From EduTechWiki - Reading time: 4 min
Correct hooping together with appropriate backing (stabilizing are important factors for creating embroidery that will stay flat (more or less) and look like on the computer screen. On the software side you also have to take material constraints into consideration, e.g. add pull and push compensation or adapt densities or even the whole design.
There are two basic ways of hooping.
(1) Attach a stabilizer (also called backing) to the back of the fabric and hoop both together
(2) Hoop only the stabilizer and just put the fabric on top, e.g. using fixation glue or an auto-adhesive stabilizer. The latter method is used for creating embroidery patches, but can also be used in some "normal" situations, e.g. for delicate fabrics such as silk.
It is important to hoop tightly. The easiest method is to tighten the hoop with just enough space left for the fabric plus the stabilizer to be squeezed in.
If this does not work, then you can try pulling corners. To do so you may have to loosen the screw.
A well hooped fabric must be tight.
The snow plow test
Glide your finger on the hooped tissue. It should not create "waves"....
The drum test
Tap on the hooped textile. If it sounds like a drum you are fine. This applies to non-elastic tissues without using a stabilizer and elastic tissues that you stabilized (as you should in any case)
There are several types of stabilizers, e.g.
The Brother PR1050X Operation manual (p. 254) recommends fabric/stabilizer combinations of which we reproduce some modified excerpts:
| Fabric/Garment | No. of Backing Pieces | No. of Topping Pieces | Comments |
|---|---|---|---|
| Denim | 1 tear-away | None | Lower speed if problems |
| Terry cloth (bath towels) | 1 tear-away | 1 water soluble | Increase density and avoid small lettering. |
| Fine woven shirts | 1 tear-away | None | For high-density or highly detailed designs use two pieces of lightweight backing |
| Golf shirt | 1 cut-away | Optional | |
| Corduroy | 1 tear-away | 1 water-soluble | Use denser stitcher or denser/more understiches. |
| Lingerie or silk | 1 or 2 lightweight tear-away | Optional | Reduce sewing speed |
| Knitting (sweater) | 1 cut-away or adhesive tear-away | 1 water-soluble | Use tightly woven organza or curtain fabric in a matching color if knits have holes. |
| Sweatshirt | 1 cut-away or adhesive tear-away | Optional | Two layers for detailed designs |
| T-shirt | 1 light-weight cut-away or adhesive tear-away | Optional | Avoid stitch-heavy designs and make them low tension. |
| Fleece jacket | 1 Cut-away or 1 heavy tear away | water soluble | Details depend on how stretchy it is. Use more light weight if the fleece is light. |
As general rule:
The french sister wiki includes some tips with respect to specific products.
Ideally, to embroider on socks, you should have access to a machine with a small arm (e.g. like our Brother PR1050X). One also can wedge a sock onto a small 5x5cm frame of a machine that has a large free arm like our Elna 8300 (already less elegant solution ). Most modern consumer embroidery machines do not have a free arm or if they do, it is too big for a sock. In addition, sometimes small frames have to be purchased in addition.
The Embroider on socks article discusses three methods on how to embroider on a sock using a large frame on any machine.