Grandmaster | |
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Russian: Гроссмейстер | |
Directed by | Sergey Mikaelyan |
Written by | Leonid Zorin |
Starring | |
Cinematography | Yevgeni Mezentsev |
Music by | Veniamin Basner |
Production company | |
Release date |
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Running time | 87 min. |
Country | Soviet Union |
Language | Russian |
Grandmaster (Russian: Гроссмейстер, romanized: Grossmeyster) is a 1972 Soviet sports drama film directed by Sergey Mikaelyan.[1][2][3]
The film tells about the emotional chess player Sergey Khlebnikov, who does not play for the sake of victory. And suddenly he becomes the winner of the international match of applicants.[4]
The film begins with a chess game being broadcast to an audience, among whom is young Sergey Khlebnikov and his father. Engrossed in the analysis of the match, Sergey’s father is hit by a car and dies on their way home. Even at the funeral, Sergey is absorbed in solving a chess problem. Left with his mother, Sergey dedicates himself entirely to chess. In childhood, he was close with a girl named Lena, and years later, they meet again, sparking a romantic connection. However, Lena's move to a different city separates them.
Years later, during a simultaneous chess exhibition, Sergey notices Lena among the players; she is now Elena Andreevna Dontsova, a translator. They rekindle their relationship and marry, but their life together suffers as Sergey’s dedication to chess eclipses his marriage, leading to their separation. Four years pass, during which Sergey’s coach, Viktor, advises him to focus more on results than on the aesthetic beauty of the game. Sergey achieves the grandmaster title and excels in tournaments. His old friend, Gena Orlov, follows his career and encourages him to reach out to Lena. Returning from an international competition, Sergey visits her, but they struggle to reconnect and part ways. Sergey advances to the final round of the Candidates Tournament for the World Championship title in Moscow. The entire country watches the match with bated breath. Lena tries to attend but ends up following from outside. In a tense final game, playing with the black pieces and under time pressure, Sergey skillfully sacrifices material to deliver a checkmate against an opponent with a substantial material advantage. The film concludes with Sergey and Viktor passionately analyzing the accuracy of the sacrifice on the street, as Lena watches them from afar.