Before becoming a film director, he was a journalist, novelist and film critic.[2] His contribution to the auteur theory centers on his notion of the caméra-stylo or "camera-pen" and the idea that directors should wield their cameras like writers use their pens.[3][4]
In 1994, he was awarded the René Clair Award for his whole body of film work.
^Martin, Marcel (1971) France. London: A. Zwemmer; p. 11
^Alexandre Astruc, "The Birth of a New Avant-Garde: La Caméra-Stylo," in The New Wave, ed. Peter Graham, pp. 17-23. Trans. from "Naissance d'une nouvelle avant-garde: la caméra-stylo," L'Écran Français 144, 30 March 1948.
Raymond Bellour, Alexandre Astruc, Paris, Seghers, Collection Cinéma d'aujourd'hui, 1963.
Philippe François, « Alexandre Astruc », in Patrick Cabanel and André Encrevé (dir.), Dictionnaire biographique des protestants français de 1787 à nos jours, tome 1 : A-C, Les Éditions de Paris Max Chaleil, Paris, 2015, (p. 105) ISBN978-2846211901