American composer, songwriter, and jazz pianist (1929–2004)
"Seymour Kaufman" redirects here. For the fictional principal, see Room 222.
Cy Coleman
Coleman in 1996
Background information
Birth name
Seymour Kaufman
Born
(1929-06-14)June 14, 1929 New York City, U.S.
Died
November 18, 2004(2004-11-18) (aged 75) New York City, U.S.
Genres
Jazz
pop
Occupation(s)
Composer, songwriter, pianist
Musical artist
Cy Coleman (born Seymour Kaufman; June 14, 1929 – November 18, 2004) was an American composer, songwriter, and jazz pianist.[1]
Life and career
[edit]
Coleman was born Seymour Kaufman in New York City, to Eastern European Jewish parents, and was raised in the Bronx.[1] His mother, Ida (née Prizent) was an apartment landlady and his father was a brickmason.[2] He was a child prodigy who gave piano recitals at venues such as Steinway Hall, Town Hall, and Carnegie Hall between the ages of six and nine.[3] Before beginning his fabled Broadway career, he led the Cy Coleman Trio, which made many recordings and was a much-in-demand club attraction.
Despite the early classical and jazz success, Coleman decided to build a career in popular music.[1] His first collaborator was Joseph Allen McCarthy, but his most successful early partnership, albeit a turbulent one,[4] was with Carolyn Leigh. The pair wrote many pop hits, including "Witchcraft" and "The Best Is Yet to Come".[1] One of his instrumentals, "Playboy's Theme," became the signature music of the regular syndicated late night TV show Playboy After Dark in the 1960s. This included specials presented by the editor/publisher Hugh M. Hefner of Playboy magazine, and remains synonymous with the Chicago magazine and its creator, Hefner.
Coleman's career as a Broadway composer began when he and Leigh collaborated on Wildcat (1960),[1] which marked the Broadway debut of movie/television comedienne Lucille Ball. The score included the hit tune "Hey, Look Me Over".[1] When Ball became ill, she left the show, and it closed. Next for the two was Little Me, with a book by Neil Simon based on the novel of the same name by Patrick Dennis. The show introduced "Real Live Girl" and "I've Got Your Number," which became popular standards.[1]
In 1964, Coleman met Dorothy Fields at a party, and when he asked if she would like to collaborate with him, she is reported to have answered: "Thank God somebody asked."[5] Fields was revitalized by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs "If My Friends Could See Me Now", "I'm a Brass Band", "Big Spender" and "The Rhythm of Life".[1] The show was a major success and Coleman found working with Fields much easier than with Leigh. The partnership was to work on two more shows – an aborted project about Eleanor Roosevelt, and Seesaw which reached Broadway in 1973 after a troubled out-of-town tour.[1] Despite mixed reviews, the show enjoyed a healthy run. The partnership was cut short by Fields' death in 1974.
Coleman remained prolific in the late 1970s. He collaborated on I Love My Wife (1977) with Michael Stewart, On the Twentieth Century (1978) with Betty Comden and Adolph Green, and Home Again, Home Again with Barbara Fried, although the latter never reached Broadway.[1] Also in 1970, he produced the single "Lying Here" (Mercury 73150)[6] for the Rock opera Sensations, and took a full-page (back cover) advert in Billboard magazine to promote his upcoming star vocalist Steve Leeds.
Cy Coleman with playwright Neil Simon (right) during a rehearsal in 1982
In 1980, Coleman served as producer and composer for the circus-themed Barnum, which co-starred Jim Dale and Glenn Close.[1] Later in the decade, he collaborated on Welcome to the Club (1988) with A. E. Hotchner, and City of Angels (1989) with David Zippel.[1] In the latter, inspired by the hard-boiled detective film noir of the 1930s and 1940s, he returned to his jazz roots, and the show was a huge critical and commercial success. The 1990s brought more new Coleman musicals to Broadway: The Will Rogers Follies (1991), again with Comden and Green, The Life (1997), a gritty look at pimps, prostitutes, and assorted other lowlife in the big city, with Ira Gasman, and a revised production of Little Me.
Coleman's film scores include Father Goose, The Art of Love, Garbo Talks, Power, and Family Business.[7] In addition, he wrote memorable television specials for Shirley MacLaine, If My Friends Could See Me Now and Gypsy in My Soul.[8] Coleman has been the only composer to win consecutive Tony awards for Best Score at the same time that the corresponding musicals won for Best Musical: City of Angels and The Will Rogers Follies (although Stephen Sondheim actually won three consecutive Tony Awards for Best Score for Company, Follies, and A Little Night Music, Follies did not win for Best Musical). Coleman was on the ASCAP Board of Directors for many years and also served as their Vice Chairman Writer.[9]
One final musical with a Coleman score played in Los Angeles at the Mark Taper Forum between December 2003 and January 2004, under the title Like Jazz, as a Broadway tryout. Investor Transamerica Capital went forward with plans to mount a Broadway production renamed In the Pocket.[10] Dirk Decloedt and Maurice Hines were announced as director and choreographer with an anticipated opening in Spring 2006 but it never opened.[11]
Education
[edit]
Coleman studied at New York's The High School of Music & Art and the New York College of Music, graduating in 1948.[12]
Death
[edit]
Coleman died of cardiac arrest at 11:59 pm on November 18, 2004, at New York Hospital, aged 75.[13] He was survived by his wife, Shelby Coleman (née Brown) and their adopted daughter,[14] Lily Cye Coleman (born in 2000). To the very end, he was part of the Broadway scene – he had attended the premiere of Michael Frayn's new play Democracy earlier on November 18.[3]
1997 Tony Award Best Book of a Musical The Life (nominee)
1997 Tony Award Best Musical The Life (nominee)
1997 Tony Award Best Original Score The Life (nominee)
1991 Tony Award Best Musical The Will Rogers Follies (winner)
1991 Tony Award Best Original Score The Will Rogers Follies (winner)
1990 Tony Award Best Musical City of Angels (winner)
1990 Tony Award Best Original Score City of Angels (winner)
1980 Tony Award Best Musical Barnum (nominee)
1980 Tony Award Best Original Score Barnum (nominee)
1978 Tony Award Best Musical On the Twentieth Century (nominee)
1978 Tony Award Best Original Score On the Twentieth Century (winner)
1977 Tony Award Best Musical I Love My Wife (nominee)
1977 Tony Award Best Original Score I Love My Wife (nominee)
1974 Tony Award Best Musical Seesaw (nominee)
1974 Tony Award Best Original Score Seesaw (nominee)
1966 Tony Award Best Composer and Lyricist Sweet Charity (nominee)
1966 Tony Award Best Musical Sweet Charity (nominee)
1963 Tony Award Best Composer and Lyricist Little Me (nominee)
1963 Tony Award Best Musical Little Me (nominee)
He also won three Emmy Awards[16] and two Grammy Awards, and an Academy Award nomination.
Honors
[edit]
Among his many honors and awards, Coleman was elected to the Songwriter's Hall of Fame (1981), and was the recipient of the Songwriter's Hall of Fame Johnny Mercer Award (1995)[17] and the ASCAP Foundation Richard Rodgers Award for lifetime achievement in American musical theatre.[8] He was elected to the American Theatre Hall of Fame[18][19] and received an Honorary Doctorate from Hofstra University in 2000.[20]
References
[edit]
^ abcdefghijklmColin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. pp. 81/3. ISBN 1-85227-937-0.
^Propst, Andy, You Fascinate Me So: The Life and Times of Cy Coleman. Milwaukee WI: 2015.
^Furia, Philip and Lasser, Michael, America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley (2006), CRC Press, ISBN 0-415-97246-9, p. 287.
^Coleman, Cy (October 31, 1970), "Steve Leeds sings "Lying Here"", Billboard, pp. Back page
Primetime Emmy Award for Outstanding Writing for a Variety Special
1971–1978
Bob Ellison and Marty Farrell (1971)
Anne Howard Bailey (1972)
Joseph Bologna and Renée Taylor (1973)
Rosalyn Drexler, Ann Elder, Karyl Geld Miller, Robert Illes, Lorne Michaels, Richard Pryor, Jim Rusk, Herb Sargent, James R. Stein, Lily Tomlin, Jane Wagner, Rod Warren, and George Yanok (1974)
John Bradford, Cy Coleman, and Robert Wells (1975)
Ann Elder, Christopher Guest, Lorne Michaels, Earl Pomerantz, Jim Rusk, Lily Tomlin, Jane Wagner, Rod Warren, and George Yanok (1976)
Buz Kohan and Ted Strauss (1977)
Chevy Chase, Tom Davis, Al Franken, Charles Grodin, Lorne Michaels, Paul Simon, Lily Tomlin, and Alan Zweibel (1978)
2009–present
Chris Rock (2009)
Dave Boone and Paul Greenberg (2010)
Dave Boone, Matt Roberts, and Mo Rocca (2011)
Louis C.K. (2012)
Louis C.K. (2013)
Sarah Silverman (2014)
Louis C.K. (2015)
Patton Oswalt (2016)
Samantha Bee, Ashley Nicole Black, Pat Cassels, Eric Drysdale, Mathan Erhardt, Travon Free, Joe Grossman, Miles Kahn, Jo Miller, and Melinda Taub (2017)
John Mulaney (2018)
Hannah Gadsby (2019)
Dave Chappelle (2020)
Bo Burnham (2021)
Jerrod Carmichael (2022)
John Mulaney (2023)
Alex Edelman (2024)
Between 1979–2008, writing specials competed alongside Outstanding Writing for a Variety Series.
v
t
e
Tony Award for Best Original Score
1947–1975
Street Scene by Kurt Weill (1947)
Kiss Me, Kate by Cole Porter (1949)
South Pacific by Richard Rodgers (1950)
Call Me Madam by Irving Berlin (1951)
No Strings by Richard Rodgers (1962)
Oliver! by Lionel Bart (1963)
Hello, Dolly! by Jerry Herman (1964)
Fiddler on the Roof by Jerry Bock and Sheldon Harnick (1965)
Man of La Mancha by Mitch Leigh and Joe Darion (1966)
Cabaret by John Kander and Fred Ebb (1967)
Hallelujah, Baby! by Jule Styne, Betty Comden, and Adolph Green (1968)
Company by Stephen Sondheim (1971)
Follies by Stephen Sondheim (1972)
A Little Night Music by Stephen Sondheim (1973)
Gigi by Frederick Loewe and Alan Jay Lerner (1974)
The Wiz by Charlie Smalls (1975)
1976–2000
A Chorus Line by Marvin Hamlisch and Edward Kleban (1976)
Annie by Charles Strouse and Martin Charnin (1977)
On the Twentieth Century by Cy Coleman, Betty Comden, and Adolph Green (1978)
Sweeney Todd by Stephen Sondheim (1979)
Evita by Andrew Lloyd Webber and Tim Rice (1980)
Woman of the Year by John Kander and Fred Ebb (1981)
Nine by Maury Yeston (1982)
Cats by Andrew Lloyd Webber and T. S. Eliot (1983)
La Cage aux Folles by Jerry Herman (1984)
Big River by Roger Miller (1985)
The Mystery of Edwin Drood by Rupert Holmes (1986)
Les Misérables by Claude-Michel Schönberg, Herbert Kretzmer, and Alain Boublil (1987)
Into the Woods by Stephen Sondheim (1988)
No Award (1989)
City of Angels by Cy Coleman and David Zippel (1990)
The Will Rogers Follies by Cy Coleman, Betty Comden, and Adolph Green (1991)
Falsettos by William Finn (1992)
Kiss of the Spider Woman by John Kander and Fred Ebb / The Who's Tommy by Pete Townshend (1993)
Passion by Stephen Sondheim (1994)
Sunset Boulevard by Andrew Lloyd Webber, Don Black, and Christopher Hampton (1995)
Rent by Jonathan Larson (1996)
Titanic by Maury Yeston (1997)
Ragtime by Stephen Flaherty and Lynn Ahrens (1998)
Parade by Jason Robert Brown (1999)
Aida by Elton John and Tim Rice (2000)
2001–present
The Producers by Mel Brooks (2001)
Urinetown by Mark Hollmann and Greg Kotis (2002)
Hairspray by Marc Shaiman and Scott Wittman (2003)
Avenue Q by Robert Lopez and Jeff Marx (2004)
The Light in the Piazza by Adam Guettel (2005)
The Drowsy Chaperone by Lisa Lambert and Greg Morrison (2006)
Spring Awakening by Duncan Sheik and Steven Sater (2007)
In the Heights by Lin-Manuel Miranda (2008)
Next to Normal by Tom Kitt and Brian Yorkey (2009)
Memphis by David Bryan and Joe DiPietro (2010)
The Book of Mormon by Trey Parker, Robert Lopez and Matt Stone (2011)
Newsies by Alan Menken and Jack Feldman (2012)
Kinky Boots by Cyndi Lauper (2013)
The Bridges of Madison County by Jason Robert Brown (2014)
Fun Home by Jeanine Tesori and Lisa Kron (2015)
Hamilton by Lin-Manuel Miranda (2016)
Dear Evan Hansen by Benj Pasek and Justin Paul (2017)
The Band's Visit by David Yazbek (2018)
Hadestown by Anaïs Mitchell (2019)
A Christmas Carol by Christopher Nightingale (2020/21)
Six by Toby Marlow and Lucy Moss (2022)
Kimberly Akimbo by Jeanine Tesori and David Lindsay-Abaire (2023)