Angela Davis Johnson (born 1981) is an interdisciplinary artist who migrates between Philadelphia, Atlanta, New Orleans, and Arkansas. Her work is rooted in the traditions of black people in the American South and is centered around the ancestral memory of the African diaspora.
Angela Davis Johnson was born in Orlando, Florida.[1] She and her family later moved to Virginia, where she attended Governor's School for the Arts, an art magnet school in Norfolk, Virginia.[2] Davis Johnson's interest in art began at a young age. She was first inspired to create art by her mother, who had returned to school to study fashion design when Angela was 4 years old, and would share what she had learned with Angela and her siblings.[2] Her mother also encouraged her and her siblings to embrace and explore their creativity through singing, reading, and whittling, and would purchase art supplies for them.
Johnson spoke about her mother in an interview, saying “My mother was an artist who would take everything that she learned and bring it back to us,” “She wouldn’t let us use black or white.” When her family relocated to rural Arkansas she began to use color metaphorically. “Creating as much information as possible with one brushstroke became really important to me,” she stated, “Each stroke is potent. It’s very self-healing.”[3]
Johnson comes from a long line of healers and midwives, a tradition she taps into for her work.[4] Her work largely explores how Black people have weathered challenges and injustices in this world, as she states, "the ways that we've been able to withstand, the ways that we've been able to become our own water, become our own rain; how we've really navigated this space that we're in, this time, and have been doing it through our songs and our caretaking of one another."
When asked what she hoped people will take away from her body of work, she responded:
I want people to feel the complexity of the embodied experience of black people in this world. I want people to feel that when they see my work. We’re not just superheroes. We are all things. We are souls living this life. I want people to experience that in my work, feel the depths of that. I want people to recognize and feel their soul. See the thing beyond the construct, which is light, you know. To me it’s like the past, present and future. It’s all happening right now in this moment. I want people to feel that when they come by my work, when they’re away from it. I want people to witness all of that in all of our BIPOC works.
“an open mouth creek” depicts a black girl with sad eyes and blue hair whose mouth is shut — though she looks like she wants to talk. It is a piece that depicts the silencing of black women throughout history.[5] What first strikes the eye and consciousness when encountering Johnson's work is the scope, the scenery and the subjects.[6]
Her style incorporates scraps of paper and fabric into many of her oil paintings, as homage to her mother, a pattern maker, and to blend humble materials into fine arts spaces.[7]
2021 Staying Power, Hollerin Space, Philadelphia, PA
2020 Super Blues, Hollerin Space, digital soundbath
2020 Jubilee 11213, Weeksville Collaboration Ebony Noelle Golden
2019 Personal Space, Canebrake Blues, Art Ventures, Fayetteville, AR
2019 ArtintheATL, Hartsfield-Jackson International Airport, Atlanta, GA
2019 Notions of Saintly Flesh, Living Melody Collective, Tampa, FL
2018 Center for Civic and Human Rights, Living Melody Collective, Atlanta, GA
2018 Identity at Arms Length, Still Point, Atlanta, GA
2018 Gasping Whiteness, Ensemble, Amherst, MA
2018 O Freedom, My Beloved, Zucot Gallery, Atlanta, GA
2018 Ain’t I a Woman, TILA Studios, Atlanta, GA
2017 red roots x black tones ̖ 40 hollerin remix: ....folk still dreaming? Hollerin Space collaborative performance with Alternate Roots members at 2016 ROOTS Week, Lutheridge, NC
2017 Living Letters, Hollerin Space, Detroit, MI
2017 A Sense of Place, Fayetteville Underground, Fayetteville, AR
2016 Haints & Healing: the Hollerin Space, Mississippi Museum of Art, Jackson, MS