The Academy Award for Best Picture is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Oscars is eligible to submit a nomination and vote on the final ballot.[1] The Best Picture category is often the final award of the night and is widely considered as the most prestigious honor of the ceremony.[2][3][4]
The Grand Staircase columns at the Dolby Theatre in Hollywood, where the Academy Awards ceremonies have been held since 2002, showcase every film that has won the Best Picture title since the award's inception.[5] There have been 581 films nominated for Best Picture and 94 winners.[6]
At the 1st Academy Awards ceremony (for 1927 and 1928), there were two categories of awards that were each considered the top award of the night: Outstanding Picture and Unique and Artistic Picture, the former being won by the war epic Wings, and the latter by the art film Sunrise. Each award was intended to honor different and equally important aspects of superior filmmaking.
The following year, the Academy dropped the Unique and Artistic Picture award, and decided retroactively that the award won by Wings was the highest honor that could be awarded.[7] Although the award kept the title Outstanding Picture for the next ceremony, the name underwent several changes over the years as seen below. Since 1962, the award has been simply called Best Picture.[6]
Until 1950, this award was presented to a representative of the production company. That year the protocol was changed so that the award was presented to all credited producers. This rule was modified in 1999 to apply a maximum limit of three producers receiving the award, after the five producers of Shakespeare in Love had received the award.[8][9][10]
As of 2020[update], the "Special Rules for the Best Picture of the Year Award" limit recipients to those who meet two main requirements:[11]
Those with screen credit of "producer" or "produced by", explicitly excluding those with the screen credit "executive producer, co-producer, associate producer, line producer, or produced in association with"
those three or fewer producers who have performed the major portion of the producing functions
The rules allow bona fide team of not more than two people shall be considered to be a single “producer” if the two individuals have had an established producing partnership as determined by the Producers Guild of America Producing Partnership Panel. Final determination of the qualifying producer nominees for each nominated picture will be made by the Producers Branch Executive Committee, including the right to name any additional qualified producer as a nominee.[11]
The Academy can make exceptions to the limit, as when Anthony Minghella and Sydney Pollack were posthumously included among the four producers nominated for The Reader.[12] As of 2014[update] the Producers Branch Executive Committee determines such exceptions, noting they take place only in "rare and extraordinary circumstance[s]."[11]
Steven Spielberg currently holds the record for most nominations at eleven, winning one, while Kathleen Kennedy holds the record for most nominations without a win at eight. Sam Spiegel and Saul Zaentz tie for the most wins with three each. As for the time when the Oscar was given to production companies instead, Metro-Goldwyn-Mayer holds the record with five wins and 40 nominations.
On June 24, 2009, AMPAS announced that the number of films to be nominated in the Best Picture award category would increase from five to ten, starting with the 82nd Academy Awards (2009).[14] Although the Academy never officially said so, many commenters noted the expansion was likely in part a response to public criticism of The Dark Knight (2008) (and, in previous years, other blockbusters and popular films) not being nominated for Best Picture.[15][16][17] Officially, the Academy said the rule change was a throwback to the Academy's early years in the 1930s and 1940s, when eight to 12 films were nominated each year. "Having 10 Best Picture nominees is going to allow Academy voters to recognize and include some of the fantastic movies that often show up in the other Oscar categories but have been squeezed out of the race for the top prize," AMPAS President Sid Ganis said in a press conference. "I can't wait to see what that list of 10 looks like when the nominees are announced in February."[14]
At the same time, the voting system was switched from first-past-the-post to instant runoff voting (also known as preferential voting).[18] In 2011, the Academy revised the rule again so that the number of films nominated was between five and ten; nominated films must earn either 5% of first-place rankings or 5% after an abbreviated variation of the single transferable vote nominating process.[19] Bruce Davis, the Academy executive director at the time, said, "A Best Picture nomination should be an indication of extraordinary merit. If there are only eight pictures that truly earn that honor in a given year, we shouldn't feel an obligation to round out the number."[20] This system lasted until 2021, when the Academy reverted back to a set number of ten nominees from the 94th Academy Awards onward.[21]
Since 1968, most Best Picture winners have been R-rated. Oliver! is the only G-rated film and Midnight Cowboy is the only X-rated (now NC-17) film, so far, to win Best Picture. The latter has since been downgraded to an R rating. Only eleven films have won with a PG rating, the first was Patton and the last was Driving Miss Daisy. Only nine films have won with a PG-13 rating, the first was The Last Emperor and the last was CODA.
No documentary feature has yet been nominated for Best Picture, although Chang was nominated in the "Unique and Artistic Production" category at the 1927/28 awards.
At the 1st Academy Awards, the Best Picture award – then named "Academy Award for Outstanding Picture" – was presented to the 1927 silent filmWings.
The Artist (2011) was the first essentially silent (with the exception of a single scene of dialogue, and a dream sequence with sound effects) film since Wings to win Best Picture. It was the first silent nominee since 1928's The Patriot. It was the first Best Picture winner to be produced entirely in black-and-white since 1960's The Apartment. (Schindler's List, the 1993 winner, was predominantly black-and-white but it did contain some color sequences).[25]
No Best Picture winner has been lost, though a few such as All Quiet on the Western Front and Lawrence of Arabia exist only in a form altered from their original, award-winning release form. This has usually been due to editing for reissue (and subsequently partly restored by archivists). Other winners and nominees, such as Tom Jones (prior to its 2018 reissues by The Criterion Collection and the British Film Institute) and Star Wars, are widely available only in subsequently altered versions. The Broadway Melody originally had some sequences photographed in two-color Technicolor. This footage survives only in black and white.[28]
The 1928 film The Patriot is the only Best Picture nominee that is lost (about one-third is extant).[29]The Racket, also from 1928, was believed lost for many years until a print was found in Howard Hughes' archives. It has since been restored and shown on Turner Classic Movies.[30] The only surviving complete prints of 1931's East Lynne and 1934's The White Parade exist within the UCLA film archive.[31]
In the list below, winners are listed first in the gold row, followed by the other nominees.[6] Except for the early years (when the Academy used a non-calendar year), the year shown is the one in which the film first premiered in Los Angeles County, California; normally this is also the year of first release, however, it may be the year after first release (as with Casablanca and, if the film-festival premiere is considered, Crash). This is also the year before the ceremony at which the award is given; for example, a film exhibited theatrically during 2005 was eligible for consideration for the 2005 Best Picture Oscar, awarded in 2006. The number of the ceremony (1st, 2nd, etc.) appears in parentheses after the awards year, linked to the article on that ceremony. Each individual entry shows the title followed by nominee.
Until 1950, the Best Picture award was given to the production company; from 1951 on, it has gone to the producer or producers. The Academy used the producer credits of the Producers Guild of America (PGA) until 1998, when all five producers of Shakespeare in Love made speeches after its win.[8][9] A three-producer limit has been applied some years since.[9][10] There was controversy over the exclusion of some PGA-credited producers of Crash and Little Miss Sunshine.[10] The Academy can make exceptions to the limit, as when Anthony Minghella and Sydney Pollack were posthumously among the four nominated for The Reader.[12] However, now any number of producers on a film can be nominated for Best Picture, should they be deemed eligible.
For the first ceremony, three films were nominated for the award. For the following three years, five films were nominated for the award. This was expanded to eight in 1933, to ten in 1934, and to twelve in 1935, before being dropped back to ten in 1937. In 1945, it was further reduced to five. This number remained until 2009, when the limit was raised to ten and later adjusted in 2011, to vary between five and ten.
For the first six ceremonies, the eligibility period spanned two calendar years. For example, the 2nd Academy Awards presented on April 3, 1930, recognized films that were released between August 1, 1928, and July 31, 1929. Starting with the 7th Academy Awards, held in 1935, the period of eligibility became the full previous calendar year from January 1 to December 31.
Only three film studios held the most records; Columbia Pictures holds the most wins with 12, 20th Century Studios holds the most nominations with 62, and Focus Features holds the most nominations without a win with 10.
^The 2nd Academy Awards is unique in being the only occasion where there were no official nominees. Subsequent research by AMPAS has resulted in a list of de facto nominees, based on records of which films were evaluated by the judges at the time.
^The Academy also announced that A Farewell to Arms came in second, and Little Women third.
^The Academy also announced that The Barretts of Wimpole Street came in second, and The House of Rothschild third.
^The Academy also announced that The Informer came in second, and Captain Blood third.
^ ab"Who gets the Oscar?". Sydney Morning Herald. Associated Press. February 4, 2005. Archived from the original on September 24, 2015. Retrieved October 23, 2013.
^"The Broadway Melody". AFI Catalog of Feature Films. American Film Institute. Archived from the original on July 14, 2014. Retrieved July 7, 2014. The Technicolor footage for this sequence has since been lost, and only a black-and-white version is now available.
‡ Dates and years listed for each ceremony were the eligibility period of film release in Los Angeles County. For the first five ceremonies, the eligibility period was done on a seasonal basis, from August to July. For the 6th ceremony, held in 1934, the eligibility period lasted from August 1, 1932, to December 31, 1933. From the 7th ceremony, held in 1935, through the 92nd ceremony, held in 2020, the period of eligibility became the full previous calendar year from January 1 to December 31. For the 93rd ceremony, held in 2021, the eligibility period was from January 1, 2020, to February 28, 2021. For the 94th ceremony, held in 2022, the eligibility period was from March 1, 2021, to December 31, 2021.