Colour Me Kubrick

Colour Me Kubrick
Theatrical release poster
Directed by	Brian Cook
Written by	Anthony Frewin
Produced by	Michael Fitzgerald Brian Cook
Starring	John Malkovich
Cinematography	Howard Atherton
Edited by	Alan Strachan
Music by	Bryan Adams
Production companies	Canal+ Isle of Man Film Colour Me K Limited First Choice Films TPS Star
Distributed by	EuropaCorp Magnolia Pictures
Release dates	6 October 2005 (2005-10-06) (Dinard Festival of British Cinema) 4 January 2006 (2006-01-04) (France)
Running time	86 minutes
Countries	United Kingdom France
Language	English
Box office	$497,009[1]

Colour Me Kubrick: A True...ish Story (U.S. title: Color Me Kubrick) is a 2005 comedy-drama film directed by Brian W. Cook and written by Anthony Frewin. It stars John Malkovich^[2] as Alan Conway, a British con-man who impersonated director Stanley Kubrick for several years in the 1990s. The film follows a fictionalized version of Conway as he goes from person to person, convincing them to give out money, liquor, and sexual favours for the promise of a job on "Kubrick's" next film. In real life, Frewin was Kubrick's long-time personal assistant, and Cook was assistant director on three of Kubrick's films.

Two thugs come to collect a bar bill that conman Alan Conway has generated while impersonating the reclusive film director Stanley Kubrick, but Conway is nowhere to be found, as he provided the address of a wealthy elderly couple as Kubrick's home address. The thugs cause a ruckus outside the house and are arrested.

Conway scams many people by saying he is Kubrick, including a young fashion designer, the managers of an aspiring heavy metal band, a cab driver, and the owner of a fashionable wine bar. The victims are deceived into giving "Kubrick" sums of money, free food and drinks, and even sexual favours. None of these people catch on to the fact that Conway actually knows relatively little about Kubrick or his films, and he puts on a different persona—ranging from reserved English gentleman to flamboyant Jewish-American stereotype—with each victim. The only person Conway fails to deceive is a rent boy who he attempts to pickup at a bar: when Conway begins an anecdote about directing Judgment at Nuremberg (1961) after the young man says it is his favourite of Kubrick's films, the rent boy informs him that Judgment at Nuremberg was directed by Stanley Kramer—not Kubrick—and Conway quietly leaves.

In a restaurant, a drunk Conway confronts Frank Rich, a journalist from The New York Times, about an article the Times ran about the real Kubrick. He acts personally offended that the paper called Kubrick a recluse, and wants Rich to know that he shaved off his beard. After this chance meeting, Rich investigates Kubrick and finds a picture of him, learning that the real Kubrick looks nothing like the man he met in the restaurant.

The nurse who cares for Conway after he passes out, drunk, on a beach, introduces him to the popular British singer and comedian Lee Pratt, and Conway is able to ingratiate himself with Pratt by promising to help establish the "low-rent Liberace with an Elvis gleam in his eye"^[3] as a headlining act in Las Vegas. Conway travels around with Pratt, living a life of luxury at Pratt's expense in exchange for invented tips and false promises about helping the entertainer conquer America. Finally, in a high-class seaside hotel in Devon, a cleaning woman, possibly under the direction of Pratt's increasingly suspicious manager, discovers a passport with Conway's real name printed inside, and Conway is thrown out of Pratt's life and off of a pier into Lyme Bay.

Rich writes an article exposing Conway, and reporters gather outside Conway's apartment. In an attempt to avoid prosecution, Conway acts as though he really thinks he is Stanley Kubrick and is sent to a mental hospital, where his doctor publishes a case study of him in a medical journal. He convinces the doctor he has recovered from his mental breakdown, but she says he still needs treatment for his alcoholism and arranges for the National Health Service to pay for him to attend a four-week program at the luxurious Rimini Clinic, where many celebrities go for rehab.

Conway lives the good life at the clinic. Over a still frame of him relaxing in a giant, luxurious hot tub, onscreen text reveals that he "escaped prosecution. He returned to his flat in Harrow, where he died of a heart attack in December 1998. Stanley Kubrick died three months later."

The idea for Colour Me Kubrick was conceived during the filming of Eyes Wide Shut (1999). Alan Conway had already been impersonating Kubrick for many years by that point, but it was during the filming of Eyes Wide Shut that the director became aware of the situation. Kubrick's assistant, Anthony Frewin, received calls and complaints from various people who had met with Conway while he was impersonating Kubrick and were offered money, gifts, or even parts in upcoming films.^[4] Frewin brought this information to Kubrick, who asked him to find those affected. Very little progress was made in reprimanding Conway, however, because none of the people who were conned would come forward. Frewin decided to write these accounts and stories into a screenplay, which went on to become Colour Me Kubrick.^[4]

Brian Cook, an assistant director who worked with Kubrick on three films, including Eyes Wide Shut, read Frewin's script and enjoyed it. Cook also knew of Conway's actions, and how they affected Kubrick's work and personal life. He mentioned that one of the worst incidents was "when he signed Stanley's name on a bank loan for a gay club in Soho".^[4] The film marked Cook's debut as a director.

There are several musical references to the films of Stanley Kubrick on the film's soundtrack: both Richard Strauss's Also Sprach Zarathustra and Johann Strauss II's "On the Beautiful Blue Danube" were featured in 2001: A Space Odyssey (1968); both "Ode to Joy" from Ludwig van Beethoven's Ninth Symphony and Gioacchino Rossini's The Thieving Magpie were featured in A Clockwork Orange (1971), and the sarabande of George Frideric Handel's Keyboard Suite in D minor was featured in Barry Lyndon (1975). The version of "Midnight, the Stars and You" by Ray Noble and His Orchestra with Al Bowlly is featured during the closing credits of both this film and The Shining (1980), but does not appear on Colour Me Kubrick's soundtrack album.

Colour Me Kubrick: Original Soundtrack (EuropaCorp – RMF002)

1. Richard Strauss / The City of Prague Philharmonic conducted by Paul Bateman – "Also Sprach Zarathustra" (1:51)
2. Ludwig van Beethoven / Mark Ayres – "Ode to Joy" (5:34)
3. Tom Jones – "Not Responsible" (2:09)
4. Bryan Adams – "I'm Not the Man You Think I Am" (3:02)
5. Erika Eigen – "I Want to Marry a Lighthouse Keeper" (2:07)
6. Jim Davidson – "Hello" (3:56)
7. The Glenn Miller Orchestra – "Twilight Time" (3:31)
8. Bryan Adams – "It's All About Me" (1:32)
9. Laurence Cottle – "Flipside" (3:32)
10. Teddy Lasry – "Night Walking" (3:19)
11. Gioacchino Rossini / Staatsphilharmonie Rheinland-Pfalz conducted by Kurt Redel – "The Thieving Magpie" (10:38)
12. Georg Friedrich Händel / The City of Prague Philharmonic conducted by Paul Bateman – "Sarabande" (4:06)
13. Johann Strauss Jr. / The City of Prague Philharmonic conducted by Paul Bateman – "On the Beautiful Blue Danube" (10:02)^[5]

In 2005, Bryan Adams released an EP titled Colour Me Kubrick, which consisted of five songs written for and included in the film.^{[citation needed]}

Colour Me Kubrick was released in 2006 in various countries (France, Russia, Portugal) and on 23 March 2007 in the United States.^[6]

On the review aggregator website Rotten Tomatoes, 51% of 59 critics' reviews of the film are positive, with an average rating of 5.5/10; the site's "critics consensus" reads: "Colour Me Kubrick has a fascinating premise, but provides little insight into Kubrick and the man who impersonated him."^[7] On Metacritic, the film has a weighted average score of 57 of 100 based on reviews from 21 critics, indicating "mixed or average" reviews.^[8]

Tasha Robinson of The A.V. Club wrote that the film "literally only has one idea in its head, and when that idea runs dry, it's as lost as Conway is without his plethora of Kubrick masks."^[9] More positively, Brian Tallerico of UGO said that "even if the film is essentially a one-man show, a one-man show starring John Malkovich is bound to be really damn good."^[10]

• Colour Me Kubrick at IMDb
• Color Me Kubrick at the TCM Movie Database
• Color Me Kubrick at AllMovie
• Color Me Kubrick at Rotten Tomatoes
• Color Me Kubrick at Metacritic
• Color Me Kubrick at Box Office Mojo