Eddie Vinson | |
---|---|
Background information | |
Birth name | Edward L. Vinson Jr. |
Also known as | Eddie "Cleanhead" Vinson |
Born | Houston, Texas, United States | December 18, 1917
Died | July 2, 1988 Los Angeles, California, United States | (aged 70)
Genres | Jump blues,[1] R&B,[1] jazz |
Occupation(s) | Saxophonist, singer, composer |
Years active | 1930s–1988 |
Labels | King Records, Mercury, Black & Blue, ABC-BluesWay, Muse |
Eddie "Cleanhead" Vinson (born Edward L. Vinson Jr.; December 18, 1917 – July 2, 1988) was an American jump blues, jazz, bebop and R&B alto saxophonist and blues shouter.[1] He was nicknamed "Cleanhead" after an incident in which his hair was accidentally destroyed by lye contained in a hair-straightening product, necessitating shaving it off; enamoured of the look, Vinson maintained a shaved head thereafter.[2][3] Music critic Robert Christgau has called Vinson "one of the cleanest, and nastiest, blues voices you'll ever hear."[4]
Vinson was born in Houston, Texas.[5] He was a member of the horn section in Milton Larkin's orchestra, which he joined in the late 1930s.[5] At various times, he sat next to Arnett Cobb, Illinois Jacquet, and Tom Archia, while other members of the band included Cedric Haywood and Wild Bill Davis. After exiting Larkin's employment in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy.[5] He then moved to New York and joined the Cootie Williams Orchestra from 1942 to 1945, recording such tunes as "Cherry Red". Vinson struck out on his own in 1945, forming his own large band, signing with Mercury Records, and enjoying a double-sided hit in 1947 with his R&B chart-topper "Old Maid Boogie", and the song that would prove to be his signature number, "Kidney Stew Blues".[6]
Vinson's jazz leanings were probably heightened during 1952–1953, when his band included a young John Coltrane. In the late 1960s, touring in a strict jazz capacity with Jay McShann, Vinson's career took an upswing. In the early 1960s Vinson moved to Los Angeles and began working with the Johnny Otis Revue. A 1970 appearance at the Monterey Jazz Festival with Otis spurred a bit of a comeback for Vinson. Throughout the 1970s he worked high-profile blues and jazz sessions for Count Basie, Otis, Roomful of Blues, Arnett Cobb, and Buddy Tate. He also composed steadily, including "Tune Up" and "Four", both of which have been incorrectly attributed to Miles Davis.[7] There is some controversy over who composed "Four".[citation needed]
Vinson recorded extensively during his fifty-odd year career and performed regularly in Europe and the U.S. He died aged 70 in 1988, from a heart attack while undergoing chemotherapy,[8] in Los Angeles, California.
Year | Title | Notes | Genre | Label |
---|---|---|---|---|
1957 | Clean Head's Back in Town | with Joe Newman, Henry Coker, Bill Graham, Frank Foster, Paul Quinichette, Charlie Rouse, Charles Fowlkes, Nat Pierce, Freddie Green, Turk Van Lake, Ed Jones, Gus Johnson, Ed Thigpen | Blues, Jazz | Bethlehem; Charly |
1962 | Back Door Blues | with Cannonball Adderley Quintet; some tracks and alternate takes released as Cleanhead & Cannonball on Landmark | Blues, Jazz | Riverside; Fresh Sound |
1967 | Cherry Red | with Mike Bloomfield | Blues | ABC/Bluesway; One Way |
1969 | Kidney Stew is Fine | with T-Bone Walker and Jay McShann; also released as Wee Baby Blues on Black & Blue | Jump Blues, Swing Jazz | Delmark |
1969 [1984] | Live! in France | with Jay McShann | Jump Blues, Swing Jazz | Black & Blue |
1970 | The Original Cleanhead | with Artie Butler, David Cohen, Joe Pass, Arthur Wright, Earl Palmer, Plas Johnson | Blues | Bluestime/Flying Dutchman; Ace |
1971 | You Can't Make Love Alone | Live at the 1971 Montreux Jazz Festival | Blues | Mega/Flying Dutchman |
1974 [1975] | Jamming the Blues | Live in Montreux | Blues | Black Lion |
1978 | The "Clean" Machine | with Lloyd Glenn | Blues, Jazz | Muse |
1978 [1981] | Live at Sandy's (Eddie "Cleanhead" Vinson and the Muse All Stars) | with Arnett Cobb and Buddy Tate | Jump Blues, Swing Jazz | Muse 5208 |
1978 [1984] | Hold It Right There! (Eddie "Cleanhead" Vinson and the Muse All Stars) | with Arnett Cobb and Buddy Tate | Jump Blues, Swing Jazz | Muse 5243 |
1979 [2003] | Redux: Live at the Keystone Korner | with Larry Vuckovich | Blues, Jazz | Savant |
1980 | Kansas City Shout | with Count Basie and Big Joe Turner | Blues, Jazz | Pablo |
1980 | Fun in London | with John Burch, Lennie Bush, Bobby Orr | Blues, Jazz | JSP |
1981 | I Want a Little Girl | with Art Hillery, Cal Green, John Heard, Roy McCurdy, Martin Banks, Rashid Jamal Ali | Blues, Jazz | Pablo |
1982 | Mr. Cleanhead's Back in Town | with Stan Greig, Les Davidson, Paul Sealey, Martin Guy | Blues, Jazz | JSP |
1982 | Eddie "Cleanhead" Vinson & Roomful of Blues | with Roomful of Blues | Blues, Jump Blues | Muse; Rockbeat |
1986 | Blues in the Night Volume One: The Early Show | Live in Los Angeles with Etta James | Blues | Fantasy |
1986 [1987] | The Late Show: Blues in the Night, Volume 2 | Live in Los Angeles with Etta James | Blues | Fantasy |
1987 | Oscar Peterson + Harry Edison + Eddie "Cleanhead" Vinson | with Oscar Peterson and Harry "Sweets" Edison | Jazz | Pablo |
1996 | Kidney Stew (The Definitive Black & Blue Sessions) | with T-Bone Walker and Jay McShann | Jump Blues, Swing Jazz | Black & Blue |
2003 | Bald Headed Blues (His Complete King Recordings 1949-1952) | compilation | Jump Blues | Ace |
2006 | Honk for Texas (1942–1954) | with Cootie Williams and Big Jim Wynn; 4-CD box set; compilation | Jump Blues | JSP |
2007 | Blues, Boogie & Bebop – Meat's Too High | compilation of Fun in London and Mr. Cleanhead's Back in Town | Blues, Jazz | JSP |
2008 | Jumpin' the Blues (The Definitive Black & Blue Sessions) | with Jay McShann | Jump Blues, Swing Jazz | Black & Blue |
2019 | Mr. Cleanhead Blows His Greatest Hits (Selected Singles 1944-1950) | compilation | Jump Blues | Jasmine |
With Oliver Nelson
With Arnett Cobb and the Muse All Stars
With Buddy Tate and the Muse All Stars
With Helen Humes and the Muse All Stars