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Nicola Villani | |
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| Born | 1590 Pistoia, Grand Duchy of Tuscany |
| Died | 2 October 1636 (aged 45–46) Rome, Papal States |
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| Parent(s) | Ottavio Villani and Giulia Villani (née Baldovini) |
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| Notable works | Ragionamento sopra la poesia giocosa de’ Greci, de’ Latini e de’ Toscani Della Fiorenza difesa |
Nicola (or Niccolò) Villani (1590 – 2 October 1636) was an Italian literary critic and Baroque poet.
Nicola Villani was born in Pistoia in 1590, of a noble family. The famous Medieval chronicler Giovanni Villani was among his ancestors.[1] He studied in Florence, Siena and Pisa, then entered the service of Cardinal Tiberio Muti in Rome.[2] He became a member of the Accademia degli Umoristi under the pseudonym Aldeano.[1] After a journey to Greece, he took up residence in Venice. Around 1630 he returned to Rome, where he died in 1636.[2]
Nicola Villani is best known for his part in the polemics over Giambattista Marino's Adone; his contributions (1630 and 1631) were published under the pseudonyms of Vincenzo Foresi and Messer Fagiano, and argued against Tommaso Stigliani in favour of Marino.[3] As a critic he sets Homer and Virgil above all the moderns, though he ranks Marino above Dante and Petrarch. He began an epic poem, Fiorenza difesa (Florence Defended), a regular, neoclassic epic inspired by Trissino and Chiabrera, left incomplete at his death.[1] The unfinished poem was published posthumously in 1641. In 1634 Villani published the Ragionamento sopra la poesia giocosa de’ Greci, de’ Latini e de’ Toscani, a detailed study on the comic poetry of the ancients. Villani was one of the foremost Dante scholars of his generation.[4] He was a successful writer of Latin satires and Italian facetious compositions, highly appreciated during the 17th and 18th centuries.[2]
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