List of large sensor interchangeable-lens video cameras

From HandWiki - Reading time: 23 min

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List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras

Brand Camera Sensor size Crop factor[1] Lens Mount[2] Recording media[3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
Arri Alexa[4]
Alexa Plus
23.76 x 13.37 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[7] Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Plus 4:3[10]
Alexa M
23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6]
160 - 3200 (800 native) 13.8 stops[11] Rolling 2x and 1.33x desqueeze[8] Optical low pass, IR, UV 0.75 - 120[9]
Arri Alexa Studio 23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6]
160 - 3200 (800 native) 13.8 stops[11] Mechanical 2x and 1.33x desqueeze[8] Optical low pass, IR, UV, ND 0.6-1.3[12] 0.75 - 120[9]
Arri Alexa HD
Alexa HD Plus[13]
23.76 x 13.37 mm 1.52 Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Mini[12] 28.25 x 18.17 mm 1.28 Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 3424 x 2202 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[14]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV 23.98-150
Arri Alexa Mini LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 23.98-90
Arri Alexa SXT[15]
Alexa SXT Plus
28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa SXT Studio[15] 28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT[13]
Alexa XT Plus
Alexa XT M
28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[19] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT Studio[13]
28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, ND 0.6-1.3[12] 0,75 - 120
Arri Alexa XT B+W Monochrome[20] 28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (2000 native) 15 stops[20] Rolling 2x and 1.33x desqueeze[17] Omits bayer filters, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa 65[21] 54.12 x 25.58 mm 0.67 Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Alexa 35[22] 27.99 x 19.22 mm Arri PL, LPL, Canon EF (interchangeable) Codex Compact Drive ARRIRAW, Apple ProRes 4444 XQ 4608 × 3164 160 - 6400 17 stops (log C,-8, +9)[23] Rolling 1x-2x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 0.75 - 120
Arri Amira[24]
23.76 x 13.37 mm 1.52 Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[25] 1920 x 1080 (default)
2048 x 1152 (with 2K license)
3840 x 2160 (in-camera upscaling with license)[26]
160 - 3200 (800 native) 14.5 stops (Log C)[27]
13.1 stops (usable)[28]
Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21
24.9 x 18.15 mm 1.45 Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders)
50 - 320 (D-20)
100 - 800 (D-21, 200 native)[29]
11 stops (Log C data mode, +6, -5)[30] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[31] 15.81 x 8.88 mm CMOS 2.28 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW)
200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[32][33] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60[34]
Blackmagic Pocket Cinema Camera[31]
12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[32][33] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Pocket Cinema Camera 4K[31] 18.96 x 10 mm CMOS 1.9 Active MFT CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[35] 4096 x 2160 (BRAW)
3840 x 2160 (ProRes)
100-25,600

(400 & 3200 dual native ISO)[36]

13.1 stops (BMD Film ISO 400, +5.5, -7.6)
12.3 stops (BMD Film ISO 3200, +5.1, -7.2)[32]
Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[35] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes)
100-25,600

(400 & 3200 dual native ISO)[36]

13.7 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[32]
Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K Pro 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[35] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes)
100-25,600

(400 & 3200 dual native ISO)[36]

13.7 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[32]
Rolling 3.7K 6:5 sensor windowing ND 0.3, 0.6, 0.9 23.98 - 120
Blackmagic Production Camera 4K[31] 21.12 x 11.88 mm CMOS 1.7 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 800 (400 native)[37] 12 stops (BMD Film, per manufacturer)[32]
8.2 stops (usable)[28]
Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[38]
21.12 x 11.88 mm CMOS 1.7 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)[39] 12 stops (BMD Film)[32] Global[40] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS 1.42 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[32] 21.12 x 11.88 mm 1.7 Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)[39] 12 stops (BMD Film) Global[40] None None 23.98 - 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm 1.42 Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Blackmagic Ursa Mini Pro[32] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 60
Blackmagic Ursa Mini Pro G2[41] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL, B4, F-Mount (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW[35] 4608 x 2592 (BRAW)

3840x2160 (Prores)

200 - 3200 (800 native)[42] 15 stops Rolling 3K 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 120
Blackmagic Ursa Mini Pro 12K[43] 27.03 x 14.25 mm 1.42 Canon EF, Arri PL, F-Mount (interchangeable) CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder 12-bit Blackmagic RAW[35] 12,288 x 6480 200 - 3200 (800 native)[42] 14 stops Rolling 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8, optical low pass (OLPF model)[44] 23.98 - 160
Canon C70[45] 26.2 x 13.8 mm 1.46 Canon RF (RF to EF adapter included) SD card 10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light 4096 x 2160 100 - 102,400 (800 native) 12.8 stops[46] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-120
Canon C100
24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[47] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[47] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C200 24.6 x 13.8 mm 1.46 Canon EF CFast 2.0 card, SD card 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card) 4096 x 2160 (Cinema RAW Light)
3840 x 2160 (MPEG4)
160 to 25,600 (100 to 102,400 expanded) 13 stops Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-60 (4K) 23.98-120 (1080p)
Canon C300[48]
24.6 x 13.8 mm 1.46 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[49] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[48]
24.6 x 13.8 mm 1.46 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 12.3 stops (Canon Log 2)[50] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C300 Mark III[51] 26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable with mount kit) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) 4096 x 2160 100 to 102,400 (800 native)[52] 12.8 stops (Canon Log)[53] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6 - 3 1-120 (4K)
1-180 (2K)
Canon C500[48]
26.2 x 13.8 mm 1.37 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders)
320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[54] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C500 Mark II[48]
38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) 5952 x 3140 100 to 102,400 (800 native) 13.1 stops (Canon Log)[55] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C700
C700 GS PL
26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder)
100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[56]
14 stops (GS PL global shutter)
Rolling
Global (GS PL version)
1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (6K), 23.98-120 (2K)
Canon C700 FF 38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
5952 x 3140 (RAW to external recorder)
100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[56]
14 stops (GS PL global shutter)
Rolling
Global (GS PL version)
1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Canon ME20F-SH [57][58] Full frame 35 mm Canon EF 1920 x 1080 800 to 4,560,000 12 stops IR, ND 1/8, 1/64 23.98-59.94
Dalsa Origin II[48]
34 x 17.2 mm 1.06 Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[59] 12 stops[60] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[61] Global None Omits bayer filters 23.98-90
Hitachi SK-UHD8000[62] Super 35 Arri PL 7,680 X 4,320 8K
Ikegami SHK-810[63] Super 35 Arri PL 7,680 X 4,320 8K
Panasonic AF-100, AF-101[64]
17.8 x 10 mm 2.02 Micro Four Thirds AVCHD 1920 x 1080 10.2 stops (-5.9, +4.3)[65] ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[66]
2/3" CCD x 3 4.09 2/3 inch bayonet mount[67] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[68] 2/3" CCD x 3 4.09 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[69] 2/3" CCD x 3 4.09 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panasonic AK-SHB800GJ [70][71] Full frame 35mm CMOS EF lens mount 8K
Panasonic VariCam 35[72] 26.688 mm × 14.184 mm 1.35 35 mm, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 120p
Panasonic VariCam LT 26.688 mm × 14.184 mm 1.35 EF, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 59.94
Panavision Millennium DXL[73] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 800 native 15 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Millennium DXL 2[73] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 1600 native 16 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Genesis[74] 24.89 x 16.86mm 1.45 Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[75] Global None[76] 30 (1-60)
Panavision HD900F[77] 2/3" CCD 4.09 Panavision PV mount HDCAM 1920 x 1080 30 (24)
RED Epic Dragon[48]
30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[78] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Dragon Monochrome[86] 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Mysterium-X[48]
27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic Mysterium-X Monochrome[87] 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic-W Gemini[48]
30.72 x 18 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 5120 x 3000 (r3d)
4096 x 2160 (ProRes, DNxHR)
800, 3200 dual native ISO rating with Standard OLPF)[88] 15.2 stops[89] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RED Epic-W Helium[48]
29.9 x 15.8 mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)
1280-2500 (Balanced ISO rating with Standard OLPF)[88] 15.2 stops[89] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RED Komodo[90] 27.03 x 14.25 mm 1.416 Canon RF CFast 2.0 card 12-bit .r3d 6144 x 3240 12.5 stops (R3D HQ)

12.2 stops (ProRes 422 HQ)[1]

Global Yes No 23.98-40 (6K)

23.98-48 (5K)

23.98-60 (4K)

23.98-120 (2K)

RED One[91]
24.4 x 13.7 mm 1.48 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[92] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[93] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED One Mysterium-X[48]
24.2 x 12.5 mm 1.59 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[92] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[65] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED Raven[94] 23.04 x 10.8 mm 1.56 Canon EF Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes)
250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
RED Scarlet Mysterium-X 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160
80 – 12800 (800 native) 11.9 stops (-7, +5)[65] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
RED Scarlet Dragon 30.7 x 15.8 mm 1.17 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700
80 – 12800 (250 native)[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
RED Scarlet-W Dragon 25.6 x 13.5 mm 1.41 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes)
250 native[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED V-Raptor 40.96 x 21.60 mm 0.93 Canon RF (EF with adapter) CFexpress 16-bit .r3d, ProRes 4444 XQ 8192 × 4320 (r3d)
4096 x 2160 (ProRes)
17 stops[95] Rolling 2x-1.25x desqueeze Combination optical low pass/IR 1-150 (8K)
1-200 (6K)
1-300 (4K)
1-600 (2K)
RED Weapon Dragon 6K 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes)
250 native[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 8K 40.96mm x 21.6mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)
250 native[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
RED Weapon Helium 29.9mm x 15.8mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)
1280-2500 (Balanced ISO rating with Standard OLPF)[88] 15.2 stops[89] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 60 (8K)
RED Weapon Monstro 8K VV 40.96 mm x 21.60 mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)
250-12,800, default 800 17+ stops Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 60 fps (8K)

75 fps (8K 2.4:1)

100 fps (6K 2.4:1)

96 fps (5K)

120 fps (5K 2.4:1)

150 fps (4K 2.4:1)

200 fps (3K 2.4:1)

240 fps (2K)

300 fps (2K 2.4:1)

Sony F35[96]
21.6 x 13.3 mm 1.67 Arri PL 1920 x 1080 400 native[97] 11.3 stops (-5, +6.3)[65] Global 1-60
Sony F65[98]
24.7 x 13.1 mm 1.46 Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[98][99] Mechanical 2x and 1.3x desqueeze[100] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[98]
24 x 12.7 mm 1.46 Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[98] Global 1.3x and 2x desqueeze[101] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[102]
21.6 x 13.3 mm 1.67 E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[103] None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[102]
23.6 x 13.3 mm 1.53 E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 500 native[104] 12 stops (-7, +5)[105] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-EA50 23.5 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 28Mbit/s 1920 x1080 160-5000 Rolling 60, 50, 30, 25, 24
Sony NEX-VG10[106] 23.4 x 15.6 mm 1.54 E-mount AVCHD 24 Mbit/s 1920 x 1080 Rolling 60i, 30
Sony NEX-VG20[107] 23.4 x 15.6 mm 1.54 E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG30 23.4 x 15.6 mm 1.54 E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG900[108] 35.8 x 23.9 mm 1.01 E-mount AVCHD 2.0 28 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony PMW-F3K, PMW-F3L[109]
21.6 x 13.3 mm 1.67 FZ- mount, PL-mount SxS card MPEG2 35 Mbit/s 1440 x 1080 800 native[110] 11.2 stops (-7, +4.3)[65] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm 1.5 E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[111] or altering internal preferences)[112]
2000 native 14 stops[98] Rolling 1.3x and 2x desqueeze[101] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm 1.5 E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[98] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm 1.5 E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[113]) 4096 x 2160 2000 native 14 stops[98] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Sony VENICE[114] 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default 1 E-mount, PL mount (add-on) SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards) 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) 6048 x 4032 (with full frame license)
4096 x 2160 (default)
500 and 2500 dual native 15 stops (-9, +6) Rolling 4:3 sensor-windowing and 2x desqueeze with license ND 0.3-2.4 23.98 - 120 (4K), 23.98 - 60 (6K)
Vision Research, Inc Phantom 65[115] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[116] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[65] 1455 (1080p2570)

Still cameras with video mode

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[117]
27.9 x 18.6 mm Canon EF CF card, SD card 1920 x 1080 11.2 stops (-7, +4.3)[65] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[117]
36 x 24 mm Canon EF CF card 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
36 x 24 mm Canon EF CF card 4096 x 2160 11.7 stops[118] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[117]
36 x 24 mm Canon EF CF card 1920 x 1080 160[119] 11.2 stops (-7, +4.2)[65] Rolling 24, 25, 30 H.264
Canon 5D Mark III[120] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[119] 11.2 stops
11.6 stops (sensor Raw)[121]
Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[122]
35.8 x 23.9mm Canon EF SD card 1920 x 1080 160[119] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[117]
22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[119] 11 stops (-5.5, +5.4)[65] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[117]
22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[119] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[117]
22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 160[119] Rolling 24, 25, 30 H.264
Canon 550D[117]
22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[117]
22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[117]
22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 700D[117]
22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 750D[117]
22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[117][123] 23.1 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[117][124] 23.2 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[125]
36.0 x 23.9 mm Nikon F CF card, XQD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[117]
23.6 x 15.7 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[117]
23.6 x 15.7 mm Nikon F SD card 1920 x 1080 10.2 stops (-6.7, +3.6)[65] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[126]
35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[127]
35.9 x 24 mm Nikon F CF card, SD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[117]
17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[117]
17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[117]
17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[117]
18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[117]
18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[117]
17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[117]
17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 11 stops[128] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Panasonic DC-GH5[117] 19.2 x 13 mm Micro Four Thirds SD card 4096 x 2256 24, 25, 30, 50, 60 (up to 240 at 1920x1080) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling)

Panasonic DC-GH5s[129] 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 400 and 2500[130](800, 5000 in V-Log) 2-60 (4K) 2-180 (HD) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling) max. 400Mbps

Panasonic DC-S1H 35.6 x 23.8mm L-mount SD card 5952 x 3968 640 and 4000 12.7 stops (iso 640)

12.3 stops (iso 4000)

24, 25, 30, 48, 50, 60, 100, 120, 180 AVCHD / H.264 / H.265
Pentax K-01[131]
23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-3 III[132]
23.3 x 15.5 mm Pentax K SD-Card 3840 x 2160 100 Rolling 30p, 24p (60p, 30p, 24p) H264
Pentax K-30[133]
23.7 x 15.7 mm Pentax K SD-Card 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[134]
23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[117]
23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-5N[117]
23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-7[117]
23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60, 29.97 (30) NTSC
50, 25 PAL
AVCHD/MPEG4
Sony SLT-A33[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) ?
Sony SLT-A55[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD/MPEG4
Sony SLT-A65[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[117]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD
Sony SLT-A99[117]
35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders)
3200[135] 14.1 stops[118] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[136] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

See also

References

  1. Compared to 36x24mm still camera sensor
  2. Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
  3. Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
  4. "Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera" (in en-US). http://wideopencamera.com/cameras/arri-makes-a-baby-alexa-alexahd/. 
  5. 5.0 5.1 5.2 "ARRI Group: ALEXA XR MODULE FAQ". http://www.arri.com/camera/alexa/learn/alexa_xr_module_faq/. 
  6. 6.0 6.1 6.2 Bevir2015-02-18T11:32:00+00:00, George. "Arri adds UHD recording to Amira". https://www.broadcastnow.co.uk/arri-adds-uhd-recording-to-amira/5083389.article. 
  7. "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa/subsection/technical_data/. 
  8. 8.0 8.1 8.2 8.3 "ALEXA's Anamorphic De-Squeeze Explained | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/alexas-anamorphic-de-squeeze-explained. 
  9. 9.0 9.1 9.2 9.3 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/news/view/23/alexa-high-speed. 
  10. "Go Anamorphic with the Arri ALEXA Plus 4:3 | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/go-anamorphic-with-the-arri-alexa-plus-43. 
  11. 11.0 11.1 11.2 11.3 "ARRI Alexa Classic & Mini LF Lab Test: Rolling Shutter, Dynamic Range and Latitude" (in en-US). 2021-04-21. https://www.cined.com/arri-alexa-classic-mini-lf-lab-test-rolling-shutter-dynamic-range-and-latitude/. 
  12. 12.0 12.1 12.2 "ALEXA Mini". https://www.arri.com/en/camera-systems/cameras/alexa-mini. 
  13. 13.0 13.1 13.2 "ARRI ALEXA Model comparison". ARRI. http://www.arri.de/camera/digital_cameras/cameras/alexa_model_comparison.html. Retrieved 2011-11-03. 
  14. "New ARRI ALEXA Mini: Same Image Quality in a Much Smaller Package". February 23, 2015. https://nofilmschool.com/2015/02/arri-alexa-mini-smaller-package-price-cost-release-date. 
  15. 15.0 15.1 "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt. 
  16. 16.0 16.1 16.2 16.3 16.4 16.5 16.6 16.7 "ALEXA SXT W". https://www.arri.com/en/camera-systems/cameras/alexa-sxt-w. 
  17. 17.0 17.1 17.2 17.3 17.4 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf. 
  18. 18.0 18.1 18.2 18.3 "ARRI Alexa Internal Filter Module | Film and Digital Times". 4 April 2013. https://www.fdtimes.com/2013/04/03/arri-alexa-internal-filter-module/. 
  19. "Codex working hand in hand with ARRI to deliver better workflow for the ALEXA SXT". March 18, 2015. https://www.newsshooter.com/2015/03/18/codex-working-hand-in-hand-with-arri-to-deliver-better-workflow-for-the-alexa-sxt/. 
  20. 20.0 20.1 "ARRI Rental | ALEXA 65". http://www.arri-rental.com/camera/digital-cinematography/arri-alexa-xt-b-w-new/. 
  21. "ARRI Rental | ALEXA 65". http://www.arrirentalgroup.com/alexa65/. 
  22. "ALEXA 35 - 4.6K Super 35 digital camera | ARRI" (in en-US). https://www.arri.com/en/camera-systems/cameras/alexa-35. 
  23. "ARRI ALEXA 35 Announced – In-depth Video Interview about the New Camera" (in en-US). 2022-05-31. https://www.cined.com/arri-alexa-35-announced-17-stops-of-usable-dynamic-range-claimed/. 
  24. "ARRI Amira Model comparison". ARRI. http://www.arri.com/camera/amira/camera_details/amira/subsection/technical_data/. Retrieved 2013-06-03. 
  25. "AMIRA". https://www.arri.com/en/camera-systems/cameras/amira. 
  26. http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47
  27. "You Might Be Surprised by the Dynamic Range of the New $550 Sony A5100". August 23, 2014. https://nofilmschool.com/2014/08/dynamic-range-new-550-sony-a5100. 
  28. 28.0 28.1 "Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting" (in en). No Film School. http://nofilmschool.com/2015/03/cinema5d-aja-cion-review. 
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