victorious Athlete or The Triumphant Athlete (Italian - Atleta trionfante) is an 1813 oil-on-canvas painting by the Italian artist Francesco Hayez, now in the Accademia di San Luca in Rome.

It was produced a year after the painter's victory ex aequo in a competition organised by the Accademia milanese di Brera. It was one of the artist's first works to receive public acclaim and won the Mecenate Anonimo competition set up by Antonio Canova, which required competitors to produce "a life-size painting of a nude". The work shows a nude man with no surrounding figures, thus directly competing with sculptures by Hellenistic artists such as the Apollo Belvedere and works by Canova himself.[1][2]

The subject holds a palm branch of victory just after descending in triumph from a chariot, which is shown in the background below a number of fluted Doric columns. An abandoned discus at bottom left suggests he is a discobolus. He turns his head to the left side of the work whilst walking towards its right, showing his flexible body covered in chiaroscuro and with his pink flesh tones set off by a brown robe billowing behind him.[3]

Though its subject is unathletic in build, the work was a brilliant success thanks to its composition's "beautiful surrender of movement" and its "very fresh" execution, so much so that consul Tambroni said "there are many young students in Rome, of whom we have high hopes, and first among them is the Venetian Hayez".[1]

## References[edit]

1. ^ a b Fernando Mazzocca (2015). Francesco Hayez. Milano. Silvana. ISBN 9788836632343.
2. ^ Michele Di Monte (2004). HAYEZ, Francesco, Dizionario biografico degli italiani, volume 61. Istituto dell'Enciclopedia Italiana.
3. ^ Giorgio Cricco, Francesco Di Teodoro (2012). Il Cricco Di Teodoro, Itinerario nell'arte, Dal Barocco al Postimpressionismo, Versione gialla (in Italian). Zanichelli. p. 1507.

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Francesco Hayez

Paintings|

* The Victorious Athlete (1813)
* Odysseus at the Court of Alcinous (1814–1816)
* Pietro Rossi (1818–1820)
* The Sicilian Vespers (1822, 1826–1827, 1846)
* Self-Portrait in a Group of Friends (1824–1827)
* Lampugnani's Conspiracy (1826)
* The Refugees of Parga (1831)
* Melancholy (1840–1841)
* Portrait of Alessandro Manzoni (1841)
* Portrait of Teresa Manzoni Stampa Borri (1849)
* Portrait of Matilde Juva Branca (1851)
* Revenge Triptych (1848–1853)
* Portrait of Countess Antonietta Negroni Prati Morosini as a Child (1858)
* The Kiss (1859)
* Self-Portrait Aged 71 (1862)

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