Born Sandy Devotional | ||||
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Studio album by | ||||
Released | 24 March 1986 | |||
Recorded | August 1985 | |||
Studio | Mark Angelo Studios (27 Britton Street), London | |||
Genre | ||||
Length | 35:51 (original) 72:36 (2006 reissue) | |||
Label | Hot | |||
Producer | ||||
The Triffids chronology | ||||
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Singles from Born Sandy Devotional | ||||
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Born Sandy Devotional is the second studio album by the Triffids, released in March 1986.[1]
The album was recorded at Mark Angelo Studios in London in August 1985 with Gil Norton co-producing with the band,[1] and mixed at Amazon Studios in Liverpool in September 1985.[2] The cover photo shows Mandurah, Western Australia – now a large urban centre – as it appeared in 1961.
When we finished 'Born Sandy Devotional' I knew it was the best thing we'd ever done, there was no question about it. The writing was much more autobiographical than anything I'd done before, I felt quite close to the subject matter. I found myself almost following the idea of fidelity as a complete all-consuming faith, to give you some sort of direction or something.
And 'Born Sandy Devotional'? It was the name of a song which didn't make it onto the record which is about someone called Sandy ... I like titles like those, they're just a law unto themselves and they have a feeling unto themselves.
'Born Sandy Devotional' is the culmination of our efforts trying to capture our more considered lyrical approach with a physical intensity ... well not really, but that will have to do. (David McComb)[3]
Born Sandy Devotional was the first album recorded with an outside producer, with David McComb admitting to arguments within the band over production in the past. He said he knew, "it was time to get someone in there. It get's a bit difficult, especially now with 6 of us in the band." A publicist they shared with Echo & the Bunnymen had recommended Gil Norton. The band were "resigned to producing ourselves, then we got Gil literally three days before we were due to record". With the use of vibraphones, cellos and keyboards, McComb believed at least half of the album would not be played live.[4]
Review scores | |
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Source | Rating |
AllMusic | [5] |
The Austin Chronicle | [6] |
Encyclopedia of Popular Music | [7] |
The Great Rock Discography | 9/10[8] |
The Guardian | [9] |
Mojo | [10] |
PopMatters | 7/10[11] |
Q | [12] |
Sounds | [13] |
Stylus Magazine | B+[14] |
The album has been widely praised by critics. Writing for the NME, Mat Snow described it as "a masterpiece....and boldly reoccupies the territory rock has abandoned in its retreat into self obsession, and so throws down the challenge to the rest of the field. Have you the imagination to accept?"
Sounds Jonh Wilde wrote that "All the other rock is howling around, picking the sand out of its eyes, and The Triffids, on this hurricane form, make it look like a swarm of legless lizards. They've evidently taken their time, but unleash their true masterpiece when their nearest rivals clog their own arteries with pomp and frigid pretentiousness."[13]
Adam Sweeting of Melody Maker said that "At last somebody's released Born Sandy Devotional, which was finished nearly a year ago but has been bouncing around between dithering record companies ever since. God knows why because it's a classic, 10 songs of love and life in a hostile sub-tropical landscape. David McComb wrote the lot and it's a substantial achievement. His lyrics display real writer's insight, and mould imperceptibly to his unhurried melodies....In The Seabirds, he explores a drowning love affair in a song so vivid it resembles a short story with pictures."
On 11 August 2007, SBS in Australia aired a one-hour documentary on the Triffids and Born Sandy Devotional as the 1980s' representative of their Great Australian Albums series. In October 2010 it was listed at No. 5 in the book 100 Best Australian Albums.[15]
All songs are written by David McComb.
Remastered edition
The Triffids
Additional musicians
Charts (1986) | Peak position |
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Australian Albums (Kent Music Report)[16] | 37 |
Belgian Albums (Ultratop Flanders)[17] | 39 |
Swedish Albums (Sverigetopplistan)[18] | 18 |
[E]pic swarthiness, shambling sweetness and tense folk-blues.
Hugely underrated, head Triffid David MacComb was equally capable writing the diet-pilled trucker cyclone 'Lonely Stretch' or the wistful 'Wide Open Road', a eulogy for a relationship that's run its course.