Glory (1989 film)

Glory
Theatrical release poster
Directed by	Edward Zwick
Screenplay by	Kevin Jarre
Based on	Lay This Laurel by Lincoln Kirstein One Gallant Rush by Peter Burchard
Produced by	Freddie Fields
Starring	Matthew Broderick Denzel Washington Cary Elwes Morgan Freeman
Cinematography	Freddie Francis
Edited by	Steven Rosenblum
Music by	James Horner
Production company	Freddie Fields Productions
Distributed by	Tri-Star Pictures
Release date	December 15, 1989 (1989-12-15) (United States)
Running time	122 minutes
Country	United States
Language	English
Budget	$18 million[1]
Box office	$27 million[2]

Glory is a 1989 American war film directed by Edward Zwick about the 54th Massachusetts Infantry Regiment, one of the Union Army's earliest African American regiments in the American Civil War. It stars Matthew Broderick as Colonel Robert Gould Shaw, the regiment's commanding officer, and Denzel Washington, Cary Elwes, and Morgan Freeman as fictional members of the 54th. The screenplay by Kevin Jarre was based on the books Lay This Laurel (1973) by Lincoln Kirstein and One Gallant Rush (1965) by Peter Burchard and the personal letters of Shaw. The film depicts the soldiers of the 54th from the formation of their regiment to their heroic actions at the Second Battle of Fort Wagner.

Glory was co-produced by TriStar Pictures and Freddie Fields Productions, and distributed by Tri-Star Pictures in the United States. It premiered in limited release in the United States on December 15, 1989, and in wide release on February 16, 1990, grossing $27 million worldwide on an $18 million budget. The film was nominated for five Academy Awards and won three, including Best Supporting Actor for Washington. It also won awards from the British Academy of Film and Television Arts, the Golden Globe Awards, the Kansas City Film Critics Circle, the Political Film Society, and the NAACP Image Awards.

After being wounded at Antietam, Captain Robert Gould Shaw is sent home to Boston on medical leave. His well-connected father obtains for him a promotion to colonel of the 54th Massachusetts Infantry Regiment, one of the first all-Black regiments in the Union Army. Shaw appoints his friend and fellow soldier Cabot Forbes as his second-in-command. Their first volunteer is Thomas Searles, a bookish, free African-American who works as the Shaw family's secretary. Other recruits include John Rawlins, Jupiter Sharts, Silas Trip, and a mute teenage drummer boy whom Rawlins refers to as "Homey".

The men learn that in response to the Emancipation Proclamation, the Confederacy has issued an order that captured Black men are to be returned to slavery. Black soldiers found wearing uniforms will be executed as well as their White officers. Shaw offers honorable discharges to any man who does not want to fight, but no one takes his offer. The men undergo rigorous training from Sergeant Major Mulcahy, who is particularly hard on Searles. Despite Mulcahy's treatment of his friend and the abuse he inflicts on the other recruits, Shaw reluctantly accepts that tough discipline is needed to prepare them for the coming challenges the regiment must face.

Trip deserts and is caught, and Shaw orders him flogged in front of the regiment. He then learns that Trip left to find proper shoes because his men are being denied these supplies. Shaw confronts the base's racist quartermaster on their behalf and gets the supplies. He also supports his men in a pay dispute; the federal government decrees that Black soldiers will only be paid $10, not the $13 per month all White soldiers receive. When the men, led by Trip, begin tearing up their pay vouchers in protest of this unequal treatment, Shaw tears up his own voucher and declares that none of the White officers will accept pay. In recognition of the leadership he has displayed, Rawlins is promoted to the rank of sergeant major.

Once the 54th completes its training, the unit is transferred to serve under the command of Brigadier General Charles Harker. On their first mission, the 54th is ordered by Colonel James Montgomery to sack and burn Darien, Georgia with Montgomery's own poorly disciplined Black soldiers. Shaw initially refuses to obey an unlawful order but reluctantly agrees under threat of facing a court-martial and being relieved of his command.

Shaw continues to lobby his superiors to allow his regiment to fight after weeks of having nothing to do but backbreaking manual labor, finally getting the 54th a combat assignment after blackmailing Harker and Montgomery by threatening to inform the War Department of their involvement in illegal profiteering. In its first battle at James Island, South Carolina, the 54th successfully repels a Confederate attack that had routed other units. During the battle, Searles is wounded but saves Trip from being stabbed in the back. Shaw offers Trip the honor of bearing the regimental flag in battle. He declines, unsure if winning the war would result in a better life for ex-slaves like himself.

General George Strong informs Shaw along with his fellow commanders of a major campaign to secure a foothold at Charleston Harbor. This involves assaulting Morris Island and capturing Fort Wagner, whose only landward approach is a strip of open beach; a charge is certain to result in heavy casualties. Shaw volunteers the 54th to lead the attack. The night before the battle, the Black soldiers conduct a religious service. Several make emotional speeches, including Trip, who finally embraces his fellow soldiers. On its way to the battlefield, the 54th is cheered by the same Union troops who had scorned them earlier.

The 54th leads the charge on the fort at dusk, suffering serious losses. As night falls, the regiment is pinned down against the fort's walls. Attempting to encourage his men forward, Shaw is struck by several bullets and killed. Trip, despite his previous assertion that he would not do it, lifts the flag and tries to rally the men before he himself is shot dead. Forbes and Rawlins take charge, and the soldiers break through the fort's outer defenses. Seemingly on the brink of victory, the 54th realize that the enemy has cannons pointed directly at them. The morning after the battle the Confederate flag is raised again over the fort. The beach is littered with the bodies of Black and White Union soldiers; they are buried in a mass grave, with Shaw's and Trip's bodies next to each other.

A textual epilogue reveals that the regiment lost over half its number during the assault and that Fort Wagner never fell to the Union Army. However, the courage demonstrated by the 54th spurred Congress to authorize the raising of Black soldiers throughout the Union. Over 180,000 volunteered and President Abraham Lincoln credited them with helping to turn the tide of the war.

Colonel Robert Gould Shaw in May 1863

Matthew Broderick portrays Shaw in Glory.

• Matthew Broderick as Colonel Robert Gould Shaw
• Denzel Washington as Private Silas Trip
• Cary Elwes as Major Cabot Forbes
• Morgan Freeman as Sergeant Major John Rawlins
• Andre Braugher as Corporal Thomas Searles
• Jihmi Kennedy as Private Jupiter Sharts
• Cliff DeYoung as Colonel James Montgomery
• Alan North as Governor John Albion Andrew
• John Finn as Sergeant Major Mulcahy
• Mark Margolis as 10th Connecticut Soldier
• RonReaco Lee as Mute Drummer Boy
• Donovan Leitch as Captain Charles Fessenden Morse
• Bob Gunton as General Charles Garrison Harker
• Jay O. Sanders as General George Crockett Strong
• Raymond St. Jacques as Frederick Douglass
• Richard Riehle as Quartermaster
• JD Cullum as Henry Sturgis Russell
• Christian Baskous as Edward L. Pierce
• Peter Michael Goetz as Francis Shaw
• Jane Alexander as Sarah Blake Sturgis Shaw (uncredited)

The title of the film recalls the "glory" for which the July 28, 1863, edition of the weekly Columbus Enquirer reported that First-Sergeant Robert John Simmons, mortally wounded at Battery Wagner, came to fight (Simmons himself wrote, in an account of the Battle of Grimball's Landing that was published in the New York Tribune on December 23, 1863: "God has protected me through this, my first fiery, leaden trial, and I do give Him the glory").^[3][4]

Lincoln Kirstein had first approached Lloyd Fonvielle to write the script. Fonvielle was too in awe of Kirstein to collaborate effectively with him and introduced Kirstein to his friend, Kevin Jarre, who had worked on Rambo: First Blood Part II; they were originally going to write the script together, but Fonvielle got tied up in another project, leaving Jarre to write the script on his own.^[5]

A Civil War buff since he was a child, Jarre met with Kirstein and talked about the 54th. As Jarre stated: "Lincoln’s interest was deeper. It related to his whole philosophy about surrendering yourself to something bigger, some larger cause. He’d always wanted to make a movie about the 54th".^[6]

Jarre's inspiration for writing the film came from viewing the monument to Colonel Shaw and the 54th Massachusetts Volunteer Infantry in Boston Common. His screenplay was based on several sources, including the books Brave Black Regiment - History of the fifty-forth Regiment of Massachusetts Volunteer Infantry (1891) by the 54th's Captain Luis F. Emilio, Lincoln Kirstein's Lay This Laurel (1973), and Peter Burchard's One Gallant Rush (1965), as well as the personal letters of Robert Gould Shaw.^[7][8][9]

Jarre moved into Room 421 at the Gramercy Park Hotel and worked around the clock, writing the script in a few weeks on spec.^[6][5]

Kirstein showed the script to producer James Ivory of Merchant Ivory Productions.^[6] Ivory liked the script but wanted Ruth Prawer Jhabvala to give it a rewrite. According to Fonvielle, Kirstein then got up, shook Ivory’s hand warmly, pulled him to his feet, said, “Jim, thanks so much for coming down,” and ushered him out the front door.^[5]

The script was then sent to director Bruce Beresford, who committed to do it and brought in producer Freddie Fields, who then set up a deal at Columbia Pictures,^[6] but when David Puttnam left Columbia, pre-production had stopped. Beresford left the project, and Fields then took the script to Tri-Star. The studio agreed to do the film and hired Edward Zwick as director.^[10][6]

Exterior filming took place primarily in Massachusetts and Georgia. The culminating battle scene of Fort Wagner was filmed on the beaches of Jekyll Island, Georgia. Opening scenes meant to portray the Battle of Antietam show volunteer military reenactors filmed at a major engagement at the Gettysburg battlefield. The scenes depicting the Battle of Grimball's Landing were filmed at Olustee Battlefield Historic State Park.^[11] Later in the war, the 54th Massachusetts did fight at the this battle, but it is not depicted in the movie. Zwick did not want to turn Glory "into a black story with a more commercially convenient white hero".^[12] Actor Morgan Freeman noted: "We didn't want this film to fall under that shadow. This is a picture about the 54th Regiment, not Colonel Shaw, but at the same time the two are inseparable".^[12] Zwick hired the writer Shelby Foote as a technical adviser. Foote later became widely known for his contributions to Ken Burns' PBS nine-episode documentary, The Civil War (1990).^[12]

Glory was the first major motion picture to tell the story of black U.S. soldiers fighting for their freedom from slavery during the Civil War. The 1965 James Stewart film Shenandoah also depicted black soldiers fighting for the Union, but the script suggested the Union army at that time was integrated.

On February 16, 1989, the body of a middle-aged man was discovered on the film's set in Savannah, about a day after his death. Described as having a Middle Eastern appearance, with no apparent signs of suffering a violent death, he was never positively identified.^[13]

Glory's original motion picture soundtrack was released by Virgin Records on January 11, 1990. The score for the film was composed and orchestrated by James Horner in association with the Boys Choir of Harlem.^[14][15] Jim Henrikson edited the film's music, while Shawn Murphy mixed the score.^[16]

A nonfiction study of the regiment first appeared in 1965 and was republished in paperback in January 1990 by St. Martin's Press under the title One Gallant Rush: Robert Gould Shaw and His Brave Black Regiment. The book, by Peter Burchard, expands on how the 54th Massachusetts developed as battle-ready soldiers.^[17] Summarizing the historical events, the book provides events surrounding the aftermath of the first Black Union regiment and how it influenced the outcome of the war.^[17]

On Rotten Tomatoes, the film holds an approval rating of 95%, based on 57 reviews, with an average rating of 8/10. The site's consensus states: "Bolstered by exceptional cinematography, powerful storytelling, and an Oscar-winning performance by Denzel Washington, Glory remains one of the finest Civil War movies ever made."^[18] On Metacritic, which uses a weighted average, the film holds a score of 78/100, based on 22 critics, indicating "generally favorable" reviews.^[19]

Film critic Vincent Canby's review in The New York Times stated, "[Broderick] gives his most mature and controlled performance to date ... [Washington is] an actor clearly on his way to a major screen career ... The movie unfolds in a succession of often brilliantly realized vignettes tracing the 54th's organization, training and first experiences below the Mason-Dixon line. The characters' idiosyncrasies emerge".^[7] Roger Ebert from the Chicago Sun-Times gave the film three-and-a-half stars out of four, calling it "a strong and valuable film no matter whose eyes it is seen through".^[8] He believed the production design credited to Norman Garwood and the cinematography of Freddie Francis paid "enormous attention to period detail".^[8]

Watching "Glory," I had one recurring problem. I didn't understand why it had to be told so often from the point of view of the 54th's white commanding officer. Why did we see the black troops through his eyes — instead of seeing him through theirs? To put it another way, why does the top billing in this movie go to a white actor?

— Roger Ebert, writing in the Chicago Sun-Times^[8]

Peter Travers of Rolling Stone was not impressed at all with the overall acting, calling Broderick "catastrophically miscast as Shaw".^[20] Alternatively, Richard Schickel of Time described the picture by saying, "the movie's often awesome imagery and a bravely soaring choral score by James Horner that transfigure the reality, granting it the status of necessary myth".^[21] Desson Howe of The Washington Post, pointed out some flaws that included mentioning Broderick as "an amiable non-presence, creating unintentionally the notion that the 54th earned their stripes despite wimpy leadership".^[22]

James Berardinelli writing for ReelViews, called the film "without question, one of the best movies ever made about the American Civil War", noting that it "has important things to say, yet it does so without becoming pedantic".^[23] Rating the film four stars, critic Leonard Maltin wrote that it was "grand, moving, breathtakingly filmed (by veteran cinematographer Freddie Francis) and faultlessly performed", calling it "one of the finest historical dramas ever made".^[24]

Gene Siskel of the Chicago Tribune gave the film a thumbs up review, saying, "like Driving Miss Daisy, this is another admirable film that turns out to be surprisingly entertaining". He thought the film took on "some true social significance" and felt the actors portrayed the characters as "more than simply black men". He explained: "They're so different, that they become not merely standard Hollywood blacks, but true individuals".^[25]

American Civil War historian James M. McPherson stated the film "accomplished a remarkable feat in sensitizing a lot of today's black students to the role that their ancestors played in the Civil War in winning their own freedom".^[26]

The film was nominated and won several awards in 1989–90.^[27][28] A complete list of awards the film won or was nominated for are listed below.

American Film Institute Lists

• AFI's 100 Years...100 Cheers – #31

The film premiered in cinemas on December 14, 1989, in limited release within the US. During its limited opening weekend, the film grossed $63,661 in business showing at three locations. Its official wide release began in theaters on February 16, 1990.^[2] Opening in a distant eighth place, the film earned $2,683,350 (~$5.53 million in 2023) showing at 801 cinemas. The film Driving Miss Daisy soundly beat its competition during that weekend opening in first place with $9,834,744.^[43] The film's revenue dropped by 37% in its second week of release, earning $1,682,720. For that particular weekend, the film remained in 8th place screening in 809 theaters not challenging a top five position. The film Driving Miss Daisy, remained in first place grossing $6,107,836 in box office revenue.^[44] Glory went on to top out domestically at $26,828,365 (~$57.4 million in 2023) in total ticket sales through a 17-week theatrical run.^[2] For 1989 as a whole, the film would cumulatively rank at a box office performance position of 45.^[45]

Following its release in theaters, the film was released on VHS video format on June 22, 1990.^[46] The Region 1 DVD widescreen edition of the film was released in the United States on January 20, 1998. Special DVD features include: interactive menus, scene selections, 1.85:1 anamorphic widescreen, along with subtitles in English, Italian, Spanish and French.^[47] A Special Edition DVD of the Film was released on January 30, 2001.

A special repackaged version of Glory was also officially released on DVD on January 2, 2007. It includes two discs featuring: widescreen and full screen versions of the film; Picture-in-Picture video commentary by director Ed Zwick and actors Morgan Freeman and Matthew Broderick; a director's audio commentary; and a documentary entitled, The True Story of Glory Continues narrated by Morgan Freeman. Also included are: an exclusive featurette entitled, Voices of Glory, an original featurette, deleted scenes, production notes, theatrical trailers, talent files, and scene selections.^[48]

The Blu-ray disc version of the film was released on June 2, 2009. Special features include: a virtual civil war battlefield, interactive map, The Voice of Glory feature, The True Story Continues documentary, the making of Glory, director's commentary, and deleted scenes.^[49] The film is displayed in widescreen 1.85:1 color format in 1080p screen resolution. The audio is enhanced with Dolby TrueHD sound and is available with subtitles in English, Spanish, French, and Portuguese.^[49] A UMD version of the film for the Sony PlayStation Portable was also released on July 1, 2008. It features dubbed, subtitled, and color widescreen format viewing options.^[50]

In 2019, on the film's 30th anniversary, Glory was re-released in over 600 theaters in the US. ^[51] There were many positive reviews noting its artistic impact. One article noted "the legacy of Zwick’s depiction of the 54th Massachusetts Regiment extends well beyond a 30th anniversary showcase. As a film both about the shared sacrifice of the men of the 54th and the work they left undone .... Glory is a distinctly American story—one so compelling that it has become part of the common curriculum in U.S. history classes across the nation."^[52]

• Aside from Shaw, none of the other members of the regiment seen in the movie are real people.^[53]
• The film portrays the 54th as having significant numbers of former slaves. In real life, the regiment was composed mostly of freedmen already living in the North, although some came from Canada and the West Indies.^[54] Many of these freed men were from prominent families, including two sons of Frederick Douglass, one of whom, Lewis, became the Sergeant Major.^[55]
• The film portrays Shaw as accepting the commission to command the 54th quickly, when in reality he initially rejected the Governor's commission, not wanting to leave his regiment and questioning whether the position would advance his career in the army.^[56]
• Although Shaw was an abolitionist, he nevertheless expressed racist viewpoints toward Black people, repeatedly referring to them by racial slurs in his letters.^{[57][original research?]}
• The regiment did not struggle with being equipped properly. As a favored project of the Massachusetts governor, the regiment was provided everything it required from the outset.^[53]
• In the movie a soldier is whipped. Flogging was not permitted in the Union army and no such event ever occurred involving the USCT.^[53]
• In terms of the unequal pay, Shaw had already been informed that Black soldiers would only receive $10 while in South Carolina, and protested to his father and to the governor, not by tearing up his voucher.^[53] This issue was not resolved at the time as shown in the film, and problems arising from the unfair pay continued for the remainder of the war.^[58]
• Although not depicted in the film, Shaw married Annie Kneeland Haggerty just before the regiment departed for service in South Carolina.^[59]
• The soldiers are depicted as celebrating Christmas in the snow, however the 54th began recruitment in February 1863, and Shaw died at Fort Wagner in July 1863, meaning there was no possibility of Christmas during that period.^[60]
• In the final assault on Fort Wagner, the 54th is shown attacking southward, with the ocean on their left. In reality, they attacked northward with the ocean on their right.^[53][61]
• Although the post-script claims that Fort Wagner never fell to Union troops, this is inaccurate as Confederate troops abandoned the fort after bombardment and shelling from the Union Navy in September 1863.^[62]
• Although the fictional Cabot Forbes is portrayed as being Shaw's best friend and second-in-command, the real second-in-command was Edward Hallowell, who became commander of the 54th after Shaw's death.^[63]
• Charles Garrison Harker was ranked Major General in the film. In reality, he never attained that rank nor was involved in the campaigns around Charleston. Additionally, the real life Harker was only 25 in 1863, not in his early 40s as portrayed in the movie.

• Denzel Washington filmography
• List of films featuring slavery
• List of films and television shows about the American Civil War
• 1989 in film

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