The Man Who Sold His Soul to the Devil, directed by Pierre Caron [7]
Les Morts qui parlent/ The Dead Who Speak, directed by Pierre Marodon[8]
Narayana (translates as Vishnu), directed by Leon Poirier, starring Laurence Myrga and Edmon Van Daele; based on the 1831 novel "Le Peau de Chagrin" by Honore de Balzac, with some story elements lifted from Wilkie Collins' novel The Moonstone[9]
The Silence, ghost film directed by Louis Delluc, starring Gabriel Signoret and Eve Francis (Delluc's wife)
Cagliostro, directed by Reinhold Schuenzel, starred Schuenzel and Conrad Veidt (a lost film)[6][10]
The Devil Worshippers/ Die Teufelsanbeter, A 6-part serial directed by Marie Louise Droop, starring Carl de Vogt and Bela Lugosi, based on the novel by Carl May
Hound of the Baskervilles, directed by Willy Zehn, released in two parts (Dr. MacDonald's Sanitorium and The House Without Windows); Willy Keyser-Heyl played Sherlock Holmes[13]
The House Without Windows, directed by Friedrich Feher, not to be confused with the above Hound of the Baskervilles[14]
Nachtgestalten (aka Eleagable Kuperus), directed by Richard Oswald, starring Conrad Veidt and Paul Wegener, photographed by Carl Hoffmann, based on the Karl Hans Strobl short story Eleagable Kuperus[7]
Lord Arthur Saville's Crime (aka The Mark of the Phantom), written and directed by Paul Fejos, starring Margit Lux, based on the 1891 story by Oscar Wilde
Desire (aka The Magic Skin) directed by George Edwardes-Hall, starring Dennis Neilson-Terry, based on the 1831 novel Le Peau de Chagrin by Honore de Balzac[22]
The Great London Mystery, a 12-chapter serial directed by Charles Raymond for T&P Films, starring David Devant and Lady Doris Stapleton; features a Yellow Peril menace called Ching Ling Fu.
The Yellow Claw, directed by Rene Plaisetty, starring Arthur Cullin and Cyril Percival; based on the 1915 novel by Sax Rohmer featuring a criminal Asian menace named Mr. King.[25]
A Month in the Country (1987): Set in rural Yorkshire during the summer of 1920, the film follows a destitute World War I veteran employed to carry out restoration work on a Medieval mural discovered in a rural church while coming to terms with the after-effects of the war.
Life and Nothing But (1989): Set in October 1920, it tells the story of Major Delaplane, a man whose job is to find the identities of unknown dead soldiers after World War I.
^ abBirchard, Robert S. (2004). Cecil B. DeMille's Hollywood. University Press of Kentucky. p. 120. ISBN0-813-12324-0.
^Vance, Jeffrey; Maietta, Tony (2008). Douglas Fairbanks. ISBN978-0-5202-5667-5. The Mark of Zorro was produced at a cost of $169,187.05 and in its initial release grossed over three times that amount domestically; it was Fairbanks' most profitable film up to that time.
^ abcdKinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 108.
^ abcKinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 119.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 226. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 227. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 213. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 219. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 224. ISBN 978-1936168-68-2.
^ abcdeKinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 118.
^ abWorkman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 223. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 225. ISBN 978-1936168-68-2.
^Kinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 106.
^ abKinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 123.
^ abKinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 122.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 212. ISBN 978-1936168-68-2.
^ abKinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 109.
^ abWorkman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 214. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 218. ISBN 978-1936168-68-2.
^ abWorkman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 230. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 231. ISBN 978-1936168-68-2.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 217. ISBN 978-1936168-68-2.
^Kinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 113.
^Kinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc. ISBN0-7864-0036-6. Page 114.
^Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 229. ISBN 978-1936168-68-2.