In 1917, French and a colleague, Henry Augustus Lukeman, designed the Pulitzer Prize gold medal presented to laureates. French designed the side of the prize with Benjamin Franklin on it, while Lukeman created the iconic design of the printing press and the wording on the award: "For disinterested and meritorious public service rendered by an American newspaper during the year….".[8] In collaboration with Edward Clark Potter he modeled the George Washington statue, commissioned by a group that called itself "The Association of American Women for the Erection of a Statue of Washington in Paris" and unveiled in the Place d'Iena in Paris, France, in 1900; the General Grant statue in Fairmount Park, Philadelphia, commissioned by the Association for Public Art (formerly the Fairmount Park Art Association);[9] and the equestrian statue of Joseph Hooker in Boston.
French was one of many sculptors who frequently employed Audrey Munson as a model; another frequent sitter was Hettie Anderson. Together with Walter Leighton Clark and others, he was also one of the founders of the Berkshire Playhouse,[10] which later became the Berkshire Theatre Festival. French's daughter, Margaret, also occasionally modeled for him, including for some of his rare portrait paintings, and became famous in her own right as a sculptor under the name Margaret French Cresson.
In 1917, Harvard's citation in conferring an honorary Master of Arts referred to his statue of Emerson[clarification needed][11] when it called him "a sculptor, whose skillful hand, unlike that of the friend whom he portrayed, has not been stopped but spared to adorn our land by the creation of his art".[12][13] French also taught; among his pupils was the sculptor Edith Howland.[14]
Greek Epic; Lyric Poetry, and Religion. Sculptures for the 1908 Brooklyn Institute of Arts and Sciences building on Eastern Parkway in Brooklyn, New York.
Power and Wisdom. Sculpture for the 1919 First World War Memorial. Since destroyed.
And the Sons of God saw the Daughters of Men That They Were Fair…, For French, this was an unusually erotic sculpture depicting the verse from Genesis whereby a fallen angel seduces a mortal woman thus producing the mythical Nephilim, Corcoran Gallery of Art; Washington, D.C., signed and dated 1923.
^Luebke, Thomas E., ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. 544.
^Homren, Wayne (April 11, 2004). "Pulitzer Secrets Revealed". The E-Sylum. 7 (15, art. 5). Retrieved July 1, 2007.
^Bach, Penny (1992). Public Art in Philadelphia. Philadelphia, PA: Temple University Press. p. 208. ISBN0-87722-822-1.
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Tolles, Thayer. "Daniel Chester French (1850–1931)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (June 2010)
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