Cristiano Leone

Cristiano Leone and his ancient books

Born|

Naples

Nationality| Italian
Citizenship| Italy
Occupation|

* Philologist
* Artistic Director
* Lecturer
* Cultural producer

Employer| Villa Medici, National Roman Museum, Sciences Po, Bocconi University

Cristiano Leone is an Italian philologist, known for his roles as curator, artistic director and playwright. Currently he teaches at Sciences Po in Paris and the Università Bocconi in Milan.

He has published landmark medievalist works on the fables of Petrus Alphonsi, providing an original genealogy and historical context of these texts. His new translation and informative introduction on Petrus Alphonsi's Disciplina clericalis substantially contributed to understanding Exemplum|Exempla literature in Latin and vernacular. [1]

He was responsible for the cultural programming and for communication at the French Academy in Rome from 2016 to 2019. For this institution, he organised numerous public meetings, curated and coordinated exhibitions with French, Italian and international leading artists.

Since 2019 he runs his own production company, the Cristiano Leone Productions. His curatorial approach seeks to connect and encourage the dialogue between contemporary creation, and historical and artistic heritage.[2]

## Contents

* 1 Research and Teaching
* 2 Artistic direction
* 3 European engagement
* 4 Theatre and television
* 5 Publications
* 6 References
* 7 External links

### Research and Teaching[edit]

Cristiano Leone holds a European PhD in Romance studies (University of Siena), and an Executive Master of Management (Solvay Brussels School of Economics and Management).

He published in 2010 the first commented edition in Italian of the Disciplina clericalis by Petrus Alphonsi.[3] For the Accademia Nazionale dei Lincei, he edited and published for the first time the Alphunsus de Arabicis eventibus[4]

He has taught courses in Linguistics and Philology at the University of Namur, in Humanities and History at Sciences Po in Paris, and in Cultural Programming at the LUISS Business School of Rome. Currently, he is in charge of seminars on Artistic Direction[5] and Performance Art[6] at Sciences Po Paris and lectures on Performing Arts Management at the Bocconi University, as part of the Master in Art Management and Administration[7].

He was in charge of 'Training and Education' at Paris-Sorbonne University from 2014 to 2016, where he coordinated the innovation projects anticipating the unification of the Sorbonne University|Parisian universities.

### Artistic direction[edit]

From 2016 to 2019, Cristiano Leone was in charge of the cultural programming and communication at the Académie de France in Rome - Villa Medici, under Muriel Mayette-Holtz's direction[8]. For this institution, he curated six seasons of the Thursday at the Villa, weekly appointments with masters of contemporary creation. International personalities were invited to interact with the Romans, which contributed to opening the institution to the public[9]. He also coordinated several exhibitions and curated "Ileana Florescu - Les Chambres du Jardin"[10]. In 2016 he took over the artistic direction of the contemporary music festival Villa Aperta. On this occasion, he promoted collaborations between visual artists and musicians, notably inviting the Nobel Prize for Literature Gao Xingjian[11]

For the National Roman Museum and its concession holder Mondadori Electa|Electa, he conceived in 2018 the festival Ō Music, Dance and Art at the Baths of Diocletian. The first edition brought together more than 40 international artists, including Anna Calvi, Seth Troxler, Francesco Tristano, Francis Kurkdjian, and Omar Souleyman.[12]

The festival's second edition in 2019 was rebaptised Ō Tempo di, design, dance, music, theater, cinema and photography at the National Roman Museum. This edition, more extensive, also occupied the Palazzo Altemps and staged among other things a tribute to Fellini by violinist Yury Revich[13], Pierre Yovanovitch, and the danseur étoile Benjamin Pech.[14]

Since 2019, he runs his own production company:Cristiano Leone Productions. In 2020 he produced and directed the first chapter of a series called RADIX, a short film promoted by the Cultural Office of the Palazzo Borghese|Spanish Embassy in Rome, with the collaboration of the Cervantes Institute in Rome and the Spanish Academy.[15] [16]RADIX invited the spanish choreographer Iván Pérez, director of the Dance Theatre Heidelberg DTH since 2018, to interact through the medium of dance with the words of the philosopher Seneca in the setting of the Tempietto del Bramante|Tempietto del Bramante, reviving the shared cultural roots of Italy and Spain. [17]

### European engagement[edit]

He co-authored an open letter to Angela Merkel, François Hollande and Matteo Renzi on the importance of cultural and youth policies to rebuild a European identity, alongside Wim Wenders, Felipe González, and other intellectuals. The tribune was published in Libération[18], Die Welt[19] and La Repubblica.

During the debate on the topic "Europe, Security and Reforms", he spoke at the Italian Chamber of Deputies on September 27, 2017.

For the Institute for International Political Studies|Institute for International Political Studies (ISPI) he wrote an open call to create a large-scale Italian festival aimed to promote the dialogue between contemporary creation and historical heritage.[20]

### Theatre and television[edit]

Cristiano Leone is the author of the program "Il giorno della Libertà" for the Rai 3|Italian national channel Rai 3, broadcast on the occasion of the 30th anniversary of the Fall of the Berlin Wall.[21]

He made his debut as a playwright in 2019, during the 55th season of the National Institute of Ancient Drama (INDA) at the Greek Theatre of Syracuse. He presented an adapted version of the classical greek tragedy The Trojan Women by Euripides, in the acclaimed production directed by Muriel Mayette-Holtz and a set designed by Stefano Boeri.[22]

In 2020, he was the dramaturge and director for the "Processo a Maria-Antonietta" in the Ō Tempo di festival.[23]

### Publications[edit]

Art Catalogs

\- Curatorship

* L’Académie de France à Rome – Villa Médicis. Roma : Mondadori Electa|Electa. 2018. 132 p. ISBN 9788891817679
* Ileana Florescu Le stanze del giardino / Les chambres du jardin. Roma : Mondadori Electa|Electa. 2018. 48 p. ISBN 9788891819635
* Villa Médicis L'Académie de France à Rome raccontée aux plus jeunes / raccontata ai più giovani, Giulia D’Anna Lupo, Chiara Mezzalama, édité par Cristiano Leone. Roma : Mondadori Electa|Electa. 2018. 80 p. ISBN 9788891821461

\- Editorial direction

* Romamor, Anne & Patrick Poirier. Verona : Mondadori Electa. 2019. 93 p.
* Le violon d’Ingres, Verona: Mondadori Electa. 2018. 182 p. ISBN 978-88-918-2205-5
* Take me (I’m yours). Rome: Accademia di Francia a Roma-Villa Medici. 2018
* Katarina Grosse & Tatiana Trouvé, Le numerose irregolarità. Rome: Electa, 2018 ISBN 978-88-918-1880-5
* Elizabeth Peyton & Camille Claudel, Eternelle idole. Rome: Electa. 2017. 96 p. ISBN 978-88-918-1712-9
* Swimming is saving . Rome: Electa. 2017 ISBN 978-88-918-1631-3
* Yoko Ono & Claire Tabouret, One day I broke a mirror. Rome: Electa. 2017 ISBN 978-88-9181337-4
* Messaggera, Annette Messager. Rome : Electa. 2017 ISBN 978-88-9181337-4

Books

* Disciplina clericalis. Roma : Salerno Editrice, collection "Testi e documenti di letteratura e di lingua n˚ 31". 2010. 187 p. ISBN 978-88-8402-689-7
* Alphunsus de Arabicis eventibus. Studio ed edizione critica, Roma : Accademia dei Lincei|Accademia Nazionale de Lincei, collection "Classe di Scienze Morali, Storiche e Filologiche - Memorie serie IX – vol. XXVIII – fasc. 2". 2012 ISBN 978-8-82181-039-8

Articles (selection)

* "Gli epitaffi della ‘Disciplina clericalis’ e della tomba di Giratto: iscrizioni funerarie tra Oriente e Occidente", in Studi mediolatini e volgari, LV. 2009. pp. 97-107.
* "La réception occidentale du Mukhtar al-hikam à travers ses traductions", in Corpus, Genres, Théories et Méthodes: construction d’une base de données, edited by M.-C. Bornes-Varol and M.- S. Ortola. Nancy: Presses Universitaires. 2010. pp. 81-100. ISBN 2814300172
* "Une relecture occidentale de la didactique orientale: de la ‘Disciplina clericalis’ et ses traductions-réécritures", in Didaktisches Erzählen. Formen literarischer Belehrung in Orient und Okzident, edited by R. Günthart e R. Forster. Frankfurt a. M.: Lang. 2010. pp. 227-41. ISBN 3631599994
* "De la Disciplina clericalis à l’Alphunsus de Arabicis eventibus: vers une redéfinition des protagonistes", in Formes dialoguées dans la littérature exemplaire du Moyen ge, directed by M.-A. Polo de Beaulieu, Jacques Berlioz (historian)|J. Berlioz, P. Collomb. Paris: Champion. 2012. pp. 359-75. ISBN 9782745323354
* "La performance è solo live? Qualche considerazione inattuale sul rapporto tra arti performative e strumenti audiovisivi", in Riaprire il sipario, ed. Antonio Capitano. Roma : Albeggi Edizioni. 2021. pp. 141-150. ISBN 978-88-98795-63-5

## References[edit]

1. ↑ Palmer, Nigel F (2010). "Editions of texts - latin". Medium Ævum. 79 (2): 353–359. doi:10.2307/43632458. Retrieved 16 March 2021.
2. ↑ Pojaghi Bettoni, Ottavia (29 February 2020). "Ō - Tempo di: Interview with Cristiano Leone". Wall Street International. Retrieved 16 March 2021.
3. ↑ Ghersetti, Antonella (2010–2011). "Rewiewed works". Quaderni di Studi Arabi. 5/6: 268–269. Retrieved 22 March 2021.`{{cite journal}}`: CS1 maint: date format (link)
4. ↑ ."Alphunsus de Arabicis eventibus". Google Books. Retrieved 16 March 2021.
5. ↑ "CHUM 25F16 - DIRECTION ARTISTIQUE : IMPACT SOCIÉTAL ET CULTUREL". formation.sciences-po.fr. Retrieved 16 March 2021.
6. ↑ "CHUM 25F26 - PERFORMANCE ART". formation.sciences-po.fr. Retrieved 16 March 2021.
7. ↑ "Professional Faculty and Guest Speakers". sdabocconi.it. Retrieved 16 March 2021.
8. ↑ "Activity report 2018" (PDF). Villa Médicis - Académie de France à Rome.
9. ↑ Merida, Reda (10 May 2017). "A Rome, la Villa Médicis est devenue un lieu de culture ouvert à tous". Le Monde. Retrieved 16 March 2021.
10. ↑ "Ileana Florescu Natura, storia e letteratura". Rai Cultura. Retrieved 16 March 2021.
11. ↑ Di Cori, Arianna (7 June 2018). "Nobel, DJ set, concerti, nei viali di Villa Medici si balla fino all'alba". La Repubblica.
12. ↑ "Ō / MUSICA, DANZA, ARTE CONTEMPORANEA". Ministero per i beni culturale beniculturali.it. Retrieved 22 March 2021.
13. ↑ "O Tempo di / Musica OMAGGIO A FELLINI di Yury Revich e Pietro Roffi". beniculturali.it. Ministero della Cultura. Retrieved 16 March 2021.
14. ↑ "Ō TEMPO DI FESTIVAL AL MUSEO NAZIONALE ROMANO". Ministero per i beni culturale beniculturali.it. Retrieved 22 March 2021.
15. ↑ "Radix". Instituto Cervantes. Retrieved 16 March 2021.
16. ↑ Pascual Pérez-Zamora, Patricia. "Intervista a Cristiano Leone". Ufficio Culturale piazzadispagna.es. Retrieved 22 March 2021.
17. ↑ "La creación contemporánea y el patrimonio histórico unen Italia y España". La Vanguardia. EFE. 18 December 2020. Retrieved 16 March 2021.
18. ↑ "La jeunesse au cœur de la renaissance européenne, une urgence vitale". 22 August 2017. Retrieved 16 March 2021.
19. ↑ "Neuanfang für Europa - mit der Jugend, für die Jugend". 21 August 2016. Retrieved 16 March 2021.
20. ↑ Leone, Cristiano. "A "tonic" for the Italy of the future". ispionline.net. Retrieved 16 March 2021.
21. ↑ "Il giorno della libertà". rai.it/ufficiostampa. Retrieved 16 March 2021.
22. ↑ "The Trojan Women". INDA Fondazione. Retrieved 16 March 2021.
23. ↑ Muzi, Valentina. "Marie Antoinette: Donna, Regina e Mito in scena a Roma per il festival Ō". artribune.com. Retrieved 16 March 2021.

## External links[edit]

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