DebatikCenter of Contemporary Art (also styled D.C.C.A.) is a contemporary art center[1] and independent film production center[2] based in Tirana, Albania. D.C.C.A defines itself as "nexus of academics, activists, architects, artists, imaginary and real collectives, critics, curators, journalists, translators, etc., that seek to shine a light on these practices but also offer the necessary tools to imagine alternative futures and strategies of resistance to the status quo."[3]
The D.C.C.A. was founded in 2003 in Bologna by Armando Lulaj, Salvator Qitaj, and Ergin Zaloshnja, as a center for discussing and examining the country's social changes.[4] DebatikCenter took its name from the Albanian anti-fascist youth organization Debatik. D.C.C.A made its first appearance during "U-topos,” the 2nd Tirana Biennale in 2003, with the public performance "Brotherhood Phobia.”[5]
In 2017, D.C.C.A. reorganized under the direction of Armando Lulaj, Jonida Gashi, and Pleurad Xhafa, rethinking the objectives of the institution in relation to visual, cinematic, theoretical, and political arts. As a result, it embarked on an examination of Albania's past while maintaining a critical gaze on neo-liberal consolidation, focusing on social reality while proposing a new chapter in the country's historical narrative.[6] They also founded the art collective La Société Spectrale.
In the same year, D.C.C.A. started organizing a series of “Strikes,” compact performances and actions in public space, for example around the then recently renovated Skanderbeg Square,[7] featuring projects by Armando Lulaj, Pleurad Xhafa, La Société Spectrale, Underground Movement, Skarlet Hori, and others. Many of the Strikes were in direct response to political events and public works in Tirana.
In response to the illegal demolition of National Theatre of Albania, D.C.C.A. initiated in 2020 the drafting of a public letter against the artwashing tactics of the government of Prime Minister Edi Rama.[8] The letter was publicly released in Albanian,[9] French,[10] Italian,[11] and English,[12] gathering hundreds of signatures.
Moving Billboard (2018) brought together a group of international artists showing their work on twenty-four billboards across twenty-four locations in Tirana over the course of twenty-four hours for a single hour each.[13] The project focused on issues such as economic corruption and police brutality, environmental collapse, war, and terrorism.[14] Participating artists included Shuji Akagi, James Benning, Charlotte Beradt, Skarlet Hori, David Kampi, Shpëtim Koloshi, Katherine Liberovskaya, Underground Movement, Phil Niblock, Jun Jin, Sokol Peçi, Victor Strato, Tim Shaw, La Société Spectrale, and Wolfgang Staehle.[15]
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