Edwin Carewe | |
---|---|
Born | Jay John Fox[1] March 3, 1883 |
Died | January 22, 1940 Hollywood, California, United States | (aged 56)
Nationality | Chickasaw Nation,[1] American |
Education | University of Texas |
Occupation(s) | Film director, actor |
Years active | 1912–1934 |
Spouses |
|
Children | Violette Carewe, Mary Jane Carewe, Sally Ann Carewe, William Carewe, Carol Lee Carewe [3] |
Parent(s) | Franklin Marion Fox and Sally J. Priddy Fox[4][3] |
Family | F. Finish Carewe (brother) Wallace Carewe (brother) |
Edwin Carewe (Chickasaw Nation,[1] March 3, 1883 – January 22, 1940) was a Native American motion picture director, actor, producer, and screenwriter.
Jay John Fox was born on March 3, 1883, in Gainesville, Texas.[1] His parents were Franklin Marion Fox and Sallie J. Priddy Fox.[1]
Carewe and his two brothers, Wallace Ware Fox (a director/producer) and Franklin Finis Fox (a scenario writer), were all citizens of the Chickasaw Nation and original enrollees on the 1907 Chickasaw Dawes Rolls.[5][1]
This section needs additional citations for verification. (October 2021) |
After brief studies at the Universities of Texas and Missouri and a period of work with regional theatrical groups, Carewe moved to New York City in 1910, where he became a member of the Dearborn Stock Company. Although Jay Fox was his given name, Carewe chose Edwin (from stage actor Edwin Booth) and Carewe from a character he was playing.[6]
Carewe was on stage as an actor before he worked for Lubin studios. Later, he directed films for MGM, First National, Universal Studios, Paramount Pictures, and United Artists. During his career, he provided early screen exposure to many actors such as Dolores del Río, Warner Baxter, Francis X. Bushman and Gary Cooper. He directed 58 films including the acclaimed 1928 version of Ramona starring Dolores del Río and Warner Baxter, which was rediscovered and restored by the Library of Congress and had its world premiere at the University of California, Los Angeles in 2014.
Another of Carewe's notable films was Evangeline in 1929, also with Del Río, and written by his brother Finis Fox. Evangeline was based upon the poem by Henry Wadsworth Longfellow and earned praise for its exceptional lighting and camera work.[7]
Although Carewe directed and produced several critically and financially successful pictures during the silent era, he was not fully able to make the transition to sound. After resorting to sound remakes of his earlier successes, and later to low-budget and religious films, he made his last feature Are We Civilized? in 1934.
Carewe was married three times, twice to actress Mary Akin. By his first wife, Mary Jane Croft (married January 9, 1909 in Toronto, Ontario),[citation needed] he had two daughters, Violette (who became an actress, known as "Rita Carewe") and Mary Jane. By his first marriage to his second wife, Mary Akin, he had two children, Sally Ann and William (born Edwin Gilbert). By his second marriage to Akin, they had one more child, Carol Lee.[citation needed]
Carewe died from a heart ailment in his Hollywood apartment, and is buried at Hollywood Forever Cemetery.[8]
Year | Films | Notes |
---|---|---|
1914 | Across the Pacific | Extant at The Museum of Modern Art[9] |
1915 | Cora | Lost film |
1915 | The Cowboy and the Lady | Lost film |
1915 | Destiny: Or, The Soul of a Woman | 3 of 5 reels held at Library of Congress |
1915 | The Final Judgment | |
1915 | The House of Tears | Lost film |
1915 | Marse Covington | Lost film [10] |
1916 | The Dawn of Love | Lost film |
1916 | God's Half Acre | Extant at Library of Congress[11] |
1916 | Her Great Price | Lost film [12] |
1916 | The Snowbird | |
1916 | The Sunbeam | Lost film [13] |
1916 | The Upstart | Lost film [14] |
1917 | The Barricade | Lost film |
1917 | The Greatest Power | Lost film |
1917 | Her Fighting Chance | Lost film |
1917 | The Trail of the Shadow | Lost film |
1917 | Their Compact | Lost film |
1917 | The Voice of Conscience | |
1918 | The House of Gold | Lost film |
1918 | Liberty Bond Jimmy | Short film |
1918 | Pals First | Lost film [15] Remade in 1926 |
1918 | The Splendid Sinner | Lost film |
1918 | The Trail to Yesterday | |
1919 | Easy to Make Money | Lost film |
1919 | False Evidence | |
1919 | The Right to Lie | Extant at EYE Filmmuseum[16] |
1919 | Shadows of Suspicion | Lost film |
1919 | The Way of the Strong | Lost film |
1920 | Isobel; Or, The Trail's End | Lost film [17] |
1920 | Rio Grande | Lost film |
1920 | The Web of Deceit | |
1921 | Habit | Lost film |
1921 | Her Mad Bargain | Lost film |
1921 | The Invisible Fear | Lost film |
1921 | My Lady's Latchkey | Lost film |
1921 | Playthings of Destiny | Lost film |
1922 | I Am the Law | Lost film |
1922 | A Question of Honor | Lost film |
1922 | Silver Wings | Lost film |
1923 | The Bad Man | Lost film |
1923 | The Girl of the Golden West | Lost film |
1923 | Mighty Lak' a Rose | Lost film |
1924 | Madonna of the Streets | Lost film |
1924 | A Son of the Sahara | Lost film |
1925 | Joanna | Lost film |
1925 | The Lady Who Lied | Lost film |
1925 | My Son | Lost film |
1925 | Why Women Love | Lost film |
1926 | High Steppers | Lost film |
1926 | Pals First | Lost film |
1927 | Resurrection | Lost film |
1928 | Ramona | |
1928 | Revenge | |
1929 | Evangeline | |
1930 | The Spoilers | |
1931 | Resurrection | |
1934 | Are We Civilized? |