James Louis Chirillo (born May 2, 1953) is an American jazz guitarist, banjoist, composer, arranger, and band leader.[1]
Career[edit]
From 1977 to 1979, Chirillo performed regularly with singers Marilyn Maye, Vic Damone, Joey Heatherton, Lorna Luft, and pianist Roger Williams. From 1979 to 1982, he was a member of The Jazz Knights at West Point, the jazz ensemble of the United States Military Academy Band, a premier band of the United States armed forces.
In 1982, he moved to New York City. He studied and performed with Tiny Grimes. From 1985 to 1986, he was a member of Benny Goodman's last band. From 1987 to 1991, he was a member of the Buck Clayton Orchestra and toured Europe in July 1991. He performed with Claude Williams in President Bill Clinton's inaugural festivities, with Bob Wilber and the Carnegie Hall Jazz Band, Benny Carter, and the Lincoln Center Jazz Orchestra directed by Wynton Marsalis. From 1992 to 1999 he was a charter member of the Smithsonian Jazz Masterworks Orchestra, directed by Gunther Schuller and David Baker.
Education[edit]
Chirillo studied at the University of North Texas College of Music. During the 1976–1977 academic year, he was the guitarist for the One O'Clock Lab Band. His major concentration was composition and he studied guitar with Jack Petersen.
In 1976, with the One O'Clock Lab Band, Chirillo toured the Soviet Union (Moscow, Volgograd, and Yerevan), Portugal, and England — 5 cities, 25 concerts, 77 encores, 82,800 attendees. The tour was sponsored by the US Department of State as part of a US Bicentennial goodwill arts outreach. NBC broadcast the July 4 concert live from Moscow as part of its US Bicentennial commemorative. While on tour, members of the band held jam sessions with musicians from Moscow, Volgograd, and Yerevan.[2][3]
After college, Chirillo studied composition and arranging with John Carisi and Bill Finegan. He also studied guitar with Remo Palmier.[a][4][5]
Discography[edit]
As leader[edit]
Sultry Serenade (Nagel Heyer, 2000)
As sideman[edit]
With Kenny Davern
At the Mill Hill Playhouse (Arbors, 2003)
In Concert at the Outpost Performance Space, Albuquerque 2004 (Arbors, 2005)
(recorded November 7, 1997 at Chan's, Woonsocket, Rhode Island)
New York Philharmonic at the Cathedral of St. John the Divine), Alan Gilbert, conductor
Memorial Day Concert, Tribute to Kurt Masur
Live at the Cathedral of St. John the Divine, Manhattan, May 30, 2016
Soloists: Wynton Marsalis (trumpet); Thomas Hampson (baritone voice)
John Rosamond Johnson, James Weldon Johnson, Bob Cole, "Oh, Didn't He Ramble" (1902)
Other musicians: Marcus Printup (trumpet), Vincent Gardener (trombone), Dan Block (clarinet), Ibanda Ruhumbika (sousaphone), James Chirillo (banjo), Joe Saylor (snare drum), Ali Jackson (bass drum)
^ abFollowing Lab '75's Grammy nomination for Best Jazz Performance by a Big Band, Lab '76, received a Grammy nomination for the same category. Both nominations represented the first Grammy nominations to student ensembles of any genre. ("NT Lab Band Gets Grammy Nomination," Denton Record-Chronicle, May 10, 1976)
References[edit]
^The New Grove Dictionary of Jazz (2nd ed.) (Chirillo is in Vol. 2 of 3), Barry Dean Kernfeld (ed.), Macmillan Publishers (2002); LCCN 2001-40794, ISBN 1561592846, OCLC 46956628
^"Lab Band Happy to be Home"Archived 2021-05-19 at the Wayback Machine, by Joyce Hopkins, Denton Record-Chronicle, July 11, 1976, p. 3A (accessible via Newspapers.com)
^"New 1 O'Clock LP a First-Rate Release"Archived 2021-05-19 at the Wayback Machine (record review), by Bob Darden (Robert F. Darden), Denton Record-Chronicle, December 8, 1977, p. 7B (accessible via Newspapers.com)
Note: From 1984 to 1994, Darden was Gospel Music Editor for Billboard
^The Rough Guide to JazzArchived 2023-03-11 at the Wayback Machine (3rd ed.); entry: "James Chirillo;" entry by Digby Fairweather; book by Ian Carr, Digby Fairweather, Brian Priestley; Rough Guides (2004), p. 144; ISBN 1-84353-256-5; OCLC 762959118
^Cleveland Jazz HistoryArchived 2021-05-17 at the Wayback Machine; by Joe Mosbrook; entry: Ken Peplowski (Chapter 22); Northeast Ohio Jazz Society (2003); pps. 207–211; OCLC 53463124