24 January: the Torino tribunal authorizes Telebiella to broadcast by cable. The new-born television channel is met with a noticeable public success and, on 25 March, starts its news program. In the following months, several other cable televisions are born in Piedmont and Liguria. They associate in the FIET Cavo.[1]
10 March: the Sanremo festival is won by Peppino di Capri with Un grande amore e niente più. For the first time, the show is shot in color by the RAI cameras, but only for broadcast abroad. The Italian public will only be able to see the color version of this show in 2016, on RaiPlay.[2] On 9 March, the Naples-based cable television channel Telediffusione Italiana beats RAI to the draw, broadcasting in preview songs and interviews with the singers.[3]
29 March: the Minister of CommunicationGiovanni Gioia emanates by decree the new Mail Code, confirming the RAI monopoly and outlawing the private cable channels. In May, PRI secretary Ugo La Malfa, in opposition to the decree, asks for Gioia's resignation and retires the confidence-and-supply agreement to the Andreotti government. The event causes a cabinet crisis. A joke says: “Andreotti fell, tripping over the Telebiella’s cable.”[1]
1 June: a functionary of the Mail Police cuts and seals the Telebiella cables, applying the Gioa decree. Giuseppe Sacchi, Telebiella's owner and leader of the cable television movement, appeals to the Court of Justice of the European Union, which acknowledges his reasons.[4]
26 September: RAI broadcasts the TV drama 1870, the last leading role for Anna Magnani. In a sad coincidence, the great actress dies a few hours before the airing.
2 December: because the oil crisis, the end of RAI broadcasting is set to 10.45 PM, as a measure for energy saving,[1]
Delitto di regime – Il caso Don Minzoni (Regime crime – The Don Minzoni affair) – by Leandro Castellani, with Raoul Grassilli (Don Giovanni Minzoni) and Giulio Brogi (Italo Balbo) ; in 2 episodes.
Serata al gatto nero (Soiree at the black cat) – by Mario Landi, with Pino Colizzi, 2 episodes. The plot (a Montecarlo inspector enquiries in a night club about a jewels robbery) is almost a pretest to show variety numbers.
Diario di un maestro (Journal of a primary school teacher) – by Vittorio De Seta, with Bruno Cirino; 4 episodes. Inspired by the Albino Bernardini’s experiences, it describes the pedagogic experiments of a young and idealistic teacher, often in contrast with the school bureaucracy, amidst the social decay of the Rome suburbs. The serial is also adapted in a movie for the big screen.[10]
Lungo il fiume e sull’acqua (Along the river and on the water) – by Alberto Negrin, with Giampiero Albertini and Sergio Fantoni; detective story in 5 episodes, from Francis Durbridge’s The other man, but with a different ending. It’s the most successful fiction of the year, with 21 million viewers.[12]
La rappresentazione della terribile caccia alla balena bianca Moby Dick (The representation of the awful hunt to the white whale Moby Dick) – by Carlo Quartucci, with Franco Parenti as Captain Ahab, theatrical adaptation of the Hermann Melville’s novel, in 5 episodes.[14]
Vado a vedere il mondo, capisco tutto e torno (I go to see the world, understand everything and come back) – serial, sponsored by Alitalia, about the tour around the world of two newlyweds on their honeymoon.
Storie dell’anno Mille (Stories from the year 1000) – by Franco Indovina, from the Tonino Guerra’s and Luigi Malerba’s book, with Carmelo Bene and Franco Parenti; 4 episodes. A knight and two disbanded soldiers live tragicomic adventures in a grotesque middle-age; distributed two years before in a movie version.
Dove sta Zazà? (Where Zazà is?)– by Antonello Falqui, with Gabriella Ferri and the Bagaglino troupe; history of the Italian cabaret, from the belle epoque to the Seventies.[16]
Formula 2 – by Eros Macchi, with Alighiero Noschese and Loretta Goggi. The show, where the two hosts can prove all their talent as impersonators, is the greatest public success of the year, with 21,800 million wieners. As Dove sta Zazà?, it's shot in colors but aired in black and white.[17]
Il poeta e il contadino (The poet and the farmer) – with Cochi e Renato, written by Enzo Jannacci; surreal cabaret, focused on the contrast between a cynical intellectual (Cochi) and a naive man of the people (Renato).[19]
L’appuntamento (The appointment) – by Antonello Falqui, with Walter Chiari (coming back in television after his judiciary troubles) and Ornella Vanoni.[20]
Oceano Canada (Ocean Canada) – reportage (posthumous) by Ennio Flaiano; one of the few work for the television of the great writer. [23]
Nascita di una formazione partigiana (Birth of a partisan band) – docufiction by Ermanno Olmi and Corrado Stajano, about the story of the partisan band Itaia libera, led by Duccio Garimberti.[24]
La violenza e la pietà (Violence and pity) – reportage by Brando Giordani about the retauration of Michelangelo's Pietà after the Laszlo Toth attack.[25]
Un caso di coscienza (A case of conscience) - enquiry by Enzo Biagi about the troubling questions of politic and history.[26]