Wolfgang Rihm

German composer and teacher (1952–2024)

Wolfgang Rihm

Rihm at the Kölner Philharmonie in 2007

Born| (1952-03-13)13 March 1952

Karlsruhe, Baden-Württemberg, West Germany

Died| 27 July 2024(2024-07-27) (aged 72)

Ettlingen, Baden-Württemberg, Germany

Education| Hochschule für Musik Karlsruhe
Occupations|

* Composer
* academic teacher

Organizations|

* Hochschule für Musik Karlsruhe
* Lucerne Festival Academy

Known for|

* Jakob Lenz
* Die Hamletmaschine
* Dionysos

Works| List of compositions
Awards|

* Bach Prize of Hamburg
* Ordre des Arts et des Lettres
* Ernst von Siemens Music Prize

Wolfgang Rihm (German pronunciation: [ˈvɔlfɡaŋ ˈʁiːm]; 13 March 1952 – 27 July 2024) was a German composer of contemporary classical music and an academic teacher based in Karlsruhe. He was an influential post-war European composer, as "one of the most original and independent musical voices" there,[1] composing over 500 works including several operas.

The premiere of Rihm's Morphonie for orchestra at the 1974 Donaueschingen Festival won him international recognition. Rihm pursued a freedom of expression, combining avant-garde techniques with emotional individuality. His chamber opera Jakob Lenz was premiered in 1977, exploring the inner conflict of a poet's soul. The premiere of his opera Oedipus at Deutsche Oper Berlin in 1987 was broadcast live and recorded as DVD. When his opera Dionysos was first performed at the Salzburg Festival in 2010, it was voted World Premiere of the Year by Opernwelt. He was commissioned to compose a work for the opening of the Elbphilharmonie, and created the song cycle Reminiszenz which was premiered in 2017.

Rihm was professor of composition at the Hochschule für Musik Karlsruhe from 1985, with students including Rebecca Saunders and Jörg Widmann. He was composer in residence for the BBC, at the Lucerne Festival and the Salzburg Festival. He was honoured as an officer of the Ordre des Arts et des Lettres in 2001 and received the Ernst von Siemens Music Prize in 2003.

## Biography

[edit]

### Youth, early work and studies

[edit]

Rihm was born in Karlsruhe on 13 March 1952.[2] His parents were Julius Rihm, a treasurer for Red Cross, and his wife Margarete.[1] He grew up with a sister, Monika.[1] The boy began to compose at age eleven,[3] and wrote a plan for a mass the following year.[4] He was an enthusiastic choir singer, and he often improvised on the organ, creating "sound orgies" in the style of French organists.[5] His cello sonata earned him a prize at the Jugend musiziert competition at age 16. He wrote his second string quartet at age 18.[6]

At the Hochschule für Musik Karlsruhe, he studied music theory and composition with Eugen Werner Velte [de] while still in secondary school.[7] He took his undergraduate final exams in 1972, when he graduated from secondary school. He attended the Darmstädter Ferienkurse from 1970 and studied with Karlheinz Stockhausen in Cologne from 1972 to 1973.[5] Rihm then enrolled at the Hochschule für Musik Freiburg from 1973 to 1976, studying composition with Klaus Huber[8] and musicology with Hans Heinrich Eggebrecht.[4] His other teachers included Wolfgang Fortner and Humphrey Searle.[9]

### Initial successes and teaching

[edit]

The premiere of Rihm's Morphonie at the 1974 Donaueschingen Festival launched his career in the European new music scene.[10] It was regarded as "indecently individual" ("unanständig individuell"). Rihm pursued expressive freedom in clear opposition to established norms.[4] He combined the techniques of then-contemporary classical music with the emotional volatility of Gustav Mahler and the musical expressionism of Arnold Schönberg. Rihm later cited Claude Debussy, saying that Debussy and the expressionist Schönberg combined "minimal formalism and system with the maximal expression". [11] Many regarded this as a revolt against the early Darmstadt School generation of Stockhausen and Pierre Boulez.[4] Dis-Kontur (1974) sounds "rusty and brutal".[12] Sub-Kontur (1975) was premiered 1976 in Donaueschingen. The audience complained about Rihm's "brutal noise", and some critics called it a "fecal piece".[13]

Positive reviews of his early work led to many commissions in the following years. His chamber opera Jakob Lenz premiered in 1977; it explores the inner conflict of a poet's soul without following a linear narrative.[6] In 1978 he became a lecturer at the Darmstädter Ferienkurse.[14] From 1985 onward, he was a composition professor at the Hochschule für Musik Karlsruhe,[15] succeeding his teacher Velte.[4] Rihm followed Velte's approach of educating in open dialogue with the individual student, cultivating freedom of thought.[4]

His opera Die Hamletmaschine, composed between 1983 and 1986 based on Heiner Müller's play, Hamletmachine, premiered at the Nationaltheater Mannheim in 1987. It was described as a "total theatre of sound" and a "non-narrative, ritualistic drama" reminiscent of Stockhausen.[16] He based the libretto for his opera Oedipus, commissioned by Deutsche Oper Berlin on the Greek tragedy by Sophocles and related texts by Friedrich Nietzsche and Heiner Müller.[17] The premiere in October 1987, directed by Götz Friedrich, was broadcast live and recorded as DVD.[18] Rihm's work continued in an expressionist vein. However, the influence of Luigi Nono, Helmut Lachenmann, and Morton Feldman, amongst others, affected his style significantly.[19]

### International successes and honours

[edit]

At Walter Fink's invitation, Rihm was the fifth composer featured in the 1995 Komponistenporträt of the annual Rheingau Musik Festival.[20] The same year, he contributed Communio (Lux aeterna) to the Requiem of Reconciliation.[21] The Free University of Berlin awarded him an honorary doctorate in 1998.[22]

In 2003 Rihm received the Ernst von Siemens Music Prize, as

> ... one of the most prolific and versatile composers of our time. With inexhaustible imagination, a vital creative drive and keen self-reflection, he has created an oeuvre rich in facets, which already comprises over four hundred compositions from all musical genres. Rihm's music manifests his belief in the indestructible existence of the creative individual, who is able to assert his strength and dignity against all external threats.
>  ("... einen der fruchtbarsten und vielseitigsten Komponisten der Gegenwart. Mit unerschöpflicher Phantasie, vitaler Schaffenslust und scharfer Selbstreflexion hat er ein an Facetten reiches Œuvre geschaffen, das schon heute über vierhundert Kompositionen aus allen musikalischen Gattungen umfasst. In Rihms Musik manifestiert sich der Glaube an die unzerstörbare Existenz des schöpferischen Individuums, das seine Kraft und Würde gegen alle äußeren Gefährdungen zu behaupten vermag.")[23]

The New York Philharmonic commissioned and premiered his Two Other Movements in 2004. Matthias Rexroth sang his Kolonos | 2 Fragments by Hölderlin after Sophokles for countertenor and small orchestra in 2008 at the Bad Wildbad Kurhaus, with Antonino Fogliani conducting the Virtuosi Brunensis.[24][25]

In March 2010, the BBC Symphony Orchestra featured Rihm's music in one of their 'total immersion' weekends at the Barbican Centre in London. Using recordings from that weekend, BBC Radio 3 dedicated three Hear and Now programmed to his work.[26]

Entrance to the premiere of Dionysos at the Salzburg Festival 2010

On 27 July 2010, his opera Dionysos (on Nietzsche's late cycle of poems Dionysian-Dithyrambs) was premiered at the Salzburg Festival by Ingo Metzmacher with sets designed by Jonathan Meese.[27][28] In Opernwelt magazine, this performance was voted by critics World Premiere of the Year.[29]

The Trio Accanto premiered his Gegenstück (2006, rev. 2010) for bass saxophone, percussion, and piano on 16 August 2010, celebrating the 80th birthday of Walter Fink.[30] Anne-Sophie Mutter and the New York Philharmonic premiered his violin concerto Lichtes Spiel (Light Games) in Avery Fisher Hall on 18 November 2010.[31]

In 2016 Rihm became artistic director of the Lucerne Festival Academy where young musicians, directors and composers are trained in music of the 20th and 21st centuries.[1] On 11 January 2017, the Elbphilharmonie in Hamburg was inaugurated with the premiere of Reminiszenz, a song cycle for tenor and orchestra that he composed on a commission for the occasion.[1][32] Rihm wrote and dedicated Concerto en Sol to cellist Sol Gabetta in 2020. It was reviewed as a radiant musical portrait.[33] Among his last works were a Stabat Mater and the song cycle Terzinen an den Tod.[4]

### Personal life

[edit]

Rihm lived in Karlsruhe and Berlin.[34] He was married to Johanna Feldhausen-Rihm; they had a son, Sebastian. The marriage ended in divorce. He married Uta Frank in 1992; they had a daughter, Katja. They separated, and Uta Frank died in 2013. He married Verena Weber in 2017.[1]

His friend, the philosopher Peter Sloterdijk, said in an interview: "In a certain way he was an anti-ascetic character", taking pleasure in living. About cooking for friends, Sloterdijk said: "There was always a certain level of form and a certain inventive height. He never just cooked a simple recipe. He was always improvising and inventing."[1]

Rihm was diagnosed with cancer in 2017. He said in an interview in 2020: "Of course, like every person, I'm physically approaching the end. But I'm not at the end of my creative energy."[1]

Rihm died in a hospice[1][35] in Ettlingen on 27 July 2024, at the age of 72.[3][4][6]

## Compositions and style

[edit]

Main article: List of compositions by Wolfgang Rihm

Rihm composed more than 500 works[1] and was particularly known for his operas.[36] 460 of his works were published, and manuscripts are held by the Paul Sacher Foundation.[4]

In the late 1970s and early 1980s, his name was associated with the movement called New Simplicity (Neue Einfachheit), a term popularized by Aribert Reimann.[37] Writing in 1977, Rihm suggested instead New Multiplicity (Neue Vielfalt) or New Clarity (Neue Eindeutigkeit), since he felt his music was not well described as simple.[38]

In the 1980s, Rihm's music was newly described as representing "New Subjectivity" or Neo-expressionism, with its "free figuration, emotional pathos, ... and ... clear individualization", sometimes in relation to contemporaneous art schools like Junge Wilde (also known as Neue Wilde) in Germany or the Transavantgarde (also known as Arte Cifra or Transavantguardia) in Italy.[39] However, Rihm did not seek to belong to any school and said that such things "must not be looked for" in his music.[39] Nonetheless, Yves Knockaert considered that there were important stylistic and philosophical similarities, especially between Rihm's music and the work of Georg Baselitz.[39]

Rihm once said he sought "a new kind of coherence, no longer only restricted to process". He experimented with "loosening coherence" in his "Notebook Compositions": the Musik for drei Streicher (1977), Zwischenblick: "Selbsthenker!" for string quartet (1983–1984), and the String Quartets Nos. 5 and 6. In these, he composed the final version without (much) precomposition or sketches, revision, and correction. Yves Knockaert compared his manner of writing here to the expressionist Schönberg.[40]

He also experimented with writing musical fragments, for example in his Alexanderlieder (1975–1976, described as a "fragmentary song accompaniment"), cuts and dissolves for orchestra (1976–1977), Bagatelles (1977–1978), Lenz-Fragmente (1980), or more recently Fetzen (Scraps) for string quartet and accordion (1999–2004).[41]

The Guardian described his mature work as comprising a "bewildering variety of styles and sounds".[42]

### Reception

[edit]

According to Bachtrack, Rihm was in 2022 in the Top 10 of the most performed living contemporary composer in the world.[43]

## Awards

[edit]

* 1978 Kranichstein Music Prize[44]
* 1978 Reinhold Schneider Prize of the City of Freiburg[44]
* 1981 Beethoven Prize of the City of Bonn[44]
* 1986 Rolf Liebermann Prize for his opera The Hamlet Machine[44]
* 1997 Musical Composition Prize from The Prince Pierre Foundation[44]
* 1998 Jacob Burckhardt Prize [de] from the Johann Wolfgang von Goethe Foundation[44]
* 2000 Bach Prize of the Free and Hanseatic City of Hamburg[44]
* 2001 Royal Philharmonic Society Award for the work Hunts and Forms (Jagden und Formen)[44]
* 2001 Officer of Ordre des Arts et des Lettres by the French Ministry of Foreign Affairs[44]
* 2003 Ernst von Siemens Music Prize[23][44]
* 2004 Medal of Merit from the State of Baden-Württemberg[44]
* 2012 Pour le Mérite[44][45]
* 2014 Grand Cross of Merit with Star of the Federal Republic of Germany[44]
* 2014 Bavarian Maximilian Order for Science and Art[46]
* 2014 Robert Schumann Prize for Poetry and Music[47]
* 2017 European Church Music Prize[44]
* 2018 Foundation Prize of the Ecumenical Foundation for the Bible and Culture[44]
* 2019 German Music Authors' Prize (Lifetime achievement)[48]

### Honorary doctorates

[edit]

* 1998 Free University of Berlin[44]

### Memberships

[edit]

* 1983 Bayerische Akademie der Schönen Künste[49]
* 1986 Academy of Arts, Berlin[49]
* 1996 Deutsche Akademie für Sprache und Dichtung, Darmstadt[49]
* 2000 Freie Akademie der Künste Hamburg[50][49]
* European Academy of Sciences and Arts[51]

## Students

[edit]

For Rihm's notable students, see List of music students by teacher: R to S § Wolfgang Rihm.

Rihm's students included Rebecca Saunders,[1] David Philip Hefti, Márton Illés, and Jörg Widmann.[13] Saunders said about his teaching that "he fought steadily and consequently against polemic thinking, and he encouraged a decidedly personal aesthetic unique to each of his many students."[1] Widmann characterized Rihm as "partially manic-obsessive and always extreme".[52]

## Writings

[edit]

* Rihm, Wolfgang (1997). Mosch, Ulrich (ed.). Ausgesprochen: Schriften und Gespräche (in German). Winterthur: Amadeus Verlag. ISBN 978-3-7957-0395-0.
* Rihm, Wolfgang; Brinkmann, Reinhold (2001). Musik Nachdenken: Reinhold Brinkmann und Wolfgang Rihm im Gespräch (in German). Regensburg: ConBrio Verlag. ISBN 978-3-932581-47-2.
* Rihm, Wolfgang (2002). Mosch, Ulrich (ed.). Offene Enden: Denkbewegungen um und durch Musik (in German). Munich: Hanser Verlag. ISBN 978-3-446-20142-2.

## References

[edit]

1. ^ a b c d e f g h i j k l Brown 2024.
2. ^ Fulker 2017; Brachmann 2024; Büning 2024.
3. ^ a b Leyrer 2024.
4. ^ a b c d e f g h i Büning 2024.
5. ^ a b Reininghaus 2024.
6. ^ a b c Brachmann 2024.
7. ^ Brachmann 2024; Leyrer 2024; Reininghaus 2024.
8. ^ Büning 2024; Hagedorn 2012.
9. ^ Angermann 2016.
10. ^ Büning 2012.
11. ^ Knockaert 2017, 22, 60.
12. ^ Uske, Bernhard (18 June 2018). "Dis-Kontur / Lichtzwang / Sub-Kontur". das Orchester (in German). Retrieved 1 August 2024.
13. ^ a b Révai 2022.
14. ^ Fulker 2017.
15. ^ Leyrer 2024; Hagedorn 2012.
16. ^ Warrack, John and West, Ewan (eds.) (1996). "Rihm, Wolfgang", Concise Oxford Dictionary of Opera, p. 432. Oxford University Press.
17. ^ Universal Edition, Oedipus 2024.
18. ^ Wagner 2014.
19. ^ Maier 2024.
20. ^ Universal Edition 2024.
21. ^ Rihm, Wolfgang (18 August 1995). "Communio (Lux aeterna)". ircam.fr. Archived from the original on 26 March 2023. Retrieved 27 July 2024.
22. ^ Dümling, Albrecht (23 November 1998). "Der Ort der Musik". Der Tagesspiegel (in German). Berlin. Archived from the original on 24 October 2019. Retrieved 24 October 2019.
23. ^ a b Schwenger 2003.
24. ^ "Wolfgang Rihm: Kolonos". universaledition.com. Vienna: Universal Edition. 2008. Archived from the original on 14 September 2023. Retrieved 14 February 2020.
25. ^ Wilske, Hermann (30 September 2008). "Rossini und Rihm in Wildbad". neue musikzeitung. Regensburg. Archived from the original on 4 March 2016. Retrieved 3 September 2017.
26. ^ Hear and Now: Wolfgang Rihm: Episode 1 Archived 17 March 2010 at the Wayback Machine BBC, March 2010
27. ^ Büning 2010.
28. ^ Tommasini, Anthony (1 August 2010). "A Nietzschean Plunge Into Sensual Labyrinths". The New York Times. New York City. Archived from the original on 14 September 2023. Retrieved 25 October 2019.
29. ^ "Das Herz der Opernwelt schlägt nun in Brüssel". Badische Zeitung (in German). Freiburg. 29 October 2011. Archived from the original on 2 September 2017. Retrieved 2 September 2017.
30. ^ Hauff, Andreas (8 September 2010). "Ehrungen und Raritäten. Die Endphase beim Rheingau-Musik-Festival". nmz online (in German). neue musikzeitung. Archived from the original on 27 September 2010. Retrieved 15 July 2017.
31. ^ Vivien Schweitzer (19 November 2010). "Pairing Wolfgangs From Two Eras". The New York Times. Archived from the original on 16 February 2023. Retrieved 23 August 2011.
32. ^ Zander 2024.
33. ^ Schacher 2020.
34. ^ Jeschke 2024.
35. ^ Evangelisch 2024.
36. ^ Mattenberger 2019.
37. ^ Heidenreich 2000, 12; Knockaert 2017.
38. ^ Knockaert 2017, 12.
39. ^ a b c Knockaert 2017, 16.
40. ^ Knockaert 2017, 22.
41. ^ Knockaert 2017, 37–38.
42. ^ Service 2012.
43. ^ "On the up: Bachtrack's Classical Music Statistics 2022". Bachtrack. 5 January 2023. Archived from the original on 7 April 2023. Retrieved 28 July 2023.
44. ^ a b c d e f g h i j k l m n o p Karlsruhe 2024.
45. ^ "Pour le Mérite: Wolfgang Rihm" (PDF). www.orden-pourlemerite.de. 2018. Archived (PDF) from the original on 17 July 2020. Retrieved 16 July 2020.
46. ^ "Bayerischer Maximiliansorden für Jens Malte Fischer und Wolfgang Rihm". Akademie der Wissenschaften und der Literatur, Mainz (in German). 5 December 2014. Archived from the original on 23 September 2020. Retrieved 16 July 2020.
47. ^ "Wolfgang Rihm erhält den Robert Schumann-Preis für Dichtung und Musik". Akademie der Wissenschaften und der Literatur, Mainz (in German). 28 October 2014. Archived from the original on 28 July 2024. Retrieved 16 July 2020.
48. ^ Neuhoff, Bernhard (28 February 2019). "Wolfgang Rihm erhält Deutschen Musikautorenpreis: "Meine Musik ist nicht ängstlich"". br-klassik (in German). Archived from the original on 16 July 2020. Retrieved 16 July 2020.
49. ^ a b c d "Rihm". Akademie der Künste, Berlin (in German). Archived from the original on 16 July 2020. Retrieved 16 July 2020.
50. ^ "Wolfgang Rihm". Freie Akademie der Künste Hamburg (in German). 3 October 2021. Archived from the original on 15 January 2022. Retrieved 14 January 2022.
51. ^ "Members". European Academy of Sciences and Arts. Archived from the original on 8 March 2022. Retrieved 16 July 2020.
52. ^ "Jörg Widmann zum Tod von Wolfgang Rihm: "Teilweise manisch-obsessiv und immer extrem"". ARD Audiothek (in German). 29 July 2024. Retrieved 31 July 2024.

### Cited sources

[edit]

* Angermann, Klaus (2016). "Wolfgang Rihm". In Bermbach, Udo (ed.). Oper im 20. Jahrhundert: Entwicklungstendenzen und Komponisten (in German). Springer Verlag. p. 601\. ISBN 978-3-476-03796-1. Archived from the original on 14 September 2023. Retrieved 3 October 2020.
* Büning, Eleonore (29 July 2010). "Ich bin dein La-La-La-Labyrinth". Frankfurter Allgemeine Zeitung (in German). Frankfurt. Archived from the original on 28 July 2024. Retrieved 2 September 2017.
* Büning, Eleonore (13 March 2012). "Er macht ja doch, was er will!". Frankfurter Allgemeine Zeitung (in German). Frankfurt. Archived from the original on 2 September 2016. Retrieved 25 October 2019.
* Fulker, Rick (13 March 2017). "Free-spirited German composer Wolfgang Rihm at 65". Deutsche Welle.
* Hagedorn, Volker (22 March 2012). "Taumelnd durch Dschungel und Feuer". Die Zeit (in German). Hamburg. Archived from the original on 28 July 2024. Retrieved 25 October 2019.
* Häusler, Josef (2005) [2001]. "Rihm, Wolfgang". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.46321. ISBN 978-1-56159-263-0. (subscription or UK public library membership required)
* Heidenreich, Achim (2000). "Der Komponist – das subjektive Wesen". neue musikzeitung (in German). Regensburg. Archived from the original on 25 October 2019. Retrieved 25 October 2019.
* Knockaert, Yves. 2010. Wolfgang Rihm, a Chiffre: The 1980s and Beyond, fwd. Richard McGregor. Leuven: Leuven University Press. ISBN 978-94-6166-237-8 (ebk). ISBN 978-94-6270-123-6 (pbk).
* Mattenberger, Urs (10 August 2019). "Komponist Wolfgang Rihm: "Fühle mich wie ein Kriegsveteran"". St. Galler Tagblatt (in German). St. Gallen. Archived from the original on 14 September 2023. Retrieved 25 October 2019.
* Révai, Peter (8 September 2022). "Wachsen an der Ablehnung". Republik (in German). Retrieved 31 July 2024.
* Schacher, Thomas (3 February 2020). "Wo viel Licht ist, sollte auch ein bisschen Schatten sein". Neue Zürcher Zeitung (in German). Retrieved 30 July 2024.
* Schwenger, Dietmar (31 January 2003). "Wolfgang Rihm erhält Ernst von Siemens Musikpreis". Musikwoche (in German). Munich. Archived from the original on 24 October 2019. Retrieved 24 October 2019.
* Service, Tom (24 September 2012). "A guide to Wolfgang Rihm's music". The Guardian. London. Archived from the original on 28 July 2024. Retrieved 25 October 2019.
* Stallknecht, Michael (13 March 2022). "Konzerte zum 70. Geburtstag des Komponisten Wolfgang Rihm". Süddeutsche.de (in German). Retrieved 1 August 2024.
* Wagner, Renate (13 February 2014). "DVD Wolfgang Rihm: Oedipus". Online Merker (in German). Retrieved 1 August 2024.
* Williams, Alastair (2013). Music in Germany since 1968. Music Since 1900. Cambridge: Cambridge University Press. ISBN 978-0-521-87759-6.
* "Trauer um Komponisten Wolfgang Rihm". evangelisch.de (in German). Retrieved 1 August 2024.
* "Prof. Wolfgang Rihm, Ph.D. honoris causa | University of Music". Hochschule für Musik Karlsruhe. Archived from the original on 28 May 2024. Retrieved 28 May 2024.
* "Rihm – Oedipus". Universal Edition. 2024. Retrieved 30 July 2020.

#### Obituaries

[edit]

* Brachmann, Jan (27 July 2024). "Zum Tod des Komponisten Wolfgang Rihm / Der Berührbare". Frankfurter Allgemeine Zeitung (in German). Archived from the original on 28 July 2024. Retrieved 27 July 2024.
* Brown, Jeffrey Arlo (29 July 2024). "Wolfgang Rihm, Prolific Contemporary Classical Music Composer, Dies at 72". The New York Times. Retrieved 29 July 2024.
* Büning, Eleonore (29 July 2024). "Der Komponist Wolfgang Rihm hat die Freiheit des künstlerischen Denkens gelebt". Neue Zürcher Zeitung (in German). Retrieved 29 July 2024.
* Franke, Fabian (27 July 2024). ""Die Hamletmaschine": Komponist Wolfgang Rihm ist tot". Die Zeit (in German). Retrieved 27 July 2024.
* Jeschke, Lydia (27 July 2024). "Zum Tod von Wolfgang Rihm: Tonkünstler und Ermutiger zum Eigensinn". SWR (in German). Retrieved 27 July 2024.
* Leyrer, Georg (27 July 2024). "Ein Großer der Neuen Musik: Deutscher Komponist Wolfgang Rihm gestorben". Kurier (in German). Archived from the original on 27 July 2024. Retrieved 27 July 2024.
* Maier, Jan-Hendrik (27 July 2024). "Zum Tod von Wolfgang Rihm". concerti.de (in German). Retrieved 1 August 2024.
* Reininghaus, Frieder (30 July 2024). "Ineinander von Intuition und Wissen – Zum Tod des Komponisten und Musikpublizisten Wolfgang Rihm". Neue Musikzeitung (in German). Retrieved 1 August 2024.
* Zander, Margarete (27 July 2024). "Zum Tod von Wolfgang Rihm: Neue emotionale Welten" (in German). NDR. Retrieved 27 July 2024.
* "Musikgenie und Schlüsselfigur: Komponist Wolfgang Rihm gestorben". Der Tagesspiegel (in German). 27 July 2024. Retrieved 27 July 2024.
* "Komponist Wolfgang Rihm im Alter von 72 Jahren gestorben". Tagesschau (in German). 27 July 2024. Retrieved 27 July 2024.
* "Universal Edition trauert um Wolfgang Rihm (1952–2024)". presseportal.de (in German). 27 July 2024. Archived from the original on 28 July 2024. Retrieved 27 July 2024.
* "Wolfgang Rihm (1952–2024)". University of Music Karlsruhe. 27 July 2024. Retrieved 31 July 2024.

## Further reading

[edit]

* Brachmann, Jan (4 September 2023). "Wolfgang Rihm spricht mit Peter Trawny über Freiheit". FAZ.NET (in German). Retrieved 19 September 2023.
* Clements, Andrew (28 August 1998). "Styles and substance". The Guardian. London. pp. 38, 43. Retrieved 18 May 2020 - via Newspapers.com. continued on page 43.
* Midgette, Anne (17 January 2015). "Rarefied air for Wolfgang Rihm". The Gazette. Montreal. p. 64. Retrieved 18 May 2020 - via Newspapers.com.
* von Greve-Dierfeld, Anika (7 March 2022). "Der Karlsruher Komponist Wolfgang Rihm wird 70". Badische Neueste Nachrichten (in German). Retrieved 8 March 2022.
* Zander, Margarete (8 March 2022). "Wolfgang Rihm wagte den klangvollen Befreiungsschlag". NDR (in German). Retrieved 8 March 2022.
* "Stichworte, Momentaufnahmen, Zitate". Neue Zürcher Zeitung (in German). 24 May 2003. Retrieved 1 August 2024.

## External links

[edit]

* Wolfgang Rihm on The Living Composers Project, worklist
* Wolfgang Rihm on the Universal Edition website
* Interview with Rihm Ensemble Sospeso, New York
* "Wolfgang Rihm (biography, works, resources)" (in French and English). IRCAM.
* Wolfgang Rihm discography at Discogs
* Wolfgang Rihm at IMDb
* Wolfgang Rihm: Interview zum 70. Geburtstag - Opernhaus Zürich on YouTube
* Rihm: Concerto en Sol für Sol Gabetta (Uraufführung) on YouTube

* v
* t
* e

Wolfgang Rihm

List of compositions

Music|

* Jakob Lenz (1978)
* Die Hamletmaschine (1986)
* Oedipus (1987)
* Die Eroberung von Mexico (1992)
* Dionysos (2010)

Related|

* New Simplicity

* Category

* v
* t
* e

Neue Einfachheit (New Simplicity)

* Hans-Jürgen von Bose
* Hans-Christian von Dadelsen
* Detlev Müller-Siemens
* Wolfgang Rihm
* Wolfgang von Schweinitz
* Ulrich Stranz
* Manfred Trojahn

Cologne School|

* Clarence Barlow
* Gerald Barry
* Daniel Chorzempa
* Péter Eötvös
* Christopher Fox
* Johannes Fritsch
* Ladislav Kupkovič
* John McGuire
* Mesías Maiguashca
* Kevin Volans
* Walter Zimmermann

Ny Enkelhed|

* Hans Abrahamsen
* Henning Christiansen
* Pelle Gudmundsen-Holmgreen

* v
* t
* e

Ernst von Siemens Music Prize

* Benjamin Britten (1974)
* Olivier Messiaen (1975)
* Mstislav Rostropovich (1976)
* Herbert von Karajan (1977)
* Rudolf Serkin (1978)
* Pierre Boulez (1979)
* Dietrich Fischer-Dieskau (1980)
* Elliott Carter (1981)
* Gidon Kremer (1982)
* Witold Lutosławski (1983)
* Yehudi Menuhin (1984)
* Andrés Segovia (1985)
* Karlheinz Stockhausen (1986)
* Leonard Bernstein (1987)
* Peter Schreier (1988)
* Luciano Berio (1989)
* Hans Werner Henze (1990)
* Heinz Holliger (1991)
* H. C. Robbins Landon (1992)
* György Ligeti (1993)
* Claudio Abbado (1994)
* Harrison Birtwistle (1995)
* Maurizio Pollini (1996)
* Helmut Lachenmann (1997)
* György Kurtág (1998)
* Arditti Quartet (1999)
* Mauricio Kagel (2000)
* Reinhold Brinkmann (2001)
* Nikolaus Harnoncourt (2002)
* Wolfgang Rihm (2002)
* Alfred Brendel (2004)
* Henri Dutilleux (2004)
* Daniel Barenboim (2005)
* Brian Ferneyhough (2007)
* Anne-Sophie Mutter (2008)
* Klaus Huber (2009)
* Michael Gielen (2010)
* Aribert Reimann (2011)
* Friedrich Cerha (2012)
* Mariss Jansons (2013)
* Peter Gülke (2014)
* Christoph Eschenbach (2015)
* Per Nørgård (2016)
* Pierre-Laurent Aimard (2017)
* Beat Furrer (2018)
* Rebecca Saunders (2019)
* Tabea Zimmermann (2020)
* Georges Aperghis (2021)
* Olga Neuwirth (2022)
* George Benjamin (2023)
* Unsuk Chin (2024)

Portals:

* Classical music
* Opera
* Biography
* Germany
* Music

Authority control databases

International|

* FAST
* ISNI
* VIAF
* WorldCat

National|

* Norway
* France
* BnF data
* Germany
* Israel
* Finland
* Belgium
* United States
* Sweden
* Latvia
* Japan
* Czech Republic
* Australia
* Netherlands
* Poland

Academics|

* CiNii

Artists|

* ADK
* BRAHMS
* MusicBrainz

People|

* BMLO
* Deutsche Biographie
* Trove

Other|

* RISM
* SNAC
* IdRef

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