"Cowboys and Angels" | ||||
---|---|---|---|---|
Single by George Michael | ||||
from the album Listen Without Prejudice Vol. 1 | ||||
B-side | "Something to Save" | |||
Released | 18 March 1991[1] | |||
Recorded | March 1989[2] | |||
Genre | Jazz | |||
Length | 7:14 | |||
Label | Epic | |||
Songwriter(s) | George Michael | |||
Producer(s) | George Michael | |||
George Michael singles chronology | ||||
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Licensed audio | ||||
"Cowboys and Angels" on YouTube |
"Cowboys and Angels" is a song written and performed by English singer-songwriter George Michael, released on Epic Records in March 1991 as the fifth single from his second solo album, Listen Without Prejudice Vol. 1 (1990). The song became the first single released by Michael to miss the top 40 of the UK Singles Chart, peaking at number 45. The album was released in the UK on 3 September and in the US on 11 September; each single had finished lower than its predecessor and "Cowboys and Angels" continued the pattern, although the other four had all reached the threshold of the top 40. It was also Michael's longest single to date, at 7 minutes 14 seconds. The saxophone solo is performed by Andy Hamilton.[3] The song is notable for being written in waltz time.
In a 2004 interview with Adam Mattera for UK magazine Attitude, Michael revealed the song was about a short-lived love triangle where he was in love with a man while a female friend was in love with him, but none knew of the others' feelings: "She was in love with me because she couldn't get me, and I was in love with him because I couldn't get him... It's a very personal lyric, but it's about the ridiculousness of wanting what you can't have."[4]
James Brown from NME wrote, "This song is George Michael's finest 45 for years. A soothing, moving croon in the company of some gentle jazz bass and percussion and a strong arrangement that shadows GM throughout. Reminiscent of a film noir soundtrack as opposed to all that late '80s matt black lifestyle schmaltz he'd decided to become king of. By far the most sophisticated song of the week without even trying, and it never becomes boor-ish."[5]
The single included the track "Something to Save" as a B-side. Some releases of the single also included a 4 minute 34-second radio edit of the song, which omitted the 42-second piano intro and an entire verse from the album version.
Chart (1991) | Peak position |
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Australia (ARIA)[6] | 164 |
Belgium (Ultratop 50 Flanders)[7] | 26 |
France (SNEP)[8] | 36 |
Ireland (IRMA)[9] | 15 |
Netherlands (Dutch Top 40)[10] | 15 |
Netherlands (Single Top 100)[11] | 20 |
UK Singles (OCC)[12] | 45 |
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