Wow (Barry)

8th episode of the 4th season of Barry

"wow"

Barry episode
Episode no.| Season 4
Episode 8
Directed by| Bill Hader
Written by| Bill Hader
Produced by|

* Alec Berg
* Bill Hader
* Aida Rodgers
* Liz Sarnoff

Cinematography by| Carl Herse
Editing by|

* Franky Guttman
* Ali Greer

Original air date| May 28, 2023 (2023-05-28)
Running time| 34 minutes
Guest appearances

* Fred Melamed as Tom Posorro
* Charles Parnell as DA Buckner
* Zachary Golinger as John
* Gary Kraus as Chief Krauss
* Tobie Windham as Groove Tube
* Andre Hyland as Live Wire Jason
* Jaeden Martell as Teenage John
* Ross Partridge as Robert
* Julian Zane Chowdhury as Eric
* Jim Cummings as Movie Barry Berkman
* Louisa Krause as Movie Sally Reed
* Michael Cumpsty as Movie Gene Cousineau
* Kimberly Hébert Gregory as Movie Janice Moss

Episode chronology
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"wow" is the series finale of the American dark comedy crime television series Barry. It is the eighth episode of the fourth season and the 32nd overall episode of the series. The episode was written and directed by series creator Bill Hader, who also serves as lead actor. It was first broadcast on HBO in the United States on May 28, 2023, and also was available on Max on the same date.

The series follows Barry Berkman, a hitman from Cleveland who travels to Los Angeles to kill someone but finds himself joining an acting class taught by Gene Cousineau, where he meets aspiring actress Sally Reed and begins to question his path in life as he deals with his criminal associates such as Monroe Fuches and NoHo Hank. The previous seasons saw Barry try to decide between both lives, which culminated in his arrest, while the final season followed his character's escape from prison, runaway life with Sally and eventual return to LA to tie up loose ends and gain control over his legacy. In the finale, Barry sets out to save Sally and their son John, while the conflict between Hank and Fuches reaches its end, and Gene's life faces severe consequences.

According to Nielsen Media Research, the episode was seen by an estimated 0.234 million household viewers and gained a 0.05 ratings share among adults aged 18–49. The final episode received acclaim from critics, who expressed praise for the directing, performances, cinematography and closure. The final scene, however, polarized critics; some viewed it as fitting for the series and as great examination of its themes, while others questioned the logic and characterization. For the episode, Bill Hader received nominations for Outstanding Directing for a Comedy Series and Outstanding Writing for a Comedy Series at the 75th Primetime Emmy Awards.

## Plot[edit]

Hank (Anthony Carrigan) calls Fuches (Stephen Root) to make peace by giving him Barry (Bill Hader), but Fuches is not interested after Hank's attempts to kill him.[a] He changes his mind when Hank shows him Sally (Sarah Goldberg) and John (Zachary Golinger).

Buckner (Charles Parnell) announces to the press that Janice Moss's case has been re-opened. Jim (Robert Wisdom) claims that Gene (Henry Winkler) is a suspect in her death. Sally finally confesses to John that they've been running from the law for eight years, admitting that Barry is an escaped killer. She also states that she killed a man[b] and deserves whatever happens to her. Hank's henchmen arrive and separate them, taking Sally outside to meet Fuches with them.

Fuches arrives at Nohobal with his gang, demanding to see John, then offers to disappear if Hank admits to killing Cristobal. Hank tearfully admits his regrets in failing to keep Cristobal safe. As John is brought out, Hank changes his mind and calls Fuches a liar before reaching for his gun. Fuches quickly shoots Hank and shields John as a shootout erupts, killing all the other gangsters except for Fuches and one of his men. Fuches escorts John away from Nohobal, while a dazed Sally follows them. Barry buys many guns to prepare for battle at Nohobal, but when he arrives, John runs into his arms. Barry exchanges a silent look with Fuches, who walks away into the dark. Hank dies grasping the hand of Cristobal's statue.

At a motel, Sally urges Barry to take responsibility for Janice's death and exonerate Gene, but Barry claims that the three of them surviving means he has been "redeemed". The next morning, Sally and John have already left. At Gene's home, Gene reads negative news articles about him and contemplates suicide, while Tom (Fred Melamed) is leaving when Barry arrives, looking for Sally and John. Realizing they may never come back for him, Barry decides to turn himself in at Tom's insistence and asks him to call the police. A vengeful Gene immediately enters and shoots Barry dead, then silently sits on the couch while Tom calls for an ambulance.

Years later, Sally is a respected high school theater teacher. After an Our Town performance, she runs into Robert (Ross Partridge), a new history teacher at the school. He asks her out for a date, but she declines. With Sally's permission, a well-adjusted teenage John (Jaeden Martell) visits his friend Eric (Julian Zane Chowdhury), who shows him The Mask Collector, the biopic made about Barry that John has waited several years to see, implying that Sally has kept him from seeing it. Barry (Jim Cummings) is portrayed positively as a traumatized Marine who moves to Los Angeles and joins Gene's acting class to cope with his wartime experiences. His history as a hitman is left out, and he is instead manipulated by Gene (Michael Cumpsty), portrayed as a British-accented Chechen mafia leader who uses his acting class as a front for employing his students, including Ryan Madison, to commit crimes. Gene murders Janice (Kimberly Hébert Gregory) while she is investigating Ryan's death and forces Barry to dispose of the body. Barry escapes from prison and rescues his family from the Chechens before Gene repeatedly shoots him in a confrontation at the theater. The film's epilogue states that Gene was sentenced to life in prison after being convicted of the murders of Janice and Barry, while Barry was laid to rest in Arlington National Cemetery with full honors. John cracks a faint smile, finding relief in the film's depiction of Barry's legacy.

## Production[edit]

### Development[edit]

The series finale was written and directed by series co-creator and lead actor Bill Hader.

In March 2023, it was announced that the fourth season of the series would be the last. Bill Hader explained, "What happens in Season 4 is structurally radical in some ways, but it made sense for what I think the characters needed to go through, and what I think the whole show is always kind of headed towards. You realize, well, we could pad a lot of stuff, and just make story. But if we're going forward, it ends in Season 4."[1]

In May 2023, the finale's title was revealed as "wow" and it was announced that series creator and lead actor Bill Hader had written and directed it. This was Hader's twelfth writing credit, and his eighteenth directing credit.[2]

### Writing[edit]

Bill Hader came up with the concept of Gene killing Barry since the second season, where the writers introduced Rip Torn's gun. As such, part of the season was built towards the moment.[3] Hader informed Henry Winkler halfway through the season that Gene would shoot Barry in the end. Winkler expressed surprise at the reveal, although he considered that his character would eventually succumb after the events of the previous episode.[4] Winkler did not believe that the character would think of the consequences, feeling "If this is the ruse that they put me under, it must have been him. And there's no more winning. This is the end of the game."[5] He felt that his character was "close to insanity."[6] Barry's death was filmed twice. A slight difference is that Barry's last words were going to be "You don't have to do this, Mr. Cousineau", before being changed to simply "Oh, wow."[7] Winkler never considered that Gene would kill himself, saying "I'm too valuable. Gene and his own mind were just too valuable to kill himself. There's always another student to Barnum and Bailey."[7] Originally, Gene would not only kill Barry, but Jim Moss as well, as he was manipulated into believing Barry's innocence. Hader viewed it similarly to the assassination of Harvey Milk and George Moscone, but chose to not depict it as the writers felt it was "needless bloodshed."[3]

Anthony Carrigan called Hank's death "poetic", explaining, "Ironically, he wanted to play gangster, and when you're a gangster you tend to die a gangster's death."[8] Regarding Fuches asking Hank to make a "confession", he said, "When Hank is faced with that decision, he's being flooded with guilt and sadness, but there's that danger there as well. I think that's why he couldn't quite fully commit."[9] The shootout was planned by Hader to not glorify violence, but "he didn't want to shy away from from [sic] any of that violence."[9] He further added, "it was surreal seeing this character who I love so much die, but as an actor, I was also letting go of the show as well so there were a lot of things happening all at once."[8] On Hank dying while holding the hand of Cristobal's statue, he said, "it's him seeing very clearly what he has lost in this life based on those choices. There's something beautiful about him ending it holding Cristobal's cold, metal hand — but there's something really terrifying about it."[9]

Commenting on Sally's final scene, Sarah Goldberg said, "She had these huge ambitions and, and what's lovely is, you know, she's sitting there in the car with this bouquet of supermarket flowers next to her. And it could be an Oscar. What it represents to her is a tiny, micro version of that recognition, the contentment that she had been searching for on a massive scale."[10] She viewed the ending as a "happy ending" for Sally, feeling it worked better than having Sally become an actress.[11] She also affirmed that while she grew as a character, she would remain narcissistic, saying "when we leave her, she's still Sally. It's not like she’s completely evolved, but she's in a much better place than when we started. I just thought it was beautiful, poetic, and very, very simple."[10] She also commented on Barry's death, "If this is a morality tale, then there's the question of consequences or repercussions. It's brave storytelling to kill your lead. There's a fun finality to it. It's really over."[12]

## Reception[edit]

### Ratings[edit]

The episode was watched by 0.234 million viewers, earning a 0.05 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.05 percent of all households with televisions watched the episode.[13] This was a slight decrease from the previous episode, which was watched by 0.237 million viewers with a 0.07 in the 18-49 demographics.[14]

### Critical reception[edit]

"wow" received acclaim from critics, however some were left underwhelmed by the final scene. The review aggregator website Rotten Tomatoes reported an 86% approval rating for the episode, with an average rating of 9.4/10 and based on 14 critic's reviews. The site's consensus states: "Clever and tidy, Barry's finale lacks a certain "Wow" factor but serves as a fitting coda to a series that always defied audience expectations."[15]

Ben Rosenstock of Vulture gave the finale a perfect 5 star rating out of 5 and wrote, "It isn't a huge surprise that the show does grant Sally and John some way out in the end. Barry is a dark show but rarely a completely hopeless one. There's a consistency to the moral universe of this series, and in this finale, one pattern holds true: Those who deny their true selves will be punished, while those who endure the pain of seeing themselves with clear eyes will be shown mercy."[16] Stuart Heritage of The Guardian also gave the finale a perfect 5 star rating out of 5 and wrote, "Barry has concluded with 'wow', an episode of television that pulled off the remarkable job of creating a definitive ending and leaping forward a decade (for the second time in a month), while still managing to be the bitter Hollywood satire it always was."[17]

Matt Schimkowitz of The A.V. Club gave the episode a "B+" and wrote, "Over its short run, Barry became a show about the ways we perceive, mythologize, and try to shed ourselves of the responsibility of the violence around us. The ways we turn our heads from it and try to process it. Barry treated its characters as bad guys in a society that celebrates them."[18] Brian Lowry of CNN wrote, "In metaphorical terms the Barry finale, similarly, couldn't entirely redeem the season's shortcomings. But in the moments when it was good the episode captured what had made the series so distinctive and did, indeed, have a 'Wow' factor."[19] Josh Spiegel of /Film wrote, "I'll be honest: while I thought most of 'wow' did an excellent job of wrapping up the stories of these characters, the epilogue — as well as the throughline of what happens to our version of Gene, not the movie version — rings somewhat false."[20]

Alan Sepinwall of Rolling Stone wrote, "There is so much greatness in the finale, just as there has been in Barry as a whole, but it's an oddly muted way to go out — even if you consider the real end of the story to be Barry's final words and the cut to black."[21] Jeremy Gordon of The Atlantic wrote, "By the end, the show was out of surprises. There were no more 'WHAT?!' moments, no more inventive narrative jolts, few examples of that singular comedic register. But perhaps that's the truth about bad people who've finally shed their delusions: They're not that surprising, or funny. In its final episodes, Barry leaned into tragedy and resignation because that's all its characters had left."[22]

### Final scene[edit]

The final scene, in which a teenage John sees Barry's biopic, drew analysis.[23] The A.V. Club said, "In its final frame, Barry asks us to consider what effect watching violence has on us as viewers. With John's slight smile of relief, the mayhem that Barry presented is now fodder for mindless entertainment that belittle the real victims."[18] Alan Sepinwall said, "Even beyond all the facts it gets wildly wrong, The Mask Collector is the hacky Hollywood version of the story we've been watching for the last four seasons. The dialogue is laden with clichés, Barry and Gene's early teacher-student relationship is uncomplicated and straight out of the inspiring professor playbook, and the action has absolutely none of the distinctiveness that Hader and company have deployed on the series. In some ways, the sequence plays less as satire than as a celebration of Barry itself: reminding us one last time of how great and unique it was by letting us see how bad this material could have been handled."[21]

Inkoo Kang of The New Yorker wrote, "At least for the time being, John would rather believe the Hollywood version of his dad. And if some viewers still want to believe that Barry is the hero, or even the antihero, of Barry — a sentiment that Hader himself has expressed befuddlement at — the show seems to imply that they are just as deluded as the character is."[24] James Poniewozik said, "As for Barry, if he was never redeemed in reality, he has been by fiction, in a made-for-Hollywood lie. It's the perfect crime."[25] Goldberg gave her own thoughts, "it felt like it was a very dark commentary on humanity and what we choose to believe. And, you know, you could say the whole of Barry was a metaphor for America."[10] She further added about John, "I hope he's going to be okay. I feel like if he's not, he got it honestly. Like, that's a tough break, having Sally and Barry for parents."[26] Carrigan said, "The ending is essentially what Hollywood would do to this story."[9]

The scene polarized critics. The A.V. Club deemed it fitting with the theme of the series, "Barry was a bad guy with no heart, a product of a violent culture that gave him nothing but a gun and told him to kill. Now, he's a hero. Tricky legacies."[18] Vulture was also positive, writing, "the most curious, ambiguous aspect of this ending is the episode-ending expression on John's face: grief, but also catharsis. It brought me back, again, to all the distorted narratives that have provided these characters meaning over the years: Sally's portrayal of her marriage, Gene's one-person show, or the various embellishments of Barry's military stories. The cinematic version of Barry is a better man than the real Barry, which is why he would've wanted his son to see this — and why Sally doesn't."[16] The Hollywood Reporter wrote, "Barry knows well what kinds of stories we tell to comfort ourselves. In its final half-hour, it refuses to become one itself."[27]

In contrast, Alan Sepinwall criticized the thin characterization of John and also questioned the logic behind the scene, "the series has kept just enough of a toe dipped into the real world that it requires some pretty massive leaps in logic for this to work. You could handwave some of it away as The Mask Collector playing fast and loose with the facts in the manner of many Hollywood biopics. But this is the only version we're seeing of how the story has been interpreted by the public, and John's reaction to it suggests that this is the interpretation he can believe, because he's never heard another one."[21] Josh Spiegel said, "I just continue to find it a little too hard to believe that Gene would be successfully thrown in jail for the murders of both Janice and Barry (especially Janice, seeing as he didn't, y'know, kill her)."[20]

### Accolades[edit]

Award  | Category  | Nominee(s)  | Result  | Ref.

|
|
|
|

Hollywood Critics Association TV Awards | Best Directing in a Broadcast Network or Cable Series, Comedy  | Bill Hader | Nominated  | [28]
Best Writing in a Broadcast Network or Cable Series, Comedy  | Nominated
Primetime Emmy Awards | Outstanding Directing for a Comedy Series | Bill Hader  | Nominated  | [29]
Outstanding Writing for a Comedy Series | Bill Hader  | Nominated
Primetime Creative Arts Emmy Awards | Outstanding Picture Editing for a Single-Camera Comedy Series | Franky Guttman and Ali Greer  | Nominated
Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation | Sean Heissinger, Matthew E. Taylor, John Creed, Rickley W. Dumm, Deron Street, Clay Weber, Michael Brake, Darrin Mann, Alyson Dee Moore, and Chris Moriana  | Nominated
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation | Elmo Ponsdomenech, Teddy Salas, Scott Harber, and Aaron Hasson  | Nominated

## Notes[edit]

1. ^ As depicted in "a nice meal".
2. ^ As depicted in "starting now".

## References[edit]

1. ^ Aurthur, Kate (March 7, 2023). "Bill Hader Explains Why He's Ending 'Barry' With Season 4, HBO Debuts Teaser and Release Date (EXCLUSIVE)". Variety. Archived from the original on March 7, 2023. Retrieved May 28, 2023.
2. ^ "Barry Ep 8: wow". HBO. Retrieved May 28, 2023.
3. ^ a b Chitwood, Adam (June 7, 2023). "Bill Hader Breaks Down the 'Barry' Series Finale: 'He Finally Figured It Out'". TheWrap. Retrieved June 11, 2023.
4. ^ Canfield, David (May 28, 2023). "Barry's Series Finale Left Henry Winkler Speechless". Vanity Fair. Retrieved May 28, 2023.
5. ^ Sepinwall, Alan (May 28, 2023). "'Barry' Finale: Henry Winkler on That Shocking Revenge Moment". Rolling Stone. Retrieved May 28, 2023.
6. ^ Alexander, Bryan (May 28, 2023). "Henry Winkler breaks down Gene Cousineau's final lethal 'Barry' moments: 'The switch went off'". USA Today. Retrieved May 28, 2023.
7. ^ a b Moreau, Justin (May 28, 2023). "'Barry' Ends With a Bang: Henry Winkler Explains the Ending and What's Next for Gene". Variety. Retrieved May 28, 2023.
8. ^ a b Chitwood, Adam (May 28, 2023). "'Barry' Series Finale: Anthony Carrigan Breaks Down Hank's Ending". TheWrap. Retrieved May 28, 2023.
9. ^ a b c d Hailu, Selome (May 28, 2023). "'Barry' Finale: Anthony Carrigan on NoHo Hank's Cristobal Statue and the Consequences of His 'Foolish Nature'". Variety. Retrieved May 28, 2023.
10. ^ a b c Hiatt, Brian (May 28, 2023). "Sarah Goldberg's 'Barry' Exit Interview: Sally's Finale Secrets and More". Rolling Stone. Retrieved May 28, 2023.
11. ^ Nemetz, Dave (May 28, 2023). "Barry's Sarah Goldberg Breaks Down a 'Bleak and Beautiful' Series Finale and Weighs in on Sally's Ultimate Fate". TVLine. Retrieved May 28, 2023.
12. ^ Soloski, Alexis (May 28, 2023). "Sarah Goldberg on the 'Barry' Finale and Bad Decisions". The New York Times. Retrieved May 28, 2023.
13. ^ Metcalf, Mitch (May 31, 2023). "ShowBuzzDaily's Sunday 5.28.2023 Top 150 Cable Originals & Network Finals Updated". Showbuzz Daily. Retrieved May 31, 2023.
14. ^ Salem, Mitch (May 23, 2023). "ShowBuzzDaily's Sunday 5.21.2023 Top 150 Cable Originals & Network Finals Updated". Showbuzz Daily. Retrieved May 23, 2023.
15. ^ "Barry: Season 4, Episode 8". Rotten Tomatoes. Retrieved June 11, 2023.
16. ^ a b Rosenstock, Ben (May 28, 2023). "Barry Series-Finale Recap: Sound and Fury". Vulture. Retrieved May 28, 2023.
17. ^ Heritage, Stuart (May 29, 2023). "Barry finale review – farewell to the true best show on television". The Guardian. Retrieved May 29, 2023.
18. ^ a b c Schimkowitz, Matt (May 28, 2023). "Barry series finale: The Mask Collector". The A.V. Club. Retrieved May 28, 2023.
19. ^ Lowry, Brian (May 29, 2023). "'Barry' goes out in its terms, but only with a marginal 'Wow' factor". CNN. Retrieved May 29, 2023.
20. ^ a b Spiegel, Josh (May 28, 2023). "Barry Season 4 Episode 8 Review: The Best Directed Show On TV Says Goodbye". /Film. Retrieved May 28, 2023.
21. ^ a b c Sepinwall, Alan (May 28, 2023). "'Barry' Finale Is Filled With Blood and Disappointment". Rolling Stone. Retrieved May 28, 2023.
22. ^ Gordon, Jeremy (May 28, 2023). "Barry Finally Gave Up Its Delusions". The Atlantic. Retrieved May 28, 2023.
23. ^ Nemetz, Dave (May 28, 2023). "Barry Series Finale Recap: Did Barry Get a Shot at Redemption? (Plus, Grade It!)". TVLine. Retrieved May 28, 2023.
24. ^ Kang, Inkoo (May 28, 2023). "How "Barry" Went from Hollywood Satire to Existential Epic". The New Yorker. Retrieved May 28, 2023.
25. ^ Poniewozik, James (May 28, 2023). "In the 'Barry' Finale, Hollywood Gets Away with Murder". The New York Times. Retrieved May 28, 2023.
26. ^ Grobar, Matt (May 28, 2023). "'Barry' Finale: Sarah Goldberg Talks Fate Of HBO Series' Characters As A "Bleak But Humorous Commentary On Where We Are" As A Society & An Upcoming Role On 'Industry'". Deadline Hollywood. Retrieved May 28, 2023.
27. ^ Han, Angie (May 29, 2023). "Critic's Notebook: Bleak Series Finale Brings 'Barry' to a Satisfyingly Unsatisfying Close". The Hollywood Reporter. Retrieved May 29, 2023.
28. ^ Anderson, Erik (July 11, 2023). "'The Boys', 'Yellowjackets', 'Abbott Elementary' lead 2023 HCA TV Awards nominations". AwardsWatch. Retrieved July 11, 2023.
29. ^ Moreau, Jordan (July 12, 2023). "Emmys 2023: The Complete Nominations List". Variety. Retrieved July 12, 2023.

## External links[edit]

* "wow" at HBO
* "wow" at IMDb

* v
* t
* e

Barry

Episodes|

| Season 1|

* "Chapter One: Make Your Mark"
* "Chapter Two: Use It"
* "Chapter Three: Make the Unsafe Choice"
* "Chapter Four: Commit... to YOU"
* "Chapter Five: Do Your Job"
* "Chapter Six: Listen With Your Ears, React With Your Face"
* "Chapter Seven: Loud, Fast, and Keep Going"
* "Chapter Eight: Know Your Truth"

|

Season 2|

* "The Show Must Go On, Probably?"
* "The Power of No"
* "Past = Present x Future Over Yesterday"
* "What?!"
* "ronny/lily"
* "The Truth Has a Ring to It"
* "The Audition"
* "berkman > block"

Season 3|

* "forgiving jeff"
* "limonada"
* "ben mendelsohn"
* "all the sauces"
* "crazytimesh*tshow"
* "710N"
* "candy asses"
* "starting now"

Season 4|

* "yikes"
* "bestest place on the earth"
* "you're charming"
* "it takes a psycho"
* "tricky legacies"
* "the wizard"
* "a nice meal"
* "wow"

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*[Ref.]: References
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*[t]: Discuss this template
*[e]: Edit this template