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Crime of the Century (album)

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Crime of the Century
Studio album by
Supertramp
Released25 October 1974[1]
RecordedFebruary–June 1974
Studio
Genre
Length44:10
LabelA&M
ProducerKen Scott, Supertramp
Supertramp chronology
Indelibly Stamped
(1971) 		Crime of the Century
(1974) 		Crisis? What Crisis?
(1975)
Singles from Crime of the Century
  1. "Dreamer / Bloody Well Right"
    Released: 1 November 1974

Crime of the Century is the third studio album by the English rock band Supertramp, released in October 1974 on A&M Records. Crime of the Century was Supertramp's commercial breakthrough in many countries, most notably in the UK, Canada and Germany where it peaked in the Top 5 while also making the Top 20 in Australia and France. It was an improvement over their previous sales in the US, but still only peaked at No. 38, with the US hit being "Bloody Well Right". "School" was another popular track, particularly on album rock-oriented radio stations. The album was eventually certified Gold in the US in 1977 after the release of Even in the Quietest Moments.... In Canada, it was eventually certified Diamond (sales of one million copies). The album was Supertramp's first to feature drummer Bob Siebenberg (at the time credited as Bob C. Benberg), saxophone and clarinet player and vocalist John Helliwell, bassist Dougie Thomson, and co-producer Ken Scott. The album has received critical acclaim, including its inclusion in Rolling Stone's "50 Greatest Prog Rock Albums of All Time".[3]

The album's dedication reads "To Sam", which is a nickname for Stanley August Miesegaes, the Dutch millionaire who supported the band financially from 1969 to 1972.[6]

Background and recording

[edit]
"Crime of the Century" by Supertramp
Supertramp brought progressive rock's sophisticated arrangements and conceptual lyrics into a pop context.
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After the commercial failure of their first two albums and an unsuccessful tour, it looked like the end of Supertramp, but Rick Davies and Roger Hodgson revitalized the band, recruiting drummer Bob C. Benberg, woodwinds player and backing vocalist John Helliwell, and bassist Dougie Thomson.[7] Their record label, A&M, in particular A&R man Dave Margereson (who would become their manager for the next ten years), sent this new line-up to a seventeenth-century farm in west Dorset to rehearse their next album together.[7][8]

The album was recorded at several studios, including Trident Studios and Ramport Studios (owned by the Who), with co-producer Ken Scott. While recording the album, Davies and Hodgson recorded approximately 42 demo songs, from which only 8 were chosen to appear on the album.

Six tracks were first recorded, for the soundtrack of Tony Klinger's 1971 film Extremes "about British youth, lifestyles and drug addiction".[9] Several other tracks appeared on later albums such as (Crisis? What Crisis? and ...Famous Last Words...).

Due to a contractual agreement, all the songs are credited jointly to the two writers, but some of the songs were written individually. Scott commented that Davies and Hodgson "were very, very different personalities. Those differing personalities made the music sound the way it did."[10] "Asylum", "Rudy" and "Bloody Well Right" were written by Davies, "Dreamer", "If Everyone Was Listening", and "Hide in Your Shell" were written by Hodgson, and both "School" and "Crime of the Century" are Davies/Hodgson collaborations.[11]

Hodgson remarked of "Hide in Your Shell": "I was 23 when I wrote that song, confused about life and like a lot of people are at that age, trying to hide my insecurities. I’ve always been able to express my innermost feelings more openly in song and 'Hide in Your Shell' came to me at a time when I was feeling very lonely – lonely both in life and within the band – with no one who shared my spiritual quest."[10]

"Dreamer" was composed by Hodgson on his Wurlitzer piano at his mother's house when he was 19 years old. At that time he recorded a demo of the song using vocals, Wurlitzer, and banging cardboard boxes for percussion. Hodgson recalled: "I was excited – it was the first time I laid hands on a Wurlitzer."[10] Supertramp cut their own recording of the song in imitation of this early demo.[12] Hodgson also stated on In the Studio with Redbeard while talking about the making of the album that the band had difficulty recreating the song when recording it.[citation needed]

Another of Hodgson's philosophical musings, "If Everyone Was Listening", was inspired by the As You Like It adage "All the world’s a stage, and all the men are merely players".[10] According to Entertainment Weekly, the message of the song is, "Not knowing what’s going on in everyone’s mind is just another form of not being in control. The fear comes not from the absence of knowledge of another person’s thought process, but rather from confronting the fact that we have no control over anything."[13] The song would later provide the title track for Michael Ball's 2014 album of the same name.[14]

The album was named after the final song, "Crime of the Century", which the band members felt was the strongest song on the album.[11] The phrase “Crime of the Century” is a sensationalist trope which has been applied to various notorious crimes in history. Its application to more than one crime per century speaks to its hyperbolic nature.[15]

Shortly after his departure from Supertramp, Hodgson commented: "I've had more people come up to me and say that that song touched them more deeply than any other. That song really came together when we were living together at Southcombe Farm, Thorncombe, and just eating, sleeping, and breathing the ideas for the album. The song just bounced between Rick and I for so many weeks before it finally took form."[11] For unknown reasons, in several interviews both before and since, Hodgson has attributed the song as being written solely by Davies.[citation needed]

Hodgson describes "School" as "my song basically" but admits that Davies wrote both the piano solo and a good deal of the lyrics.[11] Interviewed by Jeff Parets of Acoustic Storm in 2010, Hodgson confirmed that the song was based on his experience at boarding school and said of the girl's scream: "Everything, especially that scream that you're talking about just before the band comes in, does represent a lot... I mean, you know, school is a wonderful place. Obviously, it's a school playground but that scream does represent a lot more."[16] Ultimate Classic Rock critic Nick DeRiso rated "School" as Supertramp's 3rd greatest song, calling it a "jazz fusion-informed gem" and praising its "free-form creativity," "plaintive lyric" and "stirring musical specificity."[17]

On the In the Studio with Redbeard episode devoted to the album, Hodgson stated that "Rudy" was the character on the album and was seen as somewhat autobiographical of Davies' life at the time.[citation needed] The sound of the train in "Rudy" was recorded at London Paddington station, while the crowd noises in the song were taken from Leicester Square.[8]

Hodgson and Davies both stated that communication within the group was at a peak during the recording of this album, while drummer Siebenberg stated that he thought it was this album on which the band hit its "artistic peak".[18]

Crime of the Century deals loosely with themes of loneliness and mental stability.[8] Davies consciously linked the opening track "School" to "Bloody Well Right" with the line "So you think your schooling is phoney", and according to Hodgson, any unifying thread beyond that was left to the listener's imagination.[8]

Artwork

[edit]

The photograph for the cover was Paul Wakefield's first album work. A&M Records' art director Fabio Nicoli invited Wakefield to the studio where the band were recording and had him read the lyrics. With the album title already chosen, Wakefield started asking himself "what an appropriate sentence could be for 'the crime of the century'" and combined it with a line from the song "Asylum": "when they haunt me and taunt me in my cage." One of his ideas, a prison cell window floating in space with a person silently screaming through the bars, was approved by the band, and when Wakefield started to develop the idea, he reduced the prisoner to just hands clutching the bars, "a resignation to fate that the other didn’t have. It felt like there would be no reprieve." A friend made the set of polished aluminum bars and welded it to a stand, and underneath it Wakefield's twin brother grabbed the bars, with his hands whitened with stage make-up. Through multiple exposure, Wakefield shot 12 pictures on transparency film, which he then combined with a back-lit starscape, that was actually a black card sheet filled with holes in a darkened studio. Half of the resulting pictures had the expected result. The back cover photograph, featuring band members in their underwear holding dress suits and top hats, was originally made when the album cover was meant to be a gatefold.[19]

Reception

[edit]
Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic[4]
Christgau's Record GuideC+[20]
Classic Rock[21]
Encyclopedia of Popular Music[22]
The Great Rock Discography8/10[23]
MusicHound4/5[24]
Record Collector[25]
The Rolling Stone Album Guide[26]
Sputnikmusic4/5[5]

Crime of the Century was Supertramp's first U.S. Top 40 album and was eventually certified Gold in the U.S. in 1977, after the release of Even in the Quietest Moments.... The album also marked the commercial breakthrough for the band in the United Kingdom; Crime of the Century peaked at number four in the album chart in March 1975, and "Dreamer" reached number thirteen on the singles chart in the same month.[27] The album was particularly successful in Canada, staying on the album chart for over two years, peaking at number four, and being certified Diamond (10 x platinum) signifying sales of over one million copies.

In 1978, Crime of the Century was ranked 108th in The World Critic Lists, which recognised the 200 greatest albums of all time as voted for by notable rock critics and DJs.[28] Village Voice critic Robert Christgau was ambivalent towards the album's "straight-ahead art-rock", which he called "Queen without preening. Yes without pianistics and meter shifts."[20] Adam Thomas's retrospective review in Sputnikmusic described it as one of the better albums of the 1970s for its powerful expression of young adult confusion and alienation, and for its consistent contrast between prog and pop elements.[5]

In the 1987 edition of The World Critic Lists, CBC's Geoff Edwards ranked Crime of the Century the 10th greatest album of all time.[28] A 1998 public poll, aggregating the votes of more than 200,000 music fans, saw Crime of the Century voted among the all-time top 1000 albums,[29] and it was listed in the 2005 book 1001 Albums You Must Hear Before You Die.[30] In 2015, it was chosen as the 27th greatest progressive rock album by Rolling Stone.[3] Paul Elliott of Classic Rock magazine called it a progressive rock masterpiece.[31]

Many of the songs on the album remained staples of the band's shows well into the 21st century ("School", "Bloody Well Right", "Rudy", and the title song). Almost all of the album appears on the band's 1980 live album Paris although the tracks that feature orchestrations on the studio versions ("Asylum", "Rudy", and "Crime of the Century") were replaced by string synthesisers or Oberheim synthesisers, which were played mainly by Helliwell with some help from Hodgson.[citation needed] Hodgson has also included songs from the album ("Dreamer", "Hide in Your Shell", "School" and "If Everyone Was Listening") in his concerts.[32]

Releases

[edit]

The first release was on vinyl by A&M Records in 1974. In 1977, it became the first pop music LP title re-issued by the audiophile label Mobile Fidelity Sound Lab.[33] A&M released it as one of the first CDs in its "Audio Master Plus" series in 1984, which it then reissued in 1990.[33] Mobile Fidelity also released its own remastered CD version on a gold disc as part of its "Ultradisc" series, in November 1984.[33]

A new remastered CD version of the album was released by A&M in 1997, followed by a different remaster on 11 June 2002.[33] The newer A&M remasters feature all of the album art restored plus credits and full lyrics, which were missing from some earlier editions. Both 1997[34] and 2002[35] A&M remasters were from the original tapes by Greg Calbi and Jay Messina at Sterling Sound in New York.[citation needed]

The 1997 remaster has all tracks peaking at 100 per cent, significantly altering the original dynamic range of the recording and effectively adding new distortion to the sound. [citation needed] The 2002 edition is not quite as loud but still has much of the same effect.[citation needed]

The album was re-issued by German audiophile label Speaker's Corner in 1999, as a 180 gram vinyl LP.[36] It has none of the dynamic range compression applied to the A&M remastered CD versions.[citation needed]

It was announced in October 2014 that the album, remastered by Ray Staff, would be reissued in CD, digital download, and 180g vinyl formats on 9 December 2014.[37] In addition to the original album, the release would include a complete recording of a 1975 Hammersmith Odeon concert, a 24-page booklet of photographs, and an essay written by Phil Alexander with new interviews with Ken Scott, Dave Margereson, and most of the band members. Two 10×8 prints and a longer version of the essay were announced as exclusives of the vinyl version.[37]

Track listing

[edit]

All tracks are written by Rick Davies and Roger Hodgson, except where noted

Side one
No.TitleLead vocalsLength
1."School"Hodgson5:35
2."Bloody Well Right"Davies4:32
3."Hide in Your Shell"Hodgson6:49
4."Asylum"Davies6:45
Side two
No.TitleLead vocalsLength
5."Dreamer"Hodgson3:31
6."Rudy"Davies7:17
7."If Everyone Was Listening"Hodgson4:04
8."Crime of the Century"Davies5:36
2014 Deluxe Edition Disc 2: Live at Hammersmith March 9th 1975
No.TitleWriter(s)Length
1."School" 5:54
2."Bloody Well Right" 6:46
3."Hide in Your Shell" 6:47
4."Asylum" 7:01
5."Sister Moonshine" 5:30
6."Just a Normal Day" 3:59
7."Another Man's Woman" 7:42
8."Lady" 5:55
9."A - You're Adorable"
2:57
10."Dreamer" 3:28
11."Rudy" 7:24
12."If Everyone Was Listening" 4:33
13."Crime of the Century" 6:01

Personnel

[edit]

Supertramp[38]

Additional musicians[38]

  • Christine Helliwell – backing vocals (3)
  • Scott Gorham – backing vocals (3)
  • Vicky Siebenberg – backing vocals (3)
  • Anonymous street musician – saw (3)[39][40]
  • Ken Scott – water gong (8)

Production[41]

  • Ken Scott – producer, engineer
  • Supertramp – producer
  • John Jansen – engineer
  • Ray Staff – original vinyl mastering
  • Richard Hewson – string arrangements
  • Paul Wakefield – cover design and photography
  • Fabio Nicoli – art direction

Charts

[edit]

Certifications and sales

[edit]
Region Certification Certified units/sales
Australia (ARIA)[60] Gold 20,000^
Canada (Music Canada)[61] Diamond 1,000,000^
France (SNEP)[62] Platinum 400,000*
Germany (BVMI)[63] Gold 250,000^
New Zealand (RMNZ)[64] Platinum 15,000^
Switzerland (IFPI Switzerland)[65] Gold 25,000^
United Kingdom (BPI)[66] Gold 100,000^
United States (RIAA)[67] Gold 500,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

References

[edit]
  1. ^ "BPI Certification". Retrieved 13 September 2023.
  2. ^ Christgau, Robert (1981). Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. p. 381. ISBN 0899190251.
  3. ^ a b c "50 Greatest Prog Rock Albums of All Time". Rolling Stone. 17 June 2015. Retrieved 28 July 2016.
  4. ^ a b Erlewine, Stephen Thomas. "Supertramp - Crime of the Century Album Reviews, Songs & More | AllMusic". allmusic. Retrieved 7 April 2023.
  5. ^ a b c Thomas, Adam (22 July 2008). Album review, Sputnikmusic.
  6. ^ Melhuish, Martin (1986). The Supertramp Book. Toronto, Canada: Omnibus Press. pp. 31–41. ISBN 0-9691272-2-7.
  7. ^ a b "Supertramp | Bio, Pictures, Videos | Rolling Stone". rollingstone.com. 2011. Archived from the original on 16 January 2011. Retrieved 17 December 2011.
  8. ^ a b c d The Mojo Collection. Canongate Books. November 2007. p. 335. ISBN 9781847676436. Retrieved 17 December 2011.
  9. ^ "Tony Klinger". The Strange Brew. Archived from the original on 15 May 2021. Retrieved 30 July 2024.
  10. ^ a b c d Crime of the Century (sleeve notes). Universal Music Enterprises. 2014.
  11. ^ a b c d Melhuish, Martin (1986). The Supertramp Book. Toronto, Canada: Omnibus Press. pp. 67–85. ISBN 0-9691272-2-7.
  12. ^ "Breakfast in Detroit: Tales from a Dreamer!". annecarlini.com. Retrieved 1 December 2014.
  13. ^ "Mr. Robot recap: eps2.1_k3rnel-pan1c.ksd - EW.com". Entertainment Weekly. Retrieved 8 December 2016.
  14. ^ Robertson, Willie (5 March 2015). Michael Ball - The Biography. John Blake Publishing. ISBN 9781784183660. Retrieved 17 April 2017 – via Google Books.
  15. ^ Hunt, Amber. “Crimes of the Century”. Podcast. Web. All Episodes. https://www.centuriespod.com/episodes Accessed 17 Sep 2024.
  16. ^ "Acoustic Storm :: Artists". www.acousticstorm.com. Retrieved 25 May 2019.
  17. ^ DeRiso, Nick (22 July 2013). "Top 10 Supertramp Songs". Ultimate Classic Rock. Retrieved 8 June 2022.
  18. ^ "Supertramp's Bob Siebenberg". Modern Drummer. 15 December 2014.
  19. ^ "ACHOF Featured Album Cover Artist Portfolio – Paul Wakefield". wordpress.com. 12 December 2014. Retrieved 17 April 2017.
  20. ^ a b Christgau, Robert (1981). "Consumer Guide '70s: S". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved 13 March 2019 – via robertchristgau.com.
  21. ^ "Supertramp: Crime Of The Century album review". Classic Rock. 30 October 2023. Retrieved 7 August 2024.
  22. ^ Larkin, Colin (2006). Encyclopedia of Popular Music. Vol. 7 (4th ed.). Oxford University Press. p. 857. ISBN 0195313739.
  23. ^ Strong, Martin Charles (2002). "Supertramp". The Great Rock Discography. The National Academies. ISBN 1-84195-312-1.
  24. ^ Graff, Gary; Durchholz, Daniel, eds. (1999). "Supertramp". MusicHound Rock: The Essential Album Guide. Visible Ink Press. p. 1110-1111. ISBN 1-57859-061-2.
  25. ^ Heatley, Michael. "Supertramp – Crime Of The Century: Deluxe Edition". Record Collector. No. 435. Retrieved 17 February 2020.
  26. ^ Sheffield, Rob; et al. (2004). Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 797. ISBN 0-7432-0169-8.
  27. ^ a b "Official Albums Chart Top 100". Official Charts Company. Retrieved 3 November 2021.
  28. ^ a b The World Critic Lists. 1978. Archived at rocklistmusic.co.uk
  29. ^ Virgin: All-time top 1000 albums. Archived at rocklistmusic.co.uk
  30. ^ "Rocklist.net...Steve Parker...1001 Albums." rocklistmusic.co.uk. Retrieved 17 April 2017.
  31. ^ Elliott, Paul. "Supertramp". Classic Rock (Summer 2010): 96. Archived from the original on 21 September 2013. Retrieved 19 September 2013.
  32. ^ "SUPERTRAMP Co-Founder ROGER HODGSON Readies Fall Tour As "Crime of the Century" Celebrates 40th Anniversary" (Press release). PR Newswire. Retrieved 4 December 2014.
  33. ^ a b c d "MusicBrainz Discography". musicbrainz.org. Retrieved 23 June 2014.
  34. ^ "1997 Remaster on Discogs". discogs.com. Retrieved 23 June 2014.
  35. ^ "2002 Remaster on Discogs". discogs.com. Retrieved 23 June 2014.
  36. ^ "1999 Remaster on Discogs". discogs.com. Retrieved 23 June 2014.
  37. ^ a b "Supertramp to Release Crime of the Century December 9, 2014". Business Wire. 17 October 2014. Retrieved 20 October 2014.
  38. ^ a b "SUPERTRAMP - Crime of the Century (1974)". Progarchives.com. Retrieved 8 March 2023.
  39. ^ "Question for Ken Scott re: SUPERTRAMP "Crime of the Century"".
  40. ^ Scott, Ken (13 January 2007). "Question For Ken Scott re: SUPERTRAMP "Crime Of The Century"".
  41. ^ Crime of the Century (liner notes). Supertramp. A&M Records. 1974. 88 122 XOT.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  42. ^ a b c Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  43. ^ "Top RPM Albums: Issue 6136a". RPM. Library and Archives Canada. Retrieved 3 November 2021.
  44. ^ a b "Dutchcharts.nl – Supertramp – Crime of the Century" (in Dutch). Hung Medien. Retrieved 3 November 2021.
  45. ^ a b "Offiziellecharts.de – Supertramp – Crime of the Century" (in German). GfK Entertainment Charts. Retrieved 3 November 2021.
  46. ^ "Charts.nz – Supertramp – Crime of the Century". Hung Medien. Retrieved 3 November 2021.
  47. ^ "Supertramp Chart History (Billboard 200)". Billboard. Retrieved 3 November 2021.
  48. ^ "Lescharts.com – Supertramp – Crime of the Century". Hung Medien. Retrieved 3 November 2021.
  49. ^ "Spanishcharts.com – Supertramp – Crime of the Century". Hung Medien. Retrieved 3 November 2021.
  50. ^ "RPM Top 100 Albums of 1975". RPM. 27 December 1975. Archived from the original on 24 July 2013. Retrieved 11 February 2014.
  51. ^ "Top Selling Albums of 1975 — The Official New Zealand Music Chart". Recorded Music New Zealand. Retrieved 3 November 2021.
  52. ^ "Top Selling Albums For 1975" (PDF). Music Week. 27 December 1975. p. 10. Archived (PDF) from the original on 9 March 2021. Retrieved 30 November 2021 – via worldradiohistory.com.
  53. ^ "RPM Top 100 Albums of 1976". RPM. 8 January 1977. Archived from the original on 24 February 2014. Retrieved 11 February 2014.
  54. ^ "Top Selling Albums of 1976 — The Official New Zealand Music Chart". Recorded Music New Zealand. Retrieved 3 November 2021.
  55. ^ "Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1977. Archived from the original on 24 October 2021. Retrieved 2 April 2022.
  56. ^ "Top Selling Albums of 1977 — The Official New Zealand Music Chart". Recorded Music New Zealand. Retrieved 9 November 2021.
  57. ^ "Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1978. Archived from the original on 23 October 2021. Retrieved 2 April 2022.
  58. ^ "Top 100 Album-Jahrescharts" (in German). GfK Entertainment Charts. 1979. Archived from the original on 8 November 2021. Retrieved 2 April 2022.
  59. ^ "Top Selling Albums of 1979 — The Official New Zealand Music Chart". Recorded Music New Zealand. Retrieved 28 January 2022.
  60. ^ "Supertramp Hits America For Tour" (PDF). Cash Box. 21 February 1976. p. 47. Retrieved 21 November 2021 – via World Radio History.
  61. ^ "Canadian album certifications – Supertramp – Crime of the Century". Music Canada. Retrieved 1 June 2012.
  62. ^ "French album certifications – Supertramp – Crime of the Century" (in French). InfoDisc. Retrieved 1 June 2012. Select SUPERTRAMP and click OK. 
  63. ^ "Gold-/Platin-Datenbank (Supertramp; 'Crime of the Century')" (in German). Bundesverband Musikindustrie. Retrieved 1 June 2012.
  64. ^ "New Zealand album certifications – Supertramp – Crime of the Century". Recorded Music NZ. Retrieved 14 November 2019.
  65. ^ "The Official Swiss Charts and Music Community: Awards ('Crime of the Century')". IFPI Switzerland. Hung Medien. Retrieved 1 June 2012.
  66. ^ "British album certifications – Supertramp – Crime of the Century". British Phonographic Industry. Retrieved 1 June 2012.
  67. ^ "American album certifications – Supertramp – Crime of the Century". Recording Industry Association of America. Retrieved 1 June 2012.
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