Han Byungho | |
---|---|
Born | Seoul, South Korea | October 7, 1962
Occupation | Illustrator |
Language | Korean |
Nationality | South Korea |
Genre | Children’s Picture Books |
Notable works |
|
Han Byoungho (born October 7, 1962) is one of the pioneers of the second generation of picture book artists in Korea. He developed distinctive characters inspired by dokkaebi (mythological spirits) through his book Dokkaebi and the Pumpkin Porridge Seller published in 1992 illustrated in the style of traditional Korean painting. Afterward, Han created a number of picture books featuring varied dokkaebi characters, earning him the nickname “dokkaebi artist.” Moreover, based on deep curiosity and keen observations of nature, he published books about nature awareness such as When You Go to Misan Valley and The Day When Baby Otter Came, building his reputation as a picture book artist spotlighting the wonders of nature and ecology. Han also has a particular interest in antiques and creates diverse works and presents exhibitions on old items. He was nominated as the Korean candidate for the 2014 Hans Christian Andersen Award,[1] frequently referred to as the Nobel Prize for children's literature.
Han Byoungho was born in Seoul in 1962. Upon receiving a Bachelor of Fine Arts in Oriental Painting from the Chugye University for the Arts, he began his professional career as an illustrator when he found employment at the stationery company Barunson Co., Ltd. In 1988, he participated in the children's book workshop hosted by the Korean Book Art Association and received attention for his work depicting dokkaebi in a style highlighting the characteristics of traditional Korean painting. Since then, he has illustrated dokkaebi in a wide variety of ways, earning the title “dokkaebi artist.” While working as a picture book artist for more than thirty years, Han has produced some 180 books. With a profound interest in the natural ecosystem, he is taking an active role in introducing the beautiful natural environment of Korea through works such as When You Go to Misan Valley. In addition, he has been collecting antiques for the past thirty years and is experimenting with images of antiques, incorporating them in his picture books. In 2006, he established the illustration institute Kkoktu with his colleagues and since then has been dedicating efforts to fostering illustrators and picture book artists.
Han Byoung Ho made his debut as a picture book artist in 1992 with Dokkaebi and the Pumpkin Porridge Seller, depicting Korean mythological spirits, dokkaebi, in the style of traditional Korean painting. In 1997, he received the Art Prize of the Sixth Children's Culture Award for his picture book Dokkaebi’s Magic Club, which was later translated into English, French, Russian, Chinese, and Japanese. In 2002, he was awarded the Grand Prize at the Biennale of Asian Illustrations Japan for Cock-a-doodle-doo Is Scary!, and in 2004, he was awarded the Grand Prize for Korean Creative Illustration for When You Go to Misan Valley. In 2005, Han became the first Korean to receive a Golden Apple at the Biennial of Illustration Bratislava (BIB) for I Wish I Were a Bird,[2] which was published in 2004. The book was selected for the IBBY Honour List in 2006.[3] Han was nominated as the Korean candidate for the Hans Christian Andersen Award in 2014.[4] Beginning with the international exhibition of illustration in 1992, Han has presented his illustrations in exhibitions in countries including Japan, France, and Italy, engaging with readers across the world.
Over the thirty years of his career as a professional illustrator, Han Byoungho has constantly experimented with diverse techniques and styles. The vast number of books that he published has been a result of endless research illustration styles that best harmonize with the text and narrative. The dokkaebi characters illustrated with a distinctive style inspired by traditional Korean painting that he first presented in 1992 garnered a lot of attention. His main artistic technique involves coloring on jangji, a type of traditional Korean paper. He particularly enjoys using ink. Depending on the picture book that he is working on, Han uses different mediums and techniques including ink wash, watercolor, pen drawing, acrylic, etching, lithography, and collage. In addition, he has been creating his picture book characters into sculptural installations.