Flags | ||||
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Studio album by | ||||
Released | 14 June 1985[1] | |||
Recorded | January 1985 | |||
Studio | Aquarius Studios, Geneva | |||
Genre | Progressive rock | |||
Length | 38:11 | |||
Label | E.G. | |||
Producer | Bill Bruford, Patrick Moraz | |||
Moraz-Bruford chronology | ||||
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Flags is a 1985 album by the duo of keyboardist Patrick Moraz and drummer Bill Bruford. Unlike their debut Music for Piano and Drums, which featured only the two instruments in the album's title, this recording expanded their musical palette by incorporating Kurzweil 250 synthesizer and Simmons electronic percussion. During the recording of this album, Moraz was a member of The Moody Blues, while Bruford's band King Crimson had just begun a hiatus that would last for ten years. Flags features ten original instrumentals, mostly derived from the duo improvising or working with sketches. There is also a drum solo Bruford based on Max Roach's "The Drum Also Waltzes".
Speaking about the cover of Max Roach's "The Drum Also Waltzes", Bill Bruford remarked, "Being largely improvised and afro-centric, 'The Drum Also Waltzes' was not slavishly constrained by an original text or chart. It was open enough for other drummers to make their drum also waltz. So I didn't notate and then regurgitate Roach's version of events. I played as much of the original as seemed necessary, before my improvisations, which were unlike Roach's."[2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | [4] |
The authors of The Penguin Guide to Jazz Recordings wrote: "There are one or two alarming moments when one might be listening to The Carpenters jamming at home. Then it's Stravinsky; then..."[4]
In an article for Jazz Times, Bill Milkowski called the album "an overproduced studio outing," and wrote: "The album opens on a decidedly sour note with the bombastic, overproduced 'Temples of Joy,' which sounds like the theme to an '80s sitcom. Moraz's classical/prog-rock pretensions spill over on other schlocky numbers" including "the grandiose title track."[5]
Writing for All About Jazz, John Kelman noted that "the chemistry between the two is clearly evident," and commented: "more ambitious than Music for Piano and Drums from a production perspective, Flags is clearly a completely different record, based more on overt structure and through-composition that manages to demonstrate the potential power of the duo.[6]