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Flying Africans

Topic: Unsolved

 From HandWiki - Reading time: 6 min
Short description: African diaspora legend
The flying Africans legend reflects a longing for a reversal of the Middle Passage in the Atlantic slave trade.

Flying Africans are figures of African diaspora legend who escape enslavement by a magical passage back over the ocean. Most noted in Gullah culture, they also occur in wider African-American folklore, and in that of some Afro-Caribbean peoples.[1]

Though it is generally agreed that the legend reflects a longing for a reversal of the Atlantic slave trade, scholars differ on the extent to which this should be seen as supernatural belief or as allegory: of freedom, death, the afterlife, and even metamorphosis or reincarnation. A common Gullah etiology given for this belief is the 1803 mass suicide at Igbo Landing as a form of resistance among newly enslaved people, although versions of the legend also occur across the African diaspora.[2][3][4][5]

Folklore

In a Gullah context, the flying Africans are associated with Hoodoo spirituality, and sometimes perform their ascension through a ritual like a ring shout. Gullah lore also associates flying Africans with a magical iron hoe that works by itself, and a never-empty pot that they leave behind,[6][7] perhaps relating to the influence of the Yoruba deity Ogun on Hoodoo. Another figure described in Gullah lore as flying on occasion and eventually returning to Africa is the folk hero John the Conqueror.

Some versions have the Africans shapeshifting into turkey buzzards.

Sometimes flight is mentioned as a general ability of select ancestors, outside of the specific context of an African return. Flight could be by an individual, by a married couple (who might have to leave behind their children if not African-born),[6] or as a collective act. In some Caribbean versions, salt prevents people from flying, perhaps linked to the soucouyant tradition.[8] The means of flight varied, from levitation, to growing wings, to turning into birds (sometimes buzzards),[6] or in the case of the Igbo Landing drownings, they were allegorized as walking on water to Africa.

The legend has been compared to the flying imagery found in a number of spirituals, and also to the metaphor of a "caged bird".[9] Spirituals in this vein include "Swing Low, Sweet Chariot", "Now Let Me Fly" and "All God's Chillun Got Wings".[10] Harriet Tubman experienced dreams of flying "like a bird" in her youth.[11]

Legacy

The legend appears a number of times in interviews for the Federal Writers' Project Slave Narrative Collection of the 1930s, though given the circumstances these are difficult to interpret; it appears in somewhat greater cultural detail in the slightly later Drums and Shadows. Zora Neale Hurston includes a Jamaican version in her 1938 Tell My Horse, where those who have consumed salt are unable to fly away. John Bennett in 1946 published a story under the title of the spiritual "All God's Chillun Got Wings" as told to him by Caesar Grant.[10] It appears in The Book of Negro Folklore of 1958, edited by Langston Hughes and Arna Bontemps.

Ralph Ellison's short story Flying Home was written in 1967. It is mentioned in Ishamel Reed's 1976 Flight to Canada. Toni Morrison's 1977 novel Song of Solomon references the legend directly, and it is also alluded to in much of her other writing.[12] In interviews, Morrison emphasized the flying Africans as a real folk belief, not a mere metaphor. It also appears in Octavia Butler's 1980 Wild Seed,[13][14] Paule Marshall's 1983 Praisesong for the Widow and Charles R. Johnson's 1990 Middle Passage.[15]

The legend itself is included as the title story of Virginia Hamilton's 1986 collection The People Could Fly: American Black Folktales, and in the 2004 standalone reissue The People Could Fly: The Picture Book, with enhanced illustrations by Leo and Diane Dillon.

Before Yesterday We Could Fly at the Metropolitan Museum of Art.

Julie Dash's 1991 film Daughters of the Dust quotes from Praisesong for the Widow at Igbo Landing. In Dash's research for the film, she found Igbo Landing had such salience that it was identified by tradition in many local places in the Gullah region. Faith Ringgold utilized elements of the legend in her 1991 illustrated children's book Tar Beach,[16][17] and in subsequent artworks including the 1996 subway mosaic Flying Home: Harlem Heroes and Heroines at 125th Street station, also inspired by the Lionel Hampton composition "Flying Home". Ngozi Onwurah's 1994 film Welcome II the Terrordome references the appearance in Daughters of the Dust. The legend is the basis for the song "We Could Fly" on Rhiannon Giddens's 2017 album Freedom Highway.[18] Sophia Nahli Allison began her Dreaming Gave Us Wings self portrait series in 2017,[19] including an experimental documentary in The New Yorker.[20] Hamilton's collection also inspired the naming of the 2021 Metropolitan Museum of Art exhibition Before Yesterday We Could Fly.

References

  1. ↑ Walters (1997). ""One of Dese Mornings, Bright and Fair,/Take My Wings and Cleave De Air": The Legend of the Flying Africans and Diasporic Consciousness". MELUS 22 (3): 3–29. doi:10.2307/467652. https://www.jstor.org/stable/467652. Retrieved 4 June 2022. 
  2. ↑ Wilentz, Gay (1989). "If You Surrender to the Air: Folk Legends of Flight and Resistance in African American Literature". MELUS 16 (1): 21–32. doi:10.2307/467579. ISSN 0163-755X. https://www.jstor.org/stable/467579. 
  3. ↑ McDaniel, Lorna (1990-01-01). "The flying Africans: extent and strength of the myth in the Americas". New West Indian Guide / Nieuwe West-Indische Gids 64 (1–2): 28–40. doi:10.1163/13822373-90002024. ISSN 1382-2373. https://brill.com/view/journals/nwig/64/1-2/article-p28_3.xml. 
  4. ↑ Young, Jason R. (2017-01-15). "All God's Children Had Wings: The Flying African in History, Literature, and Lore". Journal of Africana Religions 5 (1): 50–70. doi:10.5325/jafrireli.5.1.0050. ISSN 2165-5405. https://doi.org/10.5325/jafrireli.5.1.0050. 
  5. ↑ Dewulf, Jeroen (2021). "Flying Back to Africa or Flying to Heaven? Competing Visions of Afterlife in the Lowcountry and Caribbean Slave Societies" (in en). Religion and American Culture 31 (2): 222–261. doi:10.1017/rac.2021.12. ISSN 1052-1151. https://www.cambridge.org/core/journals/religion-and-american-culture/article/abs/flying-back-to-africa-or-flying-to-heaven-competing-visions-of-afterlife-in-the-lowcountry-and-caribbean-slave-societies/AF2CB1BE232D2BDC7DF8A1D4228DD45D. 
  6. ↑ 6.0 6.1 6.2 Prahlad, Anand (2016-08-08). "Flying Africans" (in en). African American Folklore: An Encyclopedia for Students. ABC-CLIO. pp. 103. ISBN 978-1-61069-930-3. https://books.google.com/books?id=x92uDAAAQBAJ&pg=PA103. 
  7. ↑ Jarmon, Laura C. (2003) (in en). Wishbone: Reference and Interpretation in Black Folk Narrative. Univ. of Tennessee Press. pp. 119. ISBN 978-1-57233-273-7. https://books.google.com/books?id=nDWpzcZHzWUC&pg=PA119. 
  8. ↑ Aurelia, Dominique (2007-02-20). "Crossing Troubled Seas: The Metaphor of Flight in Caribbean Literature". King's College London. https://www.academia.edu/2377216. 
  9. ↑ Fielder, Brigitte (2021). ""As the Crow Flies": Black Children, Flying Africans, and Fantastic Futures in The Brownies' Book". The Journal of the History of Childhood and Youth 14 (3): 413–436. doi:10.1353/hcy.2021.0041. ISSN 1941-3599. https://muse.jhu.edu/article/804293. 
  10. ↑ 10.0 10.1 Gates, Henry Louis Jr., ed (2017-11-14) (in en). The Annotated African American Folktales. The Annotated Books. Liveright Publishing. pp. 203. ISBN 978-0-87140-756-6. https://books.google.com/books?id=ITtbDgAAQBAJ&pg=PT203. 
  11. ↑ Oertel, Kristen T. (2015-08-20) (in en). Harriet Tubman: Slavery, the Civil War, and Civil Rights in the 19th Century. Routledge. ISBN 978-1-135-94897-9. https://books.google.com/books?id=ebZmCgAAQBAJ&pg=PT34. 
  12. ↑ Beaulieu, Elizabeth Ann (2003). "Flying Africans, Myth of" (in en). The Toni Morrison Encyclopedia. Greenwood Publishing Group. pp. 122. ISBN 978-0-313-31699-9. https://books.google.com/books?id=RHVQ8-7Db2gC&pg=PA122. 
  13. ↑ Davis, Sarah Elizabeth (2015-09-30). The Heterotopia of Flight: Resisting the Domestic (PhD dissertation). Graduate Center, City University of New York.
  14. ↑ McCoy, Beth A. (2017). "Flights of Principled Fancy Dress: Steve Prince's Katrina Suite and the Neo-Slave Narrative". Callaloo 40 (4): 183–200. doi:10.1353/cal.2017.0143. ISSN 1080-6512. https://muse.jhu.edu/article/723045. 
  15. ↑ Fontenot, Chester J.; Gardner, Sarah; Morgan, Mary Alice (2001) (in en). W.E.B. Du Bois and Race: Essays Celebrating the Centennial Publication of The Souls of Black Folk. Mercer University Press. pp. 51. ISBN 978-0-86554-727-8. https://books.google.com/books?id=zhi0HknOyFUC&pg=PA51. 
  16. ↑ Jenkins, Melissa (2016). ""The next thing you know you're flying among the stars": Nostalgia, Heterotopia, and Mapping the City in African American Picture Books". Children's Literature Association Quarterly 41 (4): 343–364. doi:10.1353/chq.2016.0043. ISSN 1553-1201. https://www.academia.edu/29689018. 
  17. ↑ Meier, Terry (2020-08-19) (in en). Black Communications and Learning to Read: Building on Children's Linguistic and Cultural Strengths. Routledge. pp. 36. ISBN 978-1-000-14962-3. https://books.google.com/books?id=4w72DwAAQBAJ&pg=PT36. 
  18. ↑ Robinson, Dan (2020-02-20). "Folk Music Shares African Tradition Of People Being Able To Fly" (in en). https://www.wpr.org/folk-music-shares-african-tradition-people-being-able-fly. 
  19. ↑ "Dreaming Gave Us Wings" (in en-US). http://www.sophianahliallison.com/dreaming-gave-us-wings. 
  20. ↑ Allison, Sophia Nahli (2019-03-07). "Revisiting the Legend of Flying Africans" (in en-US). The New Yorker. https://www.newyorker.com/culture/culture-desk/revisiting-the-legend-of-flying-africans. Retrieved 2022-02-22. 



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