"Bulbs" | ||||
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Single by Van Morrison | ||||
from the album Veedon Fleece | ||||
B-side |
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Released | November 1974 | |||
Recorded | March 1974, Mercury Studios, New York City, United States | |||
Genre | ||||
Length | 4:19 | |||
Label | Warner Bros. | |||
Songwriter(s) | Van Morrison | |||
Producer(s) | Van Morrison | |||
Van Morrison singles chronology | ||||
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Official audio | ||||
"Bulbs" on YouTube |
"Bulbs" is a song written by Northern Irish singer-songwriter Van Morrison. It was the only single to be taken from his 1974 album Veedon Fleece, with a B-side of "Cul de Sac" for the US release and "Who Was That Masked Man" for the UK release.[2][3]
"Bulbs" was first recorded, with different lyrics, at the recording session for the 1973 album, Hard Nose the Highway, released in 1973.[4] After the first recording session for Veedon Fleece', "Bulbs" was re-cut at Mercury Studios in New York City in March 1974, along with "Cul de Sac", to give it a more rock feeling. According to Jef Labes this was "cause he (Morrison) didn't feel they had the right feeling... It was me, Van and a bunch of other guys that he'd never played with."[5] bass player Joe Macho had previously played on the 1966 Bobby Hebb hit song "Sunny".[6]
"Bulbs" has been described as "a pleasant, catchy country ditty, a Dire Straits song before its time" by biographer John Collis.[7] As with many of Morrison's songs, "Bulbs" does not have a clear story line, but in part focuses on immigration to the United States as in the lines:
Record World called it "Something like a performance from his Astral Weeks days with a graft of pedal steel" and said that "Van benefits from a renewed power surge."[8]
In an interview with Morrison, Tom Donahue said, after he had listened to "Bulbs": "You always make great noises. The other things you do in songs beside the words."[9]
In a Stylus Magazine review for the album Veedon Fleece, Derek Miller says of the song:[10]
"Of course, the best and most immediately memorable song on Veedon Fleece is "Bulbs". Coming about as close to laying down a groove as he does on the album, the song quickly makes dust of its acoustic start, leaping headstrong into a Waylon Jennings' style bass-roll, rump heavy and plush, pianos shimmering and fingerdense."
Morrison performed the song on the German television show Musikladen on 13 November 1974.[11]
The title might come from the lines:
A live performance of this song is featured on the 1974 disc of Morrison's 2006 issued DVD, Live at Montreux 1980/1974. Morrison used a stripped-down band on this Montreaux Jazz Festival appearance consisting of: