credited with constructing the first musical instrument of the modern violin family
This violin, now at the Metropolitan Museum of Art, may have been part of a set made for the marriage of Philip II of Spain to Elisabeth of Valois in 1559, which would make it one of the earliest known violins in existence.
It was in the workshop of Andrea Amati (ca. 1505-1577) in Cremona, Italy, in the middle of the 16th century that the form of the instruments of the violin family as we know them today first crystallized.
Several of his instruments survive to the present day, and some of them can still be played.[3][4][5]
Many of the surviving instruments were among a consignment of 38 instruments delivered to Charles IX of France in 1534.
Role in the development of the modern violin[edit]
According to a biography by Robert Hargrave Amati was one of the top candidates scholars have advanced for the "inventor of the violin."[1]
The two other candidates he named were Fussen born in a region now part of present day Germany. The other candidate he named was Gasparo' da Salo from Brescia.
The violin-like instruments that existed when Amati began his career only had three strings.[6][7]
Amati is credited with creating the first four stringed violin-like instrument.
↑
William Tydeman, Thomas Norton, Thomas Kyd (1992). Two Tudor Tragedies. Penguin Books. ISBN 9780140445312. Retrieved on 2014-01-21. “...when Gorboduc was first presented, three-string versions featuring in painting of the 1530s, and the four-string version being perfected by Andrea Amati of Cremona (c. 1520-1611), from whom the French King, Francois II, ordered thirty-eight stringed instruments in 1560.”