"Barcelona" | ||||
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Single by Freddie Mercury and Montserrat Caballé | ||||
from the album Barcelona | ||||
B-side | "Exercises in Free Love" | |||
Released | 26 October 1987 | |||
Recorded | 1987 | |||
Genre | Classical crossover | |||
Length |
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Label | Polydor | |||
Songwriter(s) |
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Producer(s) |
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Freddie Mercury singles chronology | ||||
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Music video | ||||
"Barcelona" (4K video) on YouTube |
"Barcelona" is a single released by Queen vocalist Freddie Mercury and operatic soprano Montserrat Caballé. A part of their collaborative album Barcelona, it also appeared on Queen's Greatest Hits III.
The song reflects Mercury's love of opera with his high notes and Caballé's operatic vocals, backed by a full orchestra. Originally released in 1987, it was one of the biggest hits of Mercury's solo career, reaching number eight in the UK singles chart. After Mercury's death in 1991, it was featured at the 1992 Summer Olympics, after which the track climbed even higher, peaking at number two in the UK, the Netherlands and New Zealand.
In 2004, BBC Radio 2 listed Barcelona at number 41 in its Sold On Song Top 100.[1]
Mercury had been a long-time fan of opera, and especially Montserrat Caballé. In 1986, he mentioned on Spanish television that he would like to meet her, and they met for the first time in Barcelona in February 1987. Later, when the city had been chosen for the 1992 Summer Olympics, Caballé, a native of the city, was asked to help produce a song for the games. She asked Mercury to collaborate.[1] Caballé became enthusiastic about the project and instead of recording a single, she proposed to make an album, on which Mercury agreed.[2] "Barcelona", their proposed opening song, had to be completed by 1988 in time to be entered as a candidate for the 1992 Olympic theme. The selection was scheduled for 1988, four years before the Games.[3] The recording was complicated by Caballé's tight schedule; to save time, Mercury recorded the song, singing Caballé's part in falsetto. He would then send a tape to Caballé to prepare her for the joint studio sessions.[4]
The song was co-written by Mercury with Mike Moran, who also appeared in its video and played piano and all keyboards for the studio recording. The song starts with an orchestral introduction, which fades and is followed by Mercury and Caballé singing alternately their solo lines, sometimes merging into a duet. When singing the chorus "Barcelona" and a few other parts for the studio version, Mercury dubs over his voice in his usual multi-tracking style. Mercury leads the song whereas Caballé provides a powerful background soprano. Since Caballé covers the soprano part, Mercury sings in his natural baritone voice rather than the forced tenor that was common in his other recordings.[4]
The song has been described as a rare example of a combination of pop and opera singing which accentuated their differences.[5] Whereas Mercury articulates his every word, Caballé focuses on the tone; her lines are much harder to comprehend, and further, she uses both English and Spanish languages. Consequently, she keeps her part melodic throughout all the song at the expense of the text, whereas Mercury has to resort from singing to nearly shouting at the crescendo part in order to deliver his words.[6] Mercury was reportedly amazed by the legendary ability of Caballé to control her voice; for example, in the fadeout, Mercury moves away from the microphone to decrease his vocal dynamic, whereas Montserrat relies on her classical training to decrease the dynamic.[7]
In October 1987, the official music video was released, directed by David Mallet, who had collaborated with Queen on their previous videos. Mike Moran, who co-wrote the song, appears in the video conducting the orchestra with a light stick; he is often wrongly confused with Brian May, mostly due to their almost identical haircuts. In 2019, the original 35 mm film was scanned and digitally remastered into 4K resolution.[8]
In 2000, The Solo Collection the Rarities 2 disc contained an early version with different lyrics, running 4:21, and a later version running 4:41 as well as on the Singles disc, an extended version lasting 7:07.
The song was first performed live in May 1987, at the Ibiza festival, held at the Ku nightclub (now Privilege Ibiza, the "world's largest nightclub").[9]
Its next important performance occurred on 8 October 1988, at the open air La Nit festival in Barcelona, which was staged on the occasion of the arrival of the Olympic flag from Seoul. Together, Mercury and Caballé sang three tracks from the forthcoming album Barcelona, namely "Barcelona", "How Can I Go On" and "The Golden Boy".[10][11] This was the last live performance by Mercury, who was already beginning to suffer from AIDS.[12] He died in 1991, so the recording of the song was played over a travelogue of the city at the start of the international broadcast of the opening ceremony of the 1992 Summer Olympics.[13][14]
Prior to the start of the 1999 UEFA Champions League Final between Manchester United F.C. and FC Bayern Munich held at the Camp Nou stadium in Barcelona, Caballé performed "Barcelona" live, accompanied by a recording of Mercury, who also appeared on the stadium's electronic screen.[15]
Weekly charts[edit]
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Year-end charts[edit]
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Region | Certification | Certified units/sales |
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United Kingdom (BPI)[32] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
The single was distributed on 7-inch and 12-inch vinyl records and 5" CDs, all with Polydor labels. The 5" CD and 7" record, but not the 12" record, were reissued in 1992; a 3" CD was issued as a promotional-only to record company executives in Japan in 1992. The B-side of nearly all records contained "Exercises in Free Love" from The Freddie Mercury Album. The 1992 version of the 7" Spanish record had another version of "Barcelona" on the B-side, and the rare 1987 12" Hong Kong record was one-sided and had a unique sleeve. Most 5" CDs contained two or three versions of "Barcelona" and "Exercises in Free Love". Most 7" record and 5" CD covers featured Mercury and Caballé singing on a stage with an orchestra on the background, though the Portuguese version pictured them in a static studio photo. The 1992 reissue 7" records contained another version of the singing artists, with no orchestra.[33]