Brainwave entrainment, also referred to as brainwave synchronization or neural entrainment, refers to the observation that brainwaves (large-scale electrical oscillations in the brain) will naturally synchronize to the rhythm of periodic external stimuli, such as flickering lights,[1] speech,[2] music,[3] or tactile stimuli.
As different conscious states can be associated with different dominant brainwave frequencies,[4] it is hypothesized that brainwave entrainment might induce a desired state. Researchers have found, for instance, that acoustic entrainment of delta waves in slow wave sleep had the functional effect of improving memory in healthy subjects.[5]
The activity of neurons generate electric currents; and the synchronous action of neural ensembles in the cerebral cortex, comprising large numbers of neurons, produce macroscopic oscillations. These phenomena can be monitored and graphically documented by an electroencephalogram (EEG). The EEG representations of those oscillations are typically denoted by the term 'brainwaves' in common parlance.[9][10]
The functional role of neural oscillations is still not fully understood;[11] however they have been shown to correlate with emotional responses, motor control, and a number of cognitive functions including information transfer, perception, and memory.[12][13][14] Specifically, neural oscillations, in particular theta activity, are extensively linked to memory function, and coupling between theta and gamma activity is considered to be vital for memory functions, including episodic memory.[15][16][17]
Entrainment is a term originally derived from complex systems theory. The theory explains the way that two or more independent, autonomous oscillators with differing rhythms or frequencies, when situated in proximity where they can interact for long enough, influence each other mutually, to a degree dependent on coupling force. They then adjust until both oscillate with the same frequency.
Examples include the mechanical entrainment or cyclic synchronization of two electric clothes dryers placed in close proximity, and the biological entrainment evident in the synchronized illumination of fireflies.[18]
Entrainment is a concept first identified by the Dutch physicist Christiaan Huygens in 1665 who discovered the phenomenon during an experiment with pendulum clocks: He set them each in motion and found that when he returned the next day, the sway of their pendulums had all synchronized.[19]
Such entrainment occurs because small amounts of energy are transferred between the two systems when they are out of phase in such a way as to produce negative feedback. As they assume a more stable phase relationship, the amount of energy gradually reduces to zero, with systems of greater frequency slowing down, and the other speeding up.[20]
The term 'entrainment' has been used to describe a shared tendency of many physical and biological systems to synchronize their periodicity and rhythm through interaction. This tendency has been identified as specifically pertinent to the study of sound and music generally, and acoustic rhythms specifically. The most familiar examples of neuromotor entrainment to acoustic stimuli is observable in spontaneous foot or finger tapping to the rhythmic beat of a song.
Brainwave entrainment is a colloquialism for 'neural entrainment',[25] which is a term used to denote the way in which the aggregate frequency of oscillations produced by the synchronous electrical activity in ensembles of cortical neurons can adjust to synchronize with the periodic vibration of external stimuli, such as a sustained acoustic frequency perceived as pitch, a regularly repeating pattern of intermittent sounds, perceived as rhythm, or of a regularly rhythmically intermittent flashing light.
^Niedermeyer E. and da Silva F.L., Electroencephalography: Basic Principles, Clinical Applications, and Related Fields. Lippincott Williams & Wilkins, 2004.
^da Silva FL (1991). "Neural mechanisms underlying brain waves: from neural membranes to networks". Electroencephalography and Clinical Neurophysiology. 79 (2): 81–93. doi:10.1016/0013-4694(91)90044-5. PMID1713832.
^Cooper R, Winter A, Crow H, Walter WG (1965). "Comparison of subcortical, cortical, and scalp activity using chronically indwelling electrodes in man". Electroencephalography and Clinical Neurophysiology. 18 (3): 217–230. doi:10.1016/0013-4694(65)90088-x. PMID14255050.
^Fell J, Axmacher N (2011). "The role of phase synchronization in memory processes". Nature Reviews Neuroscience. 12 (2): 105–118. doi:10.1038/nrn2979. PMID21248789. S2CID7422401.
^Schnitzler A, Gross J (2005). "Normal and pathological oscillatory communication in the brain". Nature Reviews Neuroscience. 6 (4): 285–296. doi:10.1038/nrn1650. PMID15803160. S2CID2749709.
^Buszaki G (2006). Rhythms of the brain. Oxford University Press.
^Bennett, M., Schatz, M. F., Rockwood, H., and Wiesenfeld, K., Huygens's clocks. Proceedings: Mathematics, Physical and Engineering Sciences, 2002, pp563-579.
^Will, U., and Berg, E., "Brainwave synchronization and entrainment to periodic stimuli" Neuroscience Letters, Vol. 424, 2007, pp 55–60.
^Cade, G. M. and Coxhead, F., The awakened mind, biofeedback and the development of higher states of awareness. New York, NY: Delacorte Press, 1979.
^Neher, A., "Auditory driving observed with scalp electrodes in normal subjects. Electroencephalography and Clinical Neurophysiology, Vol. 13, 1961, pp 449–451.
^Zakharova, N. N., and Avdeev, V. M., "Functional changes in the central nervous system during music perception. Zhurnal vysshei nervnoi deiatelnosti imeni IP Pavlova Vol. 32, No. 5, 1981, pp 915-924.
^Obleser, J., Kayser, C., "Neural Entrainment and Attentional Selection in the Listening Brain, Trends in Cognitive Sciences, Vol. 23, No. 11, 913-926
Thaut, M. H., Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications (Studies on New Music Research). New York, NY: Routledge, 2005.
Berger, J. and Turow, G. (Eds.), Music, Science, and the Rhythmic Brain : Cultural and Clinical Implications. New York, NY: Routledge, 2011.