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List of large sensor interchangeable-lens video cameras

Topic: Engineering

 From HandWiki - Reading time: 23 min
Short description: none

List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras

Brand Camera Sensor size Crop factor[1] Lens Mount[2] Recording media[3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
Arri Alexa[4]
Alexa Plus 		23.76 x 13.37 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[7] Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Plus 4:3[10]
Alexa M 		23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 13.8 stops[11] Rolling 2x and 1.33x desqueeze[8] Optical low pass, IR, UV 0.75 - 120[9]
Arri Alexa Studio 23.76 x 17.82 mm 1.52 Arri PL SxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive) 		2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6] 		160 - 3200 (800 native) 13.8 stops[11] Mechanical 2x and 1.33x desqueeze[8] Optical low pass, IR, UV, ND 0.6-1.3[12] 0.75 - 120[9]
Arri Alexa HD
Alexa HD Plus[13]
 23.76 x 13.37 mm 1.52 Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
Arri Alexa Mini[12] 28.25 x 18.17 mm 1.28 Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 3424 x 2202 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[14] 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter SXR drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
 160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV 23.98-150
Arri Alexa Mini LF 36.7 x 25.54 mm 0.98 LPL, ships with Arri PL adapter Codex Compact Drive 12-bit ARRIRAW, ProRes 4444 XQ 4448x3096 (ARRIRAW)
 160 - 3200 (800 native) 13.5 stops[11] Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 23.98-90
Arri Alexa SXT[15]
Alexa SXT Plus 		28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa SXT Studio[15] 28.17 x 18.13 mm[16] 1.28 Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT[13]
Alexa XT Plus
Alexa XT M 		28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[19] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa XT Studio[13]
 28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[17] Optical low pass, IR, UV, ND 0.6-1.3[12] 0,75 - 120
Arri Alexa XT B+W Monochrome[20] 28.17 x 18.13 mm[16] 1.28 Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[16]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade) 		160 - 3200 (2000 native) 15 stops[20] Rolling 2x and 1.33x desqueeze[17] Omits bayer filters, internal ND filter module with filters sold separately[18] 0,75 - 120
Arri Alexa 65[21] 54.12 x 25.58 mm 0.67 Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Alexa 35[22] 27.99 x 19.22 mm Arri PL, LPL, Canon EF (interchangeable) Codex Compact Drive ARRIRAW, Apple ProRes 4444 XQ 4608 × 3164 160 - 6400 17 stops (log C,-8, +9)[23] Rolling 1x-2x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 1.8 0.75 - 120
Arri Amira[24]
 23.76 x 13.37 mm 1.52 Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[25] 1920 x 1080 (default)
2048 x 1152 (with 2K license)
3840 x 2160 (in-camera upscaling with license)[26] 		160 - 3200 (800 native) 14.5 stops (Log C)[27]
13.1 stops (usable)[28] 		Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21 		24.9 x 18.15 mm 1.45 Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders) 		50 - 320 (D-20)
100 - 800 (D-21, 200 native)[29] 		11 stops (Log C data mode, +6, -5)[30] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[31] 15.81 x 8.88 mm CMOS 2.28 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW) 		200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[32][33] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60[34]
Blackmagic Pocket Cinema Camera[31]
 12.48 x 7.02 mm CMOS 2.88 MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[32][33] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Pocket Cinema Camera 4K[31] 18.96 x 10 mm CMOS 1.9 Active MFT CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[35] 4096 x 2160 (BRAW)
3840 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[36]

13.1 stops (BMD Film ISO 400, +5.5, -7.6)
12.3 stops (BMD Film ISO 3200, +5.1, -7.2)[32] 		Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[35] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[36]

13.7 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[32] 		Rolling None None 23.98 - 60
Blackmagic Pocket Cinema Camera 6K Pro 23.1 x 12.99 mm CMOS Canon EF CFast card, SD card, USB-C drives 10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[35] 6144 x 3456 (BRAW)
4096 x 2160 (ProRes) 		100-25,600

(400 & 3200 dual native ISO)[36]

13.7 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)[32] 		Rolling 3.7K 6:5 sensor windowing ND 0.3, 0.6, 0.9 23.98 - 120
Blackmagic Production Camera 4K[31] 21.12 x 11.88 mm CMOS 1.7 Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 800 (400 native)[37] 12 stops (BMD Film, per manufacturer)[32]
8.2 stops (usable)[28] 		Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[38]
 21.12 x 11.88 mm CMOS 1.7 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 1600 (400 native)[39] 12 stops (BMD Film)[32] Global[40] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS 1.42 Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[32] 21.12 x 11.88 mm 1.7 Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw) 		200 - 1600 (400 native)[39] 12 stops (BMD Film) Global[40] None None 23.98 - 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm 1.42 Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Blackmagic Ursa Mini Pro[32] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes) 		200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 60
Blackmagic Ursa Mini Pro G2[41] 25.34 x 14.25 mm 1.42 Canon EF, Arri PL, B4, F-Mount (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW[35] 4608 x 2592 (BRAW)

3840x2160 (Prores)

200 - 3200 (800 native)[42] 15 stops Rolling 3K 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 120
Blackmagic Ursa Mini Pro 12K[43] 27.03 x 14.25 mm 1.42 Canon EF, Arri PL, F-Mount (interchangeable) CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder 12-bit Blackmagic RAW[35] 12,288 x 6480 200 - 3200 (800 native)[42] 14 stops Rolling 1.2:1 sensor windowing and 2x, 1.3x desqueeze IR ND 0.6, 1.2, 1.8, optical low pass (OLPF model)[44] 23.98 - 160
Canon C70[45] 26.2 x 13.8 mm 1.46 Canon RF (RF to EF adapter included) SD card 10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light 4096 x 2160 100 - 102,400 (800 native) 12.8 stops[46] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-120
Canon C100
 24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[47] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
 24.6 x 13.8 mm 1.46 Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[47] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C200 24.6 x 13.8 mm 1.46 Canon EF CFast 2.0 card, SD card 12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card) 4096 x 2160 (Cinema RAW Light)
3840 x 2160 (MPEG4) 		160 to 25,600 (100 to 102,400 expanded) 13 stops Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 23.98-60 (4K) 23.98-120 (1080p)
Canon C300[48]
 24.6 x 13.8 mm 1.46 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[49] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[48]
 24.6 x 13.8 mm 1.46 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 12.3 stops (Canon Log 2)[50] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C300 Mark III[51] 26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable with mount kit) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) 4096 x 2160 100 to 102,400 (800 native)[52] 12.8 stops (Canon Log)[53] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6 - 3 1-120 (4K)
1-180 (2K)
Canon C500[48]
 26.2 x 13.8 mm 1.37 Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders) 		320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[54] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C500 Mark II[48]
 38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable) CFexpress card, SD card, HDMI/HD-SDI recorder 12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders) 5952 x 3140 100 to 102,400 (800 native) 13.1 stops (Canon Log)[55] Rolling 2x and 1.33x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C700
C700 GS PL 		26.2 x 13.8 mm 1.37 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder) 		100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[56]
14 stops (GS PL global shutter) 		Rolling
Global (GS PL version) 		1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (6K), 23.98-120 (2K)
Canon C700 FF 38.1 x 20.1 mm 0.94 Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
5952 x 3140 (RAW to external recorder) 		100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[56]
14 stops (GS PL global shutter) 		Rolling
Global (GS PL version) 		1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Canon ME20F-SH [57][58] Full frame 35 mm Canon EF 1920 x 1080 800 to 4,560,000 12 stops IR, ND 1/8, 1/64 23.98-59.94
Dalsa Origin II[48]
 34 x 17.2 mm 1.06 Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[59] 12 stops[60] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD 2.8 C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[61] Global None Omits bayer filters 23.98-90
Hitachi SK-UHD8000[62] Super 35 Arri PL 7,680 X 4,320 8K
Ikegami SHK-810[63] Super 35 Arri PL 7,680 X 4,320 8K
Panasonic AF-100, AF-101[64]
 17.8 x 10 mm 2.02 Micro Four Thirds AVCHD 1920 x 1080 10.2 stops (-5.9, +4.3)[65] ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[66]
 2/3" CCD x 3 4.09 2/3 inch bayonet mount[67] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[68] 2/3" CCD x 3 4.09 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[69] 2/3" CCD x 3 4.09 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panasonic AK-SHB800GJ [70][71] Full frame 35mm CMOS EF lens mount 8K
Panasonic VariCam 35[72] 26.688 mm × 14.184 mm 1.35 35 mm, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 120p
Panasonic VariCam LT 26.688 mm × 14.184 mm 1.35 EF, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 dual native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 59.94
Panavision Millennium DXL[73] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 800 native 15 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Millennium DXL 2[73] 40.96 x 21.60mm 0.88 Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 1600 native 16 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Genesis[74] 24.89 x 16.86mm 1.45 Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[75] Global None[76] 30 (1-60)
Panavision HD900F[77] 2/3" CCD 4.09 Panavision PV mount HDCAM 1920 x 1080 30 (24)
RED Epic Dragon[48]
 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[78] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Dragon Monochrome[86] 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Mysterium-X[48]
 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic Mysterium-X Monochrome[87] 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic-W Gemini[48]
 30.72 x 18 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 5120 x 3000 (r3d)
4096 x 2160 (ProRes, DNxHR) 		800, 3200 dual native ISO rating with Standard OLPF)[88] 15.2 stops[89] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RED Epic-W Helium[48]
 29.9 x 15.8 mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR) 		1280-2500 (Balanced ISO rating with Standard OLPF)[88] 15.2 stops[89] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RED Komodo[90] 27.03 x 14.25 mm 1.416 Canon RF CFast 2.0 card 12-bit .r3d 6144 x 3240 12.5 stops (R3D HQ)

12.2 stops (ProRes 422 HQ)[1]

Global Yes No 23.98-40 (6K)

23.98-48 (5K)

23.98-60 (4K)

23.98-120 (2K)

RED One[91]
 24.4 x 13.7 mm 1.48 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[92] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[93] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED One Mysterium-X[48]
 24.2 x 12.5 mm 1.59 PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[92] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[65] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED Raven[94] 23.04 x 10.8 mm 1.56 Canon EF Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes) 		250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
RED Scarlet Mysterium-X 27.7 x 14.6 mm 1.38 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160 		80 – 12800 (800 native) 11.9 stops (-7, +5)[65] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
RED Scarlet Dragon 30.7 x 15.8 mm 1.17 PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700 		80 – 12800 (250 native)[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
RED Scarlet-W Dragon 25.6 x 13.5 mm 1.41 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes) 		250 native[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED V-Raptor 40.96 x 21.60 mm 0.93 Canon RF (EF with adapter) CFexpress 16-bit .r3d, ProRes 4444 XQ 8192 × 4320 (r3d)
4096 x 2160 (ProRes) 		17 stops[95] Rolling 2x-1.25x desqueeze Combination optical low pass/IR 1-150 (8K)
1-200 (6K)
1-300 (4K)
1-600 (2K)
RED Weapon Dragon 6K 30.7 x 15.8 mm 1.25 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes) 		250 native[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 8K 40.96mm x 21.6mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR) 		250 native[79] 14.8 stops (RedLogFilm, -8.3, +6.5)[80][81][82] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
RED Weapon Helium 29.9mm x 15.8mm 1.28 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR) 		1280-2500 (Balanced ISO rating with Standard OLPF)[88] 15.2 stops[89] Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 60 (8K)
RED Weapon Monstro 8K VV 40.96 mm x 21.60 mm 0.93 PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR) 		250-12,800, default 800 17+ stops Rolling (optional Motion Mount upgrade adds mechanical shutter)[83] 1.22:1 sensor windowing and 2x/1.3x desqueeze[84] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 60 fps (8K)

75 fps (8K 2.4:1)

100 fps (6K 2.4:1)

96 fps (5K)

120 fps (5K 2.4:1)

150 fps (4K 2.4:1)

200 fps (3K 2.4:1)

240 fps (2K)

300 fps (2K 2.4:1)

Sony F35[96]
 21.6 x 13.3 mm 1.67 Arri PL 1920 x 1080 400 native[97] 11.3 stops (-5, +6.3)[65] Global 1-60
Sony F65[98]
 24.7 x 13.1 mm 1.46 Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[98][99] Mechanical 2x and 1.3x desqueeze[100] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[98]
 24 x 12.7 mm 1.46 Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[98] Global 1.3x and 2x desqueeze[101] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[102]
 21.6 x 13.3 mm 1.67 E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[103] None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[102]
 23.6 x 13.3 mm 1.53 E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 500 native[104] 12 stops (-7, +5)[105] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-EA50 23.5 x 15.6 mm 1.54 E-mount SD card, Memory Stick AVCHD 2.0 28Mbit/s 1920 x1080 160-5000 Rolling 60, 50, 30, 25, 24
Sony NEX-VG10[106] 23.4 x 15.6 mm 1.54 E-mount AVCHD 24 Mbit/s 1920 x 1080 Rolling 60i, 30
Sony NEX-VG20[107] 23.4 x 15.6 mm 1.54 E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG30 23.4 x 15.6 mm 1.54 E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony NEX-VG900[108] 35.8 x 23.9 mm 1.01 E-mount AVCHD 2.0 28 Mbit/s 1920 x 1080 Rolling None 60, 50, 30, 25, 24
Sony PMW-F3K, PMW-F3L[109]
 21.6 x 13.3 mm 1.67 FZ- mount, PL-mount SxS card MPEG2 35 Mbit/s 1440 x 1080 800 native[110] 11.2 stops (-7, +4.3)[65] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm 1.5 E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[111] or altering internal preferences)[112] 		2000 native 14 stops[98] Rolling 1.3x and 2x desqueeze[101] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm 1.5 E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[98] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm 1.5 E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[113]) 4096 x 2160 2000 native 14 stops[98] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Sony VENICE[114] 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default 1 E-mount, PL mount (add-on) SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards) 10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder) 6048 x 4032 (with full frame license)
4096 x 2160 (default) 		500 and 2500 dual native 15 stops (-9, +6) Rolling 4:3 sensor-windowing and 2x desqueeze with license ND 0.3-2.4 23.98 - 120 (4K), 23.98 - 60 (6K)
Vision Research, Inc Phantom 65[115] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[116] 52.1 x 30.5 mm 0.69 Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[65] 1455 (1080p2570)

Still cameras with video mode

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[117]
 27.9 x 18.6 mm Canon EF CF card, SD card 1920 x 1080 11.2 stops (-7, +4.3)[65] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[117]
 36 x 24 mm Canon EF CF card 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
 36 x 24 mm Canon EF CF card 4096 x 2160 11.7 stops[118] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[117]
 36 x 24 mm Canon EF CF card 1920 x 1080 160[119] 11.2 stops (-7, +4.2)[65] Rolling 24, 25, 30 H.264
Canon 5D Mark III[120] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[119] 11.2 stops
11.6 stops (sensor Raw)[121] 		Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[122]
 35.8 x 23.9mm Canon EF SD card 1920 x 1080 160[119] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[117]
 22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[119] 11 stops (-5.5, +5.4)[65] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[117]
 22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[119] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[117]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 160[119] Rolling 24, 25, 30 H.264
Canon 550D[117]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[117]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[117]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 700D[117]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 750D[117]
 22.3 x 14.9 mm Canon EF/EF-S SD card 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[117][123] 23.1 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[117][124] 23.2 x 15.4 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[125]
 36.0 x 23.9 mm Nikon F CF card, XQD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[117]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[117]
 23.6 x 15.7 mm Nikon F SD card 1920 x 1080 10.2 stops (-6.7, +3.6)[65] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[126]
 35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[127]
 35.9 x 24 mm Nikon F CF card, SD card 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[117]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[117]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[117]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[117]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[117]
 18.89 x 14.48 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[117]
 17.3 x 13 mm Micro Four Thirds SD card 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[117]
 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 11 stops[128] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Panasonic DC-GH5[117] 19.2 x 13 mm Micro Four Thirds SD card 4096 x 2256 24, 25, 30, 50, 60 (up to 240 at 1920x1080) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling)

Panasonic DC-GH5s[129] 17.3 x 13 mm Micro Four Thirds SD card 4096 x 2160 400 and 2500[130](800, 5000 in V-Log) 2-60 (4K) 2-180 (HD) AVCHD / H.264 / H.265

(10bit color and 4:2:2 chroma subsampling) max. 400Mbps

Panasonic DC-S1H 35.6 x 23.8mm L-mount SD card 5952 x 3968 640 and 4000 12.7 stops (iso 640)

12.3 stops (iso 4000)

24, 25, 30, 48, 50, 60, 100, 120, 180 AVCHD / H.264 / H.265
Pentax K-01[131]
 23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-3 III[132]
 23.3 x 15.5 mm Pentax K SD-Card 3840 x 2160 100 Rolling 30p, 24p (60p, 30p, 24p) H264
Pentax K-30[133]
 23.7 x 15.7 mm Pentax K SD-Card 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[134]
 23.4 x 15.6 mm Pentax K SD-Card 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[117]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-5N[117]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60 (30) AVCHD
Sony NEX-7[117]
 23.4 x 15.6 mm E-mount 1920 x 1080 Rolling 60, 29.97 (30) NTSC
50, 25 PAL 		AVCHD/MPEG4
Sony SLT-A33[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) ?
Sony SLT-A55[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries) 		AVCHD/MPEG4
Sony SLT-A65[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[117]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries) 		AVCHD
Sony SLT-A99[117]
 35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders) 		3200[135] 14.1 stops[118] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[136] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

See also

References

  1. ↑ Compared to 36x24mm still camera sensor
  2. ↑ Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
  3. ↑ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
  4. ↑ "Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera" (in en-US). http://wideopencamera.com/cameras/arri-makes-a-baby-alexa-alexahd/. 
  5. ↑ 5.0 5.1 5.2 "ARRI Group: ALEXA XR MODULE FAQ". http://www.arri.com/camera/alexa/learn/alexa_xr_module_faq/. 
  6. ↑ 6.0 6.1 6.2 Bevir2015-02-18T11:32:00+00:00, George. "Arri adds UHD recording to Amira". https://www.broadcastnow.co.uk/arri-adds-uhd-recording-to-amira/5083389.article. 
  7. ↑ "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa/subsection/technical_data/. 
  8. ↑ 8.0 8.1 8.2 8.3 "ALEXA's Anamorphic De-Squeeze Explained | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/alexas-anamorphic-de-squeeze-explained. 
  9. ↑ 9.0 9.1 9.2 9.3 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/news/view/23/alexa-high-speed. 
  10. ↑ "Go Anamorphic with the Arri ALEXA Plus 4:3 | AbelCine". https://www.abelcine.com/articles/blog-and-knowledge/tutorials-and-guides/go-anamorphic-with-the-arri-alexa-plus-43. 
  11. ↑ 11.0 11.1 11.2 11.3 "ARRI Alexa Classic & Mini LF Lab Test: Rolling Shutter, Dynamic Range and Latitude" (in en-US). 2021-04-21. https://www.cined.com/arri-alexa-classic-mini-lf-lab-test-rolling-shutter-dynamic-range-and-latitude/. 
  12. ↑ 12.0 12.1 12.2 "ALEXA Mini". https://www.arri.com/en/camera-systems/cameras/alexa-mini. 
  13. ↑ 13.0 13.1 13.2 "ARRI ALEXA Model comparison". ARRI. http://www.arri.de/camera/digital_cameras/cameras/alexa_model_comparison.html. Retrieved 2011-11-03. 
  14. ↑ "New ARRI ALEXA Mini: Same Image Quality in a Much Smaller Package". February 23, 2015. https://nofilmschool.com/2015/02/arri-alexa-mini-smaller-package-price-cost-release-date. 
  15. ↑ 15.0 15.1 "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt. 
  16. ↑ 16.0 16.1 16.2 16.3 16.4 16.5 16.6 16.7 "ALEXA SXT W". https://www.arri.com/en/camera-systems/cameras/alexa-sxt-w. 
  17. ↑ 17.0 17.1 17.2 17.3 17.4 "ARRI Media GMBH :: 404 Not Found". http://www.arrimedia.com/downloads/download/101/arri-alexa-pocket-guide.pdf. 
  18. ↑ 18.0 18.1 18.2 18.3 "ARRI Alexa Internal Filter Module | Film and Digital Times". 4 April 2013. https://www.fdtimes.com/2013/04/03/arri-alexa-internal-filter-module/. 
  19. ↑ "Codex working hand in hand with ARRI to deliver better workflow for the ALEXA SXT". March 18, 2015. https://www.newsshooter.com/2015/03/18/codex-working-hand-in-hand-with-arri-to-deliver-better-workflow-for-the-alexa-sxt/. 
  20. ↑ 20.0 20.1 "ARRI Rental | ALEXA 65". http://www.arri-rental.com/camera/digital-cinematography/arri-alexa-xt-b-w-new/. 
  21. ↑ "ARRI Rental | ALEXA 65". http://www.arrirentalgroup.com/alexa65/. 
  22. ↑ "ALEXA 35 - 4.6K Super 35 digital camera | ARRI" (in en-US). https://www.arri.com/en/camera-systems/cameras/alexa-35. 
  23. ↑ "ARRI ALEXA 35 Announced – In-depth Video Interview about the New Camera" (in en-US). 2022-05-31. https://www.cined.com/arri-alexa-35-announced-17-stops-of-usable-dynamic-range-claimed/. 
  24. ↑ "ARRI Amira Model comparison". ARRI. http://www.arri.com/camera/amira/camera_details/amira/subsection/technical_data/. Retrieved 2013-06-03. 
  25. ↑ "AMIRA". https://www.arri.com/en/camera-systems/cameras/amira. 
  26. ↑ http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47
  27. ↑ "You Might Be Surprised by the Dynamic Range of the New $550 Sony A5100". August 23, 2014. https://nofilmschool.com/2014/08/dynamic-range-new-550-sony-a5100. 
  28. ↑ 28.0 28.1 "Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting" (in en). No Film School. http://nofilmschool.com/2015/03/cinema5d-aja-cion-review. 
  29. ↑ "ARRI Group: Camera Details". http://www.arri.com/camera/alexa/cameras/camera_details/5/subsection/overview/. 
  30. ↑ http://www.arricsc.com/pdf/d21_manual.pdf [bare URL PDF]
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  32. ↑ 32.0 32.1 32.2 32.3 32.4 32.5 32.6 32.7 32.8 "Blackmagic URSA Mini Pro | Blackmagic Design". https://www.blackmagicdesign.com/products/blackmagicursaminipro. 
  33. ↑ 33.0 33.1 "Cinematography | Blackmagic Cinema Camera: The Perfect Training Ground for Cinematographers | Hurlbut Visuals". https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/. 
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  36. ↑ 36.0 36.1 36.2 "Blackmagic Pocket Cinema Camera 4K - Dual ISO Explained and Lowlight Footage" (in en). 2018-09-11. https://www.cinema5d.com/blackmagic-pocket-cinema-camera-4k-dual-iso-explained-and-lowlight-footage/. 
  37. ↑ "4K is here! Blackmagic Production Camera Review". March 5, 2014. https://www.eoshd.com/2014/03/4k-is-here-blackmagic-production-camera-review/. 
  38. ↑ "Blackmagic Ursa". Blackmagic. http://www.blackmagicdesign.com/products/blackmagicursa. Retrieved 2013-04-13. 
  39. ↑ 39.0 39.1 "Archived copy". http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf. 
  40. ↑ 40.0 40.1 "Blackmagic Design: View Press Release". http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307. 
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  42. ↑ 42.0 42.1 Coalition, ProVideo (2018-11-14). "URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update" (in en-US). https://www.provideocoalition.com/blackmagic-design-ursa-mini-pro-gets-3200-iso-with-firmware-6-0-update/. 
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  44. ↑ Tomkies, Pete (2023-04-19). "Blackmagic Design launches URSA Mini Pro 12K OLPF" (in en-US). https://www.videomaker.com/news/blackmagic-design-launches-ursa-mini-pro-12k-olpf/. 
  45. ↑ "Canon EOS C70: Cinema Camera | Canon U.S.A., Inc.". https://www.usa.canon.com/shop/p/eos-c70?color=Black&type=New. 
  46. ↑ Machu, Gunther (2022-05-10). "Canon EOS C70 Lab Test with the RAW update: Rolling Shutter, Dynamic Range and Latitude" (in en-US). https://www.cined.com/canon-eos-c70-lab-test-with-the-raw-update-rolling-shutter-dynamic-range-and-latitude/. 
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  51. ↑ Canon C300 Mark III EF-Mount Specs. Canon.
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  57. ↑ "CanonME20F-SH Multi-Purpose Camera". https://www.bhphotovideo.com/c/product/1187825-REG/canon_1002c002_me20f_sh_multi_purpose_camera.html. 
  58. ↑ "キヤノン：多目的カメラ ME20F-SH｜概要". https://cweb.canon.jp/bctv/lineup/multipurpose/. 
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  60. ↑ "Bolex goes digital with the D16 Cinema Camera". 25 December 2013. https://newatlas.com/digital-bolex-d16-cinema-camera/30239/. 
  61. ↑ "Website is under construction". https://digitalbolex.com/. 
  62. ↑ "SK-UHD8000 Series 8K (SHV) Studio, Field Production Camera | Hitachi Kokusai Electric America, Ltd.". https://www.hitachikokusai.com/BroadcastandProfessionalCameras/SK-UHD8060.html#P8_622. 
  63. ↑ "SHK-810 8K Super Hi-Vision Camera System |". https://www.ikegami.com/archives/menu1/shk-810. 
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  67. ↑ Panasonic Canon 2/3" HD CAC Lens with 2x extender, Panasonic Camcorder Accessories - Panasonic Solutions Company
  68. ↑ Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder, P2HD Solid-State Camcorder - Panasonic Professional Video Cameras
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