Axel Skalstad

Axel Skalstad
Axel Skalstad
	Axel Skalstad performing in 2019
Background information
Born	1992 (age 31–32); Fiskum, Buskerud
Origin	Norway
Genres	Jazz, prog-rock
Occupation(s)	Musician, composer
Instrument	Drums
Labels	Rune Grammofon

Axel Skalstad (born 1992) is a Norwegian jazz and prog-rock drummer.^[1]^[2] He was born in Fiskum. He is mainly known as a member of the trio Krokofant with guitarist Tom Hasslan and saxophonist Jørgen Mathisen.^[3]

Discography

With Soft Ffog

2022: Soft Ffog (Is It Jazz? Records)

With Krokofant

2014: Krokofant (Rune Grammofon)
2015: Krokofant - II (Rune Grammofon)
2017: Krokofant - III (Rune Grammofon)
2019: Krokofant with Ståle Storløkken & Ingebrigt Håker Flaten - Q (Rune Grammofon)
2021: Krkokofant with Ståle Storløkken & Ingebrigt Håker Flaten - Fifth (Rune Grammofon

With Sjøen

2014: Live I (Havtorn Records)

With LoveLoveLove

2014: Kaleidoscope (Kakao musikk)

With Rune Your Day

2017: Rune Your Day (Clean Feed)

With Pekula

2018: Vol. 1 - ARP (Pekula Records)

References

^ "Dei nye kongsberg stemmene" (in Norwegian). Kongsberg Jazzfestival. 8 July 2017. Retrieved 2019-02-25.
^ "Axel Skalstad - Mer av det gode" (in Norwegian). Morgenbladet. Archived from the original on 2019-02-26. Retrieved 2019-02-25.
^ Diego Fischerman El sonido de los sueños: Y otros ensayos sobre música 2017 "... o Krokofant, el trío del guitarrista Tom Hasslam, el baterista Axel Skalstad y el saxofonista Jørgen Mathisen, eligen el jazz como lugar de circulación más por razones de amabilidad y apertura del género que por cuestiones estilísticas."

External links

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[1] "Dei nye kongsberg stemmene" (in Norwegian). Kongsberg Jazzfestival. 8 July 2017. Retrieved 2019-02-25.

[2] "Axel Skalstad - Mer av det gode" (in Norwegian). Morgenbladet. Archived from the original on 2019-02-26. Retrieved 2019-02-25.

[3] Diego Fischerman El sonido de los sueños: Y otros ensayos sobre música 2017 "... o Krokofant, el trío del guitarrista Tom Hasslam, el baterista Axel Skalstad y el saxofonista Jørgen Mathisen, eligen el jazz como lugar de circulación más por razones de amabilidad y apertura del género que por cuestiones estilísticas."

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