His parents were construction foreman Johan Erik Wikström and Gustava Samuelintytär Linnamäki.[1] Emil Wikström studied art in Finnish Art Association's drawing school in Turku and Helsinki, in the Academy of Fine Arts in Vienna and also in Académie Julian in Paris.[2] Wikström as well as other artists took inspiration for their art from their own country's cultural mythology. Finnish artists studied and worked in Paris. Some decided to retreat to the peace of the forest, as Wikström wrote in a letter to Axel Gallén in 1898. Wikström was the first to carry out his plan and found ideal place for himself in Sääksmäki by Vanajavesi.
Emil Wikström sculpted most of his work in Visavuori [fi], his home and studio in Valkeakoski.[3] Wikström was one of the most important Finnish sculptors of his time. Best remembered for his public monuments in Helsinki, the statues at the railway station, and other cities across Finland, Wikström produced portraits of many statesmen, politicians, businessmen, family and friends, as well as figures from Finnish mythology.[1][4]
In 1890 he got engaged to painter Dora Wahlroos and they studied arts at Paris together. However they drifted apart and in 1895 Wikström married Alice Högström (1863–1950). They had three daughters: Estelle, Anna-Liisa and Mielikki Anne-Marie. Estelle's son Kari Suomalainen was a famous cartoonist,[1] and her daughter Saskia (a.k.a. Maaria Eira) was an opera singer and director.[7]
The fountain from the side (Aino is attempting to resist the call of the three water maidens of Vellamo, while a man of Ahtola is pushing the rock from behind[11])
Näsikallio Fountain, 1913 (the top represents Maiden of Pohjola on a rainbow, and the bottom left statue the manufacturing industry and the right the cottage industry[12]) (fi)