To Be and to Have

2002 French film

To Be and to Have
(Être et avoir)

Theatrical release poster

Directed by| Nicolas Philibert
Written by| Nicolas Philibert
Produced by| Gilles Sandoz
Cinematography| Laurent Didier
Katell Djian
Hugues Gemignani
Nicolas Philibert
Edited by| Nicolas Philibert
Music by| Philippe Hersant
Distributed by| Les Films du Losange

Release dates

* 19 May 2002 (2002-05-19) (Cannes)
* 28 August 2002 (2002-08-28) (France)

Running time

| 104 minutes
Country| France
Language| French
Budget| €1 million[1]
Box office| $16.1 million[1]

To Be and To Have (French: Être et avoir; also the UK title) is a 2002 French documentary film directed by Nicolas Philibert about a small rural school. It was screened as an "Out of Competition" film at the 2002 Cannes Film Festival[2] and achieved commercial success.[3] The film became the subject of an unsuccessful legal action by the school's teacher, who said that he and the children's parents had been misled about the film's intended audience, and that he and the children had been exploited.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Mr Lopez, who shows patience and respect for the children as we follow their story through a single school year.

The film won several awards, including the 2003 Sacramento French Film Festival Audience Prize.[4]

## Critical response[edit]

On Rotten Tomatoes, the film holds an approval rating of 97%, based on 59 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "A small, sensitive, and moving portrait of a teacher and his students."[5] On Metacritic the film has a score of 87 out of 100, based on 26 critics, indicating "universal acclaim".[6]

## Lawsuit[edit]

Following the film's popularity in cinemas, Lopez, the principal personality in the documentary, made an unsuccessful attempt to sue the documentary's makers for a share of the €2 million profit. One of his main claims was that the film-makers had exploited his image without authorisation.[7] French film unions warned that if Lopez had been successful it would have spelt "the death of the documentary, undermining the crucial principle that subjects should not be paid to participate".[8]

Speaking after the court case, Lopez said that he, the children and their families had been misled by the film's production company about the purpose and intended audience of the film:

> "We were misled. The production company told me and the children's families that they were making a small documentary about the phenomenon of the one-teacher village school and that the film would be used primarily for educational purposes. They said it would have a restricted screening, and never discussed marketing the film to make it such a commercial venture....We had no idea that it would be in cinemas all over the country, released on DVD or distributed abroad.[3]

The court ruled that Lopez's attendance at the Cannes film festival, which he attended with some of the students,[7] and his repeated public expressions of satisfaction at its success, constituted his tacit acceptance of the use of his image.[3]

The French media had been critical of Lopez, with one newspaper carrying the headline: "To be and to have: the teacher would rather have." However Lopez said money was never his motivation: "I'm simply trying to make the film company recognise my rights." Lopez was supported in his action by the families of most of his former pupils, some of whom stated that they themselves would also sue the film company.[3]

Lopez said the unexpected attention the film had brought the young students had traumatised some of them:

> "One child, who had been very stable and happy until the film's release, was so distressed by his unexpected fame, that he started wetting the bed, and became afraid of the dark...Other children have been teased at their new secondary schools because of their involvement. All have been subjected to a great deal of stress as a direct consequence of the film."[3]

## Accolades[edit]

Award / Film Festival  | Category  | Recipients and nominees  | Result

|
|
|

BBC Four World Cinema Awards |  |  | Nominated
British Academy Film Awards | Best Film Not in the English Language |  | Nominated
César Awards | Best Film |  | Nominated
Best Director | Nicolas Philibert | Nominated
Best Editing | Nicolas Philibert  | Won
Directors Guild of Great Britain | Outstanding Directorial Achievement in Foreign Language Film  |  | Nominated
European Film Awards | Best Documentary |  | Won
French Syndicate of Cinema Critics | Best French Film  |  | Won
Full Frame Documentary Film Festival | Jury Award  |  | Won
London Film Critics Circle Awards | Foreign Language Film of the Year |  | Nominated
Louis Delluc Prize | Best Film  |  | Won
National Society of Film Critics Awards | Best Non-Fiction Film |  | Won
Online Film & Television Association Award  | Best Documentary Picture  |  | Nominated
Valladolid International Film Festival | Best Documentary  |  | Won

## References[edit]

1. ^ a b "Etre et avoir". JP's Box-Office.
2. ^ "Festival de Cannes: To Be and to Have". festival-cannes.com. Retrieved 2009-11-03.
3. ^ a b c d e Amelia Gentleman (3 October 2004). "Film's fallen hero fights on for his class". The Guardian.
4. ^ "Être et avoir - IMDb" - via www.imdb.com.
5. ^ "To Be and to Have (Etre et Avoir) (2003)". Rotten Tomatoes.
6. ^ "To Be and to Have". Metacritic.
7. ^ a b "French film star teacher sues". The BBC. 13 October 2003.
8. ^ Amelia Gentleman (29 September 2004). "Defeat for teacher who sued over film profits". The Guardian.

## External links[edit]

* To Be and to Have at IMDb
* To Be and to Have at AllMovie
* To Be and to Have at Rotten Tomatoes
* To Be and to Have at Metacritic
* To Be and to Have at Box Office Mojo

Awards for To Be and to Have

* v
* t
* e

European Film Award for Best Documentary

* Recsk 1950-1953: The Story Of A Secret Concentration Camp In Communist Hungary (1989)
* The Crossroad (1990)
* Hear My Cry (1991)
* Earth of the Blind (1992)
* Misfits To Yuppies (1993)
* Angels of Sarajevo (1994)
* Viva Stalin (1995)
* Vendetta - Blood Revenge in Albania (1996)
* Gigi, Monica... et Bianca (1997)
* Tableau avec chutes (1998)
* Buena Vista Social Club (1999)
* The Gleaners and I (2000)
* Black Box BRD (2001)
* To Be and to Have (2002)
* S-21: The Khmer Rouge Killing Machine (2003)
* Darwin's Nightmare (2004)
* The Pipeline Next Door (2005)
* Into Great Silence (2006)
* Paper Cannot Wrap Up Embers (2007)
* René (2008)
* The Sound of Insects – Records of a Mummy (2009)
* Nostalgia for the Light (2010)
* Pina (2011)
* Winter Nomad (2012)
* The Act of Killing (2013)
* Master of the Universe (2014)
* Amy (2015)
* Fire at Sea (2016)
* Communion (2017)
* Bergman: A Year in a Life (2018)
* For Sama (2019)
* Collective (2020)
* Flee (2021)
* Mariupolis 2 (2022)

* v
* t
* e

National Society of Film Critics Award for Best Non-Fiction Film

* Stop Making Sense (1984)
* Shoah (1985)
* Marlene (1986)
* No Award (1987)
* The Thin Blue Line (1988)
* Roger & Me (1989)
* Berkeley in the Sixties (1990)
* Paris Is Burning (1991)
* American Dream (1992)
* Visions of Light (1993)
* Hoop Dreams (1994)
* Crumb (1995)
* When We Were Kings (1996)
* Fast, Cheap & Out of Control (1997)
* The Farm: Angola, USA (1998)
* Buena Vista Social Club (1999)
* The Life and Times of Hank Greenberg (2000)
* The Gleaners and I (2001)
* Standing in the Shadows of Motown (2002)
* To Be and to Have (2003)
* Tarnation (2004)
* Grizzly Man (2005)
* An Inconvenient Truth (2006)
* No End in Sight (2007)
* Man on Wire (2008)
* The Beaches of Agnès (2009)
* Inside Job (2010)
* Cave of Forgotten Dreams (2011)
* The Gatekeepers (2012)
* The Act of Killing / At Berkeley (2013)
* Citizenfour (2014)
* Amy (2015)
* O.J.: Made in America (2016)
* Faces Places (2017)
* Minding the Gap (2018)
* Honeyland (2019)
* Time (2020)
* Flee (2021)
* All the Beauty and the Bloodshed (2022)

Authority control databases

International|

* VIAF

National|

* Germany

Other|

* IdRef

*[v]: View this template
*[t]: Discuss this template
*[e]: Edit this template