Toots in Memphis

1988 studio album by Toots Hibbert

Toots in Memphis

Studio album by

Toots Hibbert

Released| 1988
Studio| Ardent Studios
Genre| Reggae, R&B, soul
Label| Mango Records[1]
Producer| Jim Dickinson
Toots Hibbert chronology
| Reggae Greats
(1984)  | Toots in Memphis
(1988)  | Do the Reggae 1966–70
(1988)

|
|

Toots in Memphis is an album by the Jamaican reggae musician Toots Hibbert.[2][3] Released in 1988, Toots in Memphis was recorded without the Maytals.[4][5] The majority of the album's tracks are covers of American R&B songs.

The album was nominated for a Grammy Award, in the "Best Reggae Recording" category.[6] Toots supported the album by embarking on a three-month tour of North America, where he was backed by his late-1980s lineup of the Maytals.[7]

## Production[edit]

Recorded in 10 days at Ardent Studios, in Memphis, the album was produced by Jim Dickinson.[8][9][10] The backing band included the rhythm section of Sly and Robbie, with Memphis musicians such as guitarist Teenie Hodges; Michael Chung contributed as well.[11][12]

The concept for what became Toots in Memphis transformed over the years. A few years before, Toots had pondered making a roots R&B album with Ry Cooder.[13] The idea for a Memphis album originated in part with Chris Blackwell and record executive Jerry Rappaport, both of whom advocated for some of the song selections.[14] At one point Rappaport had wanted Toots to record in New Orleans with the Neville Brothers; Toots, while in the studio with Dickinson, was somewhat annoyed that he couldn't record more of his original songs.[13]

"Love the Rain" is a version of Ann Peebles's "I Can't Stand the Rain".[15] "See It My Way" is the only song that Toots had a hand in writing.[16]

## Critical reception[edit]

Professional ratingsReview scores

Source| Rating
AllMusic| [17]
Robert Christgau| B+[18]
The Encyclopedia of Popular Music| [19]
The Philadelphia Inquirer| [20]
The Rolling Stone Album Guide| [1]

Spin wrote that "here the concept of 'cover' is transformed to 're-cover'—recover past songs to make a musical future."[21] Robert Christgau thought that "like all aging soul men, he can no longer flush out the gravel at will, but the vocalese is incorrigibly exuberant, the material ranges within the concept, and Sly & Robbie synthesize the unimaginable groove you'd expect."[18] The Gazette noted that "emotionally, Hibbert never loses his focus, even through a weeping performance of 'Love Attack' that would be maudlin were it not so heartfelt."[22] The Sunday Times stated that "here reggae has consciously come full circle, revisiting its own black American roots in the southern soul associated with the Stax label in Memphis."[23]

The Chicago Tribune determined that "sinuous Memphis soul simply explodes when the added rhythmic push of reggae is put behind it"; the paper later named Toots in Memphis the best album of 1988.[24][25] The Philadelphia Inquirer concluded that Toots "has made a reggae album that percolates without compensating, that swings without being bound to the horse-and-buggy rhythm."[20] The St. Louis Post-Dispatch opined that Toots in Memphis "may be the best R&B and the best reggae album to come out this year."[26] The Republican declared: "If you've been bored by scores of lounge bands slamming through 'Knock on Wood' or embarrassed for them as they attempted 'Love and Happiness', you're in for a treat, as Hibbert brings a new dimension to them and rekindles your interest."[27]

AllMusic wrote that "though Toots never quite takes these tunes away from Otis Redding, Al Green, James Carr, or any of the other masters who first recorded them, he never fails to put his own stamp on the material, and the result is one of the great cross-cultural party albums of all times."[17]

## Track listing[edit]

No.| Title| Length

|
|

1.| "I've Got Dreams to Remember"|
2.| "Knock on Wood"|
3.| "Love and Happiness"|
4.| "Love Attack"|
5.| "Hard to Handle"|
6.| "Love the Rain"|
7.| "It's a Shame"|
8.| "Precious, Precious"|
9.| "Freedom Train"|
10.| "See It My Way"|

## References[edit]

1. ^ a b The Rolling Stone Album Guide. Random House. 1992. p. 712.
2. ^ "Toots & the Maytals Biography, Songs, & Albums". AllMusic.
3. ^ Sisario, Ben (September 12, 2020). "Toots Hibbert, a Father of Reggae, Is Dead" - via NYTimes.com.
4. ^ Meschino, Patricia (September 12, 2020). "Toots Hibbert, Reggae Ambassador And Leader Of Toots And The Maytals, Dies At 77" - via NPR.
5. ^ Thompson, Dave (November 14, 2002). "Reggae & Caribbean Music". Hal Leonard Corporation - via Google Books.
6. ^ "Frederick "Toots" Hibbert". GRAMMY.com. April 22, 2021.
7. ^ Plotnikoff, David (January 27, 1989). "THE RULER OF REGGAE HE STARTED IT -- NOW HE TAKES IT ON THE ROAD". San Jose Mercury News. p. 1D.
8. ^ Duffy, Thom (8 Jan 1989). "REGGAE PIONEER TO SHARE SPICED-UP SOUND WITH ORLANDO". Orlando Sentinel. Calendar. p. 17.
9. ^ Walker, Klive (November 14, 2005). "Dubwise: Reasoning from the Reggae Underground". Insomniac Press - via Google Books.
10. ^ Dafoe, Chris (24 Nov 1988). "INSIDE THE SLEEVE POP Toots in Memphis Toots Hibbert". The Globe and Mail. p. C21.
11. ^ "Toots and the Maytals: 15 Essential Songs". Rolling Stone. September 12, 2020.
12. ^ Moskowitz, David Vlado (November 14, 2006). "Caribbean Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall". Greenwood Publishing Group - via Google Books.
13. ^ a b Hoekstra, Dave (February 12, 1989). "The inverted beat goes on for Toots - Reggae master returns to Memphis roots". Chicago Sun-Times. Show. p. 10.
14. ^ Snowden, Don (25 Jan 1989). "Maytals Find Good Vibes in the Memphis Roots of Reggae". Los Angeles Times. Calendar. p. 5.
15. ^ Jones, Malcolm (6 Nov 1988). "Toots Hibbert: Follow that great voice to Memphis". St. Petersburg Times. p. 2F.
16. ^ Toombs, Mikel. "Toots: Reggae's Redding - Jamaican star plays at Belly Up Sunday". The San Diego Union-Tribune. p. C1.
17. ^ a b "Toots in Memphis - Toots Hibbert | Songs, Reviews, Credits | AllMusic" - via www.allmusic.com.
18. ^ a b "Robert Christgau: CG: Toots". www.robertchristgau.com.
19. ^ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 5\. MUZE. p. 591.
20. ^ a b Moon, Tom (16 Oct 1988). "Toots Hibbert Toots in Memphis". The Philadelphia Inquirer. p. L16.
21. ^ Mapp, Ben (Dec 1988). "Spins". Spin. 4 (9): 111.
22. ^ Lepage, Mark (19 Jan 1989). "Toots Hibbert mixes reggae, soul and heart". The Gazette. p. F3.
23. ^ Sandall, Robert (December 11, 1988). "Reggae starts to regenerate as it reverts to its roots". The Sunday Times.
24. ^ Heim, Chris (16 Oct 1988). "Recordings". Chicago Tribune. Arts. p. 28.
25. ^ Heim, Chris (6 Jan 1989). "A year without trend left room for adventure". Chicago Tribune. Friday. p. 60.
26. ^ Pick, Steve (November 4, 1988). "MEMPHIS SOUL WITH A JAMAICAN FLAVOR". St. Louis Post-Dispatch. p. 4F.
27. ^ Hamel, Chris (February 23, 1989). "The Scene". The Republican. p. W7.

*[No.]: Number